Chillout: 111 Pieces of Classical Music for Relaxation

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Lakmé: Act 1: Viens, Mallika, Dôme épais (Flower Duet)
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:04
2Adagio for Strings, op. 11
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:40
33 Gymnopédies: no. 1
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:09
4Miserere
organ:
Andrew Wright (Organist)
choir vocals:
Westminster Cathedral Boys' Choir (in 1982-06)
treble vocals:
Saul Quirke (English boy soprano, late 20th cent.) (in 1982-06)
conductor and chorus master:
Stephen Cleobury (organist, conductor) (in 1982-06)
recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (in 1982-06)
recording of:
Miserere mei, Deus (in 1982-06)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri11:17
5Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 3: Sull'aria
soprano vocals:
Lucia Popp (soprano) and Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:36
6The Lark Ascending
violin:
Nicola Benedetti (violinist) (from 2007-06-19 until 2007-06-21)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 2007-06-19 until 2007-06-21)
conductor:
Andrew Litton (conductor) (from 2007-06-19 until 2007-06-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2007-06-19 until 2007-06-21)
recording of:
The Lark Ascending (for violin and orchestra) (from 2007-06-19 until 2007-06-21)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams15:54
7Suite bergamasque, L.75: 3. Clair de lune
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1970-11)
conductor:
Bernard Herrmann (composer) (in 1970-11)
balance engineer:
Arthur Lilley (engineer) (in 1970-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1970-11)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (in 1970-11)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy45:53
8Variations on an Original Theme, op. 36 "Enigma": 9. Nimrod (Adagio)
engineer:
Arthur Lilley (engineer)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1972-09-07 until 1972-09-08)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:08
9Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 -"Moonlight": 1. Adagio sostenuto
recording engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
Michael Woolcock (producer)
piano:
Radu Lupu (Romanian concert pianist) (from 1972-06-13 until 1972-06-16)
solo piano:
Radu Lupu (Romanian concert pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1972-06-13 until 1972-06-16)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (from 1972-06-13 until 1972-06-16)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven7:08
10Suite no. 3 in D, BWV 1068: 2. Air
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:41
11Water Night
recording engineer:
Andrew Mellor (engineer) (in 2010-08)
choir vocals:
Laudibus (in 2010-08) and Eric Whitacre Singers (in 2010-08)
conductor:
Eric Whitacre (composer) (in 2010-08)
recording of:
Water Night (for choir) (in 2010-08)
lyricist:
Octavio Paz (Mexican poet)
composer:
Eric Whitacre (composer) (in 1995-01)
translator:
Muriel Rukeyser
Eric Whitacre55:20
12Waltz no. 7 in C-sharp minor, op. 64 no. 2
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin3:18
13Das Wohltemperierte Klavier: Book 1, BWV 846-869: Prelude in C major BWV 846
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 2004-03-24 until 2004-03-26, from 2004-12-18 until 2004-12-19, from 2005-03-19 until 2005-03-20)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Potton Hall in Suffolk, England, United Kingdom (from 2004-03-24 until 2004-03-26, from 2004-12-18 until 2004-12-19, from 2005-03-19 until 2005-03-20)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 2004-03-24 until 2005-03-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:41
14To a Wild Rose, op. 51, no. 1
engineer:
Simon Eadon (classical music engineer)
piano:
Joseph Cooper (pianist and broadcaster) (in 1977-07)
balance engineer:
Simon Eadon (classical music engineer) (from 1977-07 to present)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-07)
edit of:
To a Wild Rose & To a Water Lilly by Joseph Cooper (pianist and broadcaster)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano) (in 1977-07)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
part of:
10 Woodland Sketches, op. 51
Edward MacDowell2:05
15Quatre Motets, op. 10: Ubi caritas et amor
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Quatre motets sur des thèmes grégoriens, op. 10: No. 1. Ubi caritas et amor
composer:
Maurice Duruflé (French composer & organist, 1902–1986)
part of:
Quatre motets sur des thèmes grégoriens, op. 10
Maurice Duruflé2:39
16Rhapsody on A Theme Of Paganini, op. 43: Variation 18
piano:
Tamás Vásáry (Hungarian pianist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Yuri Ahronovitch (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninov3:15
17Vocalise, op. 34, no. 14
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 2004-03)
balance engineer:
Philip Siney (sound engineer) (in 2004-03)
recorded at:
Potton Hall in Suffolk, England, United Kingdom (in 2004-03)
recording of:
Vocalise, op. 34 no. 14 (for piano, Kocsis) (in 2004-03)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
piano arranger:
Kocsis Zoltán (pianist, conductor)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninov5:58
18Le Carnaval des Animaux: Le Cygne
cello:
Julian Lloyd Webber (cellist)
orchestra:
English Chamber Orchestra
conductor:
Nicholas Cleobury (conductor)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:18
19Liebesfreud
violin:
Erich Gruenberg
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Elgar Howarth (English conductor, composer and trumpeter)
recording of:
Liebesfreud (catch-all for arrangements)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Liebesfreud (for violin and piano)
Fritz Kreisler3:29
20Locus Iste
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Locus iste, WAB 23
composer:
Anton Bruckner (Austrian composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Anton Bruckner2:47
21Salut d'amour, op. 12
cello:
Lynn Harrell (cellist)
piano:
Bruno Canino (composer and pianist)
recording of:
Salut d’amour, op. 12 (catch-all for arrangements)
composer:
Edward Elgar (composer) (in 1888)
arrangement of:
Salut d’amour, op. 12 (for violin and piano)
Edward Elgar3:02
22String Quartet no. 2 in D: 3. Notturno
string quartet:
Takács Quartet
recording of:
String Quartet no. 2 in D major: III. Notturno. Andante
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1881)
part of:
String Quartet no. 2 in D major
Alexander Borodin7:01
23Children's Corner, L. 113: 4. The Snow Is Dancing
piano:
Arturo Benedetti Michelangeli (pianist)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:38
24String Quartet no. 8 in C minor, op. 110: 5. Largo
executive producer:
Christopher Alder (editor/engineer/producer)
producer, editor and balance engineer:
Da-Hong Seetoo
cello:
David Finckel (in 1998-07)
string quartet:
Emerson String Quartet (in 1998-07)
viola:
Lawrence Dutton (violist) (in 1998-07)
violin:
Eugene Drucker (in 1998-07) and Philip Setzer (violinist) (in 1998-07)
recorded at:
Harris Concert Hall in Aspen, Colorado, United States (in 1998-07)
live recording of:
String Quartet no. 8 in C minor, op. 110: V. Largo (in 1998-07)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1960-07-12 until 1960-07-14)
part of:
String Quartet no. 8 in C minor, op. 110
recording of:
String Quartet no. 8 in C minor, op. 110: V. Largo
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1960-07-12 until 1960-07-14)
part of:
String Quartet no. 8 in C minor, op. 110
Dmitri Shostakovich3:34
25Deux Arabesques L. 66: no. 1 Andante con moto
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Onno Scholtze (sound engineer)
piano:
Kocsis Zoltán (pianist, conductor) (in 1988-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1988-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1988-10)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1988-10)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:54
26Nocturne no. 1 in B-flat minor, op. 9 no. 1
piano:
Claudio Arrau (pianist) (in 1978-03)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1978, in 1997)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1978-03)
recording of:
Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto (in 1978-03)
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:48
27O sacrum convivium!
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
O sacrum convivium, I/18
composer:
Olivier Messiaen (composer and organist) (in 1937)
Olivier Messiaen4:29
28Scenes from Childhood (Kinderszenen), op. 15: Of Foreign Lands and People
instruments:
Pro Arte Guitar Trio
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:39
29Panis Angelicus
cello:
Julian Lloyd Webber (cellist)
orchestra:
Royal Philharmonic Orchestra
conductor:
James Judd (conductor)
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck (Belgian‐born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck4:22
30La traviata / Act 1: Prelude
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Preludio (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:37
31Peer Gynt, op. 23: Prelude to Act 4 (Morning mood)
orchestra:
San Francisco Symphony
conductor:
Edo de Waart (conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:14
3224 Préludes, op. 28: Prelude, op. 28 no. 7
piano:
Marisa Robles (Spanish harpist)
recording of:
Prélude no. 7 in A major, op. 28: Andantino
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:52
33Le Tombeau De Couperin: 1. Prelude
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique
conductor:
Manuel Rosenthal (French conductor & composer)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: I. Prélude (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:01
34Prélude à l'après-midi d'un faune, L. 86: Prélude à l'après-midi d'un faune
producer:
Ray Minshull (record producer)
flute:
Timothy Hutchins (flautist) (in 1989-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1989-10)
conductor:
Charles Dutoit (conductor) (in 1989-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1989-10)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1989-10)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:40
35Recuerdos de la Alhambra
guitar:
Eduardo Fernández (guitarist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega4:45
36Rêverie, L. 68: Rêverie
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Rêverie, L. 68, CD 76 (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (French composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy4:22
37Roméo et Juliette, op. 17 - original version - Part 3: Scène d'amour
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 3. Scène d'amour: Nuit sereine - Le Jardin de Capulet, silencieux et désert « Ohé ! Capulets, bonsoir ! » - Les jeunes Capulets sortant de la fête, passent en chantant des réminiscences de la musique du bal
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz4:58
38Nocturne no. 2 in E-flat, op. 9 no. 2
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1981-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1983)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (in 1981-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin3:59
39Siegfried Idyll
orchestra:
Members of the Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Siegfried Idyll, WWV 103
composer:
Richard Wagner (composer) (in 1870)
dedicated to:
Cosima Wagner
part of:
Wagner-Werk-Verzeichnis (number: 103)
is based on:
Siegfried Idyll (original version for 13 instruments)
Richard Wagner18:20
40Song for Athene
organ:
Ian le Grice (organist)
choir vocals:
The Choir of Temple Church and Holst Singers
conductor:
Stephen Layton (English conductor)
recording of:
Song for Athene
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener5:33
41Nocturne no. 8 in D-flat, op. 27 no. 2
engineer:
Simon Eadon (classical music engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-06)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto (in 1983-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Nocturnes, op. 27
Frédéric Chopin5:46
42Eight Part-songs, op. 119: The Bluebird
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight Partsongs, op. 119
Sir Charles Villiers Stanford3:22
43The Lamb
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor and chorus master:
John Eliot Gardiner
recording of:
The Lamb
lyricist:
William Blake (English poet, painter, and printmaker) (in 1789)
composer:
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. and J. & W. Chester, Ltd.
John Tavener2:54
44Cello Concerto in E minor, op. 85: 3. Adagio
cello:
Julian Lloyd Webber (cellist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:15
45La Vièrge: Le dernier sommeil de la Vièrge (The last sleep of the Virgin)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer)
recording of:
La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge
composer:
Jules Massenet (French Romantic composer)
librettist:
Charles Grandmougin
part of:
La Vierge
Jules Massenet5:05
46Serenade in E-flat, K.375: 3. Adagio
instruments:
Members of the Holliger Wind Ensemble
recording of:
Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio (catch-all for unknown versions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781-10)
part of:
Serenade no. 11 for Winds in E-flat major, K. 375 (catch-all for unknown versions)
Wolfgang Amadeus Mozart6:04
47Concerto grosso in G minor, op. 6, no. 8 "fatto per la notte di Natale": 2. Adagio - Allegro - Adagio
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973-09)
balance engineer:
Stanley Goodall (engineer) (in 1973-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (in 1973-09)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:26
48String Quartet in E-flat, HIII no. 31, op. 20 no. 1: 3. Affettuoso e sostenuto
string quartet:
Aeolian Quartet (classical string quartet)
recording of:
String Quartet in E-flat major, op. 20 no. 1, Hob. III:31: III. Affettuoso e sostenuto
composer:
Joseph Haydn (composer) (in 1772)
part of:
String Quartet in E-flat major, op. 20 no. 1, Hob. III:31
Joseph Haydn6:23
49Scènes Alsaciennes - Suite no. 7 for Orchestra: 3. Sous les tilleuls
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Scènes alsaciennes: III. Sous les tilleuls
composer:
Jules Massenet (French Romantic composer)
part of:
Scènes alsaciennes
Jules Massenet4:09
50Album für die Jugend, op. 68 / Part 2: Für Erwachsenere: 35. Mignon
piano:
Homero Francesch (pianist)
recording of:
Album für die Jugend, op. 68: XXXV. Mignon
composer:
Robert Schumann (German classical composer)
part of:
Album für die Jugend, op. 68
Robert Schumann3:35
51Lyric Pieces, op. 54: 3. Notturno
orchestra:
London Symphony Orchestra
conductor:
Stanley Black (bandleader, conductor, pianist)
recording of:
Lyric Suite, op. 54: III. Notturno. Andante (orch. Seidl, revised Grieg)
orchestrator:
Anton Seidl
composer:
Edvard Grieg (composer)
revised by:
Edvard Grieg (composer) (in 1905)
orchestration of:
Lyriske stykker, hefte V, op. 54: No. 4: Notturno (Lyric Pieces, Book V, op. 54 no. 4: Nocturne, original for piano)
part of:
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg4:28
52Requiem, op. 48: 4. Pie Jesu
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-10)
orchestra:
Montréal Symphony Orchestra (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:43
53Piano Quintet in A, D.667 - "The Trout": 4. Thema - Andantino - Variazioni I-V - Allegretto
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
cello:
Clemens Hagen (cellist) (from 1983-12-05 until 1983-12-06)
double bass:
Alois Posch (double bass player) (from 1983-12-05 until 1983-12-06)
piano:
András Schiff (pianist) (from 1983-12-05 until 1983-12-06)
viola:
Veronika Hagen (violist) (from 1983-12-05 until 1983-12-06)
violin:
Lukas Hagen (violinist) (from 1983-12-05 until 1983-12-06)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1985)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1983-12-05 until 1983-12-06)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1983-12-05 until 1983-12-06)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert8:16
54Requiem, op. 48: 7. in paradisum
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
5516 Waltzes, op. 39: 9. in D minor
recorded in:
London (Greater London), England, United Kingdom (in 1981-12)
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1981-12)
recording of:
Walzer, op. 39: Nr. 9 d-moll (Zu zwei Händen) (in 1981-12)
composer:
Johannes Brahms (German composer) (in 1865)
version of:
16 Waltzes, op. 39: No. 9 in D minor (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms51:16
56A Boy and a Girl
recording engineer:
Andrew Mellor (engineer) (in 2010-08)
choir vocals:
Laudibus (in 2010-08) and Eric Whitacre Singers (in 2010-08)
conductor:
Eric Whitacre (composer) (in 2010-08)
recording of:
A Boy and a Girl (in 2010-08)
lyricist:
Octavio Paz (Mexican poet)
composer:
Eric Whitacre (composer) (in 2002)
translator:
Muriel Rukeyser
publisher:
Hal Leonard Corporation
Eric Whitacre44:28
57Symphony no. 5 in C-sharp minor: 4. Adagietto (Sehr langsam)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:53
58Auf dem Wasser zu singen, S. 558 no. 2 piano transcription after Schubert
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Auf dem Wasser zu singen, S. 558 Nr. 2 (for piano solo, Liszt)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838)
arrangement of:
Auf dem Wasser zu singen, D. 774
part of:
12 Lieder von Franz Schubert, S. 558
Franz Liszt5:08
59Piano Concerto no. 2 in C minor, op. 18: 2. Adagio sostenuto
recording engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1970-10-20 until 1970-10-23)
orchestra:
London Symphony Orchestra (from 1970-10-20 until 1970-10-23)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1970-10-20 until 1970-10-23)
balance engineer:
Kenneth Wilkinson (engineer) (in 1970-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-10-20 until 1970-10-23)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1970-10-20 until 1970-10-23)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov4.511:52
60Ave verum corpus - (Motet)
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Ave verum corpus, T 92 (à 4, Gradualia I (1605))
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 92)
part of:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd4:25
61Orfeo ed Euridice / Act 2: Ballo (Dance of the Blessed Spirits)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck7:30
62Dreaming
piano:
Alan Feinberg (pianist)
recording of:
Dreaming, op. 15 no. 3
composer:
Amy Beach (American composer and pianist) (in 1892)
part of:
4 Sketches, op. 15
Amy Beach6:29
63Gaîté parisienne: Barcarolle
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:54
64Piano Concerto no. 21 in C, K.467: 2. Andante
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Israeli conductor) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart3.37:12
65Beati quorum via
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
3 Latin Motets, op. 38: No. 3. Beati quorum via
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
3 Latin Motets, op. 38
Sir Charles Villiers Stanford3:20
66Chanson de Matin, op. 15, no. 2
engineer:
Chris Craker (UK musician, producer, engineer and label manager) (from 1998-08-20 until 1998-08-21)
producer:
Chris Craker (UK musician, producer, engineer and label manager)
piano:
Benjamin Frith (pianist) (from 1998-08-20 until 1998-08-21)
violin:
Marat Bisengaliev (violinist and conductor) (from 1998-08-20 until 1998-08-21)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1998-08-20 until 1998-08-21)
recording of:
Chanson de matin, op. 15 no. 2 (for violin and piano) (from 1998-08-20 until 1998-08-21)
composer:
Edward Elgar (composer)
part of:
Chanson de nuit and Chanson de matin, op. 15 (for violin and piano)
Edward Elgar3:07
67Piano Concerto in G, M. 83: 2. Adagio assai
piano:
Martha Argerich (Argentine pianist)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Piano Concerto in G major: II. Adagio assai
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:37
68Consolation no. 3, S.172 - Lento placido
producer:
Peter Wadland (producer) (from 1985-03 to present)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-03)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt3:51
69Crucifixus (8vv)
organ:
Andrew Wright (Organist)
choir vocals:
Westminster Cathedral Boys' Choir
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Crucifixus a 8
composer:
Antonio Lotti (Italian baroque composer, 1667-1740)
Antonio Lotti3:35
70Die Forelle, S. 564 piano transcription after Schubert
piano:
Varda Nishry (Israeli pianist)
recording of:
Die Forelle, S. 564 (for piano, Liszt - second version)
composer:
Franz Schubert (composer)
additional piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1846)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1844)
publisher:
Diabelli & Co (in 1846)
part of:
The Music of Liszt (number: S. 564)
arrangement of:
Die Forelle, D. 550 (The Trout, D. 550)
revision of:
Die Forelle, S. 563 no. 6 (for solo piano, Liszt)
Franz Liszt3:45
71Dream Children - two pieces for small orchestra, op. 43
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer)
recording of:
Dream Children, op. 43
composer:
Edward Elgar (composer) (in 1902)
premiered at:
[concert] (1902-09-04)
publisher:
Joseph Williams & Co. (in 1902)
part of:
Works of Edward Elgar by opus number (number: op. 43)
Edward Elgar7:48
72Elegy for strings, op. 58
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Elegy, op. 58 (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1909)
premiered at:
Mansion House in London (Greater London), England, United Kingdom (on 1909-07-13)
part of:
Works of Edward Elgar by opus number (number: op. 58)
Edward Elgar4:24
73Violin Concerto no. 1 in G minor, op. 26: 2. Adagio
violin:
Akiko Suwanai (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:29
74Piano Concerto no. 5 in E-flat major op. 73 -"Emperor": 2. Adagio un poco mosso
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
orchestra:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
balance engineer:
Simon Eadon (classical music engineer) (in 1986-04) and Colin Moorfoot (engineer) (in 1986-04)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1986-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:45
75Elégie, op. 24
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
cello:
Lynn Harrell (cellist)
solo cello:
Lynn Harrell (cellist) (in 1984-09)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1984-09)
conductor:
Riccardo Chailly (conductor) (in 1984-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (from 1986 to present)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1984-09)
recording of:
Élégie, op. 24 (for cello and orchestra) (in 1984-09)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie pour violoncelle et piano, op. 24
Gabriel Fauré6:47
76Serenade for strings in E-flat, op. 6: 3. Adagio
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Los Angeles Chamber Orchestra
conductor:
Sir Neville Marriner (conductor)
recording of:
Serenade for Strings, op. 6: III. Adagio - Più andante - Tempo I
composer:
Josef Suk (Czech composer, 1874–1935)
part of:
Serenade for Strings, op. 6
Josef Suk8:39
77Fantasia on Greensleeves
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Fantasia on “Greensleeves” (in 1971-05)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:23
78Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus Of Shepherds: "Hier auf den Fluren...."
producer:
James Mallinson (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1974-11-19 until 1974-11-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-11-19 until 1974-11-21)
conductor:
Karl Münchinger (German conductor) (from 1974-11-19 until 1974-11-21)
balance engineer:
Colin Moorfoot (engineer) (from 1974-11-19 until 1974-11-21) and Philip Wade (engineer) (from 1974-11-19 until 1974-11-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1974-11-19 until 1974-11-21)
recording of:
Rosamunde, D. 797: VII. Hirtenchor „Hier auf den Fluren“ Allegretto (from 1974-11-19 until 1974-11-21)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert4:10
79Cavalleria rusticana: Intermezzo sinfonico
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Georges Prêtre (French conductor)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:55
80Béatrice et Bénédict / Act 1: "Vous soupirez, madame?" - "Nuit paisible et sereine!"
vocals:
April Cantelo (soprano) and Helen Watts (contralto)
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Béatrice et Bénédict : Acte I. No. 8. Duo (Nocturne) « Vous soupirez, madame ? » – « Nuit paisible et sereine ! » (Ursule, Héro)
composer:
Hector Berlioz (French composer)
part of:
Béatrice et Bénédict: Acte I
Hector Berlioz4:38
81Piano Concerto no. 9 in E-flat, K.271 - "Jeunehomme": 1. Allegro
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-11)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro (in 1984-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
Wolfgang Amadeus Mozart10:36
82Images - Book 1, L. 110: 1. Reflets dans l'eau
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1979-09)
balance engineer:
Colin Moorfoot (engineer) (in 1979-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St. George the Martyr (Queen Square, Holborn) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (in 1979-09)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy4:57
83Chants d'Auvergne: 12. Brezairola
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-02)
orchestra:
English Chamber Orchestra (in 1982-02)
conductor:
Jeffrey Tate (conductor) (in 1982-02)
balance engineer:
John Dunkerley (engineer) (in 1982-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d’Auvergne: Troisième Série: No. 4. Brezairola (in 1982-02)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Troisième Série
Joseph Canteloube3:27
8416 Waltzes, op. 39: 16. in C-sharp minor
recorded in:
London (Greater London), England, United Kingdom (in 1981-12)
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1981-12)
recording of:
Walzer, op. 39: Nr. 16 cis-moll (Zu zwei Händen) (in 1981-12)
composer:
Johannes Brahms (German composer) (in 1865)
version of:
16 Waltzes, op. 39: No. 16 in D minor (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms51:11
85Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's Melody
producer:
James Mallinson (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-11-19 until 1974-11-21)
conductor:
Karl Münchinger (German conductor) (from 1974-11-19 until 1974-11-21)
balance engineer:
Colin Moorfoot (engineer) (from 1974-11-19 until 1974-11-21) and Philip Wade (engineer) (from 1974-11-19 until 1974-11-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1974-11-19 until 1974-11-21)
recording of:
Rosamunde, D. 797: VI. Hirtenmelodien. Andante (from 1974-11-19 until 1974-11-21)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert1:30
86Violin Concerto in E minor, op. 64: 2. Andante
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Nathan Milstein (violinist) (from 1973-03-12 until 1973-03-13)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1973-03-12 until 1973-03-13)
conductor:
Claudio Abbado (conductor) (from 1973-03-12 until 1973-03-13)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1973-03-12 until 1973-03-13)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (from 1973-03-12 until 1973-03-13)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:44
87Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino
executive producer:
Werner Mayer (classical producer)
producer:
Werner Mayer (classical producer)
flute:
Wolfgang Schulz (flutist) (in 1975-05)
harp:
Nicanor Zabaleta (harpist) (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-05)
conductor:
Karl Böhm (Austrian conductor) (in 1975-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1975-05)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1975-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart9:10
88Chants d'Auvergne: 2. Bailero
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-08)
orchestra:
English Chamber Orchestra (in 1982-08)
conductor:
Jeffrey Tate (conductor) (in 1982-08)
balance engineer:
John Dunkerley (engineer) (in 1982-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro (in 1982-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:39
89Violin Concerto in D, op. 61: 2. Larghetto
producer:
Volker Straus (producer/engineer)
violin:
Herman Krebbers (violinist) (on 1974-12-09)
orchestra:
Royal Concertgebouw Orchestra (on 1974-12-09)
conductor:
Bernard Haitink (conductor) (on 1974-12-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1975)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1974-12-09)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (in 1974-12)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven10:19
90Concerto for Violin and Strings in F minor, op. 8, no. 4, R.297 "L'inverno": 2. Largo
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi42:19
91Piano Concerto no. 20 in D minor, K.466: 2. Romance
miscellaneous support:
Alfred Brendel (Austrian pianist) (task: Cadences)
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (from 1973-06-25 until 1973-06-27)
orchestra:
Academy of St Martin in the Fields (from 1973-06-25 until 1973-06-27)
conductor:
Sir Neville Marriner (conductor) (from 1973-06-25 until 1973-06-27)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1973-06-25 until 1973-06-27)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (from 1973-06-25 until 1973-06-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart9:13
92Suite pastorale: 1. Idylle
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1964-12-07 until 1964-12-08, on 1964-12-10)
conductor:
Ernest Ansermet (conductor) (from 1964-12-07 until 1964-12-08, on 1964-12-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1964-12-07 until 1964-12-08, on 1964-12-10)
recording of:
Suite pastorale: I. Idylle (from 1964-12-07 until 1964-12-08)
orchestrator:
Emmanuel Chabrier (composer)
composer:
Emmanuel Chabrier (composer) (in 1880)
version of:
Pièce pittoresque no. 6: Idylle
part of:
Suite pastorale
recording of:
Suite pastorale: I. Idylle (on 1964-12-10)
orchestrator:
Emmanuel Chabrier (composer)
composer:
Emmanuel Chabrier (composer) (in 1880)
version of:
Pièce pittoresque no. 6: Idylle
part of:
Suite pastorale
Emmanuel Chabrier4:53
93Czech Suite, op. 39: 4. Romanza (Andante con moto)
engineer:
Colin Moorfoot (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1980-05-30 until 1980-06-03)
conductor:
Antal Doráti (conductor) (from 1980-05-30 until 1980-06-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1980-05-30 until 1980-06-03)
recording of:
Tschechische Suite D-Dur, op. 39: IV. Romanze. Andante con moto (from 1980-05-30 until 1980-06-03)
composer:
Antonín Dvořák (composer) (in 1879)
part of:
Tschechische Suite D-Dur, op. 39 (Czech Suite in D major, op. 39, B. 93)
Antonín Dvořák5:22
94Romeo and Juliet, Ballet Suite, op. 64a, no. 1: 6. Romeo and Juliet
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Сергей Сергеевич Прокофьев7:40
95Extase
recording engineer:
Arthur Lilley (engineer) (on 1972-06-13)
producer:
Raymond Few (Ray Few, producer)
solo horn:
David Gray (hornist) (on 1972-06-13)
orchestra:
London Symphony Orchestra (on 1972-06-13)
conductor:
Leopold Stokowski (conductor) (on 1972-06-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1972-06-13)
recording of:
Extase (orch. Stokowski) (on 1972-06-13)
orchestrator:
Leopold Stokowski (conductor)
composer:
Henri Duparc (French composer)
orchestration of:
Extase
Henri Duparc3:11
96Two Aquarelles: Gaily, but not too quick
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
orchestrator:
Eric Fenby
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Two Aquarelles: II. Gaily, but not quick (in 1968-05)
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: II. Gaily but not quick
part of:
Two Aquarelles
Frederick Delius2:34
97Jeux d'eau, M.30
producer:
Michael Woolcock (producer)
piano:
Pascal Rogé (pianist) (in 1974-12)
balance engineer:
Philip Wade (engineer) (in 1974-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-12)
recording of:
Jeux d’eau (in 1974-12)
composer:
Maurice Ravel (French composer) (in 1901)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (on 1902-04-05)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 30)
Maurice Ravel5:48
98La Navaraisse: Nocturne
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La Navarraise : Acte I. Nocturne
composer:
Jules Massenet (French Romantic composer)
part of:
La Navarraise
Jules Massenet3:16
99A Village Romeo and Juliet, Music Drama in six scenes: The Walk to the Paradise Garden
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-01-27 until 1977-01-28)
conductor:
Sir Neville Marriner (conductor) (from 1977-01-27 until 1977-01-28)
balance engineer:
Martin Atkinson (engineer) (in 1977-01) and John Dunkerley (engineer) (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-01-27 until 1977-01-28)
recording of:
A Village Romeo and Juliet, RT I/6: Scene 5: IV. The walk to the Paradise Garden (from 1977-01-27 until 1977-01-28)
composer:
Frederick Delius (English composer)
part of:
A Village Romeo and Juliet, RT I/6
Frederick Delius8:43
100Holberg Suite, op. 40: 2. Sarabande (Andante)
orchestra:
Academy of St Martin in the Fields (in 1984-10)
conductor:
Sir Neville Marriner (conductor) (in 1984-10)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra) (in 1984-10)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:38
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