The Art of Pilar Lorengar

~ Release by Pilar Lorengar (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1La Bohème: Si, mi chiamano Mimi
soprano vocals:
Pilar Lorengar (soprano)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:56
2La rondine: Chi il bel sogno di Doretta
soprano vocals:
Pilar Lorengar (soprano)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini2:52
3Madama Butterfly: Un bel di
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:32
4Madama Butterfly: Tu, tu, piccolo Iddio!
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:16
5Turandot: Tu che di gel sei cinta
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:30
6Gianni Schicchi: O mio babbino caro
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:22
7Suor Angelica: Senza mamma, o bimbo, tu sei morto!
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Giacomo Puccini4:00
8Tosca: Vissi d'arte
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:18
9Rusalka: Mesicku na nebi hlubokem
producer:
John Mordler (producer)
soprano vocals [Rusalka]:
Pilar Lorengar (soprano) (in 1966-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-07)
conductor:
Giuseppe Patanè (conductor) (in 1966-07)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-07)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1966-07)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák6:19
10Le nozze di Figaro: E Susanna non vien! ... Dove sono i bei momenti
soprano vocals:
Pilar Lorengar (soprano)
orchestra:
Wiener Opernorchester
conductor:
Walter Weller (violinist and conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:24
11Die Zauberflöte: Ach, ich fühl's, es ist verschwunden
producer:
Christopher Raeburn (producer)
soprano vocals:
Pilar Lorengar (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:27
12Cosi fan tutte: Temerari! ... Come scoglio
soprano vocals:
Pilar Lorengar (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:31
13Louise: Depuis le jour
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier (French composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier5:04
14Carmen: C'est des contrebandiers ... Je dis que rien ne m´epouvante
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet6:21
15Arabella: Er ist der Richtige nicht für mich
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Arabella, op. 79: Act I. "Er ist der Richtige nicht für mich!" (Arabella, Zdenka)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss7:29
16Tannhäuser: Dich, teure Halle
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
Richard Wagner3:25
17Die tote Stadt: Glück, das mir verblieb
soprano vocals:
Pilar Lorengar (soprano)
recording of:
Die tote Stadt: Akt I. „Glück, das mir verblieb” (Marietta's Lied)
composer and librettist:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
Die tote Stadt, op. 12
Erich Wolfgang Korngold5:42
2▼CD
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1Goyescas: La maja y el ruiseñor
soprano vocals:
Pilar Lorengar (soprano) (in 1978-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-12)
conductor:
Jesús López-Cobos (conductor) (in 1978-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-12)
recording of:
Goyescas, H.65: Cuadro III. La maja y el ruiseñor (opera piece) (in 1978-12)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados7:00
29 tonadillas: La maja de Goya
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song) (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados3:44
39 tonadillas: amor y odio
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 1: Amor y odio (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados2:21
49 tonadillas: El tra-la-lá y el punteado
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 7: El tra-la-la y el punteado (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados1:15
59 tonadillas: El majo olvidado
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 4: El majo olvidado (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados2:59
69 tonadillas: El majo timido
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 5: El majo tímido (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados0:57
79 tonadillas: Callejeo
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 2: Callejeo (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados1:29
89 tonadillas: El mirar de la maja
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 6: El mirar de la maja (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados2:50
99 tonadillas: Las currutacas modestas
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 12: Las currutacas modestas (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados1:26
109 tonadillas: El majo discreto
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 3: El majo discreto (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados1:44
113 Majas dolorosas: N.º 1
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 9: La maja dolorosa I (¡Oh, muerte cruel!) (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados2:27
123 Majas dolorosas: N.º 2
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 10: La maja dolorosa II (¡Ay, majo de mi vida!) (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados2:13
133 Majas dolorosas: N.º 3
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 11: La maja dolorosa III (De aquel majo amante) (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados3:04
146 Canciones amatorias: Mira que soy niña
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Canciones amatorias, nº 4: Mira que soy niña (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados2:58
156 Canciones amatorias: Iban al pinar
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Canciones amatorias, nº 6: Iban al pinar (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados1:58
166 Canciones amatorias: Mañanica era
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Canciones amatorias, nº 2: Mañanica era (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados2:32
176 Canciones amatorias: No lloréis, ojuelos
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Canciones amatorias, nº 5: No lloréis, ojuelos (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados1:19
186 Canciones amatorias: Llorad, corazón
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Canciones amatorias, nº 3: Llorad, corazón (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados2:20
196 Canciones amatorias: Gracia mía
piano:
Alicia de Larrocha (pianist) (in 1977-07)
soprano vocals:
Pilar Lorengar (soprano) (in 1977-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Canciones amatorias, nº 7: Gracia mía (in 1977-07)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados3:02
20La vida breve: Vivan los que rien
soprano vocals:
Pilar Lorengar (soprano) (in 1978-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-12)
conductor:
Jesús López-Cobos (conductor) (in 1978-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-12)
recording of:
La vida breve: Acto I. "Vivan los que ríen" (in 1978-12)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve: Acto I. Tercera escena
Manuel de Falla5:27
21La vida breve: Allí está, riyendo
soprano vocals:
Pilar Lorengar (soprano) (in 1978-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-12)
conductor:
Jesús López-Cobos (conductor) (in 1978-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-12)
partial recording of:
La vida breve (in 1978-12)
composer:
Manuel de Falla (Spanish composer)
librettist:
Carlos Fernández Shaw (zarzuela librettist)
Manuel de Falla4:40
22Canto a Sevilla: Semana Santa
soprano vocals:
Pilar Lorengar (soprano) (in 1983-03)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1983-03)
conductor:
Jesús López-Cobos (conductor) (in 1983-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1983-03)
recording of:
Canto a Sevilla, op. 37: II. Semana Santa (in 1983-03)
lyricist:
José Muñoz San Román (poet)
composer:
Joaquín Turina (Spanish composer) (in 1925)
part of:
Canto a Sevilla, op. 37
Joaquín Turina8:08
23Canto a Sevilla: Las fuentecitas
soprano vocals:
Pilar Lorengar (soprano) (in 1983-03)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1983-03)
conductor:
Jesús López-Cobos (conductor) (in 1983-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1983-03)
recording of:
Canto a Sevilla, op. 37: III. Las fuentecitas del parque (in 1983-03)
lyricist:
José Muñoz San Román (poet)
composer:
Joaquín Turina (Spanish composer) (in 1925)
part of:
Canto a Sevilla, op. 37
Joaquín Turina4:20
24Canto a Sevilla: El fantasma
soprano vocals:
Pilar Lorengar (soprano) (in 1983-03)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1983-03)
conductor:
Jesús López-Cobos (conductor) (in 1983-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1983-03)
recording of:
Canto a Sevilla, op. 37: V. El fantasma (in 1983-03)
lyricist:
José Muñoz San Román (poet)
composer:
Joaquín Turina (Spanish composer) (in 1925)
part of:
Canto a Sevilla, op. 37
Joaquín Turina3:41
25Canto a Sevilla: La Giralda
soprano vocals:
Pilar Lorengar (soprano) (in 1983-03)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1983-03)
conductor:
Jesús López-Cobos (conductor) (in 1983-03)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1983-03)
recording of:
Canto a Sevilla, op. 37: VI. La Giralda (in 1983-03)
lyricist:
José Muñoz San Román (poet)
composer:
Joaquín Turina (Spanish composer) (in 1925)
part of:
Canto a Sevilla, op. 37
Joaquín Turina3:29