The Colpix Singles

~ Release by Nina Simone (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleRatingLength
1Chilly Winds Don’t Blow
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
recording of:
Chilly Winds Don’t Blow (in 1959)
writer:
Hecky Krasnow and Bill Lovelock (songwriter)
is based on:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
42:46
2Solitaire
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Solitaire (in 1959)
writer:
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) and Carl Nutter
53:24
3Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 133)
42:49
4Willow Weep For Me
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.353:10
5The Other Woman
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.52:57
6It Might as Well Be Spring
producer:
Hecky Krasnow
conductor:
Bob Mersey
arranger:
Bob Mersey
edit of:
It Might as Well Be Spring by Nina Simone
cover recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:16
7Summertime
piano:
Nina Simone
vocals:
Nina Simone
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
edit of:
Summertime (live, 1959‐09‐12: The Town Hall, New York City, NY, USA) by Nina Simone
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1959-09-12)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:51
8Fine and Mellow
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano and lead vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Fine and Mellow (on 1959-09-12)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:25
9Since My Love Has Gone
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
recording of:
Since My Love Has Gone
writer:
Jack Aaron (co-writer of "Since My Love Has Gone") (in 1951) and Herbert Wasserman (jazz drummer) (in 1951)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
publisher:
Dartmouth Music (ASCAP)
is based on:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
2:48
10Tomorrow (We Will Meet Once More)
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
recording of:
Tomorrow (We Will Meet Once More) (in 1959-04)
writer:
Stephen Gale and Jerry Silverman
43:03
11Under the Lowest
recording of:
Under the Lowest
composer:
Nina Simone
3:10
12If Only for Tonight
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
3:03
13Nobody Knows You When You’re Down and Out
conductor:
Stu Phillips (US TV/film composer, conductor & producer)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (in 1960)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
2:40
14Black Is the Color of My True Love’s Hair
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall")
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (on 1959-09-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
43:31
2▼CD
#TitleRatingLength
1Trouble in Mind
edit of:
Trouble in Mind (live, 1960‐06‐30: Newport, Rhode Island, USA) by Nina Simone
cover recording of:
Trouble in Mind
lyricist and composer:
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
2:11
2Cotton Eyed Joe
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
22:51
3Work Song
producer:
Cal Lampley
double bass [bass]:
Chris White (jazz bassist)
drums (drum set) [drums]:
Bob Hamilton (percussionist, keyboards, vocals)
guitar:
Al Schackman
vocals:
Nina Simone
edit of:
Work Song (1961 version) by Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
2:07
4Memphis in June
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Memphis in June (in 1961)
lyricist:
Paul Francis Webster (in 1945)
composer:
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1945), Universal Music Publishing International Ltd. (in 1945) and Webster Music Co. (in 1945)
52:39
5You Can Have Him
cover recording of:
You Can Have Him
lyricist and composer:
Irving Berlin (in 1949)
3:37
6Gin House Blues
cover recording of:
Gin House Blues
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
2:26
7Come On Back Jack
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
Come on Back, Jack
lyricist:
Earl S. Shuman (composer / lyricist)
composer:
Leon Carr
2:16
8You’ve Been Gone Too Long
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
You’ve Been Gone Too Long (in 1959)
lyricist and composer:
Brother John Sellers
52:11
9In the Evening by the Moonlight
producer:
Stu Phillips (US TV/film composer, conductor & producer)
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
In the Evening by the Moonlight (1879 song)
lyricist and composer:
James A. Bland (in 1879)
2:13
10I Want a Little Sugar in My Bowl
producer:
Stu Phillips (US TV/film composer, conductor & producer)
conductor:
Ralph Burns
arranger:
Ralph Burns
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
live recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
2:44
11I Got It Bad (And That Ain’t Good)
producer:
Stu Phillips (US TV/film composer, conductor & producer)
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
3:38
12Little Liza Jane
producer:
Stu Phillips (US TV/film composer, conductor & producer)
arranger:
Nina Simone
cover recording of:
Little Liza Jane
lyricist and composer:
[traditional] (special purpose artist)
2:31
13Blackbird
producer:
Jack Lewis (jazz producer)
arranger:
Nina Simone
recording of:
Blackbird
writer:
Herbert Sacker and Nina Simone
3:54