Top Rock Bops

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Deezer + Spotify)

(As of 2020-08-08).

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  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-08-09 04:09 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1My Friends Over You
recording engineer and producer:
Neal Avron (American engineer)
mixer:
Jay Baumgardner
bass guitar [bass]:
Ian Grushka
drums (drum set) [drums]:
Cyrus Bolooki
guitar:
Chad Gilbert and Steve Klein (former rhythm guitarist for New Found Glory)
vocals:
Jordan Pundik
recording of:
My Friends Over You
writer:
Cyrus Bolooki, Chad Gilbert, Ian Grushka, Steve Klein (former rhythm guitarist for New Found Glory) and Jordan Pundik
New Found Glory4.53:40
2Ocean Avenue
recording engineer and producer:
Neal Avron (American engineer)
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
bass:
Peter Mosely (from 2003-02 until 2003-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 2003-02 until 2003-03)
mixed at:
South Beach Studios in Miami Beach, Florida, United States
recording of:
Ocean Avenue (from 2003-02 until 2003-03)
writer:
Ben Harper (guitarist for pop/punk band Yellowcard), William Ryan Key, Longineu Parsons, Sean Mackin (Violinist for Yellowcard) and Peter Mosely
publisher:
Bromuda Music (in 2003)
Yellowcard4.13:19
3One Headlight
engineer:
Neal Avron (American engineer), Jon Schiff, Tom Lord‐Alge and Toby Wright (producer & engineer)
producer:
T‐Bone Burnett (musician, songwriter and producer)
mixer:
Tom Lord‐Alge
bass:
Greg Richling
drums (drum set) and shakers:
Matt Chamberlain (American drummer)
guitar:
Jakob Dylan and Michael Ward (US guitarist for The Wallflowers/School of Fish)
guitar [lead]:
Jon Brion
Hammond organ [B3], organ [vox continental] and upright piano:
Rami Jaffee
resonator guitar [dobro]:
Leo LeBlanc
background vocals:
Gary Louris and Sam Phillips (Singer-songwriter formerly known as Leslie Phillips)
lead vocals:
Jakob Dylan
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1996)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
One Headlight
lyricist and composer:
Jakob Dylan
publisher:
Brother Jumbo and WC Music Corp.
The Wallflowers4.355:12
4Smooth Criminal
assistant engineer:
Justin Harvey
engineer and editor:
James Murray (US engineer)
producer and mixer:
Jay Baumgardner
assistant mixer:
Dan Certa
additional editor:
John Ewing (engineer) and Brian Virtue
drums (drum set):
Mike Cosgrove
electric bass guitar [bassadilla], guitar and background vocals:
Tye Zamora
electric guitar:
Terence Corso
lead vocals:
Dryden Mitchell
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
recorded at and mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California, United States
music videos:
Smooth Criminal by Alien Ant Farm
part of:
New York Post: 100 Greatest Covers (2007) (number: 6) and The Downloader’s Music Source Book (number: 355)
cover recording of:
Smooth Criminal
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
part of:
MJ: The Musical
Alien Ant Farm4.153:29
5Maps (US/Canada album version)
engineer:
Paul Mahajan
producer:
David Andrew Sitek and YYY
assistant mixer:
Ric Levy
mixer:
Alan Moulder (producer and engineer) and Nick Zinner (US guitarist, composer, and producer)
recorded at:
Headgear in Williamsburg, New York, New York, United States
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 101) and Indie 88: Top 500 Indie Rock Songs (number: 110)
recording of:
Maps
writer:
Brian Chase (drummer and songwriter), Karen O and Nick Zinner (US guitarist, composer, and producer)
publisher:
Chrysalis Songs
Yeah Yeah Yeahs4.63:40
6Island in the Sun
assistant recording engineer:
Alan Sanderson
assistant mixer:
Femio Hernandez
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States (in 2000-12)
mixed at:
South Beach Studios in Miami Beach, Florida, United States (in 2001-01)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 196)
recording of:
Island in the Sun (Weezer)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
publisher:
E.O. Smith Music
Weezer4.33:20
7Last Resort
engineer:
David Dominguez
producer and mixer:
Jay Baumgardner
assistant mixer:
D Rock
editor:
James Murray (US engineer)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at and mixed at:
NRG Recording Studios in North Hollywood, Los Angeles, California, United States
music videos:
Last Resort by Papa Roach
recording of:
Last Resort
lyricist and composer:
David Buckner, Tobin Esperance, Jerry Horton and Jacoby Shaddix
publisher:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music and Viva La Cucaracha Music
Papa Roach3.953:24
8Lightning Crashes
engineer:
Lou Giordano (Boston engineer)
executive producer:
Gary Kurfirst
producer:
Jerry Harrison (Talking Heads & producer) and Live (US alt rock band)
mixer:
Tom Lord‐Alge
bass:
Patrick Dahlheimer
drums (drum set):
Chad Gracey
electric guitar [lead]:
Chad Taylor (US guitarist for Live)
electric guitar [rhythm]:
Ed Kowalczyk
vocals:
Ed Kowalczyk
phonographic copyright (℗) by:
Radioactive Records (US rock) (in 1994) and Radioactive Records, J.V. (in 1994)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 476)
recording of:
Lightning Crashes
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
publisher:
Universal Music Publishing MGB Australia
Lïve45:26
9What’s Up?
recording engineer:
David Tickle (in 1992) and Mark Hensley (in 1992)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass and background vocals:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
piano:
Laurent Tardy (in 1992)
lead vocals:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes3.84:56
10Black Betty (edit)
phonographic copyright (℗) by:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2004)
music videos:
Black Betty by Spiderbait
part of:
triple j’s Hottest 100 of Australian Songs (number: 90)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Spiderbait4.153:26
11The Middle
synthesizer programming:
Mark Trombino
engineer and mixer:
Mark Trombino
producer:
Jimmy Eat World and Mark Trombino
bass guitar:
Rick Burch
drums (drum set):
Zach Lind
guitar and percussion:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
vocals:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 26), Indie 88: Top 500 Indie Rock Songs (number: 76) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 313)
recording of:
The Middle
writer:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World), Rick Burch, Zach Lind and Tom Linton
Jimmy Eat World4.42:46
12If You Could Only See
recording of:
If You Could Only See
lyricist and composer:
Emerson Hart
publisher:
EMI Blackwood Music Inc.
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today)
Tonic3.34:23
13Learning to Fly
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
bass, guitar and keyboard and background vocals:
Jeff Lynne (in 1991)
guitar, percussion and background vocals and lead vocals:
Tom Petty (in 1991)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991) and Geffen Records (in 2014)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1991)
recording of:
Learning to Fly (in 1991)
writer:
Jeff Lynne and Tom Petty
publisher:
EMI April Music Inc. and Gone Gator Music (ASCAP affiliated)
Tom Petty and the Heartbreakers4.54:01
14Still Got the Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
recording of:
I Still Got the Blues (on 1960-04-12)
lyricist and composer:
Chuck Berry
Chuck Berry2:07
15Dream of the Drowned Submariner
engineer:
Chuck Ainlay and Mark Knopfler
co-producer:
Chuck Ainlay and Guy Fletcher (keyboardist)
producer:
Mark Knopfler
recording of:
Dream of the Drowned Submariner
lyricist and composer:
Mark Knopfler
Mark Knopfler34:57
16Susie Q
producer:
John Fogerty and Saul Zaentz
bass guitar:
Stu Cook
drums (drum set):
Doug Clifford
guitar:
John Fogerty and Tom Fogerty
vocals:
John Fogerty
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
partial cover recording of:
Susie Q (on 1968-01-19)
lyricist and composer:
Dale Hawkins
additional composer:
Eleanor Broadwater and Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PeerMusic AB
Creedence Clearwater Revival3.84:34
17Man on the Moon
additional engineer:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
assistant mixer:
Tod Lemkuhl
mixer:
Scott Litt (producer and engineer) and Clif Norrell
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Man on the Moon
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.055:13
18Promises (radio edit)
co-producer:
Ben Fenner
producer:
The Cranberries
recording of:
Promises
lyricist and composer:
Dolores O’Riordan
The Cranberries3:30
19Lonesome Loser (remaster/1999)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Lonesome Loser
lyricist and composer:
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band3:56
20Rag Doll
assistant engineer:
Ken Lomas
engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Bob Rock
producer:
Bruce Fairbairn
mixer:
Mike Fraser (Canadian record producer, engineer and mixer)
additional clarinet and tenor saxophone:
Tom Keenlyside
additional organ:
Jim Vallance
additional trombone:
Bob Rogers (Trombonist)
additional trumpet:
Henry Christian
baritone saxophone:
Ian Putz
drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
electric bass guitar:
Tom Hamilton (bassist for Aerosmith)
guitar:
Joe Perry (guitarist for Aerosmith) and Brad Whitford (Aerosmith)
trumpet:
Bruce Fairbairn
lead vocals:
Steven Tyler
additional horn arranger:
Tom Keenlyside
phonographic copyright (℗) by:
Geffen Records (in 1987)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
part of:
The Downloader’s Music Source Book (number: 236)
recording of:
Rag Doll
written in:
Vancouver, British Columbia, Canada (from 1987-03 until 1987-04)
lyricist:
Holly Knight, Steven Tyler and Jim Vallance (from 1987-03 until 1987-04)
composer:
Joe Perry (guitarist for Aerosmith) and Jim Vallance (from 1987-03 until 1987-04)
publisher:
Aero Dynamics Music Publishing, Inc. (publisher; do not use as label), Almo Music Corp. (USA, affiliated with ASCAP), EMI April Music Inc., JuJu Rhythms, Knighty-Knight Music, Mike Chapman Publishing Enterprises, Primary Wave Knight, Primary Wave Steven Tyler, Some Guy Songs and Testatyme Music
Aerosmith4.24:25
21Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.354:10
22I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:30
23Take a Look Around
recording engineer:
Terry Date (American record producer and engineer)
additional producer:
Josh Abraham and Scott Weiland
producer:
Terry Date (American record producer and engineer) and Limp Bizkit
assistant mixer:
Karl Egsieker
mixer:
Brendan O’Brien (engineer) and Ryan Williams (US recording engineer/producer)
performer:
Limp Bizkit
phonographic copyright (℗) by:
Flip (in 2000) and Interscope Records (part of UMG Recordings, Inc.) (in 2000)
mixed at:
Southern Tracks Recording in Atlanta, Georgia, United States
recording of:
Take a Look Around
lyricist:
Fred Durst
composer:
Lalo Schifrin (pianist & composer)
publisher:
Bruin Music Company, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Melody and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
is based on:
Mission: Impossible
Limp Bizkit4.45:21
24Adam’s Song
engineer:
Sean O’Dwyer (US producer & engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
drums (drum set):
Travis Barker (American producer and drummer of blink-182)
electric bass guitar and lead vocals:
Mark Hoppus
electric guitar:
Tom DeLonge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
part of:
Indie 88: Top 500 Indie Rock Songs (number: 326)
recording of:
Adam’s Song
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1824.34:10
25Celebrity Skin
additional producer:
Eric Erlandson
producer:
Michael Beinhorn
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 16)
recording of:
Celebrity Skin
writer:
Billy Corgan, Eric Erlandson and Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Songs of Kobalt Music Publishing, Strictly Confidential and Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:42
26Pretty Fly (for a White Guy)
miscellaneous support:
Janie Rangel (task: studios assistants) and Elan Trujillo (task: studios assistants)
assistant engineer:
Annette Cisneros
engineer:
Bryan Carlstrom (engineer, producer)
producer and mixer:
Dave Jerden
bass guitar:
Greg K
drums (drum set):
Ron Welty
guitar:
Noodles (Kevin Wasserman)
additional vocals:
Nika Futterman Frost, Chris Higgins (X-13, The Offspring) and Heidi Villagran
background vocals:
Jack Grisham, Davey Havok and Jim Lindberg
lead vocals:
Dexter Holland
phonographic copyright (℗) by:
Epitaph (in 1994)
recorded at and mixed at:
Eldorado Recording Studios in Burbank, California, United States
samples:
Rock of Ages by Def Leppard (spoken vocals)
music videos:
Pretty Fly (For a White Guy) by The Offspring (American punk)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1998)
recording of:
Pretty Fly (for a White Guy)
lyricist and composer:
Dexter Holland
publisher:
Round Hill Works, Underachiever Music and Wixen Music Publishing, Inc.
The Offspring3.93:08
27Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:43
281979 (remastered 2012)
engineer:
Flood (British producer Mark Ellis), Jeff Moleski and Claudine Pontier
producer and mixer:
Billy Corgan, Flood (British producer Mark Ellis) and Alan Moulder (producer and engineer)
assistant mixer:
Barry “Sounds Like Gold” Goldberg (audio engineer)
lead vocals:
Billy Corgan
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1995)
music videos:
1979 (music video) by The Smashing Pumpkins
part of:
Indie 88: Top 500 Indie Rock Songs (number: 8)
recording of:
1979
lyricist and composer:
Billy Corgan
The Smashing Pumpkins4.44:26
29Rebel Yell (remastered)
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
bass, guitar and keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
keyboard:
Judi Dozier (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Rebel Yell by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 79)
recording of:
Rebel Yell (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) and WC Music Corp.
Billy Idol4.554:48
30One Way or Another (remastered)
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:33
31Staring Down the Barrel
recording of:
Staring Down the Barrel
writer:
Chris Cheney (The Living End frontman)
The Living End23:58
32Lucky Man (remastered)
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer and additional mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
The Verve and Youth (producer/bassist Martin Glover)
recording of:
Lucky Man
lyricist and composer:
Richard Ashcroft
The Verve3.854:49
33Born to Be Wild (single version)
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:28
34Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:50
35Woman
engineer:
Ryan Castle
producer and mixer:
David Sardy (American score composer)
editor:
Andy Brohard
bass and keyboard:
Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew)
drums (drum set):
Myles Heskett
guitar:
Andrew Stockdale
vocals:
Andrew Stockdale
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Woman (Wolfmother song)
writer:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) and Andrew Stockdale
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.452:55
36Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
acoustic guitar and electric guitar:
Craig Ross (guitarist) (in 1998-12)
bass:
Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
Lenny Kravitz (in 1998-12)
synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Henry Hirsch, Lenny Kravitz and Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lenny Kravitz3.93:33
37My Sharona
recording engineer:
Pete Coleman
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Prescott Niles
drums (drum set):
Bruce Gary
guitar:
Berton Averre and Doug Fieger (in The Knack)
lead vocals:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 201)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.154:51