Alban Berg Collection (Deutsche Grammophon Collectors Edition)

~ Release by Alban Berg (see all versions of this release, 1 available)

Annotation

On http://www2.deutschegrammophon.com/cat/result?PRODUCT_NR=4746572 is a very informative summary of many details of this box set.

Annotation last modified on 2009-02-09 18:06 UTC.

Tracklist

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1▼CD
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1Three Pieces for Orchestra, Op. 6: I. Präludium. Langsam
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-04)
conductor:
Claudio Abbado (conductor) (in 1992-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-04)
recording of:
Drei Orchesterstücke, op. 6: I. Präludium (Three Pieces for Orchestra, op. 6: I. Prelude) (in 1992-04)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
4:45
2Three Pieces for Orchestra, Op. 6: II. Reigen. Anfangs etwas zögernd - Leicht beschwingt
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-04)
conductor:
Claudio Abbado (conductor) (in 1992-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-04)
recording of:
Drei Orchesterstücke, op. 6: II. Reigen (Three Pieces for Orchestra, op. 6: II. Round Dance) (in 1992-04)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
5:32
3Three Pieces for Orchestra, Op. 6: III. Marsch. Mäßiges Marschtempo
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-04)
conductor:
Claudio Abbado (conductor) (in 1992-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-04)
recording of:
Drei Orchesterstücke, op. 6: III. Marsch (Three Pieces for Orchestra, op. 6: III. March) (in 1992-04)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
9:33
4Three Pieces from the "Lyric Suite": I. Andante amoroso
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
Lyrische Suite: I. Andante amoroso (for string orchestra) (in 1994-11)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
arranger:
Alban Berg (Austrian composer)
orchestration of:
Lyrische Suite: II. Andante amoroso
part of:
Lyrische Suite (Lyric Suite, for string orchestra)
6:22
5Three Pieces from the "Lyric Suite": II. Allegro misterioso
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
Lyrische Suite: II. Allegro misterioso (for string orchestra) (in 1994-11)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
arranger:
Alban Berg (Austrian composer)
orchestration of:
Lyrische Suite: III. Allegro misterioso
part of:
Lyrische Suite (Lyric Suite, for string orchestra)
3:33
6Three Pieces from the "Lyric Suite": III. Adagio appassionato
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
Lyrische Suite: III. Adagio appassionato (for string orchestra) (in 1994-11)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
arranger:
Alban Berg (Austrian composer)
orchestration of:
Lyrische Suite: IV. Adagio appassionato
part of:
Lyrische Suite (Lyric Suite, for string orchestra)
6:37
7Violin Concerto "To the Memory of An Angel": I. Andante - Allegretto
violin:
Anne‐Sophie Mutter (violinist) (in 1992-06)
orchestra:
Chicago Symphony Orchestra (in 1992-06)
conductor:
James Levine (US conductor and pianist) (in 1992-06)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1992-06)
recording of:
Violinkonzert „Dem Andenken eines Engels“: I. Andante – Allegretto (in 1992-06)
composer:
Alban Berg (Austrian composer) (in 1935-08)
part of:
Violinkonzert „Dem Andenken eines Engels“ (Violin Concerto "To the memory of an angel")
11:30
8Violin Concerto "To the Memory of An Angel": II. Allegro - Adagio
violin:
Anne‐Sophie Mutter (violinist) (in 1992-06)
orchestra:
Chicago Symphony Orchestra (in 1992-06)
conductor:
James Levine (US conductor and pianist)
recording of:
Violinkonzert „Dem Andenken eines Engels“: II. Allegro – Adagio
composer:
Alban Berg (Austrian composer) (in 1935-08)
part of:
Violinkonzert „Dem Andenken eines Engels“ (Violin Concerto "To the memory of an angel")
16:12
2▼CD
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1Chamber Concerto for Piano and Violin With 13 Wind Instruments: I. Thema scherzoso con variazioni
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist/conductor) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni (in 1977-06)
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg7:36
2Chamber Concerto for Piano and Violin With 13 Wind Instruments: II. Adagio
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist/conductor) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: II. Adagio (in 1977-06)
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg12:09
3Chamber Concerto for Piano and Violin With 13 Wind Instruments: III. Rondo ritmico con introduzione
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist/conductor) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: III. Rondo ritmico con introduzione (in 1977-06)
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg10:22
4Piano Sonata in B Minor, Op. 1
piano:
Daniel Barenboim (pianist and conductor)
recording of:
Piano Sonata, op. 1
composer:
Alban Berg (Austrian composer)
Alban Berg11:37
5Four Pieces for Clarinet and Piano, Op. 5: I. Mäßig
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer and editor:
Peter Laenger (engineer/producer)
clarinet:
Sabine Meyer (clarinetist) (in 1994-06)
piano:
Oleg Maisenberg (pianist) (in 1994-06)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1994-06)
recording of:
Vier Stücke für Klarinette und Klavier, op. 5: I. Mäßig (in 1994-06)
composer:
Alban Berg (Austrian composer)
part of:
Vier Stücke für Klarinette und Klavier, op. 5
Alban Berg1:29
6Four Pieces for Clarinet and Piano, Op. 5: II. Sehr Langsam
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer and editor:
Peter Laenger (engineer/producer)
clarinet:
Sabine Meyer (clarinetist) (in 1994-06)
piano:
Oleg Maisenberg (pianist) (in 1994-06)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1994-06)
recording of:
Vier Stücke für Klarinette und Klavier, op. 5: II. Sehr langsam (in 1994-06)
composer:
Alban Berg (Austrian composer)
part of:
Vier Stücke für Klarinette und Klavier, op. 5
Alban Berg1:54
7Four Pieces for Clarinet and Piano, Op. 5: III. Sehr Rasch
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer and editor:
Peter Laenger (engineer/producer)
clarinet:
Sabine Meyer (clarinetist) (in 1994-06)
piano:
Oleg Maisenberg (pianist) (in 1994-06)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1994-06)
recording of:
Vier Stücke für Klarinette und Klavier, op. 5: III. Sehr rasch (in 1994-06)
composer:
Alban Berg (Austrian composer)
part of:
Vier Stücke für Klarinette und Klavier, op. 5
Alban Berg1:01
8Four Pieces for Clarinet and Piano, Op.5: IV. Langsam
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer and editor:
Peter Laenger (engineer/producer)
clarinet:
Sabine Meyer (clarinetist) (in 1994-06)
piano:
Oleg Maisenberg (pianist) (in 1994-06)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1994-06)
recording of:
Vier Stücke für Klarinette und Klavier, op. 5: IV. Langsam (in 1994-06)
composer:
Alban Berg (Austrian composer)
part of:
Vier Stücke für Klarinette und Klavier, op. 5
Alban Berg3:27
9Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer and editor:
Peter Laenger (engineer/producer)
clarinet:
Sabine Meyer (clarinetist) (in 1994-06)
piano:
Oleg Maisenberg (pianist) (in 1994-06)
violin:
Gidon Kremer (violinist) (in 1994-06)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1994-06)
recording of:
Chamber Concerto: II. Adagio (in 1994-06)
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg12:30
10Wein, Weib und Gesang, Op. 333
arranger:
Alban Berg (Austrian composer)
recording of:
Wein, Weib und Gesang, op. 333 (arr. Alban Berg for piano, harmonium, and string quartet)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
arranger:
Alban Berg (Austrian composer)
arrangement of:
Wein, Weib und Gesang, op. 333 (Wine, Woman and Song)
Johann Strauss II13:11
3▼CD
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1Lyric Suite for String Quartet: I. Allegretto gioviale
miscellaneous support:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1968-12: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-12)
string quartet:
LaSalle Quartet (in 1968-12)
viola:
Peter Kamnitzer (violist) (in 1968-12)
violin:
Walter Levin (violinist) (in 1968-12) and Henry Meyer (violinist) (in 1968-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lyrische Suite: I. Allegretto giovale (in 1968-12)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
2:57
2Lyric Suite for String Quartet: II. Andante amoroso
miscellaneous support:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1968-12: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-12)
string quartet:
LaSalle Quartet (in 1968-12)
viola:
Peter Kamnitzer (violist) (in 1968-12)
violin:
Walter Levin (violinist) (in 1968-12) and Henry Meyer (violinist) (in 1968-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lyrische Suite: II. Andante amoroso (in 1968-12)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
5:39
3Lyric Suite for String Quartet: III. Allegro misterioso - Trio estatico
miscellaneous support:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1968-12: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-12)
string quartet:
LaSalle Quartet (in 1968-12)
viola:
Peter Kamnitzer (violist) (in 1968-12)
violin:
Walter Levin (violinist) (in 1968-12) and Henry Meyer (violinist) (in 1968-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lyrische Suite: III. Allegro misterioso (in 1968-12)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
3:23
4Lyric Suite for String Quartet: IV. Adagio Appassionato
miscellaneous support:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1968-12: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-12)
string quartet:
LaSalle Quartet (in 1968-12)
viola:
Peter Kamnitzer (violist) (in 1968-12)
violin:
Walter Levin (violinist) (in 1968-12) and Henry Meyer (violinist) (in 1968-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lyrische Suite: IV. Adagio appassionato (in 1968-12)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
5:02
5Lyric Suite for String Quartet: V. Presto Delirando - Tenebroso
miscellaneous support:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1968-12: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-12)
string quartet:
LaSalle Quartet (in 1968-12)
viola:
Peter Kamnitzer (violist) (in 1968-12)
violin:
Walter Levin (violinist) (in 1968-12) and Henry Meyer (violinist) (in 1968-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lyrische Suite: V. Presto delirando (in 1968-12)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
4:32
6Lyric Suite for String Quartet: VI. Largo desolato
miscellaneous support:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1968-12: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-12)
string quartet:
LaSalle Quartet (in 1968-12)
viola:
Peter Kamnitzer (violist) (in 1968-12)
violin:
Walter Levin (violinist) (in 1968-12) and Henry Meyer (violinist) (in 1968-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-12)
recording of:
Lyrische Suite: VI. Largo desolato (in 1968-12)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
5:33
7String Quartet, Op. 3: 1. Langsam
miscellaneous support:
Dr. Manfred Richter (producer and recording supervisor for Deutsche Grammophon) (in 1968-03: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-03)
string quartet:
LaSalle Quartet (in 1968-03)
viola:
Peter Kamnitzer (violist) (in 1968-03)
violin:
Walter Levin (violinist) (in 1968-03) and Henry Meyer (violinist) (in 1968-03)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-03)
recording of:
Streichquartett, op. 3: I. Langsam (in 1968-03)
composer:
Alban Berg (Austrian composer) (in 1910)
part of:
Streichquartett, op. 3 (String quartet, op. 3)
9:00
8String Quartet, Op. 3: 2. Mäßige Viertel
miscellaneous support:
Dr. Manfred Richter (producer and recording supervisor for Deutsche Grammophon) (in 1968-03: task: recording supervisor)
producer:
Karl Faust (producer)
cello:
Jack Kirstein (cellist) (in 1968-03)
string quartet:
LaSalle Quartet (in 1968-03)
viola:
Peter Kamnitzer (violist) (in 1968-03)
violin:
Walter Levin (violinist) (in 1968-03) and Henry Meyer (violinist) (in 1968-03)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1968-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1968-03)
recording of:
Streichquartett, op. 3: II. Mäßige viertel (String quartet, op. 3: II. Moderate crotchets) (in 1968-03)
composer:
Alban Berg (Austrian composer) (in 1910)
part of:
Streichquartett, op. 3 (String quartet, op. 3)
9:46
9Sieben frühe Lieder: 1. Nacht
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: I. Nacht (in 1991-12)
lyricist:
Carl Hauptmann
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
partial recording of:
Sieben frühe Lieder
composer:
Alban Berg (Austrian composer) (from 1905 until 1908)
4:35
10Sieben frühe Lieder: 2. Schilflied
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: II. Schilflied (in 1991-12)
lyricist:
Nikolaus Lenau
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
2:19
11Sieben frühe Lieder: 3. Die Nachtigall
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: III. Die Nachtigall (in 1991-12)
lyricist:
Theodor Storm
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
2:19
12Sieben frühe Lieder: 4. Traumgekrönt
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: IV. Traumgekrönt (in 1991-12)
lyricist:
Rainer Maria Rilke (poet)
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
2:34
13Sieben frühe Lieder: 5. Im Zimmer
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: V. Im Zimmer (in 1991-12)
lyricist:
Johanes Schlaf
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
1:02
14Sieben frühe Lieder: 6. Liebesode
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: VI. Liebesode (in 1991-12)
lyricist:
Otto Erich Hartleben
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
1:53
15Sieben frühe Lieder: 7. Sommertage
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: VII. Sommertage (in 1991-12)
lyricist:
Paul Hohenberg
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
1:48
16Schließe mir die Augen beide (1907)
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
recording of:
Schließe mir die Augen beide (1907)
composer:
Alban Berg (Austrian composer) (in 1907)
1:19
17An Leukon (1908)
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
recording of:
Leukon
lyricist:
Johann Wilhelm Ludwig Gleim
composer:
Alban Berg (Austrian composer)
1:32
18Schließe mir die Augen beide (1925)
piano:
Geoffrey Parsons (pianist)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
recording of:
Schließe mir die Augen beide (1925)
composer:
Michael Wollny and Alban Berg (Austrian composer) (in 1925)
1:47
19Lieder, Op. 2: 1. Schlafen, schlafen
piano:
Aribert Reimann (German pianist, composer and musicologist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
4 Lieder, op. 2: I. Schlafen, schlafen, nichts als schlafen
lyricist:
Friedrich Hebbel (German poet and dramatist)
composer:
Alban Berg (Austrian composer) (from 1908 until 1909)
part of:
4 Lieder, op. 2
3:26
20Lieder, Op. 2: 2. Schlafend trägt man mich
piano:
Aribert Reimann (German pianist, composer and musicologist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
4 Lieder, op. 2: II. Schlafend trägt man mich
lyricist:
Alfred Mombert
composer:
Alban Berg (Austrian composer) (from 1908 until 1909)
part of:
4 Lieder, op. 2
1:19
21Lieder, Op. 2: 3. Nun ich der Riesen stärksten überwand
piano:
Aribert Reimann (German pianist, composer and musicologist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
4 Lieder, op. 2: III. Nun ich der Riesen Stärksten überwand
lyricist:
Alfred Mombert
composer:
Alban Berg (Austrian composer) (from 1908 until 1909)
part of:
4 Lieder, op. 2
1:07
22Lieder, Op. 2: 4. Warm die Lüfte
piano:
Aribert Reimann (German pianist, composer and musicologist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
4 Lieder, op. 2: IV. Warm die Lüfte
lyricist:
Alfred Mombert
composer:
Alban Berg (Austrian composer) (from 1908 until 1909)
part of:
4 Lieder, op. 2
3:03
4▼CD
#TitleRatingLength
1Sieben frühe Lieder: 1. Nacht
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-04)
conductor:
Claudio Abbado (conductor) (in 1993-04)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-04)
recording of:
Sieben frühe Lieder: I. Nacht (in 1993-04)
lyricist:
Carl Hauptmann
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
4:10
2Sieben frühe Lieder: 2. Schilflied
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-04)
conductor:
Claudio Abbado (conductor) (in 1993-04)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-04)
recording of:
Sieben frühe Lieder: II. Schilflied (in 1993-04)
lyricist:
Nikolaus Lenau
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
2:23
3Sieben frühe Lieder: 3. Die Nachtigall
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-04)
conductor:
Claudio Abbado (conductor) (in 1993-04)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-04)
recording of:
Sieben frühe Lieder: III. Die Nachtigall (in 1993-04)
lyricist:
Theodor Storm
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
2:16
4Sieben frühe Lieder: 4. Traumgekrönt
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-04)
conductor:
Claudio Abbado (conductor) (in 1993-04)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-04)
recording of:
Sieben frühe Lieder: IV. Traumgekrönt (in 1993-04)
lyricist:
Rainer Maria Rilke (poet)
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
2:42
5Sieben frühe Lieder: 5. Im Zimmer
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-04)
conductor:
Claudio Abbado (conductor) (in 1993-04)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-04)
recording of:
Sieben frühe Lieder: V. Im Zimmer (in 1993-04)
lyricist:
Johanes Schlaf
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
1:10
6Sieben frühe Lieder: 6. Liebesode
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-04)
conductor:
Claudio Abbado (conductor) (in 1993-04)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-04)
recording of:
Sieben frühe Lieder: VI. Liebesode (in 1993-04)
lyricist:
Otto Erich Hartleben
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
2:00
7Sieben frühe Lieder: 7. Sommertage
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-04)
conductor:
Claudio Abbado (conductor) (in 1993-04)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-04)
recording of:
Sieben frühe Lieder: VII. Sommertage (in 1993-04)
lyricist:
Paul Hohenberg
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
1:47
85 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 1. Seele, wie bist du schöner
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1994-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: I. "Seele, wie bist du schöner" (in 1994-11)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
2:46
95 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 2. Sahst du nach dem Gewitterregen den Wald
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1994-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: II. "Sahst du nach dem Gewitterregen den Wald" (in 1994-11)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
premiered by:
Arnold Schönberg (Arnold Schoenberg, composer) (on 1913-03-31)
premiered at:
Skandalkonzert (1913-03-31)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
1:10
105 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 3. Über die Grenzen des All
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1994-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: III. "Über die Grenzen des All" (in 1994-11)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
premiered by:
Arnold Schönberg (Arnold Schoenberg, composer) (on 1913-03-31)
premiered at:
Skandalkonzert (1913-03-31)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
1:32
115 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 4. Nichts ist gekommen
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1994-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: IV. "Nichts ist gekommen" (in 1994-11)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
1:28
125 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 5. Hier ist Friede
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1994-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: V. "Hier ist Friede" (in 1994-11)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
4:15
13Der Wein
associate producer:
Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-10)
conductor:
Claudio Abbado (conductor) (in 1993-10)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-10)
recording of:
Der Wein (in 1993-10)
lyricist:
Charles Baudelaire
composer:
Alban Berg (Austrian composer) (in 1929)
dedicated to and was commissioned by:
Ružena Herlinger (soprano)
translator:
Stefan George (German symbolist poet, † 1933)
premiered at:
[concert] (1930-06-04)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1930)
13:05
14Lulu Suite: 1. Rondo
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
live recording of:
Lulu Suite: I. Rondo: Andante (Introduzione) - Hymne: Sostenuto (in 1994-11)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
14:28
15Lulu Suite: 2. Ostinato
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
live recording of:
Lulu Suite: II. Ostinato: Allegro (in 1994-11)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
3:19
16Lulu Suite: 3. Lulu's Song
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1994-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
live recording of:
Lulu Suite: III. Lied der Lulu: Comodo (in 1994-11)
composer:
Alban Berg (Austrian composer) (in 1934)
dedicated to:
Anton v. Webern zum 50. Geburtstag (composer)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
2:57
17Lulu Suite: 4. Variations
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
live recording of:
Lulu Suite: IV. Variationen: Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato (in 1994-11)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
3:19
18Lulu Suite: 5. Adagio
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1994-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-11)
conductor:
Claudio Abbado (conductor) (in 1994-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-11)
live recording of:
Lulu Suite: V. Adagio: Sostenuto - Lento - Grave (in 1994-11)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
8:14
5▼CD
#TitleRatingLength
1Lulu: Prolog. "Hereinspaziert in die Menagerie"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
bass vocals [Ein Tierbändiger]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Prolog. "Hereinspaziert in die Menagerie" (Tierbändiger) (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu (completed by Cerha)
4:30
2Lulu: Act 1. "Darf ich eintreten?" - "Mein Sohn!" ... "Wie ist dir?"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Darf ich eintreten?" - "Mein Sohn!" ... "Wie ist dir?" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
5:09
3Lulu: Act 1. "Machen Sie auf!" ... [Interlude] "Wollen Sie mir zuhaken"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Machen Sie auf!" ... [Interlude] "Wollen Sie mir zuhaken" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
9:06
4Lulu: Act 1. "Eva!" - "Befehlen?" - "Ich finde, du siehst heute reizend aus"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Eva!" - "Befehlen?" - "Ich finde, du siehst heute reizend aus" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
3:35
5Lulu: Act 1. "Den hab' ich mir auch ganz anders vorgestellt"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Den hab' ich mir auch ganz anders vorgestellt" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
4:27
6Lulu: Act 1. "Was tut denn Ihr Vater da?" Sonate "Wenn ich ihr Mann wäre"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Was tut denn Ihr Vater da?" Sonate "Wenn ich ihr Mann wäre" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
7:03
7Lulu: Act 1. Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Der Maler]:
Robert Tear (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
5:03
8Lulu: Act 1. "Ich darf mich jetzt hier nicht sehen lassen"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Ich darf mich jetzt hier nicht sehen lassen" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
3:54
9Lulu: Act 1. Verwandlungsmusik
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. Verwandlungsmusik (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
3:07
10Lulu: Act 1. "Seit ich für die Bühne arbeite" - "Noch etwas, bitte"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Seit ich für die Bühne arbeite" - "Noch etwas, bitte" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
3:53
11Lulu: Act 1. "Über die ließe sich freilich eine interessante Oper schreiben" ... " Das hättest du dir besser erspart"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
bass vocals [Der Theaterdirektor]:
Jules Bastin (Belgian 20th century operatic bass) (from 1979-03 until 1979-06)
contralto vocals [Eine Theater‐Garderobiere]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
tenor vocals [Der Prinz]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Über die ließe sich freilich eine interessante Oper schreiben" ... " Das hättest du dir besser erspart" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
4:29
12Lulu: Act 1. "Wie kannst du die Szene gegen mich ausspielen" ... "Sehr geehrtes Fräulein .."
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 1. "Wie kannst du die Szene gegen mich ausspielen" ... "Sehr geehrtes Fräulein .." (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt I
7:13
6▼CD
#TitleRatingLength
1Lulu: Act 2. "Sie glauben nicht" - "Könntest du dich für heute nachmittag"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sie glauben nicht" - "Könntest du dich für heute nachmittag" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
5:27
2Lulu: Act 2. "Gott sei dank, dass wir endlich" ... "Hast oben abgeschlossen?"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Der Kammerdiener]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Gott sei dank, dass wir endlich" ... "Hast oben abgeschlossen?" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
5:40
3Lulu: Act 2. "Die Matinée wird, wie ich mir denke"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
tenor vocals [Der Kammerdiener]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Die Matinée wird, wie ich mir denke" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
6:15
4Lulu: Act 2. "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
3:46
5Lulu: Act 2. "Wenn sich die Menschen" ... "Du kannst mich nicht dem Gericht"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Wenn sich die Menschen" ... "Du kannst mich nicht dem Gericht" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
6:13
6Lulu: Act 2. Filmmusik
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. Filmmusik (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
2:49
7Lulu: Act 2. "Er lässt auf sich warten"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Er lässt auf sich warten" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
5:42
8Lulu: Act 2. "Sie wollten der verrückten Rakete" - "Mit wem habe ich ... Sie?"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sie wollten der verrückten Rakete" - "Mit wem habe ich ... Sie?" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
5:34
9Lulu: Act 2. "Hü, kleine Lulu" - "O Freiheit! Herr Gott im Himmel!"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Hü, kleine Lulu" - "O Freiheit! Herr Gott im Himmel!" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
7:26
10Lulu: Act 2. "Wenn deine beiden grossen Kinderaugen" - "Durch dieses Kleid"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Wenn deine beiden grossen Kinderaugen" - "Durch dieses Kleid" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
4:57
7▼CD
#TitleRatingLength
1Lulu: Act 3. "Meine Herrn und Damen!" ... "Der Staatsanwalt bezahlt demjenigen"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Ein Diener]:
Pierre‐Yves le Maigat (from 1979-03 until 1979-06)
baritone vocals [Ein Journalist]:
Claude Méloni (French baritone) (from 1979-03 until 1979-06)
bass vocals [Der Bankier]:
Jules Bastin (Belgian 20th century operatic bass) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Groom]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
contralto vocals [Ihre Mutter]:
Ursula Boese (contralto) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Eine Kunstgewerblerin]:
Anna Ringart (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Eine Fünfzehnjährige]:
Jane Manning (soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
tenor vocals [Der Marquis]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Meine Herrn und Damen!" ... "Der Staatsanwalt bezahlt demjenigen" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
9:20
2Lulu: Act 3. "Brilliant! Es geht brilliant"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Ein Diener]:
Pierre‐Yves le Maigat (from 1979-03 until 1979-06)
baritone vocals [Ein Journalist]:
Claude Méloni (French baritone) (from 1979-03 until 1979-06)
bass vocals [Der Bankier]:
Jules Bastin (Belgian 20th century operatic bass) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Groom]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
contralto vocals [Ihre Mutter]:
Ursula Boese (contralto) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Eine Kunstgewerblerin]:
Anna Ringart (mezzo-soprano) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Eine Fünfzehnjährige]:
Jane Manning (soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
tenor vocals [Der Marquis]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Brilliant! Es geht brilliant" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
2:06
3Lulu: Act 3. "Einen Moment! Hast du meinen Brief gelesen?"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
bass vocals [Der Bankier]:
Jules Bastin (Belgian 20th century operatic bass) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Groom]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Einen Moment! Hast du meinen Brief gelesen?" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
3:12
4Lulu: Act 3. "Ich brauche nämlich notwendig Geld"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Ich brauche nämlich notwendig Geld" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
3:33
5Lulu: Act 3. "Behandeln sie mich doch wenigstens anständig"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Der Marquis]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Behandeln sie mich doch wenigstens anständig" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
2:41
6Lulu: Act 3. "Martha! Mein liebes Herz, du kannst mich heute vor dem Tode retten"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Martha! Mein liebes Herz, du kannst mich heute vor dem Tode retten" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
2:31
7Lulu: Act 3. "Wollen sie wohl diese Aktie akzeptieren"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Ein Diener]:
Pierre‐Yves le Maigat (from 1979-03 until 1979-06)
baritone vocals [Ein Journalist]:
Claude Méloni (French baritone) (from 1979-03 until 1979-06)
bass vocals [Der Bankier]:
Jules Bastin (Belgian 20th century operatic bass) (from 1979-03 until 1979-06)
contralto vocals [Ihre Mutter]:
Ursula Boese (contralto) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Eine Kunstgewerblerin]:
Anna Ringart (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Eine Fünfzehnjährige]:
Jane Manning (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Wollen sie wohl diese Aktie akzeptieren" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
2:45
8Lulu: Act 3. Verwandlungsmusik
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. Verwandlungsmusik (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
2:52
9Lulu: Act 3. "Der Regen trommelt zur Parade"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Der Regen trommelt zur Parade" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
4:39
10Lulu: Act 3. "Wenn ich dir ungelegen komme" - "Ihr Körper stand auf dem Höhepunkt"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Wenn ich dir ungelegen komme" - "Ihr Körper stand auf dem Höhepunkt" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
6:08
11Lulu: Act 3. "Komm nur herein, mein Schatz"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Ein Neger]:
Robert Tear (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Komm nur herein, mein Schatz" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
4:16
12Lulu: Act 3. "Der Herr Doktor haben sich schon zur Ruhe begeben"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Der Herr Doktor haben sich schon zur Ruhe begeben" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
2:42
13Lulu: Act 3. "Wer ist das?"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Jack the Ripper]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Wer ist das?" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
5:17
14Lulu: Act 3. "Das ist der letzte Abend" - "Lulu! Mein Engel!"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Jack the Ripper]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 3. "Das ist der letzte Abend" - "Lulu! Mein Engel!" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt III
4:02
15Wozzeck: Act 1, Scene 1. The Captain's room. "Langsam, Wozzeck, langsam!"
executive producer:
Günther Breest (producer for classical music)
producer:
Werner Mayer (classical producer)
baritone vocals [Wozzeck]:
Franz Grundheber (baritone) (in 1987-06)
tenor vocals [Hauptmann]:
Heinz Zednik (tenor) (in 1987-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1987-06)
conductor:
Claudio Abbado (conductor) (in 1987-06)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1987-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien (Vienna), Austria (in 1987-06)
recording of:
Wozzeck: Act 1, Scene 1, Langsam, Wozzeck, langsam! (in 1987-06)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
8:12
16Wozzeck: Act 1, Scene 2. An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!"
executive producer:
Günther Breest (producer for classical music)
producer:
Werner Mayer (classical producer)
baritone vocals [Wozzeck]:
Franz Grundheber (baritone) (in 1987-06)
tenor vocals [Andres]:
Philip Langridge (tenor) (in 1987-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1987-06)
conductor:
Claudio Abbado (conductor) (in 1987-06)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1987-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien (Vienna), Austria (in 1987-06)
recording of:
Wozzeck: Act 1, Scene 2; 'Du, der Platz ist verflucht!' (in 1987-06)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
6:39
17Wozzeck: Act 1, Scene 3. Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!"
executive producer:
Günther Breest (producer for classical music)
producer:
Werner Mayer (classical producer)
alto vocals [Margret]:
Anna Gonda (in 1987-06)
baritone vocals [Wozzeck]:
Franz Grundheber (baritone) (in 1987-06)
soprano vocals [Marie]:
Hildegard Behrens (soprano) (in 1987-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1987-06)
conductor:
Claudio Abbado (conductor) (in 1987-06)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1987-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien (Vienna), Austria (in 1987-06)
recording of:
Wozzeck: Act 1, Scene 3, Tschin Bum, Tschin Bum, Bum, Bum, Bum! (in 1987-06)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
8:23
8▶CD

Credits

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ASIN:US: B0000B09Z4 [info]