Complete Works

~ Release by Béla Bartók (see all versions of this release, 1 available)

Tracklist

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1▼CD: Orchestral & Stage Works
#TitleRatingLength
1Scherzo in C major (from Symphony in E-flat major) BB 25
orchestra:
Budapest Symphony Orchestra
conductor:
György Lehel (conductor)
recording of:
Scherzo for piano & orchestra, DD 68, Sz. 28, BB 25, op. 2: II. Allegro. Scherzo
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Scherzo (Burlesque), DD 68, Sz. 28, BB 25, op. 2
10:02
2Kossuth, BB 31 - Symphonic Poem for Large Orchestra
orchestra:
Budapest Festival Orchestra (in 1997-06)
conductor:
Iván Fischer (conductor) (in 1997-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-06)
recording of:
Kossuth, Sz. 21, BB 31, DD 75a (in 1997-06)
composer:
Bartók Béla (Béla Bartók, composer) (from 1903-03 until 1903-08)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 21) and Béla Bartók's Works (BB) (number: BB 31)
19:53
3Two Pictures (Két kép) BB 59 (Op. 10): I Virágzás · In Full Flower
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
2 Pictures, op. 10, Sz. 46: 1. In voller Blüte (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
2 Pictures, op. 10, Sz. 46
7:31
4Two Pictures (Két kép) BB 59 (Op. 10): II A falu tánca · Village Dance
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
2 Pictures, op. 10, Sz. 46: 2. Dorftanz (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
2 Pictures, op. 10, Sz. 46
9:15
5Romanian Dance, BB 61 (Orchestration of BB 56/1)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Dance, for orchestra, Sz. 47a, BB 61 (in 1996-02)
composer:
Bartók Béla (Béla Bartók, composer) (until 1911-02-11)
4:28
6Four Orchestral Pieces, BB 64 (Op. 12): I. Preludio: Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: I. Preludio: Moderato (in 1992-12)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
6:32
7Four Orchestral Pieces, BB 64 (Op. 12): II. Scherzo: Allegro
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: II. Scherzo: Allegro (in 1992-12)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
6:13
8Four Orchestral Pieces, BB 64 (Op. 12): III. Intermezzo: Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: III. Intermezzo: Moderato (in 1992-12)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
5:03
9Four Orchestral Pieces, BB 64 (Op. 12): IV. Marcia funebre: Maestoso
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: IV. Marcia funebre: Maestoso (in 1992-12)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1921)
composer:
Bartók Béla (Béla Bartók, composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
4:57
2▼CD: Orchestral & Stage Works
#TitleRatingLength
1Suite No. 1 for Full Orchestra BB 39 (Op. 3): I. Allegro vivace
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
7:16
2Suite No. 1 for Full Orchestra BB 39 (Op. 3): II. Poco adagio
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 2. Poco adagio (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
8:23
3Suite No. 1 for Full Orchestra BB 39 (Op. 3): III. Presto
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 3. Presto (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
7:52
4Suite No. 1 for Full Orchestra BB 39 (Op. 3): IV. Moderato
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 4. Moderato (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
6:21
5Suite No. 1 for Full Orchestra BB 39 (Op. 3): V. Molto vivace
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 5. Molto vivace (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
7:12
6Suite No. 2 for Small Orchestra BB 40 (Op. 4) (Revised 1943 version): I. Comodo
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: I. Comodo
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
7:58
7Suite No. 2 for Small Orchestra BB 40 (Op. 4) (Revised 1943 version): II. Allegro scherzand
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: II. Allegro scherzando
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
8:21
8Suite No. 2 for Small Orchestra BB 40 (Op. 4) (Revised 1943 version): III. Andante
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: III. Andante
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
7:45
9Suite No. 2 for Small Orchestra BB 40 (Op. 4) (Revised 1943 version): IV. Comodo
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: IV. Comodo
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
7:44
3▼CD: Orchestral & Stage Works
#TitleRatingLength
1Romanian Folk Dances (Román népi táncok) BB 76: I. Joc cu bàtà = Stick Dance (From Mezöszabad) - Budapest Festival Orchestra, Iván Fischer (5:58)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): I. Jocul cu bâtă (in 1996-02)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: I. Jocul cu bâtă
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
1:13
2Romanian Folk Dances (Román népi táncok) BB 76: II bräul = Sash Dance (From Egres)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): II. Brâul (in 1996-02)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: II. Brâul
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
0:37
3Romanian Folk Dances (Román népi táncok) BB 76: III pe loc = In One Spot (From Egres)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): III. Pe loc (in 1996-02)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: III. Pe Loc
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
1:01
4Romanian Folk Dances (Román népi táncok) BB 76: IV Buciumeana = Horn Dance (From Bisztra)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): IV. Buciumeana (in 1996-02)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: IV. Buciumeana
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
1:43
5Romanian Folk Dances (Román népi táncok) BB 76: V Poarga romaneascà = Romanian Polka (From Belényes)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): V. Poarga Românească (in 1996-02)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: V. Poarga Românească
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
0:31
6Romanian Folk Dances (Román népi táncok) BB 76: VI Marüntel = Fast Dance (From Belényes)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): VI. Mărunțel (in 1996-02)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: VI. Mărunţel
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
0:15
7Romanian Folk Dances (Román népi táncok) BB 76: VII Marüntel = Fast Dance (From Nyàgra)
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): VII. Mărunțel (in 1996-02)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68: VI. Mărunţel
part of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra)
0:45
8Dance Suite (Táncszvit) BB 86a: I. Moderato
orchestra:
Chicago Symphony Orchestra (in 1981-01)
conductor:
Sir Georg Solti (conductor) (in 1981-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1981-01)
recording of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra) (in 1981-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
3:31
9Dance Suite (Táncszvit) BB 86a: II. Allegro molto
orchestra:
Chicago Symphony Orchestra (in 1981-01)
conductor:
Sir Georg Solti (conductor) (in 1981-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1981-01)
recording of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra) (in 1981-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
2:12
10Dance Suite (Táncszvit) BB 86a: III. Allegro vivace
orchestra:
Chicago Symphony Orchestra (in 1981-01)
conductor:
Sir Georg Solti (conductor) (in 1981-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1981-01)
recording of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra) (in 1981-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
2:43
11Dance Suite (Táncszvit) BB 86a: IV. Molto tranquillo
orchestra:
Chicago Symphony Orchestra (in 1981-01)
conductor:
Sir Georg Solti (conductor) (in 1981-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1981-01)
recording of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra) (in 1981-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
2:35
12Dance Suite (Táncszvit) BB 86a: V. Comodo
orchestra:
Chicago Symphony Orchestra (in 1981-01)
conductor:
Sir Georg Solti (conductor) (in 1981-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1981-01)
recording of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (in 1981-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
0:59
13Dance Suite (Táncszvit) BB 86a: VI. Finale: Allegro
orchestra:
Chicago Symphony Orchestra (in 1981-01)
conductor:
Sir Georg Solti (conductor) (in 1981-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1981-01)
recording of:
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro (for orchestra) (in 1981-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
4:00
14The Miraculous Mandarin (A csodálatos mandarin) - Concert version BB 82 (Op. 19)
engineer:
Stan Goodall (engineer)
producer:
Michael Haas (classical music producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
Chicago Symphony Orchestra (from 1989-05 until 1990-02)
conductor:
Sir Georg Solti (conductor) (from 1989-05 until 1990-02)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1989-05 until 1990-02)
recording of:
The Miraculous Mandarin Suite, op. 19 (in 1990-02)
composer:
Bartók Béla (Béla Bartók, composer)
is based on:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19
18:23
15Dances of Transylvania (Erdélyi táncok) BB 102b: I. Allegretto
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Transylvanian Dances, for orchestra, Sz. 96, BB 102b: I. Dudasok (Bagpipers). Allegretto (in 1996-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1931)
is based on:
Sonatina, Sz. 55, BB 69: I. Dudások. Molto moderato (Sonatina, Sz. 55, BB 69: I. Bagpipes. Molto moderato)
part of:
Transylvanian Dances, for orchestra, Sz. 96, BB 102b
1:36
16Dances of Transylvania (Erdélyi táncok) BB 102b: II. Moderato
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Transylvanian Dances, for orchestra, Sz. 96, BB 102b: II. Medvetanc (Bear Dance) (in 1996-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1931)
is based on:
Sonatina, Sz. 55, BB 69: II. Medvetánc. Moderato (Sonatina, Sz. 55, BB 69: II. Bear Dance. Moderato)
part of:
Transylvanian Dances, for orchestra, Sz. 96, BB 102b
0:42
17Dances of Transylvania (Erdélyi táncok) BB 102b: III. Allegro vivace
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Transylvanian Dances, for orchestra, Sz. 96, BB 102b: III. Finale (in 1996-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1931)
is based on:
Sonatina, Sz. 55, BB 69: III. Finale. Allegro vivace
part of:
Transylvanian Dances, for orchestra, Sz. 96, BB 102b
2:04
18Hungarian Sketches (Magyar képek) BB 103 - I. Este a székelyeknél · An Evening in the Village
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 1: An Evening in the Village (in 1993-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Ten Easy Pieces, Sz. 39, BB 51, No. 5: An Evening at the Village
part of:
Hungarian Sketches, Sz. 97, BB 103
2:47
19Hungarian Sketches (Magyar képek) BB 103 - II. Medvetánc · Bear Dance
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 2: Bear Dance (in 1993-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Ten Easy Pieces, Sz. 39, BB 51, No. 10: Bear Dance
part of:
Hungarian Sketches, Sz. 97, BB 103
1:29
20Hungarian Sketches (Magyar képek) BB 103 - III. Melódia · Melody
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 3: Melody (in 1993-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Four Dirges, Sz. 45, BB 58, No. 2: Andante
part of:
Hungarian Sketches, Sz. 97, BB 103
2:21
21Hungarian Sketches (Magyar képek) BB 103 - IV. Kicsit ázottan · Slightly Tipsy
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 4: Slightly Tipsy (in 1993-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy
part of:
Hungarian Sketches, Sz. 97, BB 103
2:10
22Hungarian Sketches (Magyar képek) BB 103 - V. Ürögi kanásztánc · Swineherd's Dance from Ürög
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 5: Swineherd's Dance (in 1993-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
For Children, Book 2: No. 40. Swineherd's Dance. Allegro vivace
part of:
Hungarian Sketches, Sz. 97, BB 103
2:06
23Hungarian Peasant Songs = Magyar parasztdalok, BB 107 (Orchestration of BB 79/6, 7-12, 14 & 15): I. Ballad
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Hungarian Peasant Songs for Orchestra, Sz. 100, BB 107: I. Ballade (in 1996-02)
composer:
Bartók Béla (Béla Bartók, composer)
is based on:
15 Hungarian Peasant Songs, Sz. 71: No. 6. Ballade (Tema con variazioni). Andante - Poco adagio - …
part of:
Hungarian Peasant Songs for Orchestra, Sz. 100, BB 107
3:03
24Hungarian Peasant Songs = Magyar parasztdalok, BB 107 (Orchestration of BB 79/6, 7-12, 14 & 15): II. Hungarian Peasant Dances
producer:
Hein Dekker (recording producer)
orchestra:
Budapest Festival Orchestra (in 1996-02)
conductor:
Iván Fischer (conductor) (in 1996-02)
balance engineer:
Jan Wesselink (in 1996-02)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-02)
recording of:
Hungarian Peasant Songs for Orchestra, Sz. 100, BB 107: II. Hungarian Peasant Dances (in 1996-02)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Hungarian Peasant Songs for Orchestra, Sz. 100, BB 107
6:24
4▼CD: Orchestral & Stage Works
#TitleRatingLength
1Divertimento, BB 118: I. Allegro non troppo
engineer:
Stan Goodall (engineer)
producer:
Michael Haas (classical music producer)
editor:
Ian Watson (editor/engineer/producer)
strings:
Chicago Symphony Strings
violin:
Rubén González (violinist)
conductor:
Sir Georg Solti (conductor) (in 1990-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1990-01)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: I. Allegro non troppo (in 1990-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
8:25
2Divertimento, BB 118: II. Molto adagio
engineer:
Stan Goodall (engineer)
producer:
Michael Haas (classical music producer)
editor:
Ian Watson (editor/engineer/producer)
strings:
Chicago Symphony Strings
violin:
Rubén González (violinist)
conductor:
Sir Georg Solti (conductor) (in 1990-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1990-01)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: II. Molto adagio (in 1990-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
7:33
3Divertimento, BB 118: III. Allegro assai
engineer:
Stan Goodall (engineer)
producer:
Michael Haas (classical music producer)
editor:
Ian Watson (editor/engineer/producer)
strings:
Chicago Symphony Strings
violin:
Rubén González (violinist)
conductor:
Sir Georg Solti (conductor) (in 1990-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1990-01)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: III. Allegro assai (in 1990-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
7:15
4Concerto for Orchestra (Concerto zenekarra) BB 123: I. Introduzione: Andante non troppo - Allegro vivace
orchestra:
Budapest Festival Orchestra (in 1997-06)
conductor:
Iván Fischer (conductor) (in 1997-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-06)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (in 1997-06)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
9:44
5Concerto for Orchestra (Concerto zenekarra) BB 123: II. Giuoco delle coppie: Allegretto scherzando
orchestra:
Budapest Festival Orchestra (in 1997-06)
conductor:
Iván Fischer (conductor) (in 1997-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-06)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1997-06)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
6:01
6Concerto for Orchestra (Concerto zenekarra) BB 123: III. Elegia: Andante non troppo
orchestra:
Budapest Festival Orchestra (in 1997-06)
conductor:
Iván Fischer (conductor) (in 1997-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-06)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (in 1997-06)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
7:09
7Concerto for Orchestra (Concerto zenekarra) BB 123: IV. Intermezzo interrotto: Allegretto
orchestra:
Budapest Festival Orchestra (in 1997-06)
conductor:
Iván Fischer (conductor) (in 1997-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-06)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (in 1997-06)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
4:17
8Concerto for Orchestra (Concerto zenekarra) BB 123: V. Finale: Pesante - Presto
orchestra:
Budapest Festival Orchestra (in 1997-06)
conductor:
Iván Fischer (conductor) (in 1997-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1997-06)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (in 1997-06)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
9:11
5▼CD: Orchestral & Stage Works
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1Violin Concerto No. 1 (I Hegedűverseny), BB 48a (Op. Posth): I. Andante sostenuto
producer:
Paul Myers (classical record producer)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1983-10)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
balance engineer:
James Lock (James Locke, engineer) (in 1983-10)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-10)
recording of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: I. Andante sostenuto (in 1983-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a
8:41
2Violin Concerto No. 1 (I Hegedűverseny), BB 48a (Op. Posth): II. Allegro giocoso
producer:
Paul Myers (classical record producer)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1983-10)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
balance engineer:
James Lock (James Locke, engineer) (in 1983-10)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-10)
recording of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: II. Allegro giocoso (in 1983-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a
11:35
3Two Portraits (Két Portré), BB 48b (Op. 5): I. One Ideal: Andante
producer:
James Mallinson (producer) (on 1979-09-26)
solo violin:
Erich Binder (violinist, pianist and conductor) (on 1979-09-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1979-09-26)
conductor:
Christoph von Dohnányi (German conductor) (on 1979-09-26)
balance engineer:
James Brown (Decca engineer, 1960s) (on 1979-09-26)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1979-09-26)
recording of:
Two Portraits, op. 5: 1. One Ideal. Andante (on 1979-09-26)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Two Portraits, Sz. 37, BB 48b, op. 5
9:20
4Two Portraits (Két Portré), BB 48b (Op. 5): II. One Grotesque
producer:
James Mallinson (producer) (on 1979-09-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1979-09-26)
conductor:
Christoph von Dohnányi (German conductor) (on 1979-09-26)
balance engineer:
James Brown (Decca engineer, 1960s) (on 1979-09-26)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1979-09-26)
recording of:
Two Portraits, op. 5: 2. One Grotesque (on 1979-09-26)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Two Portraits, Sz. 37, BB 48b, op. 5
2:21
5Violin Concerto No. 2 (II Hegedűverseny), BB 117: I. Allegro non troppo
violin:
Viktoria Mullova (violinist) (in 1997-05)
orchestra:
Los Angeles Philharmonic (in 1997-05)
conductor:
Esa‐Pekka Salonen (conductor and composer) (in 1997-05)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (in 1997-05)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: I. Allegro non troppo (in 1997-05)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
15:17
6Violin Concerto No. 2 (II Hegedűverseny), BB 117: II. Andante tranquillo
violin:
Viktoria Mullova (violinist) (in 1997-05)
orchestra:
Los Angeles Philharmonic (in 1997-05)
conductor:
Esa‐Pekka Salonen (conductor and composer) (in 1997-05)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (in 1997-05)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: II. Andante tranquillo (in 1997-05)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
9:18
7Violin Concerto No. 2 (II Hegedűverseny), BB 117: III. Allegro molto
violin:
Viktoria Mullova (violinist) (in 1997-05)
orchestra:
Los Angeles Philharmonic (in 1997-05)
conductor:
Esa‐Pekka Salonen (conductor and composer) (in 1997-05)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (in 1997-05)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: III. Allegro molto (in 1997-05)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
11:23
6▼CD: Orchestral & Stage Works
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1Rhapsody No. 1 (I Rapszódia) for Violin and Orchestra, BB 94b: I. Lassú: Moderato
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87: I. Prima parte “lassú”. Moderato (in 1998-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Rhapsody no. 1 for violin and piano, Sz. 86: I. Prima parte “lassú”. Moderato
part of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87
5:16
2Rhapsody No. 1 (I Rapszódia) for Violin and Orchestra, BB 94b: II. Friss: Allegro moderato
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87: II. Seconda parte “friss”. Allegretto moderato (in 1998-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Rhapsody no. 1 for violin and piano, Sz. 86: II. Seconda parte “friss”. Allegretto moderato
part of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87
6:02
3Rhapsody No. 2 (I Rapszódia) for Violin and Orchestra, BB 96b: I. Lassú: Moderato
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90: I. Prima parte “lassú”. Moderato (in 1998-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Rhapsody no. 2 for violin and piano, Sz. 89: I. Prima parte “lassú”. Moderato
part of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90
5:15
4Rhapsody No. 2 (I Rapszódia) for Violin and Orchestra, BB 96b: II. Friss: Allegro moderato
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90: II. Seconda parte “friss”. Allegro moderato (in 1998-12)
orchestrator and composer:
Bartók Béla (Béla Bartók, composer)
version of:
Rhapsody no. 2 for violin and piano, Sz. 89: II. Seconda parte “friss”. Allegro moderato
part of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90
6:22
5Music for Strings, Percussion and Celesta (Zene húros hangszerekre, ütőkre és cselesztra), BB 114: I. Andante tranquillo
recorded in:
Budapest, Hungary (in 1985-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-12)
orchestra:
Budapest Festival Orchestra (in 1985-12)
conductor:
Iván Fischer (conductor) (in 1985-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1985-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
7:25
6Music for Strings, Percussion and Celesta (Zene húros hangszerekre, ütőkre és cselesztra), BB 114: II. Allegro
recorded in:
Budapest, Hungary (in 1985-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-12)
orchestra:
Budapest Festival Orchestra (in 1985-12)
conductor:
Iván Fischer (conductor) (in 1985-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1985-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
7:31
7Music for Strings, Percussion and Celesta (Zene húros hangszerekre, ütőkre és cselesztra), BB 114: III. Adagio
recorded in:
Budapest, Hungary (in 1985-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-12)
orchestra:
Budapest Festival Orchestra (in 1985-12)
conductor:
Iván Fischer (conductor) (in 1985-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1985-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
7:30
8Music for Strings, Percussion and Celesta (Zene húros hangszerekre, ütőkre és cselesztra), BB 114: IV. Allegro molto
recorded in:
Budapest, Hungary (in 1985-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-12)
orchestra:
Budapest Festival Orchestra (in 1985-12)
conductor:
Iván Fischer (conductor) (in 1985-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1985-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
7:06
9Viola Concerto (Brácsaverseny), BB 128: I. Moderato - Lento parlando
recording engineer and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
viola:
Yuri Bashmet (Russian conductor and violist) (in 2004-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato (in 2004-03)
composer:
Bartók Béla (Béla Bartók, composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
14:32
10Viola Concerto (Brácsaverseny), BB 128: II. Adagio religioso - Allegretto
recording engineer and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
viola:
Yuri Bashmet (Russian conductor and violist) (in 2004-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso (in 2004-03)
composer:
Bartók Béla (Béla Bartók, composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
4:37
11Viola Concerto (Brácsaverseny), BB 128: III. Allegro vivace
recording engineer and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
viola:
Yuri Bashmet (Russian conductor and violist) (in 2004-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace (in 2004-03)
composer:
Bartók Béla (Béla Bartók, composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
4:16
7▼CD: Orchestral & Stage Works
#TitleRatingLength
1Scherzo (Burlesque), BB 35 (Op. 2): I. Introduzione: Adagio ma mon troppo
recorded in:
Budapest, Hungary (in 1985-06)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-06)
orchestra:
Budapest Festival Orchestra (in 1985-06)
conductor:
Iván Fischer (conductor) (in 1985-06)
recording of:
Scherzo for piano & orchestra, DD 68, Sz. 28, BB 25, op. 2: I. Adagio ma non troppo (in 1985-06)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Scherzo (Burlesque), DD 68, Sz. 28, BB 25, op. 2
6:51
2Scherzo (Burlesque), BB 35 (Op. 2): II. Allegro vivace - Scherzo: Allegro
recorded in:
Budapest, Hungary (in 1985-06)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-06)
orchestra:
Budapest Festival Orchestra (in 1985-06)
conductor:
Iván Fischer (conductor) (in 1985-06)
recording of:
Scherzo for piano & orchestra, DD 68, Sz. 28, BB 25, op. 2: II. Allegro. Scherzo (in 1985-06)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Scherzo (Burlesque), DD 68, Sz. 28, BB 25, op. 2
9:48
3Scherzo (Burlesque), BB 35 (Op. 2): III. Trio: Andante
recorded in:
Budapest, Hungary (in 1985-06)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-06)
orchestra:
Budapest Festival Orchestra (in 1985-06)
conductor:
Iván Fischer (conductor) (in 1985-06)
recording of:
Scherzo for piano & orchestra, DD 68, Sz. 28, BB 25, op. 2: III. Andante. Trio (in 1985-06)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Scherzo (Burlesque), DD 68, Sz. 28, BB 25, op. 2
5:09
4Scherzo (Burlesque), BB 35 (Op. 2): IV. Scherzo da capo: Allegro vivace
recorded in:
Budapest, Hungary (in 1985-06)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-06)
orchestra:
Budapest Festival Orchestra (in 1985-06)
conductor:
Iván Fischer (conductor) (in 1985-06)
recording of:
Scherzo for piano & orchestra, DD 68, Sz. 28, BB 25, op. 2: IV. Scherzo de Capo (in 1985-06)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Scherzo (Burlesque), DD 68, Sz. 28, BB 25, op. 2
8:21
5Rhapsody (Rapszódia), BB 36b (Op. 1): I. Adagio molto
recorded in:
Budapest, Hungary (in 1986-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1986-12)
orchestra:
Budapest Festival Orchestra (in 1986-12)
conductor:
Iván Fischer (conductor) (in 1986-12)
recording of:
Rhapsody for Piano and Orchestra, BB 36b (op. 1): I. Adagio molto (in 1986-12)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Rhapsody for Piano and Orchestra, BB 36b (op. 1)
13:56
6Rhapsody (Rapszódia), BB 36b (Op. 1): II. Poco allegretto
recorded in:
Budapest, Hungary (in 1986-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1986-12)
orchestra:
Budapest Festival Orchestra (in 1986-12)
conductor:
Iván Fischer (conductor) (in 1986-12)
recording of:
Rhapsody for Piano and Orchestra, BB 36b (op. 1): II. Poco allegretto (in 1986-12)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Rhapsody for Piano and Orchestra, BB 36b (op. 1)
10:01
7Concerto for Two Pianos and Percussion (Concerto két zongorára és zenekarra), BB 121: I. Assai lento - Allegro moderato
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer/engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: I. Assai lento (from 1985-08-22 until 1985-08-23)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
13:22
8Concerto for Two Pianos and Percussion (Concerto két zongorára és zenekarra), BB 121: II. Lento, ma non troppo
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer/engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: II. Lento, ma non troppo (from 1985-08-22 until 1985-08-23)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
7:14
9Concerto for Two Pianos and Percussion (Concerto két zongorára és zenekarra), BB 121: III. Allegro non troppo
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer/engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: III. Allegro non troppo (from 1985-08-22 until 1985-08-23)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
6:36
8▼CD: Orchestral & Stage Works
#TitleRatingLength
1Piano Concerto No. 1 (I zongoraversény) BB 91: I. Allegro moderato - Allegro
recorded in:
Budapest, Hungary (in 1985-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-12)
orchestra:
Budapest Festival Orchestra (in 1985-12)
conductor:
Iván Fischer (conductor) (in 1985-12)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: I. Allegro moderato (in 1985-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
8:48
2Piano Concerto No. 1 (I zongoraversény) BB 91: II. Andante
recorded in:
Budapest, Hungary (in 1985-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-12)
orchestra:
Budapest Festival Orchestra (in 1985-12)
conductor:
Iván Fischer (conductor) (in 1985-12)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: II. Andante (in 1985-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
6:46
3Piano Concerto No. 1 (I zongoraversény) BB 91: III. Allegro molto
recorded in:
Budapest, Hungary (in 1985-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1985-12)
orchestra:
Budapest Festival Orchestra (in 1985-12)
conductor:
Iván Fischer (conductor) (in 1985-12)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: III. Allegro molto (in 1985-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
6:44
4Piano Concerto No. 2 (II zongoraversény) BB 101: I. Allegro
recorded in:
Budapest, Hungary (in 1987-02)
piano:
Kocsis Zoltán (pianist, conductor) (in 1987-02)
orchestra:
Budapest Festival Orchestra (in 1987-02)
conductor:
Iván Fischer (conductor) (in 1987-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: I. Allegro (in 1987-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
9:25
5Piano Concerto No. 2 (II zongoraversény) BB 101: II. Adagio - Più adagio - Presto
recorded in:
Budapest, Hungary (in 1987-02)
piano:
Kocsis Zoltán (pianist, conductor) (in 1987-02)
orchestra:
Budapest Festival Orchestra (in 1987-02)
conductor:
Iván Fischer (conductor) (in 1987-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: II. Adagio - Più adagio - Presto (in 1987-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
12:55
6Piano Concerto No. 2 (II zongoraversény) BB 101: III. Allegro molto
recorded in:
Budapest, Hungary (in 1987-02)
piano:
Kocsis Zoltán (pianist, conductor) (in 1987-02)
orchestra:
Budapest Festival Orchestra (in 1987-02)
conductor:
Iván Fischer (conductor) (in 1987-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: III. Allegro molto (in 1987-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
6:07
7Piano Concerto No. 3 (III zongoraversény) BB 127: I. Allegretto
recorded in:
Budapest, Hungary (in 1984-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1984-12)
orchestra:
Budapest Festival Orchestra (in 1984-12)
conductor:
Iván Fischer (conductor) (in 1984-12)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto (in 1984-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
7:12
8Piano Concerto No. 3 (III zongoraversény) BB 127: II. Adagio religioso
recorded in:
Budapest, Hungary (in 1984-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1984-12)
orchestra:
Budapest Festival Orchestra (in 1984-12)
conductor:
Iván Fischer (conductor) (in 1984-12)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso (in 1984-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
9:26
9Piano Concerto No. 3 (III zongoraversény) BB 127: III. Allegro vivace
recorded in:
Budapest, Hungary (in 1984-12)
piano:
Kocsis Zoltán (pianist, conductor) (in 1984-12)
orchestra:
Budapest Festival Orchestra (in 1984-12)
conductor:
Iván Fischer (conductor) (in 1984-12)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace (in 1984-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
6:17
9▼CD: Orchestral & Stage Works
#TitleRatingLength
1Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Opening: Here we are now
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
14:22
2Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Door 1: Woe!
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
4:19
3Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Door 2: What do you see?
recording engineer:
Kenneth Wilkinson (engineer)
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
solo bass-baritone vocals:
Walter Berry (bass‐baritone)
solo mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
4:13
4Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Door 3: Mountains of gold!
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
2:30
5Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Door 4: Ah! Lovely flowers!
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
5:04
6Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Door 5: Now behold my spacious kingdom
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
6:53
7Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Door 6: I can see a sheet of water
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
12:40
8Duke Bluebeard's Castle (A kékszakállú herceg vára), BB 62 (Op. 11): Door 7: Hearts that I have loved and cherised
engineer:
Kenneth Wilkinson (engineer) (in 1965-11)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Walter Berry (bass‐baritone) (in 1965-11)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11)
orchestra:
London Symphony Orchestra (in 1965-11)
conductor:
István Kertész (conductor) (in 1965-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1965-11)
recording of:
A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" (in 1965-11)
composer:
Bartók Béla (Béla Bartók, composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
9:30
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