Tracklist

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1CD: America, the Dream Goes On / Pops Play a Movie Spectacular
#TitleArtistRatingLength
1Liberty Fanfare
recording engineer:
Erdo Groot (sound engineer for recordings of classical music)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
Liberty Fanfare (in 1987-05)
composer:
John Williams (American score composer) (in 1986)
premiered at:
[concert] (1986-06-04)
was commissioned by:
Statute of Liberty – Ellis Island Foundation
John Williams4:16
2America the Beautiful
producer:
John McClure (recording engineer and record producer)
choir vocals:
Tanglewood Festival Chorus (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
chorus master:
John Oliver (chorus master) (in 1984-06)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
America the Beautiful (in 1984-06)
lyricist:
Katharine Lee Bates
composer:
Samuel Augustus Ward
Samuel Augustus Ward, Katharine Lee Bates3:09
3This Land Is Your Land
producer:
John McClure (recording engineer and record producer)
choir vocals:
Tanglewood Festival Chorus (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
chorus master:
John Oliver (chorus master) (in 1984-06)
performer:
Stu Phillips (US TV/film composer, conductor & producer) (in 1984-06)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
cover recording of:
This Land Is Your Land (in 1984-06)
lyricist and composer:
Woody Guthrie (American singer-songwriter) (in 1940)
part of:
Roud Folk Song Index (number: 16378)
is based on:
When the World's on Fire
Woody Guthrie3:30
4Richard Rodgers' Waltzes: Lover / Falling in Love With Love / Oh, What a Beautiful Mornin' / It's a Grand Night for Singing
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Leroy Anderson
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a instrumental recording of:
Falling in Love With Love (in 1981)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, volume I)
medley including a instrumental recording of:
It’s a Grand Night for Singing (State Fair) (in 1981)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a instrumental recording of:
Lover (in 1981)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
medley including a instrumental recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (in 1981)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Richard Rodgers6:03
5March From "Superman"
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Theme (Superman: The Movie) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams4:27
6Fanfare for the Common Man
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (in 1984-06)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:01
7America, the Dream Goes On
producer:
John McClure (recording engineer and record producer)
choir vocals:
Tanglewood Festival Chorus (in 1984-06)
vocals:
James Ingram (R&B singer) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
chorus master:
John Oliver (chorus master) (in 1984-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
America, the Dream Goes On (in 1984-06)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Williams (American score composer) (in 1982)
John Williams, Alan Bergman & Marilyn Bergman4:32
8Hoedown From "Rodeo"
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Rodeo: IV. Hoedown (in 1984-06)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:29
9Seventy-Six Trombones
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
Seventy-Six Trombones (The Music Man) (in 1980-06)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
Meredith Willson3:02
10Theme From "A Summer Place"
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Theme from “A Summer Place” (original instrumental version) (in 1987-06)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Max Steiner2:40
11Singin' in the Rain
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental recording of:
Singin’ in the Rain (in 1982)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
recording of:
Main Title (Singin’ in the Rain)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Nacio Herb Brown3:38
12Over the Rainbow
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (in 1982)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Harold Arlen3:10
13The Trolley Song
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
additional arranger:
Alexander Courage
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1982)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin, Ralph Blane3:28
14Somewhere Out There
orchestra:
Boston Pops Orchestra (on 1988-05-18, on 1988-06-04)
conductor:
John Williams (American score composer) (on 1988-05-18, on 1988-06-04)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
recording of:
Somewhere Out There (An American Tail) (from 1988-05-18 until 1988-06-04)
lyricist:
Cynthia Weil
composer:
James Horner (American score composer) and Barry Mann
publisher:
MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), USI A Music Publishing, USI B Music Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
part of:
An American Tail (1986 animated film)
James Horner3:42
15March from "Raiders of the Lost Ark"
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams5:29
16A Salute to Fred Astaire: Top Hat, White Tie and Tails / The Carioca / Dancing in the Dark / I Won't Dance / The Continental
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
medley including a recording of:
Carioca (from "Flying Down to Rio") (in 1983)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
medley including a recording of:
Dancing in the Dark (in 1983)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
medley including a recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1983)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
medley including a recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1983)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 1934 winner)
medley including a recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (in 1983)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Vincent Youmans, Arthur Schwartz, Jerome Kern, Con Conrad & Irving Berlin8:31
17Theme from 2001: "A Space Odyssey" (Also Sprach Zarathustra)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-06)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:48
18Theme from "New York, New York"
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1982)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
John Kander3:20
2CD: Quiet Night... With the Pops / Starlight Swing... With the Pops / The Pops on Broadway
#TitleArtistRatingLength
1Fantasia on "Greensleeves"
engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1986-06)
producer:
George Korngold (producer) and John McClure (recording engineer and record producer)
editor:
Amelia Rogers
flute:
Leone Buyse (American classical flautist) (in 1986-06)
orchestra:
Boston Pops Orchestra (in 1986-06)
conductor:
John Williams (American score composer) (in 1986-06)
arranger:
Ralph Greaves
balance engineer:
Onno Scholtze (sound engineer) (in 1986-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Fantasia on “Greensleeves” (in 1986-06)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:39
2Theme from "Out of Africa"
producer:
Job Maarse
orchestra:
Boston Pops Orchestra (in 1988-05, on 1988-06-04)
conductor:
John Williams (American score composer) (in 1988-05, on 1988-06-04)
arranger:
Joseph Reisman
balance engineer:
John McClure (recording engineer and record producer) (in 1988-05)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
instrumental recording of:
The Music of Goodbye (Love Theme from “Out of Africa” introduced in 1987) (from 1988-05-18 until 1988-06-04)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Barry (English score composer)
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry2:58
3Clair de Lune
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
arranger:
Henri-Pierre-Edouard Mouton (composer) and Walter Piston (American composer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton) (in 1985-06)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:36
4Adagio for Strings and Organ
producer:
John McClure (recording engineer and record producer)
violin:
Max Hobart (in 1985-06)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Adagio for Strings and Organ in G minor (in 1985-06)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:27
5Sleepy Lagoon
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo flute:
Leone Buyse (American classical flautist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme) (in 1984-05)
lyricist:
Jack Lawrence (US songwriter) (in 1940)
composer:
Eric Coates (composer) (in 1930)
Eric Coates2:46
6A String of Pearls
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo trumpet:
Charles Daval (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
A String of Pearls (in 1984-05)
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
Eddie DeLange, Jerry Gray3:11
7Begin the Beguine
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo clarinet:
Thomas Ferrante (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Jerry Gray (US big band arranger and conductor) and Billy May
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Begin the Beguine (in 1984-05)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Cole Porter3:18
8Song of India
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo trombone:
Norman Bolter (trombonist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Don Sebesky
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
Song of India (catch-all for arrangements) (in 1984-05)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer)
arrangement of:
Song of India
Николай Андреевич Римский‐Корсаков3:29
9Sing, Sing, Sing
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
bass drum:
Thomas Gauder (in 1984-05)
cymbal:
Frank Epstein (in 1984-05)
drums (drum set):
Fred Buda (in 1984-05)
membranophone:
Charles Smith (percussionist) (in 1984-05)
timpani:
Arthur Press (percussionist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Sing, Sing, Sing (With a Swing) (in 1984-05)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Louis Prima3:58
10Sophisticated Ladies (A Tribute to Duke Ellington): Sophisticated Lady / Take the "A" Train / Mood Indigo / It Don't Mean a Thing (If It Ain't Got That Swing)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Ralph Burns
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
medley including a recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1983)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Mood Indigo (1930 jazz composition and song) (in 1983)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Sophisticated Lady (in 1983)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1983)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Ralph Burns, Duke Ellington, Irving Mills, Billy Strayhorn8:24
11Memory
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Eric Knight (Alternative Rock)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
Memory (Cats) (in 1983)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber4:36
12There's No Business Like Show Business
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Morton Stevens
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (in 1983)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Annie Get Your Gun
Irving Berlin3:27
13Slaughter on Tenth Avenue
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Robert Russell Bennett (American composer and arranger)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
recording of:
Slaughter on Tenth Avenue (in 1983)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
arranger:
Sammy Nestico
part of:
On Your Toes
Richard Rodgers8:48
14Overture to "A Chorus Line"
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Marvin Hamlisch
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
recording of:
A Chorus Line: Overture (in 1983)
composer:
Marvin Hamlisch
Marvin Hamlisch9:13
3CD: The Pops Salute All-Time Popular Favorites / The Pops Around the World
#TitleArtistRatingLength
1Ebb Tide
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Angela Morley
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
cover recording of:
Ebb Tide (in 1987-06)
lyricist:
Carl Sigman
composer:
Robert Maxwell (US harpist, songwriter and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
arrangement of:
Ebb Tide (original instrumental version)
Robert Maxwell4:05
2More
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Ti guarderò nel cuore (in 1987-06)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani
Nino Oliviero & Riz Ortolani3:34
3Here You Come Again
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Don Sebesky
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
Here You Come Again (in 1983)
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs and Summerhill Songs
Barry Mann2:59
4Unchained Melody
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Unchained Melody (in 1987-06)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Alex North3:42
5The Girl From Ipanema
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Patrick Hollenbeck
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Girl From Ipanema (in 1987-06)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
Antônio Carlos Jobim3:21
6Theme from "Summer of '42"
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Eric Knight (Alternative Rock)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Summer Knows (Summer of ’42; instrumental version) (in 1987-06)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC and Warner/Chappell North America
Michel Legrand3:53
7Friendly Persuasion (Thee I Love)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Main Theme (Friendly Persuasion) (in 1982)
composer:
Dimitri Tiomkin
Dimitri Tiomkin3:54
8Where Is Your Heart? (the song from "Moulin Rouge")
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Song From Moulin Rouge (aka “Where Is Your Heart”) (in 1987-06)
lyricist:
William Engvick
composer:
Georges Auric (composer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
part of:
Moulin Rouge (1952 film)
Georges Auric3:07
9Love Is a Many-Splendored Thing
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Angela Morley
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Love Is a Many‐Splendored Thing (in 1987-06)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
Sammy Fain3:30
10Never on Sunday
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Never on Sunday (in 1987-06)
lyricist:
Manos Hadjidakis (Manos Hatzidakis, Greek composer) and Billy Towne (movie/musical composer)
composer:
Manos Hadjidakis (Manos Hatzidakis, Greek composer)
translator:
Billy Towne (movie/musical composer)
publisher:
EMI Catalogue Partnership, EMI Unart Catalog Inc. and EMI United Partnership Ltd.
part of:
The 33rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1960 winner)
arrangement of:
Τα παιδιά του Πειραιά
translated version of:
Τα παιδιά του Πειραιά
Μάνος Χατζιδάκις2:50
11La Bamba
orchestra:
Boston Pops Orchestra (on 1988-05-18, on 1988-06-04)
conductor:
John Williams (American score composer) (on 1988-05-18, on 1988-06-04)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
recording of:
La bamba (from 1988-05-18 until 1988-06-04)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]4:44
12Irish Tune From Country Derry (Danny Boy)
recording engineer:
Erdo Groot (sound engineer for recordings of classical music)
engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1987-05)
producer:
George Korngold (producer) and John McClure (recording engineer and record producer)
editor:
Amelia Rogers
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
arranger:
Percy Grainger (Australian composer 1882–1961)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
Danny Boy (in 1987-05)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
recording of:
Irish Tune from County Derry (in 1987-05)
composer:
Percy Grainger (Australian composer 1882–1961)
version of:
Londonderry Air
Percy Grainger3:47
13American Medley: New York, New York / Lonely Town / America
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
compilation of:
America Medley: On the Town: New York by Boston Pops Orchestra, John Williams (American score composer), America Medley: On the Town: Lonely Town by Boston Pops Orchestra, John Williams (American score composer) and America Medley: West Side Story: America by Boston Pops Orchestra, John Williams (American score composer)
recording of:
America (West Side Story, German version) (in 1984-06)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
translator:
Max Colpet
publisher:
Chappell & Co., Inc. (USA), Chappell Musikverlag GmbH, The Leonard Bernstein Music Publishing Co., LLC and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
translated version of:
West Side Story: America (Anita, Shark Girls)
recording of:
On the Town: Lonely Town (in 1984-06)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
recording of:
On the Town: New York, New York (in 1984-06)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein7:41
14Tuxedo Junction
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo flute:
Leone Buyse (American classical flautist) (in 1984-05)
solo piano:
Robert Winter (pianist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Tuxedo Junction (in 1984-05)
lyricist:
Buddy Feyne
writer:
Dash, Feyne, Hawkins and Johnson (US jazz alto saxophonist, clarinetist & arranger)
composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne and Erskine Hawkins
Julian Dash, Buddy Feyne, Erskine Hawkins & Bill Johnson2:54
15"Fiddler on the Roof" Medley: If I Were a Rich Man / To Life / Miracle of Miracles / Sunrise, Sunset / Matchmaker, Matchmaker / Tradition
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
solo violin:
Emanuel Borok (violinist) (in 1981)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
John Williams (American score composer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a recording of:
If I Were a Rich Man (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Matchmaker, Matchmaker (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Miracle of Miracles (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Sunrise, Sunset (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
To Life (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
Tradition (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
If I Were a Rich Man (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Matchmaker, Matchmaker (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Miracle of Miracles (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Sunrise, Sunset (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
To Life (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
Tradition (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
Jerry Bock7:24
16Ciribiribin
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Glenn Osser
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
instrumental recording of:
Ciribiribin (They’re So in Love) (Harry James theme song) (in 1987-06)
lyricist:
Harry James (US big band leader, trumpeter & actor) and Jack Lawrence (US songwriter)
composer:
Alberto Pestalozza
is based on:
Ciribiribin (original Italian version)
part of:
Hit the Deck (1955 movie)
Alberto Pestalozza2:50
4CD: Pops... Go the Classics / A Pops Tribute to Gershwin / Marching With the Pops
#TitleArtistRatingLength
1Rhapsody in Blue
recording engineer:
Tom Clark (engineer)
producer:
John McClure (recording engineer and record producer)
piano:
Misha Dichter (pianist) (in 1989-06)
orchestra:
Boston Pops Orchestra (in 1989-06)
conductor:
John Williams (American score composer) (in 1989-06)
balance engineer:
Henk Kooistra (dutch audio engineer) and John Newton (editor, engineer mixer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-06)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (in 1989-06)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:09
2Pavane
producer:
John McClure (recording engineer and record producer)
flute:
Leone Buyse (American classical flautist) (in 1985-06)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1985-06)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:30
3Orb and Sceptre (Coronation March)
engineer:
Stanley Goodall (engineer), Jack Law (engineer) (in 1980-06) and Michael Mailes (engineer) (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Orb and Sceptre (in 1980-06)
composer:
William Walton (British composer and conductor)
publisher:
Oxford University Press
Sir William Walton6:53
4The Swan
producer:
John McClure (recording engineer and record producer)
cello:
Martha Babcock (cellist) (in 1985-06)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
arranger:
Paul Vidal (French composer and teacher)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1985-06)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
Camille Saint‐Saëns3:09
5An American in Paris
recording engineer:
Tom Clark (engineer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1989-06)
conductor:
John Williams (American score composer) (in 1989-06)
balance engineer:
Henk Kooistra (dutch audio engineer) and John Newton (editor, engineer mixer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-06)
recording of:
An American in Paris (revised by F. Campbell-Watson) (in 1989-06)
composer:
George Gershwin (composer) (in 1928)
arranger:
Frank Campbell-Watson
publisher:
New World Music Corp.
revision of:
An American in Paris
recording of:
An American in Paris
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
included in:
An American in Paris (2015 Broadway musical)
George Gershwin18:45
6St. Louis Blues March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
St. Louis Blues (in 1980-06)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
William Christopher Handy3:04
7Under the Double Eagle
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Unter dem Doppeladler, op. 159 (Under the Double Eagle) (in 1980-06)
composer:
J. F. Wagner (in 1893)
Josef Franz Wagner3:19
8American Salute (When Johnny Comes Marching Home)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Sid Ramin
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
American Salute (in 1984-06)
composer:
Morton Gould (American composer and conductor) (in 1943)
is based on:
When Johnny Comes Marching Home (trad.)
Morton Gould4:32
9Strike Up the Band
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Strike Up the Band! (unknown orchestration of the song) (in 1980-06)
composer:
George Gershwin (composer)
orchestration of:
Strike Up the Band (1927 Gershwin song)
George Gershwin2:46