Missa dos Quilombos

~ Release by Milton Nascimento, Pedro Casaldáliga & Pedro Tierra (see all versions of this release, 4 available)

Annotation

Originally released in 1982.
Part of "Coleção Milton Nascimento" from Abril Coleções.
46 pages booklet with pictures and history.

Annotation last modified on 2022-03-20 22:01 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Abertura
3:05
2A de ó (Estamos chegando)
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
A de ó (Estamos chegando)
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
3:32
3Em nome do Deus
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass and classical guitar:
Paulinho Carvalho (Clube da Esquina)
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Em nome de Deus
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
4:41
4Rito penitencial (Kyrie)
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Rito penitencial (Kyrie)
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
2:27
5Aleluiá
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
solo choir vocals:
Alexandrino Ducarmo
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Aleluiá
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
3:21
6Ofertório
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Ofertório
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
5:36
7O Senhor é santo
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
O Senhor é santo
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
1:58
8Rito da paz
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
solo choir vocals:
Gil Amancio
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Rito da paz
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
1:49
9Comunhão
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Comunhão
writer:
Fernando Brant and Milton Nascimento
3:20
10Raça
recording of:
Raça
lyricist:
Fernando Brant
composer:
Milton Nascimento
3:35
11Ladainha
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Ladainha
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
2:15
12Louvação à Mariama
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Louvação à Mariama
writer:
Pedro Casaldáliga, Milton Nascimento and Pedro Tierra
2:50
13Marcha final (De banzo e de esperança) / Invocação à Mariama
sound engineer:
Carlos Eduardo Andrade and Nestor Vitiritti
assistant producer:
Otávio Bretas
producer and mixer:
Marco Mazzola (music producer)
bass:
Paulinho Carvalho (Clube da Esquina)
classical guitar:
Celsinho Moreira
drums (drum set):
Robertinho Silva (Brazilian drummer and percussionist)
harmonica, piano and synthesizer:
Flávio Venturini (Brazilian singer)
percussion:
Jorginho Atabaque, Caboclinho (percussionist), Frank Colón, Darcy Jongueira and Robertinho Silva (Brazilian drummer and percussionist)
choir vocals:
Gil Amancio, Babaya (Brazilian singer), Alexandrino Ducarmo, Elisete Gomes, Elizabeth Gomes, Enanci Gomes, Olga Gomes, Edir Passos, Marquinho Preto, Sérgio Santos and Paula Vargas
conductor:
Milton Nascimento
percussion arranger:
Robertinho Silva (Brazilian drummer and percussionist)
arranger:
Milton Nascimento
recorded at:
Igreja Nossa Senhora Mãe dos Homens (Serra do Caraça) in Minas Gerais, Brazil (in 1982-03)
recording of:
Invocação à Mariama
writer:
D. Hélder Câmara
recording of:
Marcha final (De banzo e de esperança)
writer:
Milton Nascimento
6:10
14Pai grande
4:27
15Ony saruê
2:39