My Life in Music

~ Release by Michael Parkinson (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleArtistRatingLength
1I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1963-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Frank Sinatra43:17
2FeverMichael Bublé43:54
3These Are the Days
alto saxophone:
Alan Barnes (English jazz musician)
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2004)
recording of:
These Are the Days
lyricist and composer:
Ben Cullum
publisher:
Ben Cullum Music Ltd. and EMI Music Publishing (do not use as a release label!)
Jamie Cullum4.53:23
4Let’s Fall in Love
producer:
Tommy LiPuma and Johnny Mandel (American composer and arranger)
double bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
vibraphone:
Larry Bunker
conductor:
Eddie Karam and Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
Diana Krall4:20
5Downtown Train
producer:
Trevor Horn
cover recording of:
Downtown Train
lyricist and composer:
Tom Waits
Rod Stewart4:39
6Rocket Man
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
guitar:
Davey Johnstone
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
synthesizer:
David Hentschel
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1972)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 149) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John4.054:42
7Moondance
executive producer:
Lewis Merenstein
producer:
Van Morrison
mixer:
Elliot Scheiner (in 1969-12)
lead vocals:
Van Morrison (in 1969)
phonographic copyright (℗) by:
Exile Productions Ltd. (not for Label Release) (in 1970) and Warner Bros. Records, Ltd. (UK holding, not for label use) (in 1970)
produced for:
Inherit Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1969-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 226)
recording of:
Moondance (in 1969)
lyricist and composer:
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (from 1970 until 1971), WB Music Corp. (1929–2019) (from 1970 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison3.84:36
8I Should Care
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I Should Care (in 1955-08)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Julie London43:17
9Getting Some Fun Out of Life
recording engineer and engineer:
Michael O’Reilly (engineer)
producer:
Yves Beauvais and Greg Cohen
bass:
Steve Kirby (American jazz bassist)
drums (drum set):
Leon Parker
guitar:
Madeleine Peyroux (US jazz singer & songwriter)
piano:
Cyrus Chestnut (American jazz composer and pianist)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
recorded at:
Unique Studios in Manhattan, New York, New York, United States
cover recording of:
(Getting Some) Fun Out of Life
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
Madeleine Peyroux33:15
10Englishman in New York
producer:
Neil Dorfsman and Sting (singer, songwriter & member of The Police)
assistant mixer:
Mark McKenna (engineer) and Bob Vogt
mixer:
Neil Dorfsman and Hugh Padgham
lead vocals:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1997)
music videos:
Englishman in New York by Sting (singer, songwriter & member of The Police)
recording of:
Englishman in New York
lyricist and writer:
Gordon Matthew Sumner (singer, songwriter & member of The Police)
publisher:
Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sting44:23
11But Not for Me
recorded in:
Los Angeles, California, United States (on 1957-01-07)
engineer:
Val Valentin (on 1957-01-07)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
But Not for Me (on 1957-01-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Billie Holiday43:50
12Sometimes I’m Happy
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
Nat King Cole4:12
13Just in Time
vocals:
Peggy Lee (jazz vocalist) (on 1957-12-05)
orchestra:
Nelson Riddle and His Orchestra (on 1957-12-05)
conductor:
Nelson Riddle (on 1957-12-05)
cover recording of:
Just in Time (Bells Are Ringing) (on 1957-12-05)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
Peggy Lee2:53
14They Say It’s Wonderful
Jimmy Scott4:05
15Tuxedo Junction
associate producer:
Janis Siegel
producer:
Tim Hauser
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
live recording of:
Tuxedo Junction
lyricist:
Buddy Feyne
writer:
Dash, Feyne, Hawkins and Johnson (US jazz alto saxophonist, clarinetist & arranger)
composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne and Erskine Hawkins
The Manhattan Transfer3:06
16Ten Cents a Dance
double bass:
Ralph Peña (on 1960-06-08)
drums (drum set):
Irv Cottler (on 1960-06-08)
guitar:
Al Hendrickson (on 1960-06-08)
piano:
Joe Castro (on 1960-06-08)
saxophone:
Chuck Gentry (on 1960-06-08), Justin Gordon (on 1960-06-08), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-06-08) and Wilbur Schwartz (on 1960-06-08)
trombone:
Ed Kusby (on 1960-06-08), Murray McEachern (on 1960-06-08), Pullman “Tommy” Pederson (on 1960-06-08) and Bill Schaefer (on 1960-06-08)
trumpet:
Pete Candoli (on 1960-06-08), Conrad Gozzo (on 1960-06-08) and Uan Rasey (on 1960-06-08)
vocals:
Anita O’Day (on 1960-06-08)
recording of:
Ten Cents a Dance (on 1960-06-08)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
part of:
Simple Simon
Anita O’Day2:18
17(It’s Only a) Paper Moon
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass:
John Patitucci
drums (drum set):
Dave Weckel
piano:
Joe Sample
vocals:
Natalie Cole
arranger:
Ralph Burns
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Natalie Cole3:26
18Who Will Buy?
cover recording of:
Who Will Buy? (Oliver!)
lyricist and composer:
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. and TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Aaron Neville4:19
19Sophisticated Lady
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Sophisticated Lady (on 1961-07-18)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan3:54
20Come Rain or Come ShineFrank Sinatra6:39
2CD
#TitleArtistRatingLength
1Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:54
2Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:57
3The Way You Look Tonight
vocals:
Michael Bublé
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Michael Bublé44:40
4My Funny Valentine
Dinah Shore3:36
5This Masquerade
cover recording of:
This Masquerade
lyricist and composer:
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
George Benson3:23
6One Day I’ll Fly Away
assistant engineer:
Hill Swimmer
engineer:
Jeremy Smith (producer/engineer)
bass:
Wilton Felder and Abraham Laboriel
drums (drum set):
Mike Baird (drummer) and Stix Hooper
guitar:
Roland Bautista, Tim May (session/jazz guitarist), Dean Parks (American session guitarist) and David T. Walker
keyboard:
Joe Sample
percussion:
Eddie “Bongo” Brown and Paulinho da Costa (Brazilian percussionist)
trumpet:
Oscar Brashear
background vocals:
Melvin Franklin, Julia Tillman, Gwen Owens (R&B singer Gwendolyn Louise Owens) and Maxine Waters
vocals:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Randy Crawford34:58
7Here’s That Rainy Day
cover recording of:
Here’s That Rainy Day
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dionne Warwick3:36
8Late in the Evening
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
mixer:
Phil Ramone
acoustic guitar:
Hugh McCracken
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Eric Gale
percussion:
Ralph MacDonald
background vocals and lead vocals:
Paul Simon (of Simon & Garfunkel)
brass [horns] arranger:
Dave Grusin (American pianist and score composer)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1980)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Late in the Evening
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Paul Simon Music (in 1980)
part of:
One‐Trick Pony (1980 film soundtrack)
Paul Simon43:56
9Short People
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass:
Klaus Voorman (from 1977-07 until 1977-09)
congas:
Milt Holland (from 1977-07 until 1977-09)
drums (drum set):
Jim Keltner (from 1977-07 until 1977-09)
guitar:
Waddy Wachtel (from 1977-07 until 1977-09)
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (from 1977-07 until 1977-09), J.D. Souther (from 1977-07 until 1977-09) and Tim Schmit (from 1977-07 until 1977-09)
conductor:
Randy Newman (American singer‐songwriter and score composer) (from 1977-07 until 1977-09)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
remixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 41)
recording of:
Short People (from 1977-07 until 1977-09)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Hightree Music (in 1977)
Randy Newman42:57
10You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:20
11Josephine
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
recording of:
Josephine
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea3.54:33
12Makin’ Whoopee
engineer:
Allen Sides
producer:
Tommy LiPuma
mixer:
Bill Schnee
acoustic guitar:
Paul Jackson (guitar)
bass guitar:
Abraham Laboriel
drums (drum set):
Harvey Mason (jazz drummer)
guitar:
Hugh McCracken
keyboard:
Dr. John (New Orleans blues pianist, singer and songwriter)
solo saxophone:
Joel Peskin
synthesizer:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
vocals:
Dr. John (New Orleans blues pianist, singer and songwriter) and Rickie Lee Jones
brass [horns] arranger:
Ralph Burns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1989)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
recording of:
Makin’ Whoopee!
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Dr. John3.54:11
13Splanky Live
Count Basie3:54
14Hello, Young Lovers
recording of:
Hello, Young Lovers (The King and I)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd.
part of:
The King and I (Rodgers & Hammerstein musical)
Bobby Darin2:54
15Love for Sale (live)
live recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Buddy Rich4:39
16Pick Yourself Up
Mel Tormé, Gerry Mulligan & George Shearing4:27
17Because of YouTony Bennett4:04
18Teach Me Tonight
recording engineer:
Ken Freeman (US sound engineer)
associate producer:
Kevin Mahogany
producer:
Matt Pierson (producer)
mixer:
James A. Farber (sound engineer)
bass:
Charles Fambrough
drums (drum set):
Billy Kilson (American jazz drummer)
piano:
Bob James (US jazz keyboardist, arranger and producer)
tenor saxophone:
Kirk Whalum
vocals:
Kevin Mahogany
arranger:
Bob James (US jazz keyboardist, arranger and producer)
cover recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Kevin Mahogany4:24
19Can’t We Be Friends?
cover recording of:
Can’t We Be Friends?
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Sammy Davis Jr.2:55
20Change Partners
recorded in:
Hollywood, Los Angeles, California, United States (on 1967-01-30)
engineer:
Lee Herschberg
co-producer:
Ray Gilbert
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Ralph Peña
cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) and Nino Rosso (cellist)
drums (drum set):
Irv Cottler and Dom Um Romão
guitar:
Al Viola (, on 1967-01-30)
percussion:
Colin Bailey (drummer)
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Arthur Gleghorn and Bud Shank
trombone:
Dick Noel (trombone)
violin:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross and Ralph Schaeffer
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1967-01-30)
conductor:
Claus Ogerman (on 1967-01-30)
arranger:
Claus Ogerman
cover recording of:
Change Partners (from “Carefree”) (on 1967-01-30)
lyricist and composer:
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
Frank Sinatra2:41

Credits

Release

ASIN:UK: B001HB9P5M [info]