Totally 90s: The Essential Nineties Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:31
2The Only Living Boy in New Cross
electric bass guitar and keyboard:
Fruitbat
electric guitar:
Jim Bob (Carter USM singer James Morrison)
vocals:
Fruitbat and Jim Bob (Carter USM singer James Morrison)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recording of:
The Only Living Boy in New Cross
writer:
Jim Bob (Carter USM singer James Morrison) and Lesley Carter
publisher:
Island Music Ltd.
Carter the Unstoppable Sex Machine3:56
3Real Real Real
engineer:
Clive Goddard (engineer)
additional producer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
producer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
mixer:
John Fryer (British producer and engineer)
remixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recording of:
Real Real Real
lyricist and composer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
publisher:
EMI Blackwood Music Inc.
Jesus Jones3.653:07
4Sleeping Satellite
engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
producer:
Julian Mendelsohn (Australian record producer and engineer) and Paul Wickens
mixer:
Julian Mendelsohn (Australian record producer and engineer)
music videos:
Sleeping Satellite by Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:37
5Mr Wendall
recording of:
Mr. Wendal
lyricist:
Speech (US rapper & musician)
composer:
Arrested Development
Arrested Development3.353:28
6Trouble
recording of:
Trouble
writer:
Caroline Askew, Jacqueline Blake and Conall Fitzpatrick
Shampoo2.53:14
7Well Did You Evah
recording engineer:
Chris Stein
additional assistant engineer and assistant engineer:
Chris Bandy
additional engineer:
Mark Wallis
engineer:
Mark Wallis
producer:
Steve Lillywhite and Chris Stein
bass and bass guitar:
Guy Pratt
drums (drum set) and drums (drum set) [drums]:
Mel Gaynor
guitar and synthesizer:
Chris Stein
lead vocals:
Deborah Harry and Iggy Pop
vocals:
Deborah Harry and Iggy Pop
phonographic copyright (℗) by:
King Cole Inc. (in 1990)
additionally recorded at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Red Night Studios in New York, New York, United States
cover recording of:
Well, Did You Evah! (High Society)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Chappell & Co. (in 1956)
part of:
DuBarry Was a Lady (1939 stage musical)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
recording of:
Well, Did You Evah! (High Society)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Chappell & Co. (in 1956)
part of:
DuBarry Was a Lady (1939 stage musical)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Deborah Harry & Iggy Pop43:28
8Rubberband Girl
recording engineer and mixer:
Del Palmer
engineer:
Haydn Bendall (producer and engineer)
producer:
Kate Bush
baritone saxophone and tenor saxophone:
Nigel Hitchcock
bass guitar:
John Giblin
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Danny McIntosh (guitar, Kate Bush)
keyboard:
Kate Bush
trombone:
Neil Sidwell
trumpet:
Steve Sidwell (English composer & wind instrumentalist) and Paul Spong (trumpetist)
vocals:
Kate Bush
phonographic copyright (℗) by:
Novercia Ltd. (in 1993) and Noble & Brite Ltd (in 2011)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Rubberband Girl
lyricist and composer:
Kate Bush
Kate Bush3.654:42
9I'll Be Your Baby Tonight
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
performer:
UB40
cover recording of:
I’ll Be Your Baby Tonight
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Dwarf Music (in 1968)
UB40 & Robert Palmer4.653:25
10It Should Have Been Me
programming and producer:
Smack Productions (US house producers)
additional producer:
Frankie Knuckles
mixer:
Frankie Knuckles
recording of:
It Should've Been Me
writer:
William Stevenson (Motown songwriter) and Norman Whitfield
Adeva6:06
11Live Your Life Be Free
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Live Your Life Be Free
lyricist and composer:
Rick Nowels and Ellen Shipley
publisher:
Future Furniture Music, Shipwreck Music (publisher) and Virgin Music Ltd.
Belinda Carlisle4:22
12Outstanding
Kenny Thomas3:50
13I Like to Move It
producer:
Erick Morillo and Ralphie Muniz
guest lead vocals:
The Mad Stuntman
vocals and performer:
The Mad Stuntman
remixer:
Erick Morillo
phonographic copyright (℗) by:
Strictly Rhythm Records (in 1993)
miscellaneous support:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (task: under exclusive license to)
recording of:
I Like to Move It
writer:
Erick Morillo and Mark Quashie
publisher:
global (imprint of Global Media & Entertainment Group) and Warner/Chappell Music Australia Pty. Ltd.
Reel 2 Real3.13:50
14Independence
remixer:
Brothers in Rhythm
recording of:
Independence
writer:
Winston Sela and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Lulu1.654:14
15Careful
Horse2:46
16Ice Ice Baby
phonographic copyright (℗) by:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.53:47