Klara's Top 100

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Suite voor cello solo, BWV 1007: Prelude
assistant engineer:
Alain Joubert (sound engineer) (in 1991-03)
executive producer:
Мстислав Ростропович (Mstislav Rostropovich, cellist/conductor)
producer:
Guy Chesnais (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1991-03)
balance engineer:
Raymond Buttin (engineer) (in 1991-03)
phonographic copyright (℗) by:
SGOL Music Ltd. (in 1995)
recorded at:
Basilique Sainte-Marie-Madeleine de Vézelay in Vézelay, Yonne, Bourgogne-Franche-Comté, France (in 1991-03)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1991-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:03
2Mattheuspassie, BWV 244: Erbarme dich
producer:
Étienne Collard
harpsichord:
Emmanuelle Haïm (conductor) (from 2000-12-01 until 2000-12-05)
solo mezzo-soprano vocals:
Stephanie Blythe (mezzo-soprano) (from 2000-12-01 until 2000-12-05)
orchestra:
Ensemble orchestral de Paris (from 2000-12-01 until 2000-12-05)
conductor:
John Nelson (American conductor) (from 2000-12-01 until 2000-12-05)
balance engineer:
Hugues Deschaux
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2000-12-01 until 2000-12-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 2000-12-01 until 2000-12-05)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:22
3Mattheuspassie, BWV 244: Wir setzen uns mit Tränen nieder
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:28
4Requiem, KV 626: Lacrimosa
choir vocals:
The Schütz Choir of London (in 1991-09)
orchestra:
London Classical Players (in 1991-09)
conductor:
Sir Roger Norrington (conductor) (in 1991-09)
phonographic copyright (℗) by:
Erato and Warner Classics
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1991-09)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa" (Druce / Norrington Edition) (in 1991-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (Druce / Norrington Edition)
Wolfgang Amadeus Mozart3:29
5Klarinetconcerto in A, KV 622: Adagio
basset clarinet:
Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08)
conductor:
Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1990-06-06 until 1990-06-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart6:37
6Miserere
choir vocals:
Choir of King’s College, Cambridge
conductor:
Stephen Cleobury (organist, conductor)
phonographic copyright (℗) by:
Warner Classics (in 2010)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri13:39
7Stabat Mater
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
recorded at:
Couvent de l'Annonciation (aka "Couvent des Dominicains") in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:43
8Symfonie "Pastorale" nr. 6 in F, op. 68: Allegro ma non troppo
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:35
9Dido and Aeneas: When I Am Laid in Earth
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (from 2003-03-14 until 2003-03-16)
edit of:
Dido & Aeneas: When I Am Laid in Earth by Susan Graham (mezzo-soprano), Le Concert d'Astrée (ensemble founded in 2000 by Emmanuelle Haïm), Emmanuelle Haïm (conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:55
10Pianoconcerto "Keizersconcerto" nr. 5 in Es, op. 73: Rondo
piano:
Christian Zacharias (pianist and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:11
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1Symfonie nr. 5 in Cis: Adagietto
engineer:
Andy Beer (from 2002-09-07 until 2002-09-10) and Graham Kirkby (engineer) (from 2002-09-07 until 2002-09-10)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2002-09-07 until 2002-09-10)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2002-09-07 until 2002-09-10)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2002-09-07 until 2002-09-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2002-09-07 until 2002-09-10)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 2002-09-07 until 2002-09-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:31
2Goldbergvariaties, BWV 988: Aria
executive producer:
Alain Lanceron
piano:
Nicholas Angelich (pianist) (from 2011-02-23 until 2011-02-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2011)
recorded at:
Curtis Auditorium (CIT Cork School of Music) (from 2011-02-23 until 2011-02-26)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 2011-02-23 until 2011-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach5:19
3Goldbergvariaties, BWV 988: Variatie 1
executive producer:
Alain Lanceron
piano:
Nicholas Angelich (pianist) (from 2011-02-23 until 2011-02-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2011)
recorded at:
Curtis Auditorium (CIT Cork School of Music) (from 2011-02-23 until 2011-02-26)
recording of:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. (from 2011-02-23 until 2011-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:58
4Goldbergvariaties, BWV 988: Variatie 2
executive producer:
Alain Lanceron
piano:
Nicholas Angelich (pianist) (from 2011-02-23 until 2011-02-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2011)
recorded at:
Curtis Auditorium (CIT Cork School of Music) (from 2011-02-23 until 2011-02-26)
recording of:
Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav. (from 2011-02-23 until 2011-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:59
5Adagio voor strijkers
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2009)
conductor:
Simon Rattle (conductor) (in 2009)
recording of:
Adagio for Strings (in 2009)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:53
6Spiegel im Spiegel
producer:
Andrew Keener (engineer/editor/producer)
piano:
Martin Roscoe (English classical pianist) (from 1993-09-17 until 1993-09-18, in 1993-11)
violin:
Tasmin Little (violinist) (from 1993-09-17 until 1993-09-18, in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Church, Milton Abbey School in Milton Abbas, Dorset, England, United Kingdom (in 1993-11)
recording of:
Spiegel im Spiegel (for violin and piano) (from 1993-09-17 until 1993-09-18)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
Arvo Pärt8:15
7Pianoconcerto nr. 3 in D, op. 30: Allegro ma non tanto
piano:
Leif Ove Andsnes (pianist)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
composer:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Sergei Rachmaninov16:38
8Gymnopédie nr. 1
piano:
Aldo Ciccolini (pianist) (on 1983-11-07)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-11-07)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (on 1983-11-07)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:09
9Symfonie "Uit de Nieuwe Wereld" nr. 9 in E, op. 95: Largo
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:48
10Requiem, op. 48: Pie Jesu
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
soprano vocals:
Magali Dami (soprano) (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:19
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1Toccata en fuga in D, BWV 565: Toccata
instruments:
Werner Jacob (organist)
organ:
Werner Jacob (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:34
2Toccata en fuga in D, BWV 565: Fuga
organ:
Werner Jacob (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach6:52
3Peer Gynt Suite nr. 1, op. 46: Morgenstemming
producer and balance engineer:
Maido Maadik
orchestra:
Orchestre Symphonique National d'Estonie (Estonian National Symphony Orchestra) (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:08
4Peer Gynt Suite nr. 1, op. 46: Åse's Dood
producer and balance engineer:
Maido Maadik
orchestra:
Estonian National Symphony Orchestra (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 3. akt: Åses død (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:00
5Peer Gynt Suite nr. 1, op. 46: Anitra's Dans
producer and balance engineer:
Maido Maadik
orchestra:
Eesti Riiklik Sümfooniaorkester (Estonian National Symphony Orchestra) (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt: Anitras dans (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:30
6Peer Gynt Suite nr. 1, op. 46: In de hal van de Bergkoning
producer and balance engineer:
Maido Maadik
choir vocals:
Ellerhein Girls’ Choir (from 2004-09-01 until 2004-09-24) and Estonian National Male Choir (from 2004-09-01 until 2004-09-24)
orchestra:
Estonian National Symphony Orchestra (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:25
7Vioolconcerto in D, op. 61: Rondo: Allegro
producer and editor:
Michael Fine (producer)
violin:
Renaud Capuçon (violinist) (from 2009-07-07 until 2009-07-09)
orchestra:
Rotterdam Philharmonic Orchestra (from 2009-07-07 until 2009-07-09)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (from 2009-07-07 until 2009-07-09)
balance engineer:
Wolf‐Dieter Karwatky
recorded at:
Muziekcentrum van de Omroep (Hilversum) in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2009-07-07 until 2009-07-09)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 2009-07-07 until 2009-07-09)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven10:21
8Bist du bei mir, BWV 508
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist) (in 1991-04)
viola da gamba:
Erin Headley (American lirone player, teacher, and director) (in 1991-04)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (in 1991-04)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:54
9Vioolconcerto nr. 1 in G, op. 26: Finale. Allegro energico
violin:
Sarah Chang (violinist)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:06
10Fantasie voor piano nr. 3, op. 18
piano:
Jozef de Beenhouwer (Belgian pianist)
recording of:
Fantaisie no. 3, op. 18
composer:
Peter Benoit (Belgian/Flemish 19th century classical composer)
Peter Benoit5:02
11Mariavespers: Nisi Dominus, Psalm 126
choir vocals:
Taverner Consort (from 1982-12-06 until 1984-03-30)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Vespro della Beata Vergine, SV 206: VIII. Psalmus IV "Nisi Dominus" (from 1982-12-06 until 1984-03-30)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:51
12Strijkkwintet in C, D 956, op. 163: Adagio
cello:
Valentin Erben (cellist) (from 1982-12-18 until 1982-12-22) and Heinrich Schiff (cellist and conductor) (from 1982-12-18 until 1982-12-22)
string quartet:
Alban Berg Quartett (Alban Berg Quartet, string quartet) (from 1982-12-18 until 1982-12-22)
viola:
Thomas Kakuska (from 1982-12-18 until 1982-12-22)
violin:
Günter Pichler (violinist) (from 1982-12-18 until 1982-12-22) and Gerhard Schulz (violinist) (from 1982-12-18 until 1982-12-22)
recorded at:
Evangelische Kirche (Seon) in Seon, Aargau, Switzerland (from 1982-12-18 until 1982-12-22)
recording of:
String Quintet in C major, D. 956: II. Adagio (from 1982-12-18 until 1982-12-22)
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert14:26
4▼CD
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1Rinaldo, HWV 7a: Lascia ch'io pianga
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel5:16
2De vier seizoenen: De herfst in F, RV 293: Allegro
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2000-07 until 2000-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi4:49
3De vier seizoenen: De herfst in F, RV 293: Adagio
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2000-07 until 2000-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:40
4De vier seizoenen: De herfst in F, RV 293: Allegro
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2000-07 until 2000-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:04
5Dahomeese rapsodie
orchestra:
Vlaams Radio Orkest (Brussels Philharmonic)
conductor:
Marc Soustrot (conductor)
recording of:
Dahomeyan Rhapsody
composer:
August de Boeck (Belgian composer and organist) (in 1893)
August de Boeck4:26
6Enigma variaties, op. 36: Nimrod
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1993-08-28 until 1993-08-29)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:18
7Weinachtsoratorium, BWV 248: Jauchzet, frohlocket
choir vocals:
Chorus of Collegium Vocale, Ghent (in 1989-01)
orchestra:
Orchestra of Collegium Vocale, Ghent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1989-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:46
8Vier letzte Lieder, op. posth.: Beim Schlafengehen
producer:
David Groves (classical music producer at EMI)
soprano vocals:
Nina Stemme (soprano) (from 2006-09-01 until 2006-09-11)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 2006-09-01 until 2006-09-11)
conductor:
Antonio Pappano (conductor and pianist) (from 2006-09-01 until 2006-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2006-09-01 until 2006-09-11)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (from 2006-09-01 until 2006-09-11)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:11
9Carmina Burana: O Fortuna
sound engineer and balance engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard and Alain Lanceron
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1994-12-02 until 1994-12-06)
orchestra:
Orchestre du Capitole de Toulouse (from 1994-12-02 until 1994-12-06)
conductor:
Michel Plasson (conductor) (from 1994-12-02 until 1994-12-06)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1994-12-02 until 1994-12-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1994-12-02 until 1994-12-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:27
10Carmina Burana: Fortune plango vulnera
sound engineer and balance engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard and Alain Lanceron
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1994-12-02 until 1994-12-06)
orchestra:
Orchestre national du Capitole de Toulouse (from 1994-12-02 until 1994-12-06)
conductor:
Michel Plasson (conductor) (from 1994-12-02 until 1994-12-06)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1994-12-02 until 1994-12-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1994-12-02 until 1994-12-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:37
11Rückertlieder: Ich bin der Welt abhanden gekommen
piano:
Roger Vignoles (pianist)
mezzo-soprano vocals:
Katarina Karnéus
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler5:10
12Xerxes, HWV 40: Ombra mai fu
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:22
13Wachet auf ruft uns die Stimme, BWV 645
organ:
Werner Jacob (organist)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:27
14Pianoconcerto nr. 21 in C, KV 467: Andante
recording engineer:
Frédéric Briant (from 2001-08-07 until 2001-08-09)
producer and editor:
Étienne Collard
piano:
Piotr Anderszewski (pianist) (from 2001-08-07 until 2001-08-09)
orchestra:
Sinfonia Varsovia (from 2001-08-07 until 2001-08-09)
conductor:
Piotr Anderszewski (pianist) (from 2001-08-07 until 2001-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2002)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 2001-08-07 until 2001-08-09)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 2001-08-07 until 2001-08-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
partial recording of:
Concerto for Piano no. 21 in C major, K. 467
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Classic 100: Piano (2025) (number: 10), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 467) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 467)
Wolfgang Amadeus Mozart7:10
15Canon in D
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:39
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1Adagio in G
cello:
Caroline Dale (cellist)
instruments:
Scottish Ensemble
organ:
Sally Heath (British pianist)
violin:
Jane Murdoch (violinist) and Jonathan Rees
conductor:
Jonathan Rees
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:40
2De parelvissers: Au fond du temple saint
baritone vocals [Zurga]:
Gino Quilico (baritone) (from 1989-01-29 until 1989-02-06)
tenor vocals [Nadir]:
John Aler (tenor) (from 1989-01-29 until 1989-02-06)
orchestra:
Orchestre national du Capitole de Toulouse (from 1989-01-29 until 1989-02-06)
conductor:
Michel Plasson (conductor) (from 1989-01-29 until 1989-02-06)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (from 1989-01-29 until 1989-02-06)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:10
3Symfonie "Koorsymfonie" nr. 9 in D, op. 125: Freude Schöner Götterfunken
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
City of Birmingham Symphony Orchestra Chorus
soprano vocals:
Barbara Bonney (soprano)
tenor vocals:
Kurt Streit (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Simon Rattle (conductor)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:50
4Nocturnes, op. 9: Nr. 1 in Bes
piano:
Yundi (Yundi Li, pianist) (in 2009-11, in 2010-01)
recorded at:
Reformierte Kirche Oberstrass in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 2009-11, in 2010-01)
recording of:
Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin5:33
5Nocturnes, op. 9: Nr. 2 in Es
piano:
Yundi (Yundi Li, pianist) (in 2009-11, in 2010-01)
recorded at:
Reformierte Kirche Oberstrass in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 2009-11)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin4:27
6Requiem: Pie Jesu
choir vocals:
Eric Ericsons Kammarkör
soprano vocals:
Barbara Hendricks (soprano)
treble vocals:
Ola Samnegård
orchestra:
Sveriges Radios Symfoniorkester (Swedish Radio Symphony Orchestra)
conductor:
Eric Ericson
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Andrew Lloyd Webber3:12
7Vlaamse dansen: I
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Vlaamsche dansen, op. 26: I.
composer:
Jan Blockx (Belgian composer and pianist) (in 1884)
dedicated to:
Gustave Huberti (Belgian 19/20th century composer)
part of:
Vlaamsche dansen, op. 26
Jan Blockx2:13
8Vlaamse dansen: II
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Vlaamsche dansen, op. 26: II.
composer:
Jan Blockx (Belgian composer and pianist) (in 1884)
dedicated to:
Eugène Landoy
part of:
Vlaamsche dansen, op. 26
Jan Blockx2:35
9Vlaamse dansen: III
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Vlaamsche dansen, op. 26: III.
composer:
Jan Blockx (Belgian composer and pianist) (in 1884)
dedicated to:
Louis Van Keymeulen
part of:
Vlaamsche dansen, op. 26
Jan Blockx1:57
10Vlaamse dansen: IV
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Vlaamsche dansen, op. 26: IV.
composer:
Jan Blockx (Belgian composer and pianist) (in 1884)
dedicated to:
Léon Jehin (Belgian-French 19/20th century composer & conductor)
part of:
Vlaamsche dansen, op. 26
Jan Blockx2:58
11Vlaamse dansen: V
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Vlaamsche dansen, op. 26: V.
composer:
Jan Blockx (Belgian composer and pianist) (in 1884)
dedicated to:
Albert de Vleeshouwer (Belgian composer)
part of:
Vlaamsche dansen, op. 26
Jan Blockx3:31
12Schindler's List: Thema
violin:
Tasmin Little (violinist) (in 1994)
orchestra:
New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams5:03
13Sonate "Mondschein" voor piano nr. 14 in Cis, op. 27 nr. 2: Adagio sostenuto
sound engineer:
Mike Hatch (engineer/editor)
producer:
John Fraser (UK producer)
editor:
Jennifer Howells
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1999-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1999-12)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1999-12)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven56:33
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1Cantate Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude
choir vocals:
Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:14
2Brandenburgs concerto nr. 3 in G, BWV 1048: Allegro moderato
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:47
3Brandenburgs concerto nr. 3 in G, BWV 1048: Allegro
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach4:49
4Deo gratias, canon in 36 stemmen
recording engineer and editor:
Markus Heiland
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Huelgas Ensemble (Belgian early music ensemble) (from 1994-09-09 until 1994-09-10)
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (from 1994-09-09 until 1994-09-10)
recorded at:
St. Barbara Church in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (from 1994-09-09 until 1994-09-10)
recording of:
Deo gratia à 36 (from 1994-09-09 until 1994-09-10)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Johannes Ockeghem5:58
5Norma: Casta diva
soprano vocals:
Edita Gruberová (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:02
6Pianoconcerto nr. 2 in C, op. 18: Moderato
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (from 2005-06-03 until 2005-06-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-06-03 until 2005-06-04)
conductor:
Antonio Pappano (conductor and pianist) (from 2005-06-03 until 2005-06-04)
balance engineer:
Arne Akselberg (from 2005-06-03 until 2005-06-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-06-03 until 2005-06-04)
live recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 2005-06-03 until 2005-06-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov10:10
7Concerto in D voor 2 violen, BWV 1043: Largo ma non tanto
producer:
Nicholas Parker (classical violinist, producer, engineer)
violin:
Alison Bury (violinist) (from 1990-08 until 1991-06) and Elizabeth Wallfisch (violinist) (from 1990-08 until 1991-06)
orchestra:
Orchestra of the Age of Enlightenment (from 1990-08 until 1991-06)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-08 until 1991-06)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1990-08 until 1991-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (from 1990-08 until 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:24
8Klarinetkwintet in A, KV 581: Larghetto
clarinet:
Michel Portal (French composer, saxophonist and clarinetist)
string quartet:
Cherubini‐Quartett (Cherubini Quartet)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:28
9Magnificat in D, BWV 243: Coro
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:49
10Magnificat in D, BWV 243: Et exultavit spiritus meus
soprano vocals:
Emily Van Evera (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
11Magnificat in D, BWV 243: Quia respexit humilitatem
soprano vocals:
Evelyn Tubb (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:09
12Magnificat in D, BWV 243: Omnes generationes
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1989-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:19
13Die Zauberflöte, KV 620: Der Hölle Rache
producer:
Étienne Collard
soprano vocals [Pamina]:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:57
14Rhapsody in Blue
piano:
Peter Donohoe (British classical pianist)
orchestra:
London Sinfonietta
conductor:
Simon Rattle (conductor)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:06
7▼CD
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1Celloconcerto in B, op. 104: Adagio ma non troppo
producer:
John Fraser (UK producer)
cello:
Truls Mørk (Norwegian cellist) (from 1992-05-12 until 1992-05-14)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1992-05-12 until 1992-05-14)
conductor:
Mariss Jansons (Latvian conductor) (from 1992-05-12 until 1992-05-14)
balance engineer:
Mark Vigars (engineer) (from 1992-05-12 until 1992-05-14)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1992-05-12 until 1992-05-14)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (from 1992-05-12 until 1992-05-14)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák12:03
2Bolero
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-10-16 until 1990-10-21)
conductor:
Simon Rattle (conductor) (from 1990-10-16 until 1990-10-21)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-10-16 until 1990-10-21)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-10-16 until 1990-10-21)
recording of:
Boléro (from 1990-10-16 until 1990-10-21)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel16:04
3Tristan und Isolde: Isoldes Liebestod
soprano vocals:
Nina Stemme (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:30
4Strijkkwartet "Der Tod und das Mädchen" in D, D 810: Andante con moto
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
cello:
Antoine Lederlin (from 2009-05-05 until 2009-05-10)
string quartet:
Belcea Quartet (from 2009-05-05 until 2009-05-10)
viola:
Krzysztof Chorzelski (from 2009-05-05 until 2009-05-10)
violin:
Corina Belcea (violinist) (from 2009-05-05 until 2009-05-10) and Laura Samuel (violinist) (from 2009-05-05 until 2009-05-10)
balance engineer:
Arne Akselberg
recorded at:
Potton Hall in Suffolk, England, United Kingdom (from 2009-05-05 until 2009-05-10)
recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: II. Andante con moto (from 2009-05-05 until 2009-05-10)
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert14:24
5Gloria in D, RV 607
instruments:
Taverner Players
choir vocals:
Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:29
6Kol Nidrei, op. 47
cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
London Symphony Orchestra
conductor:
Mstislav Rostropovich (cellist/conductor)
recording of:
Kol Nidrei, op. 47
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch12:32
8▼CD
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1Winterreise, D 911: Gute Nacht
piano:
Wolfgang Sawallisch (conductor) (in 1997, in 1997-03)
baritone vocals:
Thomas Hampson (baritone) (in 1997, in 1997-03)
recorded at:
Bavaria Musikstudios in München (Munich), Bayern (Bavaria), Germany (in 1997-03)
recording of:
Winterreise, op. 89, D. 911: I. Gute Nacht (in 1997-03)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827-02)
part of:
Winterreise, op. 89, D. 911
Franz Schubert5:41
2Vioolconcerto in E, op. 64: Allegro molto appasionato
producer and editor:
Étienne Collard
violin:
Renaud Capuçon (violinist) (from 2003-11-25 until 2003-11-27)
orchestra:
Mahler Chamber Orchestra (from 2003-11-25 until 2003-11-27)
conductor:
Daniel Harding (conductor) (from 2003-11-25 until 2003-11-27)
balance engineer:
Frédéric Briant (from 2003-11-25 until 2003-11-27) and Jens Jamin (engineer) (from 2003-11-25 until 2003-11-27)
recorded at:
Jugendstil Theater in Wien (Vienna), Austria (from 2003-11-25 until 2003-11-27)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato) (from 2003-11-25 until 2003-11-27)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn-Bartholdy12:45
3Vioolconcerto in D, op. 35: Allegro moderato
producer:
Étienne Collard
violin:
Valeriy Sokolov (violinist) (from 2010-10-29 until 2010-11-02)
orchestra:
Tonhalle‐Orchester Zürich (from 2010-10-29 until 2010-11-02)
conductor:
David Zinman (conductor) (from 2010-10-29 until 2010-11-02)
balance engineer:
Simon Eadon (classical music engineer) (from 2010-10-29 until 2010-11-02)
recorded at:
Tonhalle (Kongresshaus Zürich) in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 2010-10-29 until 2010-11-02)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato (from 2010-10-29 until 2010-11-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pjotr Tsjaikofski18:15
4Le Sacre du printemps: Introduction
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1987-12-21)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1987-12-21)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1987-12-21)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1987-12-21)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 1987-12-19 until 1987-12-21)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 1987-12-19 until 1987-12-21)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 1987-12-19 until 1987-12-21)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky8:08
5Messiah, HWV 56: For Unto Us a Child Is Born
conductor:
Andrew Parrott (conductor) (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:08
6Messiah, HWV 56: Allelujah
choir vocals:
Taverner Choir (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:57
7Jazzsuite nr. 2: Tweede wals
orchestra:
The Philadelphia Orchestra
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Dmitri Sjostakovitsj3:42
8Stabat mater voor alt, strijkers en basso continuo, RV 621: Stabat mater dolorosa
producer and editor:
Daniel Zalay
instruments:
Europa Galante (Italian Baroque orchestra) (from 2001-08-08 until 2001-08-14)
countertenor vocals:
David Daniels (American countertenor) (from 2001-08-08 until 2001-08-14)
orchestra:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-08-08 until 2001-08-14)
balance engineer:
Tom Lazarus
phonographic copyright (℗) by:
Erato (in 2001), Warner Classics (in 2001) and Warner Music UK Ltd. (not for release label use!) (in 2001)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 2001-08-08 until 2001-08-14)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2001-08-08 until 2001-08-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:18
9Stabat mater voor alt, strijkers en basso continuo, RV 621: Cujus animam
producer and editor:
Daniel Zalay
instruments:
Europa Galante (Italian Baroque orchestra) (from 2001-08-08 until 2001-08-14)
countertenor vocals:
David Daniels (American countertenor) (from 2001-08-08 until 2001-08-14)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-08-08 until 2001-08-14)
balance engineer:
Tom Lazarus
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 2001-08-08 until 2001-08-14)
recording of:
Stabat Mater, RV 621: II. Adagissimo "Cuius animam" (from 2001-08-08 until 2001-08-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:47
10Stabat mater voor alt, strijkers en basso continuo, RV 621: O quam tristis
producer and editor:
Daniel Zalay
instruments:
Europa Galante (Italian Baroque orchestra) (from 2001-08-08 until 2001-08-14)
countertenor vocals:
David Daniels (American countertenor) (from 2001-08-08 until 2001-08-14)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-08-08 until 2001-08-14)
balance engineer:
Tom Lazarus
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 2001-08-08 until 2001-08-14)
recording of:
Stabat Mater, RV 621: III. Andante "O quam tristis" (from 2001-08-08 until 2001-08-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:35
11Vioolconcerto in D, op. 77: Adagio
producer:
Dr Michael Stille
editor:
Bob Whitney (engineer)
oboe:
Hansjörg Schellenberger (oboist and conductor) (from 1995-01-19 until 1995-01-21)
violin:
Frank Peter Zimmermann (violinist) (from 1995-01-19 until 1995-01-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-01-19 until 1995-01-21)
conductor:
Wolfgang Sawallisch (conductor) (from 1995-01-19 until 1995-01-21)
balance engineer:
Michael Sheady (engineer) (from 1995-01-19 until 1995-01-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1995-01-19 until 1995-01-21)
live recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (from 1995-01-19 until 1995-01-21)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:54
9▶CD
10▶CD
11▶CD