Complete Cantatas, Volume 5

~ Release by Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

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1▼CD: Drama zum Namenstage BWV 207a; Hochzeitskantate BWV 202
#TitleArtistRatingLength
1Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten" - March
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
partial recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": I. Chorus "Auf, schmetternde Töne der muntern Trompeten"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:38
2Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": I. Chor: "Auf, schmetternde Töne der muntern Trompeten"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": I. Chorus "Auf, schmetternde Töne der muntern Trompeten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach4:25
3Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": II. Rezitativ: "Die stille Pleiße spielt mit ihrenkleinen Wellen"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": II. Recitativo (Tenor) "Die stille Pleiße spielt" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach2:03
4Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": III. Arie: "Augustus' Namenstages Schimmer verklärt der Sachsen Angesicht"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": III. Aria (Tenor) "Augustus' Namenstages Schimmer" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach3:40
5Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": IV. Rezitativ: "Augustus' Wohl ist der treuen Sachsen Wohlergehn"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
soprano vocals:
Sibylla Rubens (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": IV. Recitativo (Sopran, Bass) "Augustus' Wohl ist der treuen Sachsen Wohlergehn" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:45
6Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": V. Duett: "Mich kann die süße Ruhe laben"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
soprano vocals:
Sibylla Rubens (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": V. Aria (Sopran, Bass) "Mich kann die süße Ruhe laben" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach5:00
7Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": VI. Ritornello
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VI. Ritornello (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:12
8Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": VII. Rezitativ: "Augustus schützt die frohen Felder"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VII. Recitativo (Alt) "Augustus schützt die frohen Felder" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach0:55
9Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": VIII. Arie: "Preiset, späte Folgezeiten"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VIII. Aria (Alt) "Preiset, späte Folgezeiten" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach5:31
10Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": IX. Rezitativ: "Ihr Fröhlichen, herbei!"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
soprano vocals:
Anne Grimm (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": IX. Recitativo (Sopran, Alt, Tenor, Bass) "Ihr Fröhlichen, herbei" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach3:10
11Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten": X. Chor: "August lebe, lebe, König"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
choir vocals:
Amsterdam Baroque Choir (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": X. Chorus "August lebe, lebe König" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach2:43
12Kantate, BWV 207a, "Auf, schmetternde Töne der muntern Trompeten" - March
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": XI. Marche (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:41
13Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten" - Arie: "Weichet nur, betrübte Schatten"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:22
14Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": I. Rezitativ: "Die Welt wird wieder neu"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:26
15Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": II. Arie: "Phoebus eilt mit schnellen Pferden"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:09
16Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": III. Rezitativ: "Drum sucht auch Amor sein Vergnügen"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:41
17Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": IV. Arie: "Wenn die Frühlingslüfte streichen"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:37
18Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": V. Rezitativ: "Und dieses ist das Glücke"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:44
19Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": VI. Arie: "Sich üben im Lieben"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:08
20Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": VII. Rezitativ: "So sei das Band der keuschen Liebe"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:22
21Hochzeitskantate BWV 202, "Weichet nur, betrübte Schatten": VIII. Gavotte: "Sehet in Zufriedenheit"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:40
2▼CD: Drama auf das Geburstfest BMV 206; Hochzeitskantate BWV 210
#TitleArtistRatingLength
1Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": I. Chorus "Schleicht, spielende Wellen, und murmelt gelinde"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": I. Chorus "Schleicht, spielende Wellen, und murmelt gelinde!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:39
2Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": II. Recitative (B) "O glückliche Veränderung!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": II. Recitativo (Bass) "O glückliche Veränderung!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:32
3Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": III. Aria (B) "Schleuß des Janustempels Türen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": III. Aria (Bass) "Schleuß des Janustempels Türen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach4:44
4Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": IV. Recitative (T) "So recht! beglückter Weichselstrom!"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IV. Recitativo (Tenor) "So recht! beglückter Weichselstrom!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:44
5Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": V. Aria (T) "Jede Woge meiner Wellen"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": V. Aria (Tenor) "Jede Woge meiner Wellen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach7:17
6Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": VI. Recitative (A) "Ich nehm zugleich an deiner Freude teil"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VI. Recitativo (Alt) "Ich nehm zugleich an deiner Freude teil" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:09
7Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": VII. Aria (A) "Reis, von Habsburg hohem Stamme"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VII. Aria (Alt) "Reis von Habsburgs hohem Stamme" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:12
8Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": VIII. Recitative (S) "Verzeiht, bemooste Häupter starker Ströme"
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VIII. Recitativo (Sopran) "Verzeiht, bemooste Häupter starker Ströme" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:50
9Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": IX. Aria (S) "Hört doch! der sanften Flöten Chor"
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IX. Aria (Sopran) "Hört doch! der sanften Flöten Chor" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:17
10Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": X. Recitative (S,A,T,B) "Ich muß, ich will gehorsam sein"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Sibylla Rubens (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": X. Recitativo (Sopran, Alt, Tenor, Bass) "Ich muß, ich will gehorsam sein" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:37
11Kantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": XI. Chorus "Die himmlische Vorsicht der ewigen Güte"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": XI. Chorus "Die himmlische Vorsicht der ewigen Güte" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:51
12Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": I. Recitative (S) "O holder Tag, erwünschte Zeit"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach0:54
13Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (S) "Spielet, ihr beseelten Lieder"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:10
14Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": III. Recitative (S) "Doch, haltet ein"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:07
15Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (S) "Ruhet hie, matte Töne"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:19
16Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": V. Recitative (S) "So glaubt man denn, daß die Musik verführe"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:02
17Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (S) "Schweigt, ihr Flöten, schweigt, ihr Töne"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:51
18Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitative (S) "Was Luft? was Grab?"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:36
19Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (S) "Großer Gönner, dein Vergnügen"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach3:10
20Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitative (S) "Hochteurer Mann, so fahre ferner fort"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:18
21Hochzeitskantate BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (S) "Seid beglückt, edle beide"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach5:13
3▼CD: Bauernkantate BWV 212; Dramma per musica BMV 205
#TitleArtistRatingLength
1Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet" - Sinfonia
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:14
2Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": I. Duett: "Mer hahn en neuer Oberkeet"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
3Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": II. Rezitativ: "Nu, Mieke, gib dein Guschel immer her"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
4Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": III. Mer hahn en neuer Oberkeet" / Arie: "Ach, es schmekt doch gar zu gut"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:49
5Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": IV. Rezitativ: "Der Herr ist gut: Allein der Schösser"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
6Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": V. Arie: "Ach, Herr Schösser, geht nicht gar zu schlimm"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:21
7Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": VI. Rezitativ: "Es bleibt dabei, da unser Herr der beste sei"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
8Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": VII. Arie: "Unser trefflicher lieber Kammerherr"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:41
9Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": VIII. Rezitativ: "Er hilft uns allen, alt und jung"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:34
10Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": IX. Arie: "Das ist galant"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:59
11Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": X. Rezitativ: "Und unsre gnäd'ge Frau"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:43
12Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XI. Arie: "Fünfzig Taler bares Geld"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
13Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XII. Rezitativ: "Im Ernst ein Wort"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:27
14Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XIII. Arie: "Klein-Zschocher müsse so zart und süße"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:49
15Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XIV. Rezitativ: "Das ist zu klug vor dich"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
16Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XV. Arie: "Es nehme zehntausend Dukaten"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
17Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XVI. Rezitativ: "Das klingt zu liederlich"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
18Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XVII. Arie: "Gib, Schöne, viel Söhne"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:36
19Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XVIII. Rezitativ: "Du hast wohl recht"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:16
20Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XIX. Arie: "Dein Wachstum sei feste"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:11
21Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XX. Rezitativ: "Und damit sei es auch genung"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
22Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XXI. Arie: "Und daß ihr's alle wißt"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:38
23Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XXII. Rezitativ: "Mein Schatz! erraten"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
24Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XXIII. Chor: "Wir gehn nun, wo der Tudelsack"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:03
25Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": I. Chorus / Chor: "Zerreißet, zersprenget, zertrümmert die Gruft"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": I. Chor der Winde "Zerreißet, zersprenget, zertrümmert die Gruft" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach6:23
26Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": II. Rezitativ: "Ja! Die Stunden sind nunmehro nah"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": II. Recitativo (Bass) "Ja, ja! Die Stunden sind nunmehro nah" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:36
27Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": III. Arie: "Wie will ich lustig lachen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": III. Aria (Bass) "Wie will ich lustiglachen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:07
28Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": IV. Rezitativ: "Gefürcht'ter Aeolus"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IV. Recitativo (Tenor) "Gefürcht'ter Äolus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:45
29Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": V. Arie: "Frische Schatten, meine Freude"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": V. Aria (Tenor) "Frische Schatten, meine Freude" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:52
30Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": VI. Rezitativ: "Beinahe wirst du mich bewegen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VI. Recitativo (Bass) "Beinahe wirst du mich bewegen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:36
31Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": VII. Arie: "Können nicht die roten Wangen"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VII. Aria (Alt) "Können nicht die roten Wangen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:12
32Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": VIII. Rezitativ: "So willst du, grimm'ger Aeolus"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VIII. Recitativo (Alt, Sopran) "So willst du, grimmger Äolus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:52
33Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Arie: "Angenehmer Zephyrus"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Aria (Sopran) "Angenehmer Zephyrus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:53
34Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": X. Rezitativ: "Mein Aeolus"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": X. Recitativo (Sopran, Bass) "Mein Äolus, Ach!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:13
35Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XI. Arie: "Zurücke, zurücke, geflügelten Winde"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XI. Aria (Bass) "Zurücke, zurücke, geflügelten Winde" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:33
36Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XII. Rezitativ: "Was Lust!"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
soprano vocals:
Lisa Larsson (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XII. Recitativo (Sopran, Alt, Tenor) "Was Lust! Was Freude! Welch Vergnügen!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:27
37Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XIII. Duett: "Zweig und Äste"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIII. Aria (Alt, Tenor) "Zweig und Äste" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:53
38Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XIV. Rezitativ: "Ja, ja!"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIV. Recitativo (Sopran) "Ja, ja! Ich lad euch selbst zu dieser Feier ein" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:42
39Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chorus / Chor: "Vivat August, August vivat!"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chor der Winde "Vivat! August, August vivat!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:08
4▼CD: Dramma per musica zum Geburtstag BWV 213
#TitleArtistRatingLength
1Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": I. "Lasst uns sorgen, lasst uns wachen"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
choir vocals:
Amsterdam Baroque Choir (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": I. Chorus "Laßt uns sorgen, laßt uns wachen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach6:42
2Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": II. "Und wo? Wo ist der rechte Bahn"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": II. Recitativo (Alt) "Und wo? Wo ist die rechte Bahn" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:44
3Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": III. "Schlafe mein Liebster, und pflege der Ruh"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Anne Grimm (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": III. Aria (Sopran) "Schlafe, mein liebster" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach9:22
4Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": IV. "Auf! folge meiner Bahn"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Anne Grimm (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Recitativo (Sopran, Tenor) "Auf! folge meiner Bahn" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:15
5Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": V. "Treues Echo dieser Orten"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach5:13
6Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": VI. "Mein hoffnungsvoller Held!"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Recitativo (Tenor) "Mein hoffnungsvoller Held" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:02
7Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": VII. "Auf meinen Fluegeln sollst du schweben"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tenor) "Auf meinen Flügeln sollst du schweben" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach4:39
8Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": VIII. "Die weiche Wollust locket zwar"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Recitativo (Tenor) "Die weiche Wollust locket zwar" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:45
9Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": IX. "Ich will dich nicht hoeren, ich will dich nicht wissen"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IX. Aria (Alt) "Ich will dich nicht hören" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach3:39
10Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": X. "Geliebte Tugend, du allein"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Recitativo (Alt, Tenor) "Geliebte Tugend, du allein" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:48
11Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": XI. "Ich bin deine, du bist meine"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Aria (Duetto Alt, Tenor) "Ich bin deine" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach7:36
12Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": XII. "Schaut, Goetter, dieses ist ein Bild"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XII. Recitativo accompagnato (Bass) "Schaut, Götter, dieses ist ein Bild" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:15
13Kantate BWV 213 ,"Lasst uns sorgen, lasst uns wachen": XIII. "Lust der Voelker, Lust der Deinen"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
choir vocals:
Amsterdam Baroque Choir (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XIII. Chorus "Lust der Völker, Lust der Deinen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach2:42

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 5) (order: 3)