All New Wave

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Enola Gay
tecnico:
Laurence Diana e Max Norman
produttore:
Mike Howlett e Orchestral Manoeuvres in the Dark
basso e sintetizzatore :
Andy McCluskey
batteria e percussione :
Malcolm Holmes (drummer)
tastiera e sintetizzatore :
Paul Humphreys (Orchestral Manoeuvres in the Dark)
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Enola Gay
paroliere e compositore:
Andy McCluskey
editore:
Dinsong Music e Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:33
2Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:42
3Big in Japan
produttore:
Orlando
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984)
edit di:
Big in Japan (album version) di Alphaville (German synth pop band)
registrazione di:
Big in Japan
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:52
4Sweet Dreams (Are Made of This)
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1982, nel 1991), BMG Records (UK) Ltd. (1987–1996) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.554:53
5Such a Shame
registrazione di:
Such a Shame
paroliere e compositore:
Mark Hollis
editore:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk4:13
6The Reflex
produttore:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) e Alex Sadkin
tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer) e Nile Rodgers
remixer:
Jason Corsaro (U.S. music engineer, and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1983, nel 1998)
edit di:
The Reflex di Duran Duran (English rock band)
registrazione di:
The Reflex
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) e Gloucester Place Music Ltd.
Duran Duran3.854:25
7Oh L'Amour
assistente tecnico di missaggio:
Phil Legg
tecnico di missaggio:
Flood (British producer Mark Ellis) e Daniel Miller (British music producer and founder of Mute Records)
registrazione di:
Oh l’amour
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3.653:02
8Dancing With Tears in My Eyes
registrazione di:
Dancing With Tears in My Eyes
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox44:09
9Why
registrazione di:
Why?
compositore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
Bronski Beat4:05
10Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:52
11Don't Go
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) e Daniel Miller (British music producer and founder of Mute Records)
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
campionamenti da:
Hot Dance Classics, Volume 2 di Various Artists (add compilations to this artist)
registrazione di:
Don’t Go
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Scandinavia KB
Yazoo4.63:00
12Making Plans for Nigel
tecnico:
Hugh Padgham
produttore:
Steve Lillywhite
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1979)
registrazione di:
Making Plans for Nigel
paroliere e compositore:
Colin Moulding
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd.
XTC53:55
13Don't You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:22
14P-Machinery
tecnico:
Bobby Kraushaar
produttore:
S. J. Lipson
tecnico di missaggio:
Horn e Lipson
esecutore:
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper e Suzanne Freytag
diritti fonografici (℗) detenuti da:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1985)
registrazione di:
p:Machinery
supporto a vario titolo:
David Sylvian
paroliere:
Ralf Dörper
compositore:
Claudia Brücken, Ralf Dörper, Susanne Freytag e Michael Mertens (German musician & producer)
Propaganda43:53
15Relax (Come Fighting)
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
16Love Action (I Believe in Love)
assistente alla programmazione e assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
programmazione:
Martin Rushent
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981-07), Jo Callis (nel 1981-07) e Philip Oakey (nel 1981-07)
voce di accompagnamento:
Joanne Catherall (nel 1981-07) e Susan Ann Sulley (nel 1981-07)
voce principale:
Philip Oakey (nel 1981-07)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981-07)
registrazione di:
Love Action (I Believe in Love) (nel 1981-07)
paroliere e compositore:
Ian Burden e Philip Oakey
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (nel 1981), Dinsong Ltd. (nel 1981), Sound Diagrams (publisher) (nel 1981) e Virgin Music (Publishers) Ltd. (nel 1981)
The Human League4.655:01
17Chase
tecnico:
Jürgen Koppers (engineer, producer) e Gerhard Vates
tecnico di missaggio:
Jürgen Koppers (engineer, producer) e Giorgio Moroder
batteria e percussione :
Alan Estes e Keith Forsey (drummer, producer and songwriter)
strumenti elettronici :
Harold Faltermeyer, Greg Mathieson e Giorgio Moroder
arrangiatore:
Harold Faltermeyer e Giorgio Moroder
registrazione di:
Chase (from Midnight Express)
compositore:
Giorgio Moroder
editore:
EMI Gold Horizon Music Corp., Giorgio Moroder Publishing Co. e USI A Music Publishing
Giorgio Moroder3.58:28
18Airport
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 19)
registrazione di:
Airport
autore:
Andy McMaster
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Island Music Ltd. (dal 1978 a oggi)
The Motors3.354:29
2▼CD
#TitoloArtistaValutazioneDurata
1Love Like Blood
produttore:
Chris Kimsey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Love Like Blood
autore:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) e Geordie Walker
editore:
BMG Africa Music Publishing, BMG Songs Ltd. e E.G. Music Ltd. (publisher)
Killing Joke3.654:25
2Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
3Hey Little Girl
registrazione di:
Hey Little Girl
paroliere e compositore:
Iva Davies
editore:
EMI Songs Australia Pty. Ltd.
Icehouse34:21
4Blue Monday
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983, nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order3.77:27
5Echo Beach
assistente tecnico:
Laurence Diana
tecnico:
Richard Manwaring (Producer)
produttore:
Mike Howlett
diritti fonografici (℗) detenuti da:
Dindisc Ltd (nel 1980) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980, nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (nel 1979-08)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 87)
registrazione di:
Echo Beach
paroliere e compositore:
Mark Gane
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1980)
Martha and the Muffins3.63:36
6This Is Not a Love Song
produttore e tecnico di missaggio:
Martin Atkins (UK drummer) e John Lydon (Johnny Rotten of the Sex Pistols)
arrangiatore:
Martin Atkins (UK drummer) e John Lydon (Johnny Rotten of the Sex Pistols)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrazione di:
This Is Not a Love Song
autore:
Martin Atkins (UK drummer), Keith Levene e John Lydon (Johnny Rotten of the Sex Pistols)
editore:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing e Warner/Chappell Music Ltd. (1996–2019)
versione di:
Love Song
Public Image Ltd.44:15
7Stand and Deliver
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
video musicali:
Stand and Deliver di Adam and the Ants (English new wave band)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 10)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants53:36
8The Politics of Dancing
registrazione di:
The Politics of Dancing
paroliere e compositore:
Paul Fishman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited e Metric Music Ltd.
Re‐Flex4:18
9Lucretia My Reflection
produttore:
Larry Alexander (producer/engineer) e Andrew Eldritch
chitarra basso :
Patricia Morrison
drum machine :
Doktor Avalanche
voce principale:
Andrew Eldritch
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1993)
registrazione di:
Lucretia My Reflection
paroliere e compositore:
Andrew Eldritch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy3.68:46
10Collapsing New People
registrazione di:
Collapsing New People
autore:
Nick Cash (UK drummer/percussionist), Barbara Frost (design/Mute records, aka BJ Frost), Dave Rogers (Klinger), Dave Simmonds (keyboard player with Mute acts, songwriter) e Frank Tovey
prende il nome dall'artista:
Einstürzende Neubauten
Fad Gadget4:15
11Cambodia
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1981, nel 2001), RAK, EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
Cambodia
autore:
Marty Wilde e Ricky Wilde
editore:
2P'sW Music, EMI Music (do not use as release label! this is a music publisher), Finchley Music Corp., Music & Media International, RAK Publishing Ltd., Rickim Music Ltd. e Warner/Chappell Music Scandinavia AB
Kim Wilde53:59
12Shouldn't Have to Be Like That
tecnico:
Kaj Erixon
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrazione dal vivo di:
Shouldn’t Have to Be Like That
autore:
Rune Kristoffersen e Øyvind Kvalnes
editore:
Virgin Music (Publishers) Ltd.
registrazione di:
Shouldn’t Have to Be Like That
autore:
Rune Kristoffersen e Øyvind Kvalnes
editore:
Virgin Music (Publishers) Ltd.
Fra Lippo Lippi3:55
13Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:43
14Miss Me Blind
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Miss Me Blind di Culture Club (English pop group)
registrazione di:
Miss Me Blind (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
Culture Club34:34
15I Don't Want to Be a Hero
video musicali:
I Don’t Want to Be a Hero di Johnny Hates Jazz
registrazione di:
I Don’t Want to Be a Hero
paroliere e compositore:
Clark Datchler
editore:
Stage Three Music Limited
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Johnny Hates Jazz4.53:35
16Radioactivity
tecnico:
Peter Bollig
produttore:
Ralf Hütter e Florian Schneider (founding member of Kraftwerk)
registrazione di:
Radioactivity
paroliere:
Ralf Hütter, Florian Schneider (founding member of Kraftwerk) e Emil Schult
compositore:
Ralf Hütter e Florian Schneider (founding member of Kraftwerk)
versione tradotta di:
Radioaktivität
Kraftwerk4.56:43

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