The Telegraph History of Opera (1832 - 1843)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ruslan and Ludmila: Overture
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:29
2Nabucco: Act III. “Va, pensiero, sull’ali dorate” (Prisoners’ Chorus)
choir vocals:
Bulgarian National Choir “Svetoslav Obretenov” (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:17
3Zar und Zimmerman: “Greifet an und ruhrt die Hande” Clog Dance
baritone vocals:
Hermann Prey (baritone)
choir vocals:
Chor der Philharmonie Bratislava (Alfred Scholz related)
orchestra:
Philharmonie Bratislava (Slovak Philharmonic)
conductor:
Kurt Wöss (conductor)
recording of:
Zar und Zimmermann: Akt I. Nr. 1 Introduktion und Zimmermannslied „Greifet an und rührt die Hände“ … „Auf Gesellen, greift zur Axt“ (Iwanow, Peter I., Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing10:02
4Das Nachtlager von Granada: “Schon die Abendglocken klangen”
choir vocals:
Philharmonie Bratislawa (Slovak Philharmonic)
orchestra:
Bratislava Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Kurt Wöss (conductor)
recording of:
Das Nachtlager in Granada, Act II: "Schon die Abendglocken klangen" (Chorus)
composer:
Conradin Kreutzer
part of:
Das Nachtlager in Granada
Conradin Kreutzer3:10
5Lucia Di Lammermoor: “Chi mi frena” (Sextet, Act II)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti7:56
6L’elisir d’amore: “Una furtiva lagrima” (Nemorini’s Aria)
tenor vocals:
Peter Dvorský (tenor)
orchestra:
Tokyo Philharmonic Orchestra
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:53
7Don Pasquale: “Che interminabile andirivieni” (Servants’ Chorus)
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
recording of:
Don Pasquale: Atto III. “Che interminabile andirivieni” (Coro di Servi)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti4:02
8Linda Di Chamounix: “Ah! Tendai troppo - o luce di quest’anima” (Linda’s Recitative and Cavatine, Act I)
soprano vocals:
Sumi Jo (soprano)
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Linda di Chamounix: Atto I. No. 3 Recitativo e cavatina “Ah! Tardai troppo” … “O luce di quest'anima” (Linda)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Linda di Chamounix: Atto I
Gaetano Donizetti6:01
9A Life for the Tsar: Polonaise
orchestra:
Plovdid Philharmonic Orchestra (Plovdiv Philharmonic Orchestra)
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
recording of:
A Life for the Tsar: Act II: Polonaise
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer)
part of:
A Life for the Tsar: Act II
Mikhail Glinka4:20
10Rienzi: Overture
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
composer:
Richard Wagner (composer) (from 1838-07 until 1840-11)
librettist:
Richard Wagner (composer)
part of:
Rienzi, der letzte der Tribunen, WWV 49
Richard Wagner12:51

Credits

Release

manufactured in:Austria
manufactured by and distributed by:Duet Music (British budget label/imprint)
copyrighted (©) by and phonographic copyright (℗) by:Delta Music (main label of Delta Music GmbH and its UK & US subsidiaries) (in 1997)
glass mastered by:KOCH International (Austrian label, imprint in use from 1990 to 2000; LC 05680)
part of:The Telegraph History of Opera (number: 5)