| # | Title | Artist | Rating | Length |
|---|
| 1 | Intro to Volume Sixteen | Dasyati | 3 | 0:14 |
| 2 | Jem | Freezepop | 3 | 2:02 |
| 3 | Acidjazzed Evening | Tempest | 3.15 | 3:11 |
| 4 | Map of the Problematique | Muse | 3 | 4:18 |
| 5 | Get Get Down (original extended mix) | Paul Johnson | 3 | 5:51 |
| 6 | Kathy’s Song (Ferry Corsten remix edit) | Apoptygma Berzerk | 3 | 3:56 |
| 7 | Air | 七三式 | 3 | 2:43 |
| 8 | B.Y.O.N.E.S. (NES of a Down extended mix) | detalub0 | 3 | 2:19 |
| 9 | Girlfriend | Avril Lavigne | 4.5 | 3:37 |
| 10 | Morning Mood | Edvard Grieg | 3 | 4:39 |
| 11 | The Kraken- additional recording engineer:
- Slamm Andrews, Big Al Clay and Jeff Biggers
- recording engineer and mixer:
- Alan Meyerson
- producer:
- Bob Badami and Hans Zimmer
- assistant editor:
- Katie Greathouse
- editor:
- Melissa Muik and Julie Pearce
- cello:
- Martin Tillman
- choir vocals:
- Choir of the King’s Consort and Metro Voices
- choir vocals [choir master]:
- Jenny O’Grady
- vocals:
- Delores Clay
- additional conductor:
- Alastair King
- conductor:
- Pete Anthony
- orchestrator:
- Bruce Fowler , Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
- additionally recorded at:
- Abbey Road Studios, London in St John's Wood, Westminster, London , England, United Kingdom and Air Lyndhurst Studios, London in Hampstead, Camden , London , England, United Kingdom
- recorded at:
- Sony Scoring Stage, Los Angeles, CA in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Remote Control Productions in Santa Monica, California, United States
- recording of:
- The Kraken
- composer:
- Hans Zimmer
- part of:
- Pirates of the Caribbean: Dead Man's Chest
| Hans Zimmer | 3.4 | 6:52 |
| 12 | Donkey Kong Country 2: Diddy’s Kong Quest – Lockjaw’s Saga | David Wise | 3 | 1:47 |
| 13 | Mars, the Bringer of War | Gustav Holst | 3 | 7:13 |
| 14 | Read a Book | Bomani “D’mite” Armah | 3 | 3:14 |
| 15 | Stayin’ Alive- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- performer:
- Bee Gees (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- part of:
- Q50 – December 2005 (number: 3), Billboard Year-End Hot 100 singles of 1978 (number: 4), Billboard: The 500 Best Pop Songs (number: 32), Billboard: Greatest of All Time Hot 100 Songs (number: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 99), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 189) and BILLIONS CLUB
- recording of:
- Stayin’ Alive (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
| Bee Gees | 3.9 | 4:47 |
| 16 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:54 |
| 17 | I’m So Ronery | Trey Parker | 2 | 1:55 |
| 18 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.2 | 5:22 |
| 19 | Quad Machine | Sonic Mayhem | 3 | 3:35 |
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