The Exorcism of Emily Rose

~ Release by Christopher Young (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Prologue
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Prologue
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
2:01
2Emily Rose
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Emily Rose
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
3:48
3The Suffering Begins
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
The Suffering Begins
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
4:52
4Interlude #1
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Interlude #1
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
2:14
5First Possession
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
First Possession
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
5:27
6Second Possession
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Second Possession
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
6:55
7Third Possession
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Third Possession
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
7:22
8Interlude #2
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Interlude #2
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
2:32
9The Exorcism
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
The Exorcism
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
5:59
10Six Demons
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Six Demons
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
3:36
11Interlude #3
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Interlude #3
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
3:51
12A Vision of the Virgin Mary
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
A Vision of the Virgin Mary
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
3:31
13Martyrdom
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
Martyrdom
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
5:36
14For Anneliese Michel
recording engineer:
Peter Fuch (engineer/mixer)
assistant engineer:
Martin Roller
producer:
Flavio Motalla and Christopher Young (American score composer)
mixer:
Robert Fernandez (engineer)
editor:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographic copyright (℗) by:
Lakeshore Records LLC. (in 2005)
recording of:
For Anneliese Michel
orchestrator:
Anton Koch (composer, arranger and orchestrator), Martin St Pierre, Sean McMahon (composer, orchestrator) and Christopher Young (American score composer)
composer:
Christopher Young (American score composer)
5:30