Tracklist

| |
1Digital Media
#TitleArtistRatingLength
1Leonore, op. 72a: Ouverture (II)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven11:51
2Leonore, op. 72a, Erster Aufzug, Erster Auftritt: Dial. 1 „Ich liebe dich, so wie du mich" (Marzelline, Jaquino)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven1:57
3Leonore, op. 72a, Erster Aufzug, Erster Auftritt: Nr. 1. Arie „O wär’ ich schon mit dir vereint" (Marzelline)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. No. 1 Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven3:20
4Leonore, op. 72a, Erster Aufzug, Erster Auftritt: Dial. 2 „Ich komme zu gar nichts mehr!" (Marzelline, Rocco, Jaquino)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven0:35
5Leonore, op. 72a, Erster Aufzug, Erster Auftritt: Nr. 2. Duett „Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven3:59
6Leonore, op. 72a, Erster Aufzug, Erster Auftritt - Zweiter Auftritt: Dial. 3 „Nein, nein und nochmals nein" (Marzelline, Jaquino) - „Schon wieder Krach, ihr Beiden?" (Rocco, Marzelline, Jaquino)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven1:58
7Leonore, op. 72a, Erster Aufzug, Zweiter Auftritt: Nr. 3. Terzett „Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven3:00
8Leonore, op. 72a, Erster Aufzug, Zweiter Auftritt - Dritter Auftritt: Dial. 4 „Ist Fidelio noch immer nicht zurück, Marzelline?" (Rocco, Jaquino, Marzelline) - „Das hat ewig gedauert" (Marzelline, Rocco, Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. "Ist Fidelio noch nicht nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven1:21
9Leonore, op. 72a, Erster Aufzug, Dritter Auftritt: Nr. 4. Quartett „Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven3:27
10Leonore, op. 72a, Erster Aufzug, Dritter Auftritt: Dial. 5 „Es ist klar, sie liebt mich" (Leonore, Rocco, Marzelline)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven0:45
11Leonore, op. 72a, Erster Aufzug, Dritter Auftritt: Nr. 5. Arie „Hat man nicht auch Gold beineben" (Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. No. 5 Aria "Hat man nicht auch Gold beineben" (Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven2:30
12Leonore, op. 72a, Erster Aufzug, Dritter Auftritt: Dial. 6 „Es ist ein mächtig Ding: Das Gold!" (Marzelline, Leonore, Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven1:50
13Leonore, op. 72a, Erster Aufzug, Dritter Auftritt: Nr. 6. Terzett „Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven6:23
14Leonore, op. 72a, Zweiter Aufzug: Tarpeja, WoO 2b. Alla marcha, ma non troppo presto
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. No. 7 March (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven1:33
15Leonore, op. 72a, Zweiter Aufzug, Erster Auftritt: Dial. 8 „Hauptmann, ich will drei Schildwachen auf dem Wall" (Pizarro, Hauptmann, Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
baritone vocals [Don Pizarro]:
Johannes Weisser (Norwegian baritone) (in 2017-11)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven1:34
16Leonore, op. 72a, Zweiter Aufzug, Erster Auftritt: Nr. 8. Arie mit Chor „Ha! Welch ein Augenblick!" (Pizarro, Die Wachen)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
baritone vocals [Don Pizarro]:
Johannes Weisser (Norwegian baritone) (in 2017-11)
choir vocals:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven3:03
17Leonore, op. 72a, Zweiter Aufzug, Erster Auftritt: Dial. 9 „Hauptmann, kommen Sie!" (Pizarro, Hauptmann, Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
baritone vocals [Don Pizarro]:
Johannes Weisser (Norwegian baritone) (in 2017-11)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. "Rocco!" (Pizarro, Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven0:44
18Leonore, op. 72a, Zweiter Aufzug, Erster Auftritt: Nr. 9. Duett „Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
baritone vocals [Don Pizarro]:
Johannes Weisser (Norwegian baritone) (in 2017-11)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven4:45
19Leonore, op. 72a, Zweiter Aufzug, Zweiter Auftritt: Dial. 10 „Ich bin zu feige, ihr die Wahrheit zu sagen" (Leonore, Marzelline)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven0:46
20Leonore, op. 72a, Zweiter Aufzug, Zweiter Auftritt: Nr. 10. Duett „Um in der Ehe froh zu lebe" (Marzelline, Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. No. 10 Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven5:10
21Leonore, op. 72a, Zweiter Aufzug, Zweiter Auftritt - Dritter Auftritt: Dial. 11 „Komm Fidelio, wir gehen spazieren" (Marzelline, Leonore) - „Wie grausam, dieses liebenswürdige Mädchen" (Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven2:07
22Leonore, op. 72a, Zweiter Aufzug, Dritter Auftritt: Nr. 11. Rezitativ und Arie „Ach, brich noch nicht, du mattes Herz!" (Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven7:28
2Digital Media
#TitleArtistRatingLength
1Leonore, op. 72a, Zweiter Aufzug, Dritter Auftritt: Nr. 12. Finale „O, welche Lust, in freier Luft" (Gefangene)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven6:22
2Leonore, op. 72a, Zweiter Aufzug, Dritter Auftritt: „Nun sprecht, wie ging’s?" (Leonore, Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven4:27
3Leonore, op. 72a, Zweiter Aufzug, Dritter Auftritt: „Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro, Chor der Wachen)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
baritone vocals [Don Pizarro]:
Johannes Weisser (Norwegian baritone) (in 2017-11)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
choir vocals:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven4:51
4Leonore, op. 72a, Dritter Aufzug, Erster Auftritt: Nr. 13. Introduction und Arie „Gott! Welch Dunkel hier!" (Florestan)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
tenor vocals [Florestan]:
Maximilian Schmitt (German tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
recording of:
Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven9:42
5Leonore, op. 72a, Dritter Aufzug, Zweiter Auftritt: Nr. 14. Melodram und Duett „Eiskalt ist es hier!" (Leonore, Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven5:34
6Leonore, op. 72a, Dritter Aufzug, Zweiter Auftritt: Dial. 15 „Er macht die Augen auf!" (Leonore, Rocco, Florestan)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
tenor vocals [Florestan]:
Maximilian Schmitt (German tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven2:49
7Leonore, op. 72a, Dritter Aufzug, Zweiter Auftritt: Nr. 15. Terzett „Euch were Lohn in bessern Welten" (Florestan, Rocco, Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
tenor vocals [Florestan]:
Maximilian Schmitt (German tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven5:14
8Leonore, op. 72a, Dritter Aufzug, Zweiter Auftritt - Dritter Auftritt: Dial. 16 „Alles ist bereit" (Rocco, Leonore, Florestan) - „Ist alles bereit?" (Pizarro, Rocco)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
baritone vocals [Don Pizarro]:
Johannes Weisser (Norwegian baritone) (in 2017-11)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
tenor vocals [Florestan]:
Maximilian Schmitt (German tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven1:02
9Leonore, op. 72a, Dritter Aufzug, Dritter Auftritt - Vierter Auftritt: Nr. 16. Quartett „Er sterbe!" (Pizarro...) - Dial. 17 „Folge mir Rocco!" (Pizarro...) - „Die Waffe hab’ ich mir nehmen lassen" (Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
baritone vocals [Don Pizarro]:
Johannes Weisser (Norwegian baritone) (in 2017-11)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
recording of:
Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven5:14
10Leonore, op. 72a, Dritter Aufzug, Vierter Auftritt: Nr. 17. Recitativ und Duett „Ich kann mich noch nicht fassen" (Florestan, Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
tenor vocals [Florestan]:
Maximilian Schmitt (German tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven8:59
11Leonore, op. 72a, Dritter Aufzug, Vierter Auftritt: Dial. 18. „Durch welches Wunder gelang es dir" (Florestan, Leonore)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
tenor vocals [Florestan]:
Maximilian Schmitt (German tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven0:28
12Leonore, op. 72a, Dritter Aufzug, Vierter Auftritt - Letzter Auftritt: Nr. 18. Finale „Zur Rache, wir müssen ihn seh’n!" (Chor) - „Zur Rache, zur Rache!" (Chor, Rocco, Florestan, Leonore, Fernando, Jaquino, Marzelline)
engineer:
René Möller
producer:
Martin Sauer (engineer/producer)
bass vocals [Don Fernando]:
Tareq Nazmi (bass singer) (in 2017-11)
bass vocals [Rocco]:
Dimitry Ivashchenko (in 2017-11)
choir vocals:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
soprano vocals [Leonore]:
Marlis Petersen (German soprano) (in 2017-11)
soprano vocals [Marzelline]:
Robin Johannsen (soprano) (in 2017-11)
tenor vocals [Florestan]:
Maximilian Schmitt (German tenor) (in 2017-11)
tenor vocals [Jaquino]:
Johannes Chum (tenor) (in 2017-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2017-11)
conductor:
René Jacobs (conductor) (in 2017-11)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2017-11)
recording of:
Leonore: Act III. No. 18 Finale ''Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) (in 2017-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
Ludwig van Beethoven15:13