Gold

~ Release by Grover Washington, Jr. (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Inner City Blues (Make Me Wanna Holler)
engineer:
Rudy van Gelder (in 1971-09)
producer:
Creed Taylor
baritone saxophone:
Don Ashworth (woodwind) (in 1971-09)
bass:
Ron Carter (US jazz double-bassist) (in 1971-09)
cello:
Maurice Brown (jazz cellist) (in 1971-09), Charles McCracken (cellist) (in 1971-09), Alan Shulman (cellist and composer) (in 1971-09) and Anthony Sophos (in 1971-09)
drums (drum set):
Idris Muhammad (in 1971-09)
electric piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
flugelhorn and trumpet:
Eugene Young (in 1971-09)
French horn and trumpet:
Thad Jones (American jazz trumpeter) (in 1971-09)
guitar:
Eric Gale (in 1971-09)
organ:
Richard Tee (in 1971-09)
percussion:
Airto Moreira (percussionist) (in 1971-09)
saxophone:
Grover Washington, Jr. (in 1971-09)
trombone:
Wayne Andre (in 1971-09)
violin:
Julius Brand (in 1971-09), Paul Gershman (in 1971-09), Julius Held (in 1971-09), Leo Kahn (in 1971-09), Harry Katzman (in 1971-09), Raoul Polikian (in 1971-09), Max Pollikoff (in 1971-09) and Paul Winter (violin) (in 1971-09)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-09)
instrumental cover recording of:
Inner City Blues (Make Me Wanna Holler) (in 1971-09)
composer:
Marvin Gaye and James Nyx (R&B songwriter)
publisher:
Jobete Music (UK) Ltd.
7:12
2Mercy Mercy Me (The Ecology)
engineer:
Rudy van Gelder (in 1971-09)
producer:
Creed Taylor
baritone saxophone:
Don Ashworth (woodwind) (in 1971-09)
bass:
Ron Carter (US jazz double-bassist) (in 1971-09)
cello:
Maurice Brown (jazz cellist) (in 1971-09), Charles McCracken (cellist) (in 1971-09), Alan Shulman (cellist and composer) (in 1971-09) and Anthony Sophos (in 1971-09)
drums (drum set):
Idris Muhammad (in 1971-09)
electric piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
flugelhorn and trumpet:
Eugene Young (in 1971-09)
French horn and trumpet:
Thad Jones (American jazz trumpeter) (in 1971-09)
guitar:
Eric Gale (in 1971-09)
organ:
Richard Tee (in 1971-09)
percussion:
Airto Moreira (percussionist) (in 1971-09)
saxophone:
Grover Washington, Jr. (in 1971-09)
trombone:
Wayne Andre (in 1971-09)
violin:
Julius Brand (in 1971-09), Paul Gershman (in 1971-09), Julius Held (in 1971-09), Leo Kahn (in 1971-09), Harry Katzman (in 1971-09), Raoul Polikian (in 1971-09), Max Pollikoff (in 1971-09) and Paul Winter (violin) (in 1971-09)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-09)
instrumental cover recording of:
Mercy Mercy Me (The Ecology) (in 1971-09)
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
5:09
3Where Is the Love
recording engineer:
Rudy van Gelder (from 1972-05 until 1972-06)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (from 1972-05 until 1972-06)
guitar:
Eric Gale (from 1972-05 until 1972-06)
saxophone:
Grover Washington, Jr. (from 1972-05 until 1972-06)
woodwind:
George Marge (from 1972-05 until 1972-06)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (from 1972-05 until 1972-06)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
phonographic copyright (℗) by:
Creed Taylor, Inc.
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1972-05 until 1972-06)
instrumental cover recording of:
Where Is the Love (from 1972-05 until 1972-06)
writer:
Ralph MacDonald and William Salter
publisher:
Antisia Music Inc. and BMG Ruby Songs
5:09
4No Tears (in the End)
recording engineer:
Rudy van Gelder (from 1972-05 until 1972-06)
producer:
Creed Taylor
bass:
Gordon Edwards (funk/soul bassist) (from 1972-05 until 1972-06)
drums (drum set):
Bernard Purdie (from 1972-05 until 1972-06)
guitar:
Eric Gale (from 1972-05 until 1972-06)
saxophone:
Grover Washington, Jr. (from 1972-05 until 1972-06)
woodwind:
George Marge (from 1972-05 until 1972-06)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (from 1972-05 until 1972-06)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
phonographic copyright (℗) by:
Creed Taylor, Inc.
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1972-05 until 1972-06)
instrumental cover recording of:
No Tears (In the End) (from 1972-05 until 1972-06)
writer:
Ralph MacDonald and William Salter
3:50
5You Are the Sunshine of My Life
engineer:
Rudy van Gelder (in 1973-03)
producer:
Creed Taylor
alto saxophone, soprano saxophone and tenor saxophone:
Grover Washington, Jr. (in 1973-03)
bass and electric bass guitar:
Ron Carter (US jazz double-bassist) (in 1973-03)
bass [arco bass]:
Ron Carter (US jazz double-bassist) (in 1973-03) and Richard Davis (American jazz bassist) (in 1973-03)
bass clarinet and cor anglais:
Romeo Penque (in 1973-03)
bass saxophone and contrabass clarinet:
Wally Kane (US woodwind player) (in 1973-03)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (in 1973-03), Alan Raph (in 1973-03) and Tony Studd (in 1973-03)
bassoon:
Donald McCourt (bassoonist) (in 1973-03)
cello:
Seymour Barab (in 1973-03), Charles McCracken (cellist) (in 1973-03) and George Ricci (in 1973-03)
clarinet:
Wally Kane (US woodwind player) (in 1973-03) and Romeo Penque (in 1973-03)
drums (drum set):
Idris Muhammad (in 1973-03)
electric piano and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1973-03)
flugelhorn:
Jon Faddis (in 1973-03), Bernie Glow (in 1973-03) and Randall Brecker (in 1973-03)
flute:
Harvey Estrin (in 1973-03), Wally Kane (US woodwind player) (in 1973-03), Hubert Laws (in 1973-03), George Marge (in 1973-03) and Romeo Penque (in 1973-03)
French horn:
Peter Gordon (French hornist) (in 1973-03), Jim Buffington (US jazz, studio and classical hornist) (in 1973-03) and Brooks Tillotson (in 1973-03)
guitar:
Eric Gale (in 1973-03)
oboe:
George Marge (in 1973-03) and Romeo Penque (in 1973-03)
organ:
Richard Tee (in 1973-03)
percussion:
Airto (percussionist) (in 1973-03), Dave Friedman (US jazz percussionist, mainly vibraphone and marimba) (in 1973-03), Phil Kraus (in 1973-03) and Ralph MacDonald (in 1973-03)
piccolo:
Harvey Estrin (in 1973-03), Hubert Laws (in 1973-03), George Marge (in 1973-03) and Romeo Penque (in 1973-03)
recorder:
Harvey Estrin (in 1973-03)
trombone:
Wayne Andre (in 1973-03) and Santo Russo (Sonny Russo, trombone) (in 1973-03)
trumpet:
Jon Faddis (in 1973-03), John Frosk (in 1973-03), Bernie Glow (in 1973-03) and Randall Brecker (in 1973-03)
viola:
Alfred Brown (viola) (in 1973-03), Theodore Israel (in 1973-03) and Emanuel Vardi (in 1973-03)
violin:
Harry Cykman (in 1973-03), Max Ellen (in 1973-03), Paul Gershman (in 1973-03), Emanuel Green (in 1973-03), Harold Kohon (in 1973-03), Charles Libove (in 1973-03), Harry Lookofsky (in 1973-03), Joe Malin (in 1973-03), David Nadien (in 1973-03), Gene Orloff (in 1973-03) and Elliot Rosoff (in 1973-03)
vocals:
Bill Eaton (US producer & arranger) (in 1973-03), Eileen Gilbert (in 1973-03), Barbara Massey (in 1973-03), Randolph Peyton (vocalist) (in 1973-03), Maeretha Stewart (in 1973-03) and Bernard Thacker (in 1973-03)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1973-03)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1973-03)
instrumental cover recording of:
You Are the Sunshine of My Life (in 1973-03)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, volume I)
6:05
6Mister Magic
engineer:
Rudy van Gelder (in 1974-11)
producer:
Creed Taylor
alto saxophone and soprano saxophone:
Grover Washington, Jr. (in 1974-11)
baritone saxophone:
Phil Bodner (Woodwind player) (in 1974-11)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1974-11)
bass trombone:
Tony Studd (in 1974-11)
cello:
Charles McCracken (cellist) (in 1974-11) and Alan Shulman (cellist and composer) (in 1974-11)
drums (drum set):
Harvey Mason (jazz drummer) (in 1974-11)
electric piano and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
flugelhorn and trumpet:
Jon Faddis (in 1974-11) and Marvin Stamm (in 1974-11)
guitar:
Eric Gale (in 1974-11)
percussion:
Ralph MacDonald (in 1974-11)
tenor saxophone:
Jerry Dodgion (in 1974-11) and Grover Washington, Jr. (in 1974-11)
trombone:
Wayne Andre (in 1974-11)
viola:
Al Brown (viola) (in 1974-11) and Manny Vardi (in 1974-11)
violin:
Max Ellen (in 1974-11), Paul Gershman (in 1974-11), Harry Glickman (in 1974-11), Harold Kohon (in 1974-11), Harry Lookofsky (in 1974-11), Joe Malin (in 1974-11), David Nadien (in 1974-11) and Matthew Raimondi (in 1974-11)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1974-11)
recording of:
Mister Magic (Mr. Magic) (in 1974-11)
composer:
Ralph MacDonald and William Salter
9:01
7Black Frost
engineer:
Rudy van Gelder (in 1974-11)
producer:
Creed Taylor
alto saxophone and soprano saxophone:
Grover Washington, Jr. (in 1974-11)
baritone saxophone:
Phil Bodner (Woodwind player) (in 1974-11)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1974-11)
bass trombone:
Tony Studd (in 1974-11)
cello:
Charles McCracken (cellist) (in 1974-11) and Alan Shulman (cellist and composer) (in 1974-11)
drums (drum set):
Harvey Mason (jazz drummer) (in 1974-11)
electric piano and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
flugelhorn and trumpet:
Jon Faddis (in 1974-11) and Marvin Stamm (in 1974-11)
guitar:
Eric Gale (in 1974-11)
percussion:
Ralph MacDonald (in 1974-11)
tenor saxophone:
Jerry Dodgion (in 1974-11) and Grover Washington, Jr. (in 1974-11)
trombone:
Wayne Andre (in 1974-11)
viola:
Al Brown (viola) (in 1974-11) and Manny Vardi (in 1974-11)
violin:
Max Ellen (in 1974-11), Paul Gershman (in 1974-11), Harry Glickman (in 1974-11), Harold Kohon (in 1974-11), Harry Lookofsky (in 1974-11), Joe Malin (in 1974-11), David Nadien (in 1974-11) and Matthew Raimondi (in 1974-11)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1974-11)
recording of:
Black Frost (in 1974-11)
composer:
Robert M. James (US jazz keyboardist, arranger and producer) and Grover Washington, Jr.
6:07
8It Feels So Good
recording engineer:
Rudy van Gelder (from 1975-05 until 1975-07)
producer:
Creed Taylor
guitar:
Eric Gale (from 1975-05 until 1975-07)
keyboard [keyboards]:
Bob James (US jazz keyboardist, arranger and producer) (from 1975-05 until 1975-07)
percussion:
Ralph MacDonald (from 1975-05 until 1975-07)
saxophone:
Grover Washington, Jr. (from 1975-05 until 1975-07)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1975-05 until 1975-07)
recording of:
It Feels So Good (Feels So Good) (from 1975-05 until 1975-07)
composer:
Ralph MacDonald and William Salter
8:18
9Moonstreams
recording engineer:
Rudy van Gelder (from 1975-05 until 1975-07)
producer:
Creed Taylor
guitar:
Eric Gale (from 1975-05 until 1975-07)
keyboard [keyboards]:
Bob James (US jazz keyboardist, arranger and producer) (from 1975-05 until 1975-07)
percussion:
Ralph MacDonald (from 1975-05 until 1975-07)
saxophone:
Grover Washington, Jr. (from 1975-05 until 1975-07)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1975-05 until 1975-07)
recording of:
Moonstreams (from 1975-05 until 1975-07)
composer:
Grover Washington, Jr.
5:51
10A Secret Place
recording engineer:
Rudy van Gelder (in 1976-10)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Gerry Niewood (in 1976-10)
bass:
Anthony Jackson (US bassist) (in 1976-10)
drums (drum set):
Harvey Mason (jazz drummer) (in 1976-10)
guitar:
Eric Gale (in 1976-10)
percussion:
Ralph MacDonald (in 1976-10)
piano:
Dave Grusin (American pianist and score composer) (in 1976-10)
saxophone:
Grover Washington, Jr. (in 1976-10)
trumpet:
John Gatchell (in 1976-10)
horn arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1976-10)
8:14
11Summer Song
recording engineer:
Dale Ashby (in 1977-05)
assistant engineer:
Joel Cohn
engineer:
David Palmer (Engineer)
producer:
Creed Taylor
alto saxophone, soprano saxophone and tenor saxophone:
Grover Washington, Jr. (in 1977-05)
bass:
Tyrone Brown (bassist) (in 1977-05)
drums (drum set):
Millard Vinson (drummer) (in 1977-05)
electric violin:
John Blake (US jazz violinist) (in 1977-05)
flute:
Leslie Burrs (flutist) (in 1977-05)
guitar:
Richard Steacker (in 1977-05)
keyboard:
James Simmons (pianist/keyboardist) (in 1977-05)
percussion:
Leonard Gibbs (percussionist) (in 1977-05)
recorded at:
Bijou Cafe in Philadelphia, Pennsylvania, United States (in 1977-05)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
7:40
12Reed Seed (Trio Tune)
engineer:
Nils Salminen
producer:
Grover Washington, Jr.
bass:
Tyrone Brown (bassist) (in 1978)
drums (drum set):
Millard "Pete" Vinson (drummer) (in 1978)
woodwind:
Grover Washington, Jr. (in 1978)
recorded at:
Ridge Sound Studio in Philadelphia, Pennsylvania, United States (in 1978)
4:52
2▼CD
#TitleArtistRatingLength
1Do Dat
engineer:
Nils Salminen
producer:
Grover Washington, Jr.
bass:
Tyrone Brown (bassist) (in 1978)
drums (drum set):
Millard "Pete" Vinson (drummer) (in 1978)
woodwind:
Grover Washington, Jr. (in 1978)
recorded at:
Ridge Sound Studio in Philadelphia, Pennsylvania, United States (in 1978)
Grover Washington, Jr.4:28
2Bright Moments
engineer:
Richard Alderson (Producer and engineer)
producer:
Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (in 1979-10)
drums (drum set):
Idris Muhammad (in 1979-10)
guitar:
Eric Gale (in 1979-10)
percussion:
Ralph MacDonald (in 1979-10)
piano:
Richard Tee (in 1979-10)
woodwind:
Grover Washington, Jr. (in 1979-10)
recorded at:
Rosebud Recording Studio in New York, New York, United States (in 1979-10)
cover recording of:
Bright Moments Song (in 1979-10)
composer:
Rahsaan Roland Kirk
Grover Washington, Jr.6:29
3Let It Flow (For Dr. J)
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Paul Griffin (American pianist, session musician) (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Let It Flow (For “Dr. J”) (from 1980-06 until 1980-07)
composer:
Grover Washington, Jr.
Grover Washington, Jr.4.55:52
4Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Grover Washington, Jr.57:22
5Be Mine Tonight
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), William Eaton (US producer & arranger) (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
lead vocals:
Grady Tate (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
recording of:
Be Mine (Tonight) (in 1981)
writer:
William Eaton (US producer & arranger), Ralph MacDonald and William Salter
Grover Washington, Jr.46:25
6Jamming
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), William Eaton (US producer & arranger) (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
instrumental cover recording of:
Jamming (in 1981)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
Grover Washington, Jr.45:08
7The Best Is Yet to Come
bass:
Cedric Napoleon
drums (drum set):
Darryl Washington (percussionist/drummer)
guitar:
James Herb Smith
keyboard:
James Lloyd (jazz keyboard/piano)
percussion:
Leonard Gibbs (percussionist)
shakers:
Ralph MacDonald
synthesizer:
Dexter Wansel
tenor saxophone:
Grover Washington, Jr.
background vocals and lead vocals:
Patti LaBelle
arranger:
Dexter Wansel and Grover Washington, Jr.
recording of:
The Best Is Yet to Come
writer:
Cynthia Biggs and Dexter Wansel
publisher:
Assorted Music, Cynthia Demari Biggs El and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Grover Washington, Jr.45:59
8Inside Moves
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (in 1984-06)
percussion:
Ralph MacDonald (in 1984-06)
piano:
Richard Tee (in 1984-06)
saxophone [alto, baritone, tenor, soprano saxophone]:
Grover Washington, Jr. (in 1984-06)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Rosebud Recording Studio in New York, New York, United States (in 1984-06)
mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
Grover Washington, Jr.5:53
9Look at This
Grover Washington, Jr.3:17
10Summer Nights
Grover Washington, Jr.6:15
11Sacred Kind of Love
producer:
Grover Washington, Jr.
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
Grover Washington, Jr.5:41
12Love Like This
Grover Washington, Jr.4:52
13For Love
performer:
Grover Washington, Jr.
Sylk 130 feat. Grover Washington, Jr.5:44
14Vissi d'Arte (I Lived for Art)
assistant engineer:
Jen Wyler (American sound engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
Robert Freedman and Grover Washington, Jr.
bass:
Ron Carter (US jazz double-bassist) (from 1999-05-05 until 1999-05-06)
piano:
Billy Childs (US composer/jazz pianist) (from 1999-05-05 until 1999-05-06)
orchestra:
Orchestra of St. Luke’s (from 1999-05-05 until 1999-05-06)
conductor:
Robert Freedman (from 1999-05-05 until 1999-05-06)
arranger:
Robert Freedman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Grover Washington, Jr.3:51

Credits

Release

part of:Gold (Universal Records) (order: 81)
Discogs:https://www.discogs.com/release/6340473 [info]