Ben Webster Meets Don Byas

~ Release by Ben Webster meets Don Byas (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Blues for Dottie Mae
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (from 1968-02-01 until 1968-02-02)
engineer:
Rolf Donner (in 1968-02)
producer:
Joachim-Ernst Berendt (in 1968-02)
double bass:
Peter Trunk (in 1968-02)
drums (drum set):
Albert “Tootie” Heath (in 1968-02)
piano:
Tete Montoliu (in 1968-02)
tenor saxophone:
Don Byas (in 1968-02) and Ben Webster (in 1968-02)
7:10
2Lullaby to Dottie Mae
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (from 1968-02-01 until 1968-02-02)
engineer:
Rolf Donner (in 1968-02)
producer:
Joachim-Ernst Berendt (in 1968-02)
double bass:
Peter Trunk (in 1968-02)
drums (drum set):
Albert “Tootie” Heath (in 1968-02)
piano:
Tete Montoliu (in 1968-02)
tenor saxophone:
Don Byas (in 1968-02) and Ben Webster (in 1968-02)
5:52
3Sunday
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (from 1968-02-01 until 1968-02-02)
engineer:
Rolf Donner (in 1968-02)
producer:
Joachim-Ernst Berendt (in 1968-02)
double bass:
Peter Trunk (in 1968-02)
drums (drum set):
Albert “Tootie” Heath (in 1968-02)
piano:
Tete Montoliu (in 1968-02)
tenor saxophone:
Don Byas (in 1968-02) and Ben Webster (in 1968-02)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others) (in 1968-02)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
6:14
4Perdido
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (from 1968-02-01 until 1968-02-02)
engineer:
Rolf Donner (in 1968-02)
producer:
Joachim-Ernst Berendt (in 1968-02)
double bass:
Peter Trunk (in 1968-02)
drums (drum set):
Albert “Tootie” Heath (in 1968-02)
piano:
Tete Montoliu (in 1968-02)
tenor saxophone:
Don Byas (in 1968-02) and Ben Webster (in 1968-02)
recording of:
Perdido (original instrumental version) (in 1968-02)
composer:
Juan Tizol
5:53
5When Ash Meets Harry
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (from 1968-02-01 until 1968-02-02)
engineer:
Rolf Donner (in 1968-02)
producer:
Joachim-Ernst Berendt (in 1968-02)
double bass:
Peter Trunk (in 1968-02)
drums (drum set):
Albert “Tootie” Heath (in 1968-02)
piano:
Tete Montoliu (in 1968-02)
tenor saxophone:
Don Byas (in 1968-02) and Ben Webster (in 1968-02)
3:06
6Caravan
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (from 1968-02-01 until 1968-02-02)
engineer:
Rolf Donner (in 1968-02)
producer:
Joachim-Ernst Berendt (in 1968-02)
double bass:
Peter Trunk (in 1968-02)
drums (drum set):
Albert “Tootie” Heath (in 1968-02)
piano:
Tete Montoliu (in 1968-02)
tenor saxophone:
Don Byas (in 1968-02) and Ben Webster (in 1968-02)
instrumental recording of:
Caravan (in 1968-02)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
9:07