Sinatra Swings (mono)

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 12 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
1Falling in Love With Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Falling in Love With Love (am 1961-05-19)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
1:53
2The Curse of an Aching Heart
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
The Curse of an Aching Heart (am 1961-05-18)
Texter:
Henry Fink
Komponist(in):
Al Piantadosi
publisher:
EMI Feist Catalog Inc.
2:09
3Don't Cry Joe
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
recording of:
Don’t Cry Joe (Let Her Go, Let Her Go, Let Her Go) (am 1961-05-23)
Texter und Komponist(in):
Joe Marsala
publisher:
Harms, Inc. (in 1949)
3:08
4Please Don't Talk About Me When I'm Gone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Please Don’t Talk About Me When I’m Gone (am 1961-05-18)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
2:59
5Love Walked In
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (am 1961-05-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
2:22
6Granada
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Joe Comfort (, am 1961-05-23)
Bassposaune:
Ken Shroyer (trombonist) (, am 1961-05-23)
Bratsche / Viola:
Alvin Dinkin (, am 1961-05-23), Stanley Harris (US big band viola player) (, am 1961-05-23), Alexander Neiman (violist) (, am 1961-05-23) und Paul Robyn (, am 1961-05-23)
Cello:
Justin Ditullio (, am 1961-05-23), Ossip Giskin (cellist) (, am 1961-05-23), Armand Kaproff (, am 1961-05-23) und Margaret Aue-Van Wyck (Cellist) (, am 1961-05-23)
Geige / Violine:
Victor Arno (, am 1961-05-23), Israel Baker (American violinist) (, am 1961-05-23), Herman Clebanoff (, am 1961-05-23), Jacques Gasselin (, am 1961-05-23), James Getzoff (American concertmaster and violinist) (, am 1961-05-23), Lou Klass (, am 1961-05-23), Marvin Limonick (, am 1961-05-23), Leonard Malarsky (, am 1961-05-23), Nathan Ross (, am 1961-05-23), Marshall Sosson (, am 1961-05-23), Arnold Sukonick (violinist) (, am 1961-05-23) und Gerald Vinci (American violinist and strings conductor) (, am 1961-05-23)
Gitarre:
Al Viola (, am 1961-05-23)
Harfe:
Verlye Mills (, am 1961-05-23)
Holzblasinstrumente:
Gene Cipriano (, am 1961-05-23), Buddy Collette (, am 1961-05-23), Chuck Gentry (, am 1961-05-23), Harry Klee (, am 1961-05-23) und Ted Nash (40s-80s US swing reedman, uncle of the other) (, am 1961-05-23)
Klavier:
Bill Miller (pianist) (, am 1961-05-23)
Perkussion:
Larry Bunker (, am 1961-05-23) und Emil Richards (, am 1961-05-23)
Posaune:
Joe Howard (american trombone player) (, am 1961-05-23), Ed Kusby (, am 1961-05-23) und Pullman “Tommy” Pederson (, am 1961-05-23)
Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
Irv Cottler (, am 1961-05-23)
Trompete:
Frank Beach (trombone, trumpet) (, am 1961-05-23), Conrad Gozzo (, am 1961-05-23), Vito N. Mangano (, am 1961-05-23) und Shorty Sherock (, am 1961-05-23)
Tuba:
Phil Stephens (bass and tuba player) (, am 1961-05-23)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May (, am 1961-05-23)
arranger:
Billy May
aufgenommen bei:
United Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
cover recording of:
Granada (English version, lyrics by Dorothy Dodd) (am 1961-05-23)
Texter:
Dorothy Dodd
Komponist(in):
Agustín Lara
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
übersetzte Version von:
Granada (original Spanish version)
3:41
7I Never Knew
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
I Never Knew (am 1961-05-19)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
recording of:
I Never Knew (am 1961-05-19)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
2:18
8Don't Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Don’t Be That Way (am 1961-05-19)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
2:45
9Moonlight on the Ganges
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Moonlight on the Ganges (am 1961-05-23)
Texter:
Huntley Trevor und Chester Wallace
Komponist(in):
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
3:23
10It's a Wonderful World
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-05)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Billy May
recording of:
It’s a Wonderful World (am 1961-05-19)
Texter:
Harold Adamson
Komponist(in):
Jan Savitt (in 1939) und John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
2:26
11Have You Met Miss Jones?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1961-05-18)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:35
12You're Nobody 'til Somebody Loves You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
You’re Nobody Till Somebody Loves You (am 1961-05-23)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:11