Skydog: The Duane Allman Retrospective

~ Release by Duane Allman (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Turn On Your Love Light
recorded in:
Ormond Beach, Florida, United States (in 1965)
drums (drum set):
Maynard Portwood (in 1965)
guitar:
Duane Allman (in 1965) and Gregg Allman (in 1965)
cover recording of:
Turn On Your Love Light (in 1965)
writer:
Deadric Malone and Joe Scott (40s–60s US blues artist)
publisher:
Don Music, Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) and Universal Duchess Music Corporation
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Escorts2:34
2No Name Instrumental
recorded in:
Ormond Beach, Florida, United States (in 1965)
drums (drum set):
Maynard Portwood (in 1965)
guitar:
Duane Allman (in 1965) and Gregg Allman (in 1965)
The Escorts3:13
3What’d I Say
recorded in:
Ormond Beach, Florida, United States (in 1965)
drums (drum set):
Maynard Portwood (in 1965)
guitar:
Duane Allman (in 1965) and Gregg Allman (in 1965)
cover recording of:
What’d I Say (in 1965)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Escorts4:05
4Spoonful
producer:
John D. Loudermilk
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (in 1966-08)
cover recording of:
Spoonful (in 1966-08)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Mathews Music
The Allman Joys2:27
5Gotta Get Away
producer:
John Hurley
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (in 1966-08)
recording of:
Gotta Get Away (in 1966-08)
writer:
Gregg Allman
The Allman Joys2:38
6Shapes of Things
bass:
Bob Keller (US bassist) (in 1966-08)
drums (drum set):
Bill Connell (in 1966-08)
guitar:
Duane Allman (in 1966-08)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (in 1966-08)
cover recording of:
Shapes of Things (in 1966-08)
writer:
Jim McCarty (UK drummer, Yardbirds member), Keith Relf and Paul Samwell-Smith
publisher:
EMI Unart Catalog Inc., J. Albert & Son P/L, Them Young Boys Music and Yardbirds Music (also with “Ltd.”; publisher; do NOT use as release label)
The Allman Joys2:48
7Crossroads
bass:
Bob Keller (US bassist) (in 1966-08)
drums (drum set):
Bill Connell (in 1966-08)
guitar:
Duane Allman (in 1966-08)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (in 1966-08)
cover recording of:
Cross Road Blues (a/k/a “Crossroads”) (in 1966-08)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Allman Joys3:32
8Mister, You’re a Better Man Than I
bass:
Bob Keller (US bassist) (in 1966-08)
drums (drum set):
Bill Connell (in 1966-08)
guitar:
Duane Allman (in 1966-08)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (in 1966-08)
cover recording of:
Mister You’re a Better Man Than I (in 1966-08)
writer:
Brian Hugg and Mike Hugg (drummer & founding member of Manfred Mann)
publisher:
Carlin Music Corporation
The Allman Joys4:45
9Lost Woman
bass:
Bob Keller (US bassist) (in 1966-08)
drums (drum set):
Bill Connell (in 1966-08)
guitar:
Duane Allman (in 1966-08)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (in 1966-08)
cover recording of:
Lost Woman (in 1966-08)
writer:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf and Paul Samwell-Smith
publisher:
Glenwood Music Corp.
version of:
Someone to Love
The Allman Joys5:24
10Cast Off All My Fears
producer:
Dallas Smith (producer)
bass guitar:
Mabron McKinley (in 1967-08)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1967-08)
guitar:
Duane Allman (in 1967-08) and Paul Hornsby (in 1967-08)
keyboard and background vocals:
Paul Hornsby (in 1967-08)
organ and lead vocals:
Gregg Allman (in 1967-08)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (in 1967-08)
cover recording of:
Cast Off All My Fears (in 1967-08)
lyricist and composer:
Jackson Browne (American singer-songwriter)
The Hour Glass3:31
11I’ve Been Trying
producer:
Dallas Smith (producer)
bass:
Mabron McKinley (in 1967-08)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1967-08)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (in 1967-08)
cover recording of:
I’ve Been Trying (in 1967-08)
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1965 to ????)
The Hour Glass2:40
12Nothing but Tears
producer:
Dallas Smith (producer)
bass:
Mabron McKinley (in 1967-08)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1967-08)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (in 1967-08)
recording of:
Nothing but Tears (in 1967-08)
writer:
Jimmy Radcliffe and Buddy Scott
The Hour Glass2:30
13Power of Love
producer:
Dallas Smith (producer)
bass:
Pete Carr (US guitarist) (in 1968-01)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1968-01)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (in 1968-01)
recording of:
Power of Love (in 1968-01)
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd.
The Hour Glass2:52
14Down in Texas
producer:
Dallas Smith (producer)
bass guitar:
Pete Carr (US guitarist) (in 1968-01)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1968-01)
guitar:
Duane Allman (in 1968-01)
organ and lead vocals:
Gregg Allman (in 1968-01) and Paul Hornsby (in 1968-01)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (in 1968-01)
cover recording of:
Down in Texas (in 1968-01)
writer:
Marlin Greene (’60s teen artist, writer & engineer) and Eddie Hinton
The Hour Glass3:08
15Norwegian Wood (This Bird Has Flown)
producer:
Dallas Smith (producer)
bass:
Pete Carr (US guitarist) (in 1968-01)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1968-01)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (in 1968-01)
cover recording of:
Norwegian Wood (This Bird Has Flown) (in 1968-01)
written in:
Swiss Alps, Graubünden, Switzerland (from 1965-01-25 until 1965-02-07)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
written at:
Kenwood (John Lennon’s former house) in Weybridge, Surrey, England, United Kingdom (from 1965-01-25 until 1965-02-07)
The Hour Glass3:02
16B.B. King Medley: Sweet Little Angel / It’s My Own Fault / How Blue Can You Get?
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
Pete Carr (US guitarist) (in 1968-04)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1968-04)
electric piano:
Gregg Allman (in 1968-04)
guitar:
Duane Allman (in 1968-04)
organ:
Paul "Berry" Hornsby (in 1968-04)
vocals:
Gregg Allman (in 1968-04)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968-04)
medley including a cover recording of:
How Blue Can You Get? (in 1968-04)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
medley including a cover recording of:
It’s My Own Fault (in 1968-04)
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
medley including a cover recording of:
Sweet Little Angel (in 1968-04)
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
The Hour Glass7:08
17Been Gone Too Long
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass guitar:
Pete Carr (US guitarist) (in 1968-04)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1968-04)
guitar and background vocals:
Duane Allman (in 1968-04)
organ:
Gregg Allman (in 1968-04)
piano:
Paul "Berry" Hornsby (in 1968-04)
vocals:
Gregg Allman (in 1968-04)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968-04)
recording of:
Been Gone Too Long (in 1968-04)
writer:
Gregg Allman
The Hour Glass3:03
18Ain’t No Good to Cry
bass guitar:
Pete Carr (US guitarist) (in 1968-04)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1968-04)
electric piano and lead vocals:
Gregg Allman (in 1968-04)
guitar:
Duane Allman (in 1968-04)
organ and background vocals:
Paul Hornsby (in 1968-04)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1989)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968-04)
cover recording of:
Ain't No Good to Cry (in 1968-04)
lyricist and composer:
Al Anderson ("Big Al Anderson", guitarist, singer & songwriter, member of NRBQ)
The Hour Glass3:08
19Morning Dew
producer:
Steve Alaimo
acoustic guitar:
Scott Boyer (American guitarist and singer) (in 1968-09)
bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1968-09)
drums (drum set) and percussion:
Butch Trucks (in 1968-09)
guitar:
Duane Allman (in 1968-09)
organ and lead vocals:
Gregg Allman (in 1968-09)
recorded at:
Tone Studios in Hialeah, Florida, United States (in 1968-09)
cover recording of:
Morning Dew (in 1968-09)
additional lyricist:
Tim Rose (US singer/songwriter based mostly in UK)
lyricist and composer:
Bonnie Dobson
publisher:
Nina Music Company, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The 31st of February3:47
20Melissa
producer:
Steve Alaimo
acoustic guitar:
Scott Boyer (American guitarist and singer) (in 1968-09)
bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1968-09)
drums (drum set) and percussion:
Butch Trucks (in 1968-09)
guitar:
Duane Allman (in 1968-09)
organ and lead vocals:
Gregg Allman (in 1968-09)
recorded at:
Tone Studios in Hialeah, Florida, United States (in 1968-09)
recording of:
Melissa (in 1968-09)
lyricist:
Steve Alaimo and Gregg Allman
composer:
Gregg Allman
publisher:
Elijah Blue Music, EMI Longitude Music, Longitude Music Co., No Exit Music Co., Inc., Sherlyn Publishing, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The 31st of February3:13
21Milk and Honey
producer:
Paul Ballenger and Eddie Hinton
acoustic guitar and electric guitar:
Duane Allman (in 1968-09)
bass:
Terry Moore (bassist) (in 1968-09)
drums (drum set):
Cliff Blackwood (in 1968-09)
guitar:
Larry Sivley (in 1968-09) and Paul Smith (guitarist, The Bleus) (in 1968-09)
keyboard:
Dana Loconte (in 1968-09)
vocals:
Tony Lumpkin (in 1968-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1968-09) and Ardent Studios in Memphis, Tennessee, United States (on 1968-09-11, on 1968-09-16)
cover recording of:
Milk and Honey (in 1968-09)
writer:
Carroll W. Quillen and Grady Smith
The Bleus2:35
22Leavin’ Lisa
producer:
Paul Ballenger and Eddie Hinton
acoustic guitar and electric guitar:
Duane Allman (in 1968-09)
bass:
Terry Moore (bassist) (in 1968-09)
drums (drum set):
Cliff Blackwood (in 1968-09)
guitar:
Larry Sivley (in 1968-09) and Paul Smith (guitarist, The Bleus) (in 1968-09)
keyboard:
Dana Loconte (in 1968-09)
vocals:
Tony Lumpkin (in 1968-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1968-09) and Ardent Studios in Memphis, Tennessee, United States (on 1968-09-11, on 1968-09-16)
cover recording of:
Leavin’ Lisa (in 1968-09)
writer:
Jim Coleman (US songwriter) and Eddie Hinton
The Bleus2:44
23Julianna’s Gone
producer:
Paul Ballenger and Eddie Hinton
acoustic guitar and electric guitar:
Duane Allman (in 1968-09)
bass:
Terry Moore (bassist) (in 1968-09)
drums (drum set):
Cliff Blackwood (in 1968-09)
guitar:
Larry Sivley (in 1968-09) and Paul Smith (guitarist, The Bleus) (in 1968-09)
keyboard:
Dana Loconte (in 1968-09)
vocals:
Tony Lumpkin (in 1968-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1968-09) and Ardent Studios in Memphis, Tennessee, United States (on 1968-09-11, on 1968-09-16)
cover recording of:
Julianna (in 1968-09)
writer:
Wayne Carson Thompson
The Bleus3:00
2▼CD
#TitleArtistRatingLength
1The Road of Love
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
baritone saxophone:
James Mitchell (US saxophonist/arranger) (from 1967-07-26 until 1968-11-12) and Floyd Newman (from 1967-07-26 until 1968-11-12)
drums (drum set):
Roger Hawkins (from 1967-07-26 until 1968-11-12)
guitar:
Clarence Carter (from 1967-07-26 until 1968-11-12), Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-07-26 until 1968-11-12) and Albert Lowe Jr. (American guitarist, bassist, and songwriter) (from 1967-07-26 until 1968-11-12)
organ:
Marvell Thomas (from 1967-07-26 until 1968-11-12)
piano:
Barry Beckett (from 1967-07-26 until 1968-11-12)
slide guitar:
Duane Allman (from 1967-07-26 until 1968-11-12)
tenor saxophone:
Joe Arnold (from 1967-07-26 until 1968-11-12) and Aaron Varnell (from 1967-07-26 until 1968-11-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-26 until 1968-11-12)
vocals:
Clarence Carter (from 1967-07-26 until 1968-11-12)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-07-26) and FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-12)
recording of:
The Road of Love (from 1967-07-26 until 1968-11-12)
writer:
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:54
2Light My Fire
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-02)
cover recording of:
Light My Fire (on 1968-12-02)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
Clarence Carter2:50
3Hey Jude
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (on 1968-11-27)
electric bass guitar [electric bass]:
Jerry Jemmott (on 1968-11-27)
electric guitar:
Duane Allman (on 1968-11-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-11-27)
piano:
Barry Beckett (on 1968-11-27)
saxophone:
Floyd Newman (on 1968-11-27)
tenor saxophone:
Andrew Love (on 1968-11-27) and James Mitchell (US saxophonist/arranger) (on 1968-11-27)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-11-27)
lead vocals:
Wilson Pickett (on 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-27)
cover recording of:
Hey Jude (on 1968-11-27)
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
Wilson Pickett4:07
4Toe Hold
producer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass [electric bass]:
Jerry Jemmott (on 1968-12-03)
drums (drum set):
Roger Hawkins (on 1968-12-03)
guitar:
Duane Allman (on 1968-12-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-03)
piano:
Barry Beckett (on 1968-12-03)
tenor saxophone:
Andrew Love (on 1968-12-03) and James Mitchell (US saxophonist/arranger) (on 1968-12-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-12-03)
vocals:
Wilson Pickett (on 1968-12-03)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
cover recording of:
Toe Hold (on 1968-12-03)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
Wilson Pickett2:49
5My Own Style of Loving
producer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-27, on 1968-12-03)
cover recording of:
My Own Style of Loving (from 1968-11-27 until 1968-12-03)
writer:
George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
Wilson Pickett2:41
6Born to Be Wild
bass [electric bass]:
Jerry Jemmott (from 1968-11-27 until 1968-12-03)
drums (drum set):
Roger Hawkins (from 1968-11-27 until 1968-12-03)
guitar:
Duane Allman (from 1968-11-27 until 1968-12-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1968-11-27 until 1968-12-03)
piano:
Barry Beckett (from 1968-11-27 until 1968-12-03)
tenor saxophone:
Andrew Love (from 1968-11-27 until 1968-12-03) and James Mitchell (US saxophonist/arranger) (from 1968-11-27 until 1968-12-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1968-11-27 until 1968-12-03)
vocals:
Wilson Pickett (from 1968-11-27 until 1968-12-03)
recorded at:
Muscle Shoals in Sheffield, Alabama, United States (on 1968-11-27) and FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
cover recording of:
Born to Be Wild (from 1968-11-27 until 1968-12-03)
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Wilson Pickett2:46
7It’s How You Make It Good
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
guitar:
Duane Allman (in 1968)
phonographic copyright (℗) by:
Geffen Records (in 1972)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968)
cover recording of:
It’s How You Make It Good (in 1968)
writer:
Gene Barge and Lloyd Webber (Lloyd Cleveland Webber)
Laura Lee2:33
8It Ain’t What You Do (but How You Do It)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
guitar:
Duane Allman (in 1968)
phonographic copyright (℗) by:
Geffen Records (in 1972)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968)
cover recording of:
It Ain’t What You Do (but How You Do It) (in 1968)
lyricist and composer:
Jimmy Hughes (60s US funk/soul vocalist)
Laura Lee2:06
9I Never Loved a Woman (The Way I Love You)
producer:
Quinton Claunch and Rudolph V. "Doc" Russell
slide guitar:
Duane Allman (in 1968)
vocals:
Spencer Wiggins (in 1968)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968)
cover recording of:
I Never Loved a Man (The Way I Love You) (in 1968)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
Spencer Wiggins3:02
10Ob‐La‐Di, Ob‐La‐Da
producer:
Tom Dowd
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-12-06)
drums (drum set):
Roger Hawkins (on 1968-12-06)
guitar:
Duane Allman (on 1968-12-06) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-06)
keyboard:
Barry Beckett (on 1968-12-06)
vocals:
Arthur Conley (on 1968-12-06)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-06)
cover recording of:
Ob‐La‐Di, Ob‐La‐Da (on 1968-12-06)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Arthur Conley3:01
11Stuff You Gotta Watch
producer:
Tom Dowd
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-12-06)
drums (drum set):
Roger Hawkins (on 1968-12-06)
guitar:
Duane Allman (on 1968-12-06) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-06)
keyboard:
Barry Beckett (on 1968-12-06)
vocals:
Arthur Conley (on 1968-12-06)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-06)
recording of:
Stuff You Gotta Watch (on 1968-12-06)
writer:
Tom Dowd, Dan Grier and George Jackson (US soul songwriter/vocalist)
Arthur Conley2:15
12Speak Her Name
producer:
Tom Dowd
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-12-06)
drums (drum set):
Roger Hawkins (on 1968-12-06)
guitar:
Duane Allman (on 1968-12-06) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-06)
keyboard:
Barry Beckett (on 1968-12-06)
vocals:
Arthur Conley (on 1968-12-06)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-06)
cover recording of:
Speak Her Name (on 1968-12-06)
writer:
Clint Ballard, Jr.
Arthur Conley2:39
13That Can’t Be My Baby
producer:
Tom Dowd
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-12-06)
drums (drum set):
Roger Hawkins (on 1968-12-06)
guitar:
Duane Allman (on 1968-12-06) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-06)
keyboard:
Barry Beckett (on 1968-12-06)
vocals:
Arthur Conley (on 1968-12-06)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-06)
cover recording of:
That Can’t Be My Baby (on 1968-12-06)
writer:
O.B. McClinton
Arthur Conley2:23
14A Lucky Loser
producer:
Quinton Claunch and Rudolph V. "Doc" Russell
guitar:
Duane Allman (in 1968)
vocals:
Wee Willie Walker (soul singer) (in 1968)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968)
cover recording of:
A Lucky Loser (in 1968)
writer:
Homer Banks (soul singer and songwriter) and Allen Jones (producer/songwriter/musician/engineer)
Willie Walker2:21
15I’m Coming Today
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Roy Lee Johnson (US R&B singer and guitarist)
guitar:
Duane Allman (on 1968-12-14)
vocals:
Brenda Hilliard (on 1968-12-14), Roy Lee Johnson (US R&B singer and guitarist) (on 1968-12-14) and Zulema (US disco, R&B singer-songwriter) (on 1968-12-14)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-14)
recording of:
I’m Coming Today (on 1968-12-14)
writer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Roy Lee Johnson (US R&B singer and guitarist)
The Lovelles3:00
16Pretending Dear
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Roy Lee Johnson (US R&B singer and guitarist)
guitar:
Duane Allman (on 1968-12-14)
vocals:
Brenda Hilliard (on 1968-12-14), Roy Lee Johnson (US R&B singer and guitarist) (on 1968-12-14) and Zulema (US disco, R&B singer-songwriter) (on 1968-12-14)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-14)
recording of:
Pretending Dear (on 1968-12-14)
writer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Roy Lee Johnson (US R&B singer and guitarist)
The Lovelles2:39
17The Weight
engineer:
Tom Dowd, Jerome Gasper and Lew Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (on 1969-01-08)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
slide guitar:
Duane Allman (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
The Weight (on 1969-01-08)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Aretha Franklin42:53
18It Ain’t Fair
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (on 1969-01-08)
guitar:
Duane Allman (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
It Ain’t Fair (on 1969-01-08)
lyricist and composer:
Ron Miller (US songwriter Ronald Alonzo Miller)
Aretha Franklin3:23
19Darkness
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
Tony Radicello (on 1969-01-06)
drums (drum set):
Joseph Forgione (on 1969-01-06)
guitar:
Duane Allman (on 1969-01-06) and Eddie Leonetti (on 1969-01-06)
organ:
Paul Venturini (on 1969-01-06)
vocals:
Charlie Ingui (on 1969-01-06), Richie Ingui (on 1969-01-06) and Kenneth Jeremiah (vocalist and radio host) (on 1969-01-06)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1969-01-06)
recording of:
Darkness (on 1969-01-06)
writer:
Charlie Ingui and Richie Ingui
Soul Survivors2:56
20Tell Daddy
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
Tony Radicello (on 1969-01-06)
drums (drum set):
Joseph Forgione (on 1969-01-06)
guitar:
Duane Allman (on 1969-01-06) and Eddie Leonetti (on 1969-01-06)
organ:
Paul Venturini (on 1969-01-06)
vocals:
Charlie Ingui (on 1969-01-06), Richie Ingui (on 1969-01-06) and Kenneth Jeremiah (vocalist and radio host) (on 1969-01-06)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1969-01-06)
recording of:
Tell Daddy (on 1969-01-06)
writer:
Clarence Carter, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Soul Survivors2:30
21Got Down on Saturday
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
Tony Radicello (on 1969-01-06)
drums (drum set):
Joseph Forgione (on 1969-01-06)
guitar:
Duane Allman (on 1969-01-06) and Eddie Leonetti (on 1969-01-06)
organ:
Paul Venturini (on 1969-01-06)
vocals:
Charlie Ingui (on 1969-01-06), Richie Ingui (on 1969-01-06) and Kenneth Jeremiah (vocalist and radio host) (on 1969-01-06)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1969-01-06)
recording of:
Got Down on Saturday (on 1969-01-06)
writer:
Mickey Newbury (American songwriter)
Soul Survivors3:10
22Hey Joe
producer:
Chips Moman
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-02)
drums (drum set):
Roger Hawkins (on 1969-01-02)
guitar:
Duane Allman (on 1969-01-02) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-02)
piano:
Barry Beckett (on 1969-01-02)
saxophone:
King Curtis (saxophonist) (on 1969-01-02)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-02)
cover recording of:
Hey Joe (on 1969-01-02)
lyricist and composer:
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music and Third Story Music, Inc.
King Curtis2:56
23Foot Pattin’
producer:
Chips Moman
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-02)
drums (drum set):
Roger Hawkins (on 1969-01-02)
guitar:
Duane Allman (on 1969-01-02) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-02)
piano:
Barry Beckett (on 1969-01-02)
saxophone:
King Curtis (saxophonist) (on 1969-01-02)
arranger:
Arif Mardin
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-02)
recording of:
Foot Pattin’ (on 1969-01-02)
writer:
Curtis Ousley
King Curtis4:49
24Games People Play
producer:
King Curtis (saxophonist) and Arif Mardin
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-02-19)
drums (drum set):
Roger Hawkins (on 1969-02-19)
electric guitar and slide guitar:
Duane Allman (on 1969-02-19)
guitar:
Duane Allman and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-02-19)
piano:
Barry Beckett (on 1969-02-19)
saxophone:
King Curtis (saxophonist) (on 1969-02-19)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1969-02-19)
cover recording of:
Games People Play (on 1969-02-19)
lyricist and composer:
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
King Curtis2:47
25The Weight
producer:
King Curtis (saxophonist) and Arif Mardin
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-02-19)
guitar:
Duane Allman (on 1969-02-19)
keyboard:
Barry Beckett (on 1969-02-19)
saxophone:
King Curtis (saxophonist) (on 1969-02-19)
arranger:
Arif Mardin
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1969-02-19)
cover recording of:
The Weight (on 1969-02-19)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
King Curtis2:47
26Get a Little Order
engineer and producer:
Tom Dowd
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (from 1969-02-24 until 1969-02-28)
drums (drum set):
Roger Hawkins (from 1969-02-24 until 1969-02-28)
electric piano:
Barry Beckett (from 1969-02-24 until 1969-02-28)
guitar:
Eddie Hinton (from 1969-02-24 until 1969-02-28), Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1969-02-24 until 1969-02-28) and Albert Lowe Jr. (American guitarist, bassist, and songwriter) (from 1969-02-24 until 1969-02-28)
slide guitar:
Duane Allman (from 1969-02-24 until 1969-02-28)
vocals:
Estelle Brown (from 1969-02-24 until 1969-02-28), Cissy Houston (from 1969-02-24 until 1969-02-28), Sylvia Shemwell (from 1969-02-24 until 1969-02-28) and Myrna Smith (from 1969-02-24 until 1969-02-28)
horn arranger:
Tom Dowd
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (from 1969-02-24 until 1969-02-28)
recording of:
Get a Little Order (from 1969-02-24 until 1969-02-28)
writer:
Emily Houston and Sylvia Shemwell
The Sweet Inspirations2:06
3▼CD
#TitleArtistRatingLength
1Twice a Man
producer:
Barry Goldberg (blues rock keyboardist and producer) and Lewis Merenstein
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968-11)
drums (drum set):
Eddie Hoh (in 1968-11)
guitar:
Mike Bloomfield (in 1968-11)
piano:
Barry Goldberg (blues rock keyboardist and producer) (in 1968-11)
slide guitar:
Duane Allman (in 1968-11)
vocals:
Barry Goldberg (blues rock keyboardist and producer) (in 1968-11)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1968-11) and Quinvy Recording Studio in Sheffield, Alabama, United States (in 1968-11)
recording of:
Twice a Man (in 1968-11)
writer:
Barry Goldberg (blues rock keyboardist and producer) and Roy Ruby
The Barry Goldberg Blues Band4:28
2Goin’ Down Slow
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-02)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-02)
guitar:
Duane Allman (in 1969-02)
piano:
Paul Hornsby (in 1969-02)
lead vocals:
Duane Allman (in 1969-02) and Dickey Betts (in 1969-02)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1972)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
cover recording of:
Goin' Down Slow (in 1969-02)
writer:
Champion Jack Dupree
cover recording of:
Goin’ Down Slow (in 1969-02)
lyricist and composer:
James Burke Oden (blues singer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Leeds Music, MCA Music Ltd. and Unichappell Music, Inc.
Duane Allman8:46
3No Money Down
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-02)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-02)
guitar:
Duane Allman (in 1969-02)
piano:
Paul "Berry" Hornsby (in 1969-02)
vocals:
Duane Allman (in 1969-02)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
cover recording of:
No Money Down (in 1969-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Duane Allman3:28
4Happily Married Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) (in 1969-02)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-02)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-02)
guitar:
Duane Allman (in 1969-02)
piano:
Paul "Berry" Hornsby (in 1969-02)
vocals:
Duane Allman (in 1969-02)
remixer:
Tony Humphreys, Ovie Sparks and Tony Yoken
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
recording of:
Happily Married Man (in 1969-02)
writer:
Duane Allman
publisher:
No Exit Music Co., Inc.
Duane Allman2:43
5Me
producer:
Mike Bloomfield and Nick Gravenites
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
recording of:
Me (in 1969-02)
writer:
Mike Bloomfield and Nick Gravenites
Otis Rush2:57
6Reap What You Sow
recording engineer:
Mickey Buckins (American singer-songwriter, session musician, producer and engineer) (in 1969-02)
producer:
Mike Bloomfield and Nick Gravenites
baritone saxophone:
Ronald Eades (American saxophonist) (in 1969-02)
bass guitar:
Jerry Jemmott (in 1969-02)
drums (drum set):
Roger Hawkins (in 1969-02)
guitar:
Duane Allman (in 1969-02) and Otis Rush (in 1969-02)
keyboard:
Barry Beckett (in 1969-02) and Mark Naftalin (in 1969-02)
tenor saxophone:
Joe Arnold (in 1969-02) and Aaron Varnell (in 1969-02)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1969-02)
vocals:
Otis Rush (in 1969-02)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
recording of:
Reap What You Sow (in 1969-02)
writer:
Bloomfield, Butterfield and Gravenites
Otis Rush4:55
7It Takes Time
producer:
Mike Bloomfield and Nick Gravenites
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02)
recording of:
It Takes Time (in 1969-02)
lyricist and composer:
Otis Rush
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label) and Tristan Music Ltd.
Otis Rush3:27
8Going Up the Country
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-02)
producer:
Eddie Hinton and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-02)
drums (drum set) and percussion:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-02)
guitar:
Eddie Hinton (in 1969-02)
keyboard:
Barry Beckett (in 1969-02)
slide guitar:
Duane Allman (in 1969-02)
tenor saxophone:
Joe Arnold (in 1969-02) and Andrew Love (in 1969-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1969-02)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-02)
cover recording of:
Going Up the Country (in 1969-02)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
The Duck & the Bear2:37
9Hand Jive
producer:
Eddie Hinton and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
slide guitar:
Duane Allman (in 1969-02)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-02)
cover recording of:
Willie and the Hand Jive (in 1969-02)
lyricist and composer:
Johnny Otis
publisher:
Eldorado Music Company
The Duck & the Bear2:42
10Finding Her
producer:
Marlin Greene (’60s teen artist, writer & engineer), Boz Scaggs and Jann Simon Wenner (American magazine magnate)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-05-05 until 1969-05-10)
recording of:
Finding Her (from 1969-05-05 until 1969-05-10)
writer:
Boz Scaggs
Boz Scaggs4:12
11Look What I Got
producer:
Marlin Greene (’60s teen artist, writer & engineer), Boz Scaggs and Jann Simon Wenner (American magazine magnate)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-05-05 until 1969-05-10)
cover recording of:
Look What I Got (from 1969-05-05 until 1969-05-10)
writer:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and Donna Rhodes
Boz Scaggs4:16
12Waiting for a Train
recording engineer:
Marlin Greene (’60s teen artist, writer & engineer) (from 1969-05-05 until 1969-05-10)
engineer:
Rob Grenell
producer:
Marlin Greene (’60s teen artist, writer & engineer), Boz Scaggs and Jann Simon Wenner (American magazine magnate)
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (from 1969-05-05 until 1969-05-10)
drums (drum set):
Roger Hawkins (from 1969-05-05 until 1969-05-10)
fiddle:
Al Lester (from 1969-05-05 until 1969-05-10)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1969-05-05 until 1969-05-10)
piano:
Barry Beckett (from 1969-05-05 until 1969-05-10)
resonator guitar [dobro]:
Duane Allman (from 1969-05-05 until 1969-05-10)
vocals:
Boz Scaggs (from 1969-05-05 until 1969-05-10)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-05-05 until 1969-05-10)
cover recording of:
Waiting for a Train (from 1969-05-05 until 1969-05-10)
lyricist and composer:
Jimmie Rodgers (country music pioneer, died in 1933)
Boz Scaggs2:44
13Loan Me a Dime
engineer:
Marlin Greene (’60s teen artist, writer & engineer)
producer:
Marlin Greene (’60s teen artist, writer & engineer), Boz Scaggs and Jann Simon Wenner (American magazine magnate)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-05)
drums (drum set):
Roger Hawkins (on 1969-05-05)
guitar:
Duane Allman (on 1969-05-05), Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-05) and Boz Scaggs (on 1969-05-05)
horn:
The Memphis Horns (on 1969-05-05)
piano:
Barry Beckett (on 1969-05-05)
vocals:
Boz Scaggs (on 1969-05-05)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1969-05-05)
cover recording of:
Loan Me a Dime (on 1969-05-05)
writer:
Fenton Robinson
Boz Scaggs13:05
14Don’t Want You No More
recording engineer and producer:
Adrian Barber (producer/engineer)
acoustic guitar and slide guitar:
Duane Allman (in 1969-09)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-09)
drums (drum set) and percussion:
Jai Johanny Johanson (in 1969-09) and Butch Trucks (in 1969-09)
organ and piano:
Gregg Allman (in 1969-09)
arranger:
The Allman Brothers Band
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1969-09)
instrumental cover recording of:
Don’t Want You No More (in 1969-09)
writer:
Spencer Davis and Phil Sawyer
publisher:
Dick James Music, Inc. (USA, affiliated with BMI) and Songs of PolyGram International, Inc.
The Allman Brothers Band2:27
15It’s Not My Cross to Bear
recording engineer:
Adrian Barber (producer/engineer) (from 1969-08-03 until 1969-08-12)
producer:
Adrian Barber (producer/engineer)
arranger:
The Allman Brothers Band
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1969-08-03 until 1969-08-12)
recording of:
It’s Not My Cross to Bear (from 1969-08-03 until 1969-08-12)
lyricist and composer:
Gregg Allman
publisher:
EMI Unart Catalog Inc. and Unart Music Corp.
The Allman Brothers Band5:02
16Black Hearted Woman
recording engineer:
Adrian Barber (producer/engineer) (from 1969-08-03 until 1969-08-12)
producer:
Adrian Barber (producer/engineer)
acoustic guitar and slide guitar:
Duane Allman (from 1969-08-03 until 1969-08-12)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1969-08-03 until 1969-08-12)
drums (drum set) and percussion:
Jai Johanny Johanson (from 1969-08-03 until 1969-08-12) and Butch Trucks (from 1969-08-03 until 1969-08-12)
organ and piano:
Gregg Allman (from 1969-08-03 until 1969-08-12)
vocals:
Gregg Allman (from 1969-08-03 until 1969-08-12)
arranger:
The Allman Brothers Band
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1969-08-03 until 1969-08-12)
recording of:
Blackhearted Woman (from 1969-08-03 until 1969-08-12)
writer:
Gregg Allman
publisher:
Elijah Blue Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band45:10
17Trouble No More
recording engineer and producer:
Adrian Barber (producer/engineer)
acoustic guitar and slide guitar:
Duane Allman (in 1969-09)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-09)
drums (drum set) and percussion:
Jai Johanny Johanson (in 1969-09) and Butch Trucks (in 1969-09)
organ, piano and lead vocals:
Gregg Allman (in 1969-09)
arranger:
The Allman Brothers Band
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1969-09)
cover recording of:
Trouble No More (Muddy Waters lyrics) (in 1969-09)
additional lyricist:
Muddy Waters (blues musician)
lyricist and composer:
Sleepy John Estes
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music (music publishing) and Watertoons Music
version of:
Someday Baby Blues
The Allman Brothers Band43:45
4▼CD
#TitleArtistRatingLength
1Every Hungry Woman
producer:
Adrian Barber (producer/engineer)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1969-08-03 until 1969-08-12)
drums (drum set):
Jai Johanny Johanson (from 1969-08-03 until 1969-08-12) and Butch Trucks (from 1969-08-03 until 1969-08-12)
guitar:
Duane Allman (from 1969-08-03 until 1969-08-12) and Dickey Betts (from 1969-08-03 until 1969-08-12)
organ:
Gregg Allman (from 1969-08-03 until 1969-08-12)
slide guitar:
Duane Allman (from 1969-08-03 until 1969-08-12)
vocals:
Gregg Allman (from 1969-08-03 until 1969-08-12)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1969-08-03 until 1969-08-12)
recording of:
Every Hungry Woman (from 1969-08-03 until 1969-08-12)
writer:
Gregg Allman
publisher:
Elijah Blue Music and Unichappell Music, Inc.
The Allman Brothers Band4:15
2Dreams
producer:
Adrian Barber (producer/engineer)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1969-08-03 until 1969-08-12)
drums (drum set):
Jai Johanny Johanson (from 1969-08-03 until 1969-08-12) and Butch Trucks (from 1969-08-03 until 1969-08-12)
guitar:
Duane Allman (from 1969-08-03 until 1969-08-12) and Dickey Betts (from 1969-08-03 until 1969-08-12)
organ:
Gregg Allman (from 1969-08-03 until 1969-08-12)
slide guitar:
Duane Allman (from 1969-08-03 until 1969-08-12)
vocals:
Gregg Allman (from 1969-08-03 until 1969-08-12)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1969-08-03 until 1969-08-12)
recording of:
Dreams (from 1969-08-03 until 1969-08-12)
lyricist and composer:
Gregg Allman
publisher:
EMI Unart Catalog Inc.
The Allman Brothers Band7:18
3Whipping Post
producer:
Adrian Barber (producer/engineer)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1969-08-03 until 1969-08-12)
drums (drum set):
Jai Johanny Johanson (from 1969-08-03 until 1969-08-12) and Butch Trucks (from 1969-08-03 until 1969-08-12)
guitar:
Duane Allman (from 1969-08-03 until 1969-08-12) and Dickey Betts (from 1969-08-03 until 1969-08-12)
organ:
Gregg Allman (from 1969-08-03 until 1969-08-12)
slide guitar:
Duane Allman (from 1969-08-03 until 1969-08-12)
vocals:
Gregg Allman (from 1969-08-03 until 1969-08-12)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1969-08-03 until 1969-08-12)
recording of:
Whipping Post (from 1969-08-03 until 1969-08-12)
lyricist and composer:
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band5:19
4One More Night
producer:
Tom Dowd and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09), Eddie Hinton (in 1969-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-09)
keyboard:
Barry Beckett (in 1969-09)
vocals:
Ronnie Hawkins (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
One More Night (in 1969-09)
lyricist and composer:
Bob Dylan
publisher:
Big Sky Music (publisher for Bob Dylan) (from 1969 to present)
Ronnie Hawkins2:24
5Will the Circle Be Unbroken
producer:
Tom Dowd and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09), Eddie Hinton (in 1969-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-09)
keyboard:
Barry Beckett (in 1969-09)
vocals:
Ronnie Hawkins (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Will the Circle Be Unbroken? (in 1969-09)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (on 1907-04-30)
lyricist:
Ada Ruth Habershon (in 1907)
composer:
Charles Hutchinson Gabriel (in 1907)
publisher:
Skyhill Music
Ronnie Hawkins2:53
6Matchbox
recording engineer:
Larry Hamby (in 1969-09)
producer:
Tom Dowd and Jerry Wexler
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09) and Eddie Hinton (in 1969-09)
harmonica:
King Biscuit Boy (in 1969-09)
keyboard:
Barry Beckett (in 1969-09) and Scott Cushnie (in 1969-09)
vocals:
Ronnie Hawkins (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Matchbox (in 1969-09)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music and Wren Music Co.
version of:
Match Box Blues
Ronnie Hawkins3:08
7Down in the Alley
producer:
Tom Dowd and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09), Eddie Hinton (in 1969-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-09)
keyboard:
Barry Beckett (in 1969-09)
vocals:
Ronnie Hawkins (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Down in the Alley (in 1969-09)
lyricist and composer:
Jesse Stone
publisher:
Unichappell Music, Inc.
Ronnie Hawkins5:12
8Who Do You Love
producer:
Tom Dowd and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09), Eddie Hinton (in 1969-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-09)
keyboard:
Barry Beckett (in 1969-09)
vocals:
Ronnie Hawkins (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Who Do You Love? (in 1969-09)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Ronnie Hawkins2:16
9Marley Purt Drive
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09), Cornell Dupree (in 1969-09), Eddie Hinton (in 1969-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-09)
keyboard:
Barry Beckett (in 1969-09)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”) (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Marley Purt Drive (in 1969-09)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Casserole Music, Inc. and Unichappell Music, Inc.
Lulu3:23
10Dirty Old Man
recording engineer:
Marlin Greene (’60s teen artist, writer & engineer) (in 1970) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1970)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1970)
drums (drum set):
Roger Hawkins (in 1970)
guitar:
Duane Allman (in 1970) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1970)
keyboard:
Barry Beckett (in 1970)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”) (in 1970)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1970)
cover recording of:
Dirty Old Man (in 1970)
writer:
Delaney Bramlett and Mac Davis (US country singer, songwriter & actor)
Lulu42:23
11Mr. Bojangles
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09), Cornell Dupree (in 1969-09), Eddie Hinton (in 1969-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-09)
keyboard:
Barry Beckett (in 1969-09)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”) (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Mr. Bojangles (in 1969-09)
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
Lulu3:10
12Sweep Around Your Own Back Door
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1969-09)
drums (drum set):
Roger Hawkins (in 1969-09)
guitar:
Duane Allman (in 1969-09), Cornell Dupree (in 1969-09), Eddie Hinton (in 1969-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1969-09)
keyboard:
Barry Beckett (in 1969-09)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”) (in 1969-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1969-09)
cover recording of:
Sweep Around Your Own Back Door (in 1969-09)
writer:
Fran Robins
Lulu2:43
13I Walk on Gilded Splinters
recording engineer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1970)
producer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass guitar:
Robert Popwell (in 1970)
drums (drum set):
Butch Trucks (in 1970)
electric guitar:
Pete Carr (US guitarist) (in 1970)
guitar:
Johnny Jenkins (US blues guitarist) (in 1970)
piano:
Paul "Berry" Hornsby (in 1970)
resonator guitar [dobro]:
Duane Allman (in 1970)
timbales:
Jai Johanny Johanson (in 1970)
vocals:
Johnny Jenkins (US blues guitarist) (in 1970)
remixer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1970)
cover recording of:
I Walk on Guilded Splinters (in 1970)
lyricist and composer:
John Creaux (New Orleans blues pianist, singer and songwriter)
publisher:
Marzique Music
Johnny Jenkins5:17
14Rollin’ Stone
engineer and producer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
acoustic guitar:
Johnny Jenkins (US blues guitarist) (in 1969-10)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-10)
slide guitar:
Duane Allman (in 1969-10)
vocals:
Johnny Jenkins (US blues guitarist) (in 1969-10)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1969-10)
cover recording of:
Rollin’ Stone (Muddy Waters) (in 1969-10)
lyricist and composer:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Sony Music Publishing Ltd.
is based on:
Catfish Blues (Robert Petway)
Johnny Jenkins4:56
15Down Along the Cove
engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
producer:
Duane Allman and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
acoustic guitar:
Pete Carr (US guitarist) (in 1969-10)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969-10)
electric bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-10)
electric guitar and electric piano:
Paul "Berry" Hornsby (in 1969-10)
harmonica and lead vocals:
Johnny Jenkins (US blues guitarist) (in 1969-10)
slide guitar:
Duane Allman (in 1969-10)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-10)
cover recording of:
Down Along the Cove (in 1969-10)
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1968 to present)
Johnny Jenkins3:02
16Voodoo in You
producer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass:
Robert Popwell (from 1969-02 until 1969-09)
cabasa:
Tippy Armstrong (from 1969-02 until 1969-09)
cowbell:
Eddie Hinton (from 1969-02 until 1969-09)
drums (drum set):
Butch Trucks (from 1969-02 until 1969-09)
electric piano:
Paul "Berry" Hornsby (from 1969-02 until 1969-09)
guitar:
Pete Carr (US guitarist) (from 1969-02 until 1969-09)
slide guitar:
Duane Allman (from 1969-02 until 1969-09)
timbales:
Jai Johanny Johanson (from 1969-02 until 1969-09)
vocals:
Johnny Jenkins (US blues guitarist) (from 1969-02 until 1969-09)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1969-02) and Capricorn Sound Studio in Macon, Georgia, United States (in 1969-09)
cover recording of:
Voodoo in You (from 1969-02 until 1969-09)
writer:
Jackie Avery
Johnny Jenkins4:53
17Shake for Me
engineer:
Marlin Greene (’60s teen artist, writer & engineer) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-11-21)
drums (drum set):
Roger Hawkins (on 1969-11-21)
guitar:
John Hammond (blues singer and guitarist) (on 1969-11-21) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-11-21)
piano:
Barry Beckett (on 1969-11-21)
slide guitar:
Duane Allman (on 1969-11-21)
vocals:
John Hammond (blues singer and guitarist) (on 1969-11-21)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1969-11-21)
cover recording of:
Shake for Me (on 1969-11-21)
composer:
Willie Dixon
John Hammond2:43
18Cryin’ for My Baby
producer:
Marlin Greene (’60s teen artist, writer & engineer) and John Hammond (blues singer and guitarist)
guitar:
Duane Allman (from 1969-11-17 until 1969-11-21) and John Hammond (blues singer and guitarist) (from 1969-11-17 until 1969-11-21)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-11-17 until 1969-11-21)
cover recording of:
Cryin’ for My Baby (from 1969-11-17 until 1969-11-21)
writer:
Harold Burrage
John Hammond2:40
19I’m Leavin’ You
producer:
Marlin Greene (’60s teen artist, writer & engineer) and John Hammond (blues singer and guitarist)
guitar:
Duane Allman (from 1969-11-17 until 1969-11-21) and John Hammond (blues singer and guitarist) (from 1969-11-17 until 1969-11-21)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-11-17 until 1969-11-21)
cover recording of:
I'm Leavin' You (from 1969-11-17 until 1969-11-21)
writer:
Chester Arthur Burnett
John Hammond3:20
20You’ll Be Mine
producer:
Marlin Greene (’60s teen artist, writer & engineer) and John Hammond (blues singer and guitarist)
guitar:
Duane Allman (from 1969-11-17 until 1969-11-21) and John Hammond (blues singer and guitarist) (from 1969-11-17 until 1969-11-21)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (from 1969-11-17 until 1969-11-21)
cover recording of:
You’ll Be Mine (from 1969-11-17 until 1969-11-21)
composer:
Willie Dixon
John Hammond2:42
21Ghost of Myself
producer:
Jerry Williams (a.k.a. Swamp Dogg)
bass:
Robert Popwell (in 1969)
drums (drum set):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records) (in 1969)
guitar:
Duane Allman (in 1969) and Pete Carr (US guitarist) (in 1969)
organ and piano:
Paul "Berry" Hornsby (in 1969)
vocals:
Doris Duke (in 1969)
arranger:
Jerry Williams (a.k.a. Swamp Dogg)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1969)
cover recording of:
Ghost of Myself (in 1969)
lyricist and composer:
Jerry Williams (a.k.a. Swamp Dogg)
Doris Duke3:06
5▶CD
6▶CD
7▶CD

Credits

Release

art direction and design:Scott Billington
Nancy Given (designer)
liner notes:Galadrielle Allman
Scott Schinder (in 2012-09)
executive producer:Scott Billington
producer:Galadrielle Allman
Bill Levenson (Producer, primarily for compilations and reissues)
mastering:Paul Blakemore (in 2012-11)
bass:Mike Alexander (Played bass guitar for The Allman Joys) (in 1966-08)
Ralph Ballinger (in 1966-08)
Bob Keller (US bassist) (in 1966-08)
drums (drum set):Tommy Amato (in 1966-08)
Bill Connell (in 1966-08)
electric sitar and guitar:Duane Allman (from 1966-08 until 1968-01)
guitar:Gregg Allman (in 1966-08)
Bobby Dennis (in 1966-08)
Jack Jackson (Bassist) (in 1966-08)
Paul "Berry" Hornsby (from 1967-08 until 1968-01)
harmonica:Gregg Allman (in 1966-08)
Bob Keller (US bassist) (in 1966-08)
keyboard:Paul "Berry" Hornsby (from 1967-08 until 1968-01)
organ and lead vocals:Gregg Allman (from 1966-08 until 1968-01)
piano:Ronnie Wilkins (in 1966-08)
vocals:Duane Allman (in 1966-08)
Paul "Berry" Hornsby (from 1967-08 until 1968-01)
manufactured by:Rhino Custom Products (retail, mail order and premium use compilations for WMG catalog)
distributed by:Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
copyrighted (©) by:Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (in 2013)
phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2013)
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2013)
mastered at:CMG Mastering Studios in Cleveland, Ohio, United States (in 2012-11)
Discogs:https://www.discogs.com/release/7828188 [info]
ASIN:US: B00EDJVP9Y [info]