Thema Musik: Weltmusik I (Türkenmode und Orientschwärmerei. Vom Umgang mit dem Fremden bis 1900 - 2 CDs Klasse 5-13)

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Tracklist

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1▼CD
#TitleArtistRatingLength
1Das Land des Lächelns: „Ich trete ins Zimmer“
tenor vocals:
Siegfried Jerusalem (tenor)
recording of:
Das Land des Lächelns: Akt I. „Ich trete ins Zimmer, von Sehnsucht durchbebt” (Sou-Chong)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
Franz Lehár1:21
2Das Land des Lächelns: „Immer nur lächeln“
tenor vocals:
Siegfried Jerusalem (tenor)
recording of:
Das Land des Lächelns: Akt I. Nr. 3 „Immer nur lächeln und immer vergnügt” (Sou-Chong)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
Franz Lehár3:25
3Die Dichterin Li Qinzhao (Ausschnitt)
performer:
Ensemble III der chinesischen Peking-Opern-Akademie and Li Weiking
anon.6:47
4Lanquan li jorn ensemble
performer:
Marco Ambrosini, Ensemble Oni Wytars, Ensemble Unicorn (Austrian Medieval / Renaissance music group) and Michael Posch (Recorder and flute player)
Jaufré Rudel2:50
5Allererst lebe ich mir werde
performer:
Ensemble Perceval (French early music ensemble)
recording of:
Nu alrest lebe ich mir werde (Palästinalied)
lyricist, writer and composer:
Walther von der Vogelweide
Walther von der Vogelweide5:21
6Neva Çeng-i Harbi
performer:
Sarband
recording of:
Neva Çeng-i Harbi
composer:
[traditional] (special purpose artist)
anon. (Sammlung Ali Ufki)1:47
7Allahoy
performer:
Sarband
Heinrich Isaac3:13
8Janitschara
performer:
Berliner Barock-Compagney
recording of:
Sinfonia a 3 (K331): III. Janitschara
Johann Joseph Fux1:25
9Le Bourgeois gentilhomme; „La cérémonie des Turcs“: Marche
conductor:
Marc Minkowski (bassoonist and conductor)
performer:
Les Musiciens du Louvre
partial recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully1:43
10Le Bourgeois gentilhomme; „La cérémonie des Turcs“: „Allah, Allah"
conductor:
Marc Minkowski (bassoonist and conductor)
performer:
Les Musiciens du Louvre
partial recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully0:14
11Le Bourgeois gentilhomme; „La cérémonie des Turcs“: „Se ti sabir" (Lied des Mufti)
conductor:
Marc Minkowski (bassoonist and conductor)
performer:
Les Musiciens du Louvre
partial recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully0:43
12Le Bourgeois gentilhomme; „La cérémonie des Turcs“: „Dice ...
conductor:
Marc Minkowski (bassoonist and conductor)
performer:
Les Musiciens du Louvre
partial recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully0:55
13Le Bourgeois gentilhomme; „La cérémonie des Turcs“: „Für Schordina, Mahometa"
conductor:
Marc Minkowski (bassoonist and conductor)
performer:
Les Musiciens du Louvre
partial recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully1:19
14Le Bourgeois gentilhomme; „La cérémonie des Turcs“: „Ha la ba, ba la schu" (Tanzlied)
conductor:
Marc Minkowski (bassoonist and conductor)
performer:
Les Musiciens du Louvre
partial recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully1:10
15Le Bourgeois gentilhomme; „La cérémonie des Turcs“: „Tinon starfurba"
conductor:
Marc Minkowski (bassoonist and conductor)
performer:
Les Musiciens du Louvre
partial recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully6:39
16Die Entführung aus dem Serail: Einleitung zur Ouvertüre (nach Mozart)
performer:
Sarband
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
Wolfgang Amadeus Mozart1:14
17Die Entführung aus dem Serail: Ouvertüre
orchestra:
Concerto Köln
conductor:
Werner Ehrhardt (violinist, concertmaster)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:39
18Die Entführung aus dem Serail: „Solche hergelaufnen Laffen“
bass vocals:
Matti Salminen (operatic bass)
orchestra:
Mozartorchester des Opernhauses Zürich
conductor:
Nikolaus Harnoncourt (conductor)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:05
19Die Entführung aus dem Serail: „Erst geköpft ...“ (Fortsetzung der Arie)
bass vocals:
Matti Salminen (operatic bass)
orchestra:
Mozartorchester des Opernhauses Zürich
conductor:
Nikolaus Harnoncourt (conductor)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:32
20Sonate A-dur KV 331, Rondo alla turca
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Mitsuko Uchida (pianist) (in 1983-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-10)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1983-10)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:33
21Vier Bearbeitungen nach W. A. Mozarts Rondo alla turca: Alla turca (1)
performer:
Sarband
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart2:18
22Vier Bearbeitungen nach W. A. Mozarts Rondo alla turca: Alla turca (2)
performer:
Sarband
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart1:05
23Vier Bearbeitungen nach W. A. Mozarts Rondo alla turca: Alla turca (3)
performer:
Sarband
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart1:04
24Vier Bearbeitungen nach W. A. Mozarts Rondo alla turca: Alla turca (4)
performer:
Sarband
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart1:09
25Sonate A-dur, alla turca
fortepiano [Hammerflügel mit Janitscharenzug]:
Christoph Hammer (conductor)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart1:25
26Turkish March (Konzertparaphrase über Mozarts Sonate A-dur, alla turca)
piano:
Arcadi Volodos (pianist)
Wolfgang Amadeus Mozart / Arcadi Volodos3:06
2▼CD
#TitleArtistRatingLength
1Le Désert, symphonische Ode für Sprecher, Tenor, Männerchor und Orchester: „L'entrée au désert“
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin
tenor vocals:
Bruno Lazzaretti (italian tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Guido Maria Guida
recording of:
Le Désert: Première partie. L'entrée au désert
composer:
Félicien-César David
part of:
Le Désert
Félicien-César David4:00
2Le Désert, symphonische Ode für Sprecher, Tenor, Männerchor und Orchester: Gesang des Muezzin
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin
tenor vocals:
Bruno Lazzaretti (italian tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Guido Maria Guida
recording of:
Le Désert: Troisième partie. Chant du muezzin
composer:
Félicien-César David
part of:
Le Désert
Félicien-César David2:58
3Le Désert, symphonische Ode für Sprecher, Tenor, Männerchor und Orchester: Schluss
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin
tenor vocals:
Bruno Lazzaretti (italian tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Guido Maria Guida
recording of:
Le Désert: Troisième partie. Chant du désert
composer:
Félicien-César David
part of:
Le Désert
Félicien-César David0:30
4Le Désert, symphonische Ode für Sprecher, Tenor, Männerchor und Orchester: „La Rêverie du soir“
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin
tenor vocals:
Bruno Lazzaretti (italian tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Guido Maria Guida
recording of:
Le Désert: Deuxième partie. La rêverie du soir
composer:
Félicien-César David
part of:
Le Désert
Félicien-César David3:55
5„Ezan“ (Ruf zum Gebet, Sure II, Vss. 285ff)
performer:
Hüseyin Erek (leader of the Sisli Mosque Foundation of Istanbul)
anon.5:17
6Raga Bhatiyar
performer:
Shruti Sadolikar Katkar
anon.4:12
7Lakmé : „Dôme épais le jasmin“ (Lakmé, Mallika)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano)
soprano vocals [Lakmé]:
Joan Sutherland (soprano)
orchestra:
Orchestre National de l'Opéra de Monte-Carlo (Monte-Carlo Philharmonic Orchestra)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes1:31
8Lakmé : „Où va la jeune Indoue“ (Glockenarie)
soprano vocals:
Sumi Jo (soprano)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra)
conductor:
Paolo Olmi
recording of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
part of:
Lakmé : Acte II
Léo Delibes7:42
9Le Gamelang
instruments:
Ensemble ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Andras Varsanyi (Musicethnologue, Percussionist, Gamelan-expert)
anon. after Louis Benedictus1:57
10Le Gamelang, Klavierfassung Uta Walther
piano:
Uta Walther
Louis Benedictus2:05

Credits

Release group

part of:Thema Musik (Accompanying CDs of the series Thema Musik by Klett-Verlag) (order: 8)