The Best in Stereo, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Hello Susie
cover recording of:
Hello Suzie
Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
Amen Corner2:37
2Everybody's Talking
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson2:44
3My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.853:39
4Shaft
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:38
5Broken Wings
Techniker(in):
Paul DeVilliers
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4.24:39
6Fast Lane
Techniker(in):
Malcolm Cecil
Produzent(in):
Malcolm Cecil und Gil Scott‐Heron
alto saxophone:
Vernon James
Bass:
Robbie Gordon
Gitarre:
Ed Brady
Keyboard:
Glen Turner
Perkussion:
Larry McDonald (JM drummer/conga, memb. “The Crystalites”)
Schlagzeug:
Kenny Powell (drums)
Solo-Tenorsaxophon:
Ron Holloway
Trompete:
Kenny Sheffield
vocals:
Gil Scott‐Heron
Horn arranger:
Malcolm Cecil
recording of:
Fast Lane
Texter:
Gil Scott‐Heron
Komponist(in):
Robbie Gordon
Gil Scott‐Heron4:57
7Perfect
Produzent(in):
Fairground Attraction und Kevin Moloney
assistierende(r) Mix:
Alistair Johnson (engineering)
Mix:
Kevin Moloney
Sologesang:
Eddi Reader
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
aufgenommen bei:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Musikvideos:
Perfect von Fairground Attraction
recording of:
Perfect
Texter und Komponist(in):
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:38
8Boom, There She Was
recording of:
Boom! There She Was
Verfasser(in):
David Gamson und Green Gartside
Scritti Politti4:59
9You've Gotta Walk, Don't Look Back
Sologesang:
Mick Jagger und Peter Tosh
cover recording of:
Don’t Look Back
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Peter Tosh3:45
10A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:59
11Dead End Street
recording of:
Dead End Street
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd. und And Son Music Ltd. (vom 1980 bis heute)
The Kinks3:21
12Good Vibrations
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:39
13Life in the Foodchain
Tonio K.4:05
14You Make Me Feel Brand New
arranger:
Thom Bell (keyboards, songwriter, producer)
recording of:
You Make Me Feel Brand New
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3.54:44
15Why Did You Do It
recording of:
Why Did You Do It
Texter und Komponist(in):
Kirby Gregory
publisher:
BMG Platinum Songs US, Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Stretch3:33
16Daydream Believer
recording of:
Daydream Believer
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees53:03

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