Live at Ronnie Scott’s

~ Release by Bill Evans (see all versions of this release, 2 available)

Tracklist

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1Digital Media
#TitleRatingLength
1A Sleepin’ Bee
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (in 1968-07)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
4:58
2You’re Gonna Hear From Me (version 1)
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
You’re Gonna Hear From Me (in 1968-07)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
3:01
3Yesterdays
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Yesterdays (in 1968-07)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:53
4Turn Out the Stars
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live recording of:
Turn Out the Stars (in 1968-07)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
4:46
5My Man’s Gone Now
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (in 1968-07)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
5:54
6Emily (version 1)
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (in 1968-07)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:47
7Spring Is Here
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Spring Is Here (in 1968-07)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:59
8Embraceable You
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Embraceable You (in 1968-07)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
5:59
9For Heaven’s Sake
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live cover recording of:
For Heaven’s Sake (in 1968-07)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:25
10Someday My Prince Will Come
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Someday My Prince Will Come (in 1968-07)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
6:27
2Digital Media
#TitleRatingLength
1Quiet Now
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live cover recording of:
Quiet Now (in 1968-07)
composer:
Denny Zeitlin
publisher:
Ludlow Music, Ludlow Music, Inc. and TRO Essex Music Ltd.
5:49
2’Round Midnight
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
’Round Midnight (in 1968-07)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:53
3Stella by Starlight
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Stella by Starlight (in 1968-07)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
3:58
4Alfie
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Alfie (in 1968-07)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:24
5You’re Gonna Hear From Me (version 2)
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
You’re Gonna Hear From Me (in 1968-07)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
3:21
6Very Early
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live recording of:
Very Early (in 1968-07)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
5:01
7Emily (version 2)
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (in 1968-07)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:14
8Waltz for Debby
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live recording of:
Waltz for Debby (instrumental) (in 1968-07)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
4:58
9Autumn Leaves
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1968-07)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
4:35
10Nardis
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (in 1968-07)
live cover recording of:
Nardis (in 1968-07)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:20

Credits

Release

manufactured in:United States
executive producer:George Klabin (engineer and producer)
producer:Jack DeJohnette
Zev Feldman (producer and author)
artwork:David Stone Martin
copyrighted (©) by and phonographic copyright (℗) by:Resonance Records (jazz) (in 2020)
Discogs:https://www.discogs.com/release/16361604 [info]