The Art of Nathan Milstein

~ Release by Nathan Milstein (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Violin Concerto in A minor, op. 82: I. Moderato - Tranquillo
engineer:
John Irving (engineer)
producer:
John Coveney (Producer, Capitol Records)
violin:
Nathan Milstein (violinist) (on 1957-04-17)
orchestra:
Pittsburgh Symphony Orchestra (on 1957-04-17)
conductor:
William Steinberg (conductor) (on 1957-04-17)
partial recording of:
Violin Concerto in A minor, op. 82 (on 1957-04-17)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1904)
dedicated to:
Leopold Auer (Hungarian violinist and composer)
premiered at:
Russian Musical Society: [concert] (1905-02-15)
part of:
Works of Alexander Glazunov by opus number (number: op. 82)
Alexander Glazunov4:03
2Violin Concerto in A minor, op. 82: II. Andante - Tempo I - Cadenza
engineer:
John Irving (engineer)
producer:
John Coveney (Producer, Capitol Records)
violin:
Nathan Milstein (violinist) (on 1957-04-17)
orchestra:
Pittsburgh Symphony Orchestra (on 1957-04-17)
conductor:
William Steinberg (conductor) (on 1957-04-17)
partial recording of:
Violin Concerto in A minor, op. 82 (on 1957-04-17)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1904)
dedicated to:
Leopold Auer (Hungarian violinist and composer)
premiered at:
Russian Musical Society: [concert] (1905-02-15)
part of:
Works of Alexander Glazunov by opus number (number: op. 82)
Alexander Glazunov8:53
3Violin Concerto in A minor, op. 82: III. Animando - Allegro - Piu animando
engineer:
John Irving (engineer)
producer:
John Coveney (Producer, Capitol Records)
violin:
Nathan Milstein (violinist) (on 1957-04-17)
orchestra:
Pittsburgh Symphony Orchestra (on 1957-04-17)
conductor:
William Steinberg (conductor) (on 1957-04-17)
partial recording of:
Violin Concerto in A minor, op. 82 (on 1957-04-17)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1904)
dedicated to:
Leopold Auer (Hungarian violinist and composer)
premiered at:
Russian Musical Society: [concert] (1905-02-15)
part of:
Works of Alexander Glazunov by opus number (number: op. 82)
Alexander Glazunov5:53
4Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato
engineer:
Neville Boyling (engineer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1965-06-04 until 1965-06-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1965-06-04 until 1965-06-07)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-04 until 1965-06-07)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-04 until 1965-06-07)
recording of:
Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato (from 1965-06-04 until 1965-06-07)
composer:
Sergei Prokofiev (Russian composer) (in 1935)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in G minor, op. 63
Sergei Prokofiev10:56
5Violin Concerto no. 2 in G minor, op. 63: II. Andante assai
engineer:
Neville Boyling (engineer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1965-06-04 until 1965-06-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1965-06-04 until 1965-06-07)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-04 until 1965-06-07)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-04 until 1965-06-07)
recording of:
Violin Concerto no. 2 in G minor, op. 63: II. Andante assai (from 1965-06-04 until 1965-06-07)
composer:
Sergei Prokofiev (Russian composer) (in 1935)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in G minor, op. 63
Sergei Prokofiev10:36
6Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato
engineer:
Neville Boyling (engineer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1965-06-04 until 1965-06-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1965-06-04 until 1965-06-07)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-04 until 1965-06-07)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-04 until 1965-06-07)
recording of:
Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato (from 1965-06-04 until 1965-06-07)
composer:
Sergei Prokofiev (Russian composer) (in 1935)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in G minor, op. 63
Sergei Prokofiev6:25
7Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo
violin:
Nathan Milstein (violinist) (from 1963-06-01 until 1963-06-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1963-06-01 until 1963-06-04)
conductor:
Anatole Fistoulari (conductor) (from 1963-06-01 until 1963-06-04)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1963-06-01 until 1963-06-04)
recording of:
Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo (from 1963-06-01 until 1963-06-04)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Camille Saint‐Saëns8:44
8Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto
violin:
Nathan Milstein (violinist) (from 1963-06-01 until 1963-06-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1963-06-01 until 1963-06-04)
conductor:
Anatole Fistoulari (conductor) (from 1963-06-01 until 1963-06-04)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1963-06-01 until 1963-06-04)
recording of:
Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto (from 1963-06-01 until 1963-06-04)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Camille Saint‐Saëns8:28
9Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo
violin:
Nathan Milstein (violinist) (from 1963-06-01 until 1963-06-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1963-06-01 until 1963-06-04)
conductor:
Anatole Fistoulari (conductor) (from 1963-06-01 until 1963-06-04)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1963-06-01 until 1963-06-04)
recording of:
Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo (from 1963-06-01 until 1963-06-04)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Camille Saint‐Saëns10:30
2▼CD
#TitleArtistRatingLength
1Violin Concerto in D, op. 35: I. Allegro moderato
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1959-04-06)
orchestra:
Pittsburgh Symphony Orchestra (on 1959-04-06)
conductor:
William Steinberg (conductor) (on 1959-04-06)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1959-04-06)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato (on 1959-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Peter Ilyich Tchaikovsky17:10
2Violin Concerto in D, op. 35: II. Canzonetta (Andante)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1959-04-06)
orchestra:
Pittsburgh Symphony Orchestra (on 1959-04-06)
conductor:
William Steinberg (conductor) (on 1959-04-06)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1959-04-06)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (on 1959-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Peter Ilyich Tchaikovsky6:28
3Violin Concerto in D, op. 35: III. Finale (Allegro vivacissimo)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1959-04-06)
orchestra:
Pittsburgh Symphony Orchestra (on 1959-04-06)
conductor:
William Steinberg (conductor) (on 1959-04-06)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1959-04-06)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (on 1959-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Peter Ilyich Tchaikovsky8:54
4Violin Concerto in D, op. 77: I. Allegro non troppo
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1960-06-23 until 1960-06-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1960-06-23 until 1960-06-24)
conductor:
Anatole Fistoulari (conductor) (from 1960-06-23 until 1960-06-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1960-06-23 until 1960-06-24)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo (Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo) (from 1960-06-23 until 1960-06-24)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms19:33
5Violin Concerto in D, op. 77: II. Adagio
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1960-06-23 until 1960-06-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1960-06-23 until 1960-06-24)
conductor:
Anatole Fistoulari (conductor) (from 1960-06-23 until 1960-06-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1960-06-23 until 1960-06-24)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (from 1960-06-23 until 1960-06-24)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:55
6Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1960-06-23 until 1960-06-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1960-06-23 until 1960-06-24)
conductor:
Anatole Fistoulari (conductor) (from 1960-06-23 until 1960-06-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1960-06-23 until 1960-06-24)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (from 1960-06-23 until 1960-06-24)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms7:42
3▼CD
#TitleArtistRatingLength
1Violin Concerto in D, op. 61: I. Allegro ma non troppo
violin:
Nathan Milstein (violinist) (from 1961-06-23 until 1961-06-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-06-23 until 1961-06-26)
conductor:
Erich Leinsdorf (conductor) (from 1961-06-23 until 1961-06-26)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (from 1961-06-23 until 1961-06-26)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven21:43
2Violin Concerto in D, op. 61: II. Larghetto
violin:
Nathan Milstein (violinist) (from 1961-06-23 until 1961-06-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-06-23 until 1961-06-26)
conductor:
Erich Leinsdorf (conductor) (from 1961-06-23 until 1961-06-26)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (from 1961-06-23 until 1961-06-26)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:25
3Violin Concerto in D, op. 61: III. Rondo: allegro
violin:
Nathan Milstein (violinist) (from 1961-06-23 until 1961-06-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-06-23 until 1961-06-26)
conductor:
Erich Leinsdorf (conductor) (from 1961-06-23 until 1961-06-26)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 1961-06-23 until 1961-06-26)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven8:30
4Violin Concerto in A minor, op. 53: I. Allegro ma non troppo
producer:
John Coveney (Producer, Capitol Records)
violin:
Nathan Milstein (violinist) (from 1957-04-16 until 1957-04-17)
orchestra:
Pittsburgh Symphony Orchestra (from 1957-04-16 until 1957-04-17)
conductor:
William Steinberg (conductor) (from 1957-04-16 until 1957-04-17)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1957-04-16 until 1957-04-17)
recording of:
Violin Concerto in A minor, op. 53: I. Allegro ma non troppo (from 1957-04-16 until 1957-04-17)
composer:
Antonín Dvořák (composer) (in 1879)
part of:
Violin Concerto in A minor, op. 53, B. 96/B. 108
Antonín Dvořák9:08
5Violin Concerto in A minor, op. 53: II. Adagio ma non troppo
producer:
John Coveney (Producer, Capitol Records)
violin:
Nathan Milstein (violinist) (from 1957-04-16 until 1957-04-17)
orchestra:
Pittsburgh Symphony Orchestra (from 1957-04-16 until 1957-04-17)
conductor:
William Steinberg (conductor) (from 1957-04-16 until 1957-04-17)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1957-04-16 until 1957-04-17)
recording of:
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo (from 1957-04-16 until 1957-04-17)
composer:
Antonín Dvořák (composer) (in 1879)
part of:
Violin Concerto in A minor, op. 53, B. 96/B. 108
Antonín Dvořák10:41
6Violin Concerto in A minor, op. 53: III. Finale: Allegro giocoso, ma non troppo
producer:
John Coveney (Producer, Capitol Records)
violin:
Nathan Milstein (violinist) (from 1957-04-16 until 1957-04-17)
orchestra:
Pittsburgh Symphony Orchestra (from 1957-04-16 until 1957-04-17)
conductor:
William Steinberg (conductor) (from 1957-04-16 until 1957-04-17)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (from 1957-04-16 until 1957-04-17)
recording of:
Violin Concerto in A minor, op. 53: III. Finale. Allegro giocoso ma non troppo (from 1957-04-16 until 1957-04-17)
composer:
Antonín Dvořák (composer) (in 1879)
part of:
Violin Concerto in A minor, op. 53, B. 96/B. 108
Antonín Dvořák9:17
4▼CD
#TitleArtistRatingLength
1Concerto in D minor for Two Violins, Cello, and Strings, op. 3 no. 11: I. Allegro - Adagio - Allegro
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
cello:
Harvey Shapiro (cellist) (on 1964-03-27)
violin:
Nathan Milstein (violinist) (on 1964-03-27) and Erica Morini (violinist) (on 1964-03-27)
orchestra:
[anonymous] (special purpose artist) (on 1964-03-27)
conductor:
Nathan Milstein (violinist) (on 1964-03-27)
balance engineer:
Robert Arnold (engineer, active in the 1950s)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1964-03-27)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: I. Allegro – Adagio e spiccato – Allegro (on 1964-03-27)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Antonio Vivaldi4:54
2Concerto in D minor for Two Violins, Cello, and Strings, op. 3 no. 11: II. Largo
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
cello:
Harvey Shapiro (cellist) (on 1964-03-27)
violin:
Nathan Milstein (violinist) (on 1964-03-27) and Erica Morini (violinist) (on 1964-03-27)
orchestra:
[anonymous] (special purpose artist) (on 1964-03-27)
conductor:
Nathan Milstein (violinist) (on 1964-03-27)
balance engineer:
Robert Arnold (engineer, active in the 1950s)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1964-03-27)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: II. Largo e spiccato (on 1964-03-27)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Antonio Vivaldi2:57
3Concerto in D minor for Two Violins, Cello, and Strings, op. 3 no. 11: III. Allegro
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
cello:
Harvey Shapiro (cellist) (on 1964-03-27)
violin:
Nathan Milstein (violinist) (on 1964-03-27) and Erica Morini (violinist) (on 1964-03-27)
orchestra:
[anonymous] (special purpose artist) (on 1964-03-27)
conductor:
Nathan Milstein (violinist) (on 1964-03-27)
balance engineer:
Robert Arnold (engineer, active in the 1950s)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1964-03-27)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: III. Allegro (on 1964-03-27)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Antonio Vivaldi3:17
4Violin Sonata no. 2 in A, op. 2 no. 2: I. Preludio a capriccio (Presto – Adagio – Presto)
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-27)
violin:
Nathan Milstein (violinist) (on 1959-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-27)
recording of:
Sonata in A major, op. 2 no. 2, RV 31: I. Preludio a Capriccio. Presto - Adagio - Presto - Adagio (on 1959-01-27)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sonata in A major, op. 2 no. 2, RV 31
Antonio Vivaldi1:02
5Violin Sonata no. 2 in A, op. 2 no. 2: II. Corrente (Allegro)
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-27)
violin:
Nathan Milstein (violinist) (on 1959-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-27)
recording of:
Sonata in A major, op. 2 no. 2, RV 31: II. Corrente. Allegro (on 1959-01-27)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sonata in A major, op. 2 no. 2, RV 31
Antonio Vivaldi1:46
6Violin Sonata no. 2 in A, op. 2 no. 2: III. Adagio
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-27)
violin:
Nathan Milstein (violinist) (on 1959-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-27)
recording of:
Sonata in A major, op. 2 no. 2, RV 31: III. Adagio (on 1959-01-27)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sonata in A major, op. 2 no. 2, RV 31
Antonio Vivaldi1:14
7Violin Sonata no. 2 in A, op. 2 no. 2: IV. Giga (Allegro)
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-27)
violin:
Nathan Milstein (violinist) (on 1959-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-27)
recording of:
Sonata in A major, op. 2 no. 2, RV 31: IV. Giga. Allegro (on 1959-01-27)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sonata in A major, op. 2 no. 2, RV 31
Antonio Vivaldi2:21
8Violin Sonata no. 4 in D, op. 1: I. Adagio
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol) (on 1955-01-26)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1955-01-26)
recording of:
Violin Sonata in D major, op. 1 no. 13, HWV 371: I. Adagio (on 1955-01-26)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Violin Sonata in D major, op. 1 no. 13, HWV 371
George Frideric Handel3:30
9Violin Sonata no. 4 in D, op. 1: II. Allegro
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol) (on 1955-01-26)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1955-01-26)
recording of:
Violin Sonata in D major, op. 1 no. 13, HWV 371: II. Allegro (on 1955-01-26)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Violin Sonata in D major, op. 1 no. 13, HWV 371
George Frideric Handel2:33
10Violin Sonata no. 4 in D, op. 1: III. Larghetto
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol) (on 1955-01-26)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1955-01-26)
recording of:
Violin Sonata in D major, op. 1 no. 13, HWV 371: III. Larghetto (on 1955-01-26)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Violin Sonata in D major, op. 1 no. 13, HWV 371
George Frideric Handel3:26
11Violin Sonata no. 4 in D, op. 1: IV. Allegro
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol) (on 1955-01-26)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1955-01-26)
recording of:
Violin Sonata in D major, op. 1 no. 13, HWV 371: IV. Allegro (on 1955-01-26)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Violin Sonata in D major, op. 1 no. 13, HWV 371
George Frideric Handel3:01
12Larghetto
piano:
Leon Pommers (on 1960-03-16)
violin:
Nathan Milstein (violinist) (on 1960-03-16)
arranger:
Jenő Hubay (Hungarian violinist and composer)
recording of:
Flute Sonata in B minor, HWV 367b: VI. Andante (on 1960-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Flute Sonata in B minor, op. 1 no. 9b, HWV 367b
George Frideric Handel4:31
13Chaconne in G minor
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Artur Balsam (pianist) (on 1955-01-27)
violin:
Nathan Milstein (violinist) (on 1955-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1955-01-27)
recording of:
Chaconne in G minor (on 1955-01-27)
composer:
Tomaso Antonio Vitali (classical composer)
Tomaso Antonio Vitali10:09
14“La Follia”, op. 5 no. 12
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-28)
violin:
Nathan Milstein (violinist) (on 1959-01-28)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-28)
recording of:
La follia (arr. Léonard) (on 1959-01-28)
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1700)
arranger:
Hubert Léonard (Belgian 19th century violinist)
arrangement of:
Violin Sonata in D minor "Follia", op. 5 no. 12
Arcangelo Corelli9:26
15Violin Sonata in G minor “Il trillo del diavolo”: I. Larghetto
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-20)
violin:
Nathan Milstein (violinist) (on 1959-01-20)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-20)
recording of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo": I. Larghetto affettuoso (on 1959-01-20)
composer:
Giuseppe Tartini (Italian composer)
part of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo" (four-movement version)
Giuseppe Tartini2:46
16Violin Sonata in G minor “Il trillo del diavolo”: II. Allegro energico
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-20)
violin:
Nathan Milstein (violinist) (on 1959-01-20)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-20)
recording of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo": II. Allegro (on 1959-01-20)
composer:
Giuseppe Tartini (Italian composer)
part of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo" (four-movement version)
Giuseppe Tartini3:04
17Violin Sonata in G minor “Il trillo del diavolo”: III. Grave - Allegro assai - Cadenza - Adagio
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1959-01-20)
violin:
Nathan Milstein (violinist) (on 1959-01-20)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-01-20)
recording of:
Violin Sonata in G minor, "The Devil's Trill": III. Grave - Allegro assai (arr. F. Kreisler for violin and piano) (on 1959-01-20)
composer:
Giuseppe Tartini (Italian composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Violin Sonata in G minor, "The Devil's Trill" (arr. F. Kreisler for violin and piano)
Giuseppe Tartini7:48
18Air from Orchestral Suite no. 3 in D, BWV 1068
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Air on the G String (for violin & piano, Wilhelmj) (on 1957-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
August Wilhelmj
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
J. S. Bach4:39
5▼CD
#TitleArtistRatingLength
1Violin Sonata in C, K. 296: I. Allegro vivace
engineer:
Frank Abbey (engineer / producer) (from 1957-01-21 until 1958-03-31)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol) (from 1957-01-21 until 1958-03-31)
piano:
Leon Pommers (from 1957-01-21 until 1958-03-31)
violin:
Nathan Milstein (violinist) (from 1957-01-21 until 1958-03-31)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-01-21 until 1958-03-31)
recording of:
Violin Sonata in C major, K. 296: I. Allegro vivace (from 1957-01-21 until 1958-03-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in C major, K. 296
Wolfgang Amadeus Mozart4:16
2Violin Sonata in C, K. 296: II. Andante sostenuto
engineer:
Frank Abbey (engineer / producer) (from 1957-01-21 until 1958-03-31)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol) (from 1957-01-21 until 1958-03-31)
piano:
Leon Pommers (from 1957-01-21 until 1958-03-31)
violin:
Nathan Milstein (violinist) (from 1957-01-21 until 1958-03-31)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-01-21 until 1958-03-31)
recording of:
Violin Sonata in C major, K. 296: II. Andante sostenuto (from 1957-01-21 until 1958-03-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in C major, K. 296
Wolfgang Amadeus Mozart6:54
3Violin Sonata in C, K. 296: III. Rondeau; Allegro
engineer:
Frank Abbey (engineer / producer) (from 1957-01-21 until 1958-03-31)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol) (from 1957-01-21 until 1958-03-31)
piano:
Leon Pommers (from 1957-01-21 until 1958-03-31)
violin:
Nathan Milstein (violinist) (from 1957-01-21 until 1958-03-31)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-01-21 until 1958-03-31)
recording of:
Violin Sonata in C major, K. 296: III. Rondo. Allegro (from 1957-01-21 until 1958-03-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in C major, K. 296
Wolfgang Amadeus Mozart3:57
4Violin Sonata in E minor, K. 304: I. Allegro
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1957-04-09 until 1957-04-12)
violin:
Nathan Milstein (violinist) (from 1957-04-09 until 1957-04-12)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-04-09 until 1957-04-12)
recording of:
Violin Sonata in E minor, K. 300c/304: I. Allegro (from 1957-04-09 until 1957-04-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
Wolfgang Amadeus Mozart6:40
5Violin Sonata in E minor, K. 304: II. Temp di menuetto
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1957-04-09 until 1957-04-12)
violin:
Nathan Milstein (violinist) (from 1957-04-09 until 1957-04-12)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1957-04-09 until 1957-04-12)
recording of:
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto (from 1957-04-09 until 1957-04-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
Wolfgang Amadeus Mozart5:10
6Violin Sonata no.5 in F, op. 24 'Spring”: I. Allegro
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Rudolf Firkušný (pianist) (from 1958-12-22 until 1958-12-29)
violin:
Nathan Milstein (violinist) (from 1958-12-22 until 1958-12-29)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1958-12-22 until 1958-12-29)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": I. Allegro (from 1958-12-22 until 1958-12-29)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven9:46
7Violin Sonata no.5 in F, op. 24 “Spring”: II. Adagio molto espressivo
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Rudolf Firkušný (pianist) (from 1958-12-22 until 1958-12-29)
violin:
Nathan Milstein (violinist) (from 1958-12-22 until 1958-12-29)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1958-12-22 until 1958-12-29)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo (from 1958-12-22 until 1958-12-29)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven6:06
8Violin Sonata no.5 in F, op. 24 “Spring”: III. Scherzo. Allegro molto
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Rudolf Firkušný (pianist) (from 1958-12-22 until 1958-12-29)
violin:
Nathan Milstein (violinist) (from 1958-12-22 until 1958-12-29)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1958-12-22 until 1958-12-29)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto (from 1958-12-22 until 1958-12-29)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven1:12
9Violin Sonata no.5 in F, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Rudolf Firkušný (pianist) (from 1958-12-22 until 1958-12-29)
violin:
Nathan Milstein (violinist) (from 1958-12-22 until 1958-12-29)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1958-12-22 until 1958-12-29)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo (from 1958-12-22 until 1958-12-29)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven6:19
10Violin Sonata no. 2 in D, op. 94a: I. Moderato
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios: Studio A in New York, New York, United States (on 1955-01-26)
recording of:
Sonata for Violin and Piano no. 2 in D major, op. 94a: I. Moderato (on 1955-01-26)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1943, in 1949)
part of:
Sonata for Violin and Piano no. 2 in D major, op. 94a
Sergei Prokofiev7:08
11Violin Sonata no. 2 in D, op. 94a: II. Scherzo-Presto
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios: Studio A in New York, New York, United States (on 1955-01-26)
recording of:
Sonata for Violin and Piano no. 2 in D major, op. 94a: II. Scherzo. Presto (on 1955-01-26)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1943, in 1949)
part of:
Sonata for Violin and Piano no. 2 in D major, op. 94a
Sergei Prokofiev4:35
12Violin Sonata no. 2 in D, op. 94a: III. Andante
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios: Studio A in New York, New York, United States (on 1955-01-26)
recording of:
Sonata for Violin and Piano no. 2 in D major, op. 94a: III. Andante (on 1955-01-26)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1943, in 1949)
part of:
Sonata for Violin and Piano no. 2 in D major, op. 94a
Sergei Prokofiev3:28
13Violin Sonata no. 2 in D, op. 94a: IV. Allegro con brio
engineer:
Frank Abbey (engineer / producer) (on 1955-01-26)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Artur Balsam (pianist) (on 1955-01-26)
violin:
Nathan Milstein (violinist) (on 1955-01-26)
recorded at:
Capitol 46th Street Studios: Studio A in New York, New York, United States (on 1955-01-26)
recording of:
Sonata for Violin and Piano no. 2 in D major, op. 94a: IV. Allegro con brio (on 1955-01-26)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1943, in 1949)
part of:
Sonata for Violin and Piano no. 2 in D major, op. 94a
Sergei Prokofiev6:33
6▼CD
#TitleArtistRatingLength
1Vocalise, op. 34 no. 14
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-29)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-29)
conductor:
Robert Irving (ballet conductor) (on 1962-03-29)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-29)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (on 1962-03-29)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninov5:38
2Gopak from Sorochintsky Fair
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-29)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-29)
conductor:
Robert Irving (ballet conductor) (on 1962-03-29)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-29)
recording of:
The Fair at Sorochintsï: Gopak (arr. Dushkin, orch: Jones) (on 1962-03-29)
orchestrator:
Richard Jones (conductor associated with the Pittsburgh Symphony Orchestra)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arranger:
Samuel Dushkin (American violinist and transcriber)
orchestration of:
The Fair at Sorochintsï: Hopak
Modest Mussorgsky1:56
3Meditation, op. 32
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-29)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-29)
conductor:
Robert Irving (ballet conductor) (on 1962-03-29)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-29)
recording of:
Meditation, op. 32 (arr. for violin and orchestra) (on 1962-03-29)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936)
arrangement of:
Meditation, op. 32 (for violin and piano)
Alexander Glazunov3:17
4Waltz-Scherzo, op. 34
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-31)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-31)
conductor:
Robert Irving (ballet conductor) (on 1962-03-31)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-31)
recording of:
Valse-Scherzo in C major, op. 34 (for violin and orchestra) (on 1962-03-31)
premiered in:
Paris, Île-de-France, France (on 1878-09-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1877)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 34), The Tchaikovsky Handbook (number: TH 58) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 60)
Peter Ilyich Tchaikovsky5:30
5Souvenir d’un lieu cher, op. 42: I. Méditation
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1962-03-30 until 1962-03-31)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1962-03-30 until 1962-03-31)
conductor:
Robert Irving (ballet conductor) (from 1962-03-30 until 1962-03-31)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1962-03-30 until 1962-03-31)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: I. Méditation (from 1962-03-30 until 1962-03-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Peter Ilyich Tchaikovsky8:19
6Souvenir d’un lieu cher, op. 42: II. Scherzo
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1962-03-30 until 1962-03-31)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1962-03-30 until 1962-03-31)
conductor:
Robert Irving (ballet conductor) (from 1962-03-30 until 1962-03-31)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1962-03-30 until 1962-03-31)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: II. Scherzo (from 1962-03-30 until 1962-03-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Peter Ilyich Tchaikovsky3:47
7Fantasia on Russian Themes, op. 33
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-28)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-28)
conductor:
Robert Irving (ballet conductor) (on 1962-03-28)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-28)
recording of:
Fantasy on Two Russian Themes (for violin and piano, Kreisler) (on 1962-03-28)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Concert Fantasy on Russian Themes, op. 33
Nicolai Rimsky-Korsakov8:47
8Flight of the BumbleBee from The Tale of the Tsar Sultan
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1956-01-27)
violin:
Nathan Milstein (violinist) (on 1956-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-01-27)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements) (on 1956-01-27)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nicolai Rimsky-Korsakov1:16
9Hungarian Dance no. 2
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1956-02-03)
violin:
Nathan Milstein (violinist) (on 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-02-03)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 2 in D minor: Allegro non assai - Vivace (Hallén orchestration) (on 1956-02-03)
orchestrator:
Andreas Hallén
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Hallén)
recording of:
Hungarian Dance no. 2 in B minor (for violin and piano, Klengel/Gingold)
composer:
Johannes Brahms (German composer)
arranger:
Josef Gingold (violinist) and Paul Klengel
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace
Johannes Brahms3:10
10Méditation from Thaïs
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1956-02-03)
violin:
Nathan Milstein (violinist) (on 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-02-03)
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick) (on 1956-02-03)
composer:
Jules Massenet (French Romantic composer)
piano arranger and violin arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet4:05
11Dance of the Blessed Spirits from Orfeo ed Euridice
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (from 1956-01-27 until 1956-02-03)
composer:
Christoph Willibald Gluck (composer) (in 1774)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck2:48
12Nocturne no. 20 in C minor
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Nocturne no. 20 in C‐sharp minor, op. posth. (for violin and piano, arr. Milstein) (from 1956-01-27 until 1956-02-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
piano and violin arranger:
Nathan Milstein (violinist)
arrangement of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
Frédéric Chopin3:42
13Jota from Siete canciones populares españolas
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Suite populaire espagnole: VI. Jota (for violin and piano, arr. Kochanski) (on 1957-04-24)
composer:
Manuel de Falla (Spanish composer) (in 1914)
piano and violin arranger:
Paweł Kochański (violinist)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
part of:
Suite populaire espagnole (for violin and piano, arr. Kochanski)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla2:46
14Scherzo-Tarantelle, op. 16
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1957-04-22)
violin:
Nathan Milstein (violinist) (on 1957-04-22)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-22)
recording of:
Scherzo-tarantelle, op. 16 (on 1957-04-22)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1855)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16)
Henryk Wieniawski3:46
15Minstrels from Préludes, Livre I
piano:
Leon Pommers (on 1959-04-18)
violin:
Nathan Milstein (violinist) (on 1959-04-18)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-04-18)
recording of:
Préludes, Livre I, L. 117: XII. Minstrels (catch-all for arrangements) (on 1959-04-18)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
arrangement of:
Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré
Claude Debussy2:09
16Introduction and Tarantelle, op. 43
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1959-03-30 until 1959-04-18)
violin:
Nathan Milstein (violinist) (from 1959-03-30 until 1959-04-18)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1959-03-30 until 1959-04-18)
recording of:
Introduction et tarantelle, op. 43 (from 1959-03-30 until 1959-04-18)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Works of Pablo de Sarasate by opus number (number: op. 43)
Pablo de Sarasate4:29
17Praeludium and Allegro in the Style of Pugnani
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1959-03-30 until 1959-04-18)
violin:
Nathan Milstein (violinist) (from 1959-03-30 until 1959-04-18)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1959-03-30 until 1959-04-18)
recording of:
Prélude et Allegro dans le style de Pugnani (from 1959-03-30 until 1959-04-18)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler4:53