Simon Rattle: The CBSO Years

~ Release by City of Birmingham Symphony Orchestra, Simon Rattle (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Mša glagolskaja: I. Úvod
producer:
John Willan (producer)
organ:
John Parker-Smith
bass vocals:
Malcolm King (operatic bass)
choir vocals:
City of Birmingham Symphony Orchestra Chorus
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano)
soprano vocals:
Felicity Palmer (mezzo-soprano)
tenor vocals:
John Mitchinson (tenor)
orchestra:
City of Birmingham Symphony Orchestra (from 1981-01-09 until 1981-01-10)
conductor:
Simon Rattle (conductor) (from 1981-01-09 until 1981-01-10)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: VIII. Intrada (sometimes also played at the beginning) (from 1981-01-09 until 1981-01-10)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček3:21
2Mša glagolskaja: II. Gospodi pomiluj
producer:
John Willan (producer)
organ:
John Parker-Smith
bass vocals:
Malcolm King (operatic bass)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1981-01-09 until 1981-01-10)
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano)
soprano vocals:
Dame Felicity Palmer (mezzo-soprano) (from 1981-01-09 until 1981-01-10)
tenor vocals:
John Mitchinson (tenor)
orchestra:
City of Birmingham Symphony Orchestra (from 1981-01-09 until 1981-01-10)
conductor:
Simon Rattle (conductor) (from 1981-01-09 until 1981-01-10)
chorus master:
Nicholas Cleobury (conductor) (from 1981-01-09 until 1981-01-10)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: II. Gospodi pomiluj (from 1981-01-09 until 1981-01-10)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček3:08
3Mša glagolskaja: III. Slava
producer:
John Willan (producer)
organ:
John Parker-Smith
bass vocals:
Malcolm King (operatic bass)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1981-01-09 until 1981-01-10)
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano)
soprano vocals:
Dame Felicity Palmer (mezzo-soprano) (from 1981-01-09 until 1981-01-10)
tenor vocals:
John Mitchinson (tenor) (from 1981-01-09 until 1981-01-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1981-01-09 until 1981-01-10)
conductor:
Simon Rattle (conductor) (from 1981-01-09 until 1981-01-10)
chorus master:
Nicholas Cleobury (conductor) (from 1981-01-09 until 1981-01-10)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: III. Slava (from 1981-01-09 until 1981-01-10)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček6:10
4Mša glagolskaja: IV. Vĕruju
producer:
John Willan (producer)
organ:
John Parker-Smith
bass vocals:
Malcolm King (operatic bass) (from 1981-01-09 until 1981-01-10)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1981-01-09 until 1981-01-10)
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano)
soprano vocals:
Felicity Palmer (mezzo-soprano)
tenor vocals:
John Mitchinson (tenor) (from 1981-01-09 until 1981-01-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1981-01-09 until 1981-01-10)
conductor:
Simon Rattle (conductor) (from 1981-01-09 until 1981-01-10)
chorus master:
Nicholas Cleobury (conductor) (from 1981-01-09 until 1981-01-10)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: IV. Věruju (from 1981-01-09 until 1981-01-10)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček11:13
5Mša glagolskaja: V. Svet
producer:
John Willan (producer)
organ:
John Parker-Smith
bass vocals:
Malcolm King (operatic bass) (from 1981-01-09 until 1981-01-10)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1981-01-09 until 1981-01-10)
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano) (from 1981-01-09 until 1981-01-10)
soprano vocals:
Dame Felicity Palmer (mezzo-soprano) (from 1981-01-09 until 1981-01-10)
tenor vocals:
John Mitchinson (tenor) (from 1981-01-09 until 1981-01-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1981-01-09 until 1981-01-10)
conductor:
Simon Rattle (conductor) (from 1981-01-09 until 1981-01-10)
chorus master:
Nicholas Cleobury (conductor) (from 1981-01-09 until 1981-01-10)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: V. Svet (from 1981-01-09 until 1981-01-10)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček5:49
6Mša glagolskaja: VI. Agneče Božij
producer:
John Willan (producer)
organ:
John Parker-Smith
bass vocals:
Malcolm King (operatic bass) (from 1981-01-09 until 1981-01-10)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1981-01-09 until 1981-01-10)
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano) (from 1981-01-09 until 1981-01-10)
soprano vocals:
Dame Felicity Palmer (mezzo-soprano) (from 1981-01-09 until 1981-01-10)
tenor vocals:
John Mitchinson (tenor) (from 1981-01-09 until 1981-01-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1981-01-09 until 1981-01-10)
conductor:
Simon Rattle (conductor) (from 1981-01-09 until 1981-01-10)
chorus master:
Nicholas Cleobury (conductor) (from 1981-01-09 until 1981-01-10)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: VI. Agneče Božij (from 1981-01-09 until 1981-01-10)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček5:00
7Mša glagolskaja: VII. Postludium: Varhany sólo
producer:
John Willan (producer)
organ:
John Parker-Smith and Jane Parker‐Smith (organist) (from 1981-01-09 until 1981-01-10)
bass vocals:
Malcolm King (operatic bass)
choir vocals:
City of Birmingham Symphony Orchestra Chorus
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano)
soprano vocals:
Felicity Palmer (mezzo-soprano)
tenor vocals:
John Mitchinson (tenor)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: VII. Varhany sólo (from 1981-01-09 until 1981-01-10)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček2:36
8Mša glagolskaja: VIII. Intrada
producer:
John Willan (producer)
organ:
John Parker-Smith
bass vocals:
Malcolm King (operatic bass)
choir vocals:
City of Birmingham Symphony Orchestra Chorus
mezzo-soprano vocals:
Ameral Gunson (mezzo-soprano)
soprano vocals:
Felicity Palmer (mezzo-soprano)
tenor vocals:
John Mitchinson (tenor)
orchestra:
City of Birmingham Symphony Orchestra (from 1981-01-09 until 1981-01-10)
conductor:
Simon Rattle (conductor) (from 1981-01-09 until 1981-01-10)
balance engineer:
Michael Sheady (engineer) (from 1981-01-09 until 1981-01-10)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1981-01-09 until 1981-01-10)
recording of:
Glagolská mše: VIII. Intrada (sometimes also played at the beginning)
composer:
Leoš Janáček (Czech composer)
part of:
Glagolská mše (Glagolitic Mass)
Leoš Janáček1:51
9War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam dona esi Domine (chorus/boys)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
Boys of Christ Church Cathedral, Oxford (from 1983-02-27 until 1983-03-04) and City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Francis Grier (composer, organist and choir director) (from 1983-02-27 until 1983-03-04) and Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
recording of:
War Requiem, op. 66: I. Requiem aeternam
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (from 1917-09 until 1917-10)
part of:
War Requiem, op. 66
Benjamin Britten6:09
10War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? (tenor)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
tenor vocals:
Robert Tear (tenor) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
recording of:
War Requiem, op. 66: I. Requiem aeternam (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (from 1917-09 until 1917-10)
part of:
War Requiem, op. 66
Benjamin Britten2:21
11War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison (chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: I. Requiem aeternam (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (from 1917-09 until 1917-10)
part of:
War Requiem, op. 66
Benjamin Britten1:25
2▼CD
#TitleArtistRatingLength
1War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:59
2War Requiem, op. 66: II. Dies irae. Bugles sang, saddening the evening air (baritone)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten2:46
3War Requiem, op. 66: II. Dies irae. Liber scriptus proferetur (soprano/semi-chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
soprano vocals:
Elisabeth Söderström (soprano) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten2:47
4War Requiem, op. 66: II. Dies irae. Out there, we've walked quite friendly up to Death (tenor/baritone)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-02-27 until 1983-03-04)
tenor vocals:
Robert Tear (tenor) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten1:46
5War Requiem, op. 66: II. Dies irae. Recordare Jesu pie (chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten4:44
6War Requiem, op. 66: II. Dies irae. Be slowly lifted up, thou long black arm (baritone)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten1:53
7War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten1:18
8War Requiem, op. 66: II. Dies irae. Lacrimosa dies illa (soprano/chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
soprano vocals:
Elisabeth Söderström (soprano) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten2:05
9War Requiem, op. 66: II. Dies irae. Move him into the sun (tenor/soprano/chorus) / Pie Jesu (chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
soprano vocals:
Elisabeth Söderström (soprano) (from 1983-02-27 until 1983-03-04)
tenor vocals:
Robert Tear (tenor) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: II. Dies irae (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten5:56
10War Requiem, op. 66: III. Offertorium. Domine Jesu Christe (boys/chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
Boys of Christ Church Cathedral, Oxford (from 1983-02-27 until 1983-03-04) and City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Francis Grier (composer, organist and choir director) (from 1983-02-27 until 1983-03-04) and Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
recording of:
War Requiem, op. 66: III. Offertorium (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:34
11War Requiem, op. 66: III. Offertorium. So Abram rose, and clave the wood, and went (tenor/baritone/boys)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-02-27 until 1983-03-04)
choir vocals:
Boys of Christ Church Cathedral, Oxford (from 1983-02-27 until 1983-03-04)
tenor vocals:
Robert Tear (tenor) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Francis Grier (composer, organist and choir director) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: III. Offertorium (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten6:16
12War Requiem, op. 66: IV. Sanctus. Sanctus, sanctus, sanctus (soprano/chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
soprano vocals:
Elisabeth Söderström (soprano) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: IV. Sanctus (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:19
13War Requiem, op. 66: IV. Sanctus. Benedictus qui venit in nomine Domini (soprano/chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
soprano vocals:
Elisabeth Söderström (soprano) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: IV. Sanctus (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten2:53
14War Requiem, op. 66: IV. Sanctus. After the blast of lightning from the East (baritone)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: IV. Sanctus (from 1983-02-27 until 1983-03-03)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:43
15War Requiem, op. 66: V. Agnus Dei (tenor/chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
tenor vocals:
Robert Tear (tenor) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
recording of:
War Requiem, op. 66: V. Agnus Dei (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:45
16War Requiem, op. 66: VI. Libera me. Libera me, Domine, de morte aeterna (soprano/chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
soprano vocals:
Elisabeth Söderström (soprano) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: VI. Libera me (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (in 1918)
part of:
War Requiem, op. 66
Benjamin Britten7:34
17War Requiem, op. 66: VI. Libera me. It seemed that out of battle I escaped (tenor/baritone)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-02-27 until 1983-03-04)
tenor vocals:
Robert Tear (tenor) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: VI. Libera me (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (in 1918)
part of:
War Requiem, op. 66
Benjamin Britten9:48
18War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum" (tenor/baritone/boys/soprano/chorus)
chamber organ:
Mark Blatchly (from 1983-02-27 until 1983-03-04)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-02-27 until 1983-03-04)
choir vocals:
Boys of Christ Church Cathedral, Oxford (from 1983-02-27 until 1983-03-04) and City of Birmingham Symphony Orchestra Chorus (from 1983-02-27 until 1983-03-04)
soprano vocals:
Elisabeth Söderström (soprano) (from 1983-02-27 until 1983-03-04)
tenor vocals:
Robert Tear (tenor) (from 1983-02-27 until 1983-03-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-02-27 until 1983-03-04)
conductor:
Simon Rattle (conductor) (from 1983-02-27 until 1983-03-04)
chorus master:
Francis Grier (composer, organist and choir director) (from 1983-02-27 until 1983-03-04) and Simon Halsey (conductor) (from 1983-02-27 until 1983-03-04)
partial recording of:
War Requiem, op. 66: VI. Libera me (from 1983-02-27 until 1983-03-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (in 1918)
part of:
War Requiem, op. 66
Benjamin Britten5:25
3▼CD
#TitleArtistRatingLength
1An American Overture
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Simon Rattle (conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Occasional Overture, op. 27 "An American Overture" (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1941)
part of:
Works of Benjamin Britten by opus number (number: op. 27)
Benjamin Britten10:31
2Ballad of Heroes, op. 14: I. Funeral March (Swingler) -
producer:
David R. Murray
choir vocals:
City of Birmingham Symphony Chorus (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Ballad of Heroes, op. 14: I. Funeral March (from 1990-07-15 until 1990-07-17)
lyricist:
Randall Swingler
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Ballad of Heroes, op. 14
Benjamin Britten5:47
3Ballad of Heroes, op. 14: II. Scherzo (Auden) -
producer:
David R. Murray
choir vocals:
City of Birmingham Symphony Chorus (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Ballad of Heroes, op. 14: II. Scherzo: Dance of Death (from 1990-07-15 until 1990-07-17)
lyricist:
W. H. Auden
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Ballad of Heroes, op. 14
Benjamin Britten4:24
4Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler)
producer:
David R. Murray
choir vocals:
City of Birmingham Symphony Chorus (from 1990-07-15 until 1990-07-17)
tenor vocals:
Robert Tear (tenor) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Ballad of Heroes, op. 14: III. Recitative and Choral (from 1990-07-15 until 1990-07-17)
lyricist:
W. H. Auden and Randall Swingler
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Ballad of Heroes, op. 14
Benjamin Britten6:24
5Diversions, op. 21 for Piano (left hand) and Orchestra: Theme -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Theme (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:20
6Diversions, op. 21 for Piano (left hand) and Orchestra: Var I: Recitative -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:39
7Diversions, op. 21 for Piano (left hand) and Orchestra: Var. II: Romance -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:20
8Diversions, op. 21 for Piano (left hand) and Orchestra: Var III. Variation 3: March -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:15
9Diversions, op. 21 for Piano (left hand) and Orchestra: Var IV: Arabesque -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:50
10Diversions, op. 21 for Piano (left hand) and Orchestra: Var V: Chant -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:48
11Diversions, op. 21 for Piano (left hand) and Orchestra: Var VI: Nocturne -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten2:00
12Diversions, op. 21 for Piano (left hand) and Orchestra: Var VII: Badinerie -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:21
13Diversions, op. 21 for Piano (left hand) and Orchestra: Var VIII: Burlesque -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten1:37
14Diversions, op. 21 for Piano (left hand) and Orchestra: Var IX: Toccata I - Toccata II - Cadenza -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten2:50
15Diversions, op. 21 for Piano (left hand) and Orchestra: Var X: Adagio -
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten4:00
16Diversions, op. 21 for Piano (left hand) and Orchestra: Var XI: Finale (Tarantella)
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist) (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Diversions for Piano Left Hand and Orchestra, op. 21
Benjamin Britten2:42
17The Building of the House, op. 79
producer:
David R. Murray
choir vocals:
City of Birmingham Symphony Chorus (from 1990-07-15 until 1990-07-17)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
recording of:
The Building of the House, op. 79 (for chorus and orchestra) (from 1990-07-15 until 1990-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1967-01 until 1967-03-16)
premiered at:
Opening of The Snape Maltings Concert Halls (1967-06-02)
part of:
Works of Benjamin Britten by opus number (number: op. 79)
Benjamin Britten5:08
18Praise We Great Men (ed. & orch. by Colin Matthews): Praide we great men -
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
Benjamin Britten3:30
19Praise We Great Men (ed. & orch. by Colin Matthews): Praise we the just -
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
Benjamin Britten2:22
20Praise We Great Men (ed. & orch. by Colin Matthews): (Coda)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-07-15 until 1990-07-17)
conductor:
Simon Rattle (conductor) (from 1990-07-15 until 1990-07-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-07-15 until 1990-07-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-07-15 until 1990-07-17)
Benjamin Britten1:35
21Suite on English Folk Tunes "A Time There Was", op. 90: I. Cakes and Ale
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Simon Rattle (conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
A Suite on English Folk Tunes, op. 90 "A Time There Was": I. Cakes and Ale (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1974)
part of:
A Suite on English Folk Tunes, op. 90 "A Time There Was"
Benjamin Britten2:34
22Suite on English Folk Tunes "A Time There Was", op. 90: II. The Bitter Withy
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Simon Rattle (conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
A Suite on English Folk Tunes, op. 90 "A Time There Was": II. The Bitter Withy (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1974)
part of:
A Suite on English Folk Tunes, op. 90 "A Time There Was"
Benjamin Britten2:57
23Suite on English Folk Tunes "A Time There Was", op. 90: III. Hankin Booby
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Simon Rattle (conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
A Suite on English Folk Tunes, op. 90 "A Time There Was": III. Hankin Booby (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1974)
part of:
A Suite on English Folk Tunes, op. 90 "A Time There Was"
Benjamin Britten2:31
24Suite on English Folk Tunes "A Time There Was", op. 90: IV. Hunt the Squirrel
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Simon Rattle (conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
A Suite on English Folk Tunes, op. 90 "A Time There Was": IV. Hunt the Squirrel (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1974)
part of:
A Suite on English Folk Tunes, op. 90 "A Time There Was"
Benjamin Britten1:18
25Suite on English Folk Tunes "A Time There Was", op. 90: V. Lord Melbourne
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Simon Rattle (conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
A Suite on English Folk Tunes, op. 90 "A Time There Was": V. Lord Melbourne (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1974)
part of:
A Suite on English Folk Tunes, op. 90 "A Time There Was"
Benjamin Britten5:25
4▼CD
#TitleArtistRatingLength
1Canadian Carnival, op. 19
producer:
John Willan (producer)
trumpet:
Wesley Warren
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
Canadian Carnival, op. 19 (from 1982-04-22 until 1982-04-23)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Works of Benjamin Britten by opus number (number: op. 19)
Benjamin Britten14:03
2Young Apollo, op. 16
producer:
John Willan (producer)
cello:
Michal Kaznowski (classical cellist) (from 1982-04-22 until 1982-04-23)
piano:
Peter Donohoe (British classical pianist) (from 1982-04-22 until 1982-04-23)
viola:
Peter Cole (from 1982-04-22 until 1982-04-23)
violin:
Jeremy Ballard (from 1982-04-22 until 1982-04-23) and Felix Kok (South African-British violinist) (from 1982-04-22 until 1982-04-23)
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
Young Apollo, op. 16 (from 1982-04-22 until 1982-04-23)
composer:
Benjamin Britten (English composer, conductor, and pianist) (until 1939)
dedicated to:
Александр Чухалдин (violinist, conductor, and composer)
premiered at:
CBC Radio's Melodic Strings (1939-08-27)
publisher:
Faber Music
was commissioned by:
Canadian Broadcasting Corporation
part of:
Works of Benjamin Britten by opus number (number: op. 16)
Benjamin Britten7:41
3Quatre Chansons françaises: No. 1. Les Nuits de Juin
producer:
John Willan (producer)
soprano vocals:
Jill Gomez (soprano) (from 1982-04-22 until 1982-04-23)
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
Nuits de juin (from 1982-04-22 until 1982-04-23)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1928 to present)
part of:
Quatre chansons françaises
Benjamin Britten2:50
4Quatre Chansons françaises: No. 2. Sagesse
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
Sagesse (from 1982-04-22 until 1982-04-23)
lyricist:
Paul Verlaine (French poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1928)
part of:
Quatre chansons françaises
Benjamin Britten2:50
5Quatre Chansons françaises: No. 3. L'Enfance
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
L'Enfance (from 1982-04-22 until 1982-04-23)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1928)
part of:
Quatre chansons françaises
Benjamin Britten4:31
6Quatre Chansons françaises: No. 4. Chanson d'automne
producer:
John Willan (producer)
soprano vocals:
Jill Gomez (soprano)
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
Chanson d'automne (from 1982-04-22 until 1982-04-23)
lyricist:
Paul Verlaine (French poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1928)
part of:
Quatre chansons françaises
Benjamin Britten2:30
7Scottish Ballad, op. 26
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
Scottish Ballad, op. 26 (from 1982-04-22 until 1982-04-23)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Works of Benjamin Britten by opus number (number: op. 26)
Benjamin Britten15:23
8Occasional Overture, op. 38
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Simon Rattle (conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Occasional Overture, op. 38 (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1941)
part of:
Works of Benjamin Britten by opus number (number: op. 38)
Benjamin Britten7:17
9Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben marcato -
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Sinfonia da Requiem, op. 20: I. Lachrymosa. Andante ben misurato (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
Benjamin Britten8:39
10Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
Benjamin Britten5:23
11Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
Benjamin Britten6:27
5▼CD
#TitleArtistRatingLength
1Die sieben Todsünden: Prolog
producer:
John Willan (producer)
soprano vocals:
Elise Ross (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:31
2Die sieben Todsünden: I. Faulheit (Family)
producer:
John Willan (producer)
baritone vocals:
Michael Rippon (operatic bass) (on 1982-09-07)
bass vocals:
John Tomlinson (English operatic bass) (on 1982-09-07)
tenor vocals:
Ian Caley (british operatic tenor) (on 1982-09-07) and Anthony Rolfe Johnson (tenor) (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:49
3Die sieben Todsünden: II. Stolz (Anna I / Family)
producer:
John Willan (producer)
baritone vocals:
Michael Rippon (operatic bass) (on 1982-09-07)
bass vocals:
John Tomlinson (English operatic bass) (on 1982-09-07)
soprano vocals:
Elise Ross (on 1982-09-07)
tenor vocals:
Ian Caley (british operatic tenor) (on 1982-09-07) and Anthony Rolfe Johnson (tenor) (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:28
4Die sieben Todsünden: III. Zorn (Anna I & II / Family)
producer:
John Willan (producer)
baritone vocals:
Michael Rippon (operatic bass) (on 1982-09-07)
bass vocals:
John Tomlinson (English operatic bass) (on 1982-09-07)
soprano vocals:
Elise Ross (on 1982-09-07)
tenor vocals:
Ian Caley (british operatic tenor) (on 1982-09-07) and Anthony Rolfe Johnson (tenor) (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:24
5Die sieben Todsünden: IV. Völlerei (Family)
producer:
John Willan (producer)
baritone vocals:
Michael Rippon (operatic bass) (on 1982-09-07)
bass vocals:
John Tomlinson (English operatic bass) (on 1982-09-07)
tenor vocals:
Ian Caley (british operatic tenor) (on 1982-09-07) and Anthony Rolfe Johnson (tenor) (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:25
6Die sieben Todsünden: V. Unzucht (Anna I & II / Family)
producer:
John Willan (producer)
baritone vocals:
Michael Rippon (operatic bass) (on 1982-09-07)
bass vocals:
John Tomlinson (English operatic bass) (on 1982-09-07)
soprano vocals:
Elise Ross (on 1982-09-07)
tenor vocals:
Ian Caley (british operatic tenor) (on 1982-09-07) and Anthony Rolfe Johnson (tenor) (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:37
7Die sieben Todsünden: VI. Habsucht (Family)
producer:
John Willan (producer)
baritone vocals:
Michael Rippon (operatic bass) (on 1982-09-07)
bass vocals:
John Tomlinson (English operatic bass) (on 1982-09-07)
tenor vocals:
Ian Caley (british operatic tenor) (on 1982-09-07) and Anthony Rolfe Johnson (tenor) (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:10
8Die sieben Todsünden: VII. Neid (Anna I / Family)
producer:
John Willan (producer)
baritone vocals:
Michael Rippon (operatic bass) (on 1982-09-07)
bass vocals:
John Tomlinson (English operatic bass) (on 1982-09-07)
soprano vocals:
Elise Ross (on 1982-09-07)
tenor vocals:
Ian Caley (british operatic tenor) (on 1982-09-07) and Anthony Rolfe Johnson (tenor) (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:31
9Die sieben Todsünden: Epilog (Anna I & II)
producer:
John Willan (producer)
soprano vocals:
Elise Ross (on 1982-09-07)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-09-07)
conductor:
Simon Rattle (conductor) (on 1982-09-07)
balance engineer:
Stuart Eltham (engineer) (on 1982-09-07)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (on 1982-09-07)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (on 1982-09-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:40
10On Wenlock Edge: No. 1. On Wenlock Edge
producer:
John Willan (producer)
tenor vocals:
Robert Tear (tenor) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
On Wenlock Edge: I. "On Wenlock Edge" (orchestral version) (from 1983-05-26 until 1983-05-27)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams3:48
11On Wenlock Edge: No. 2. From Far, From Eve and Morning
producer:
John Willan (producer)
tenor vocals:
Robert Tear (tenor) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
On Wenlock Edge: II. "From far, from eve and morning" (orchestral version) (from 1983-05-26 until 1983-05-27)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams2:00
12On Wenlock Edge: No. 3. Is My Team Ploughing
producer:
John Willan (producer)
tenor vocals:
Robert Tear (tenor) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
On Wenlock Edge: III. "Is my team ploughing" (orchestral version) (from 1983-05-26 until 1983-05-27)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams3:36
13On Wenlock Edge: No. 4. Oh, When I Was in Love With You
producer:
John Willan (producer)
tenor vocals:
Robert Tear (tenor) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
On Wenlock Edge: IV. "Oh, when I was in love with you" (orchestral version) (from 1983-05-26 until 1983-05-27)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams0:45
14On Wenlock Edge: No. 5. Bredon Hill
producer:
John Willan (producer)
tenor vocals:
Robert Tear (tenor) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
On Wenlock Edge: V. "Bredon Hill" (orchestral version) (from 1983-05-26 until 1983-05-27)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams7:09
15On Wenlock Edge: No. 6. Clun
producer:
John Willan (producer)
tenor vocals:
Robert Tear (tenor) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
On Wenlock Edge: VI. "Clun" (orchestral version) (from 1983-05-26 until 1983-05-27)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams3:08
16Song of Travel: No. 1. The Vagabond
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: I. "The Vagabond" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator and composer:
Ralph Vaughan Williams (English composer)
lyricist:
Robert Louis Stevenson (Scottish writer)
orchestration of:
Songs of Travel: I. The Vagabond
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams3:02
17Song of Travel: No. 2. Let Beauty Awake
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: II. "Let beauty awake" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: II. Let beauty awake
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams1:41
18Song of Travel: No. 3. The Roadside Fire
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: III. "The Roadside Fire" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator and composer:
Ralph Vaughan Williams (English composer)
lyricist:
Robert Louis Stevenson (Scottish writer)
orchestration of:
Songs of Travel: III. The Roadside Fire
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:21
19Song of Travel: No. 4. Youth and Love
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: IV. "Youth and Love" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: IV. Youth and Love
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams3:18
20Song of Travel: No. 5. In Dreams
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: V. "In Dreams" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: V. In Dreams
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:36
21Song of Travel: No. 6. The Infinite Shining Heavens
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: VI. "The infinite shining heavens" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: VI. The infinite shining heavens
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:06
22Song of Travel: No. 7. Whither Must I Wander
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: VII. "Whither must I wander" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: VII. Whither must I wander
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams3:50
23Song of Travel: No. 8. Bright Is the Ring of Words
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: VIII. "Bright is the ring of words" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator and composer:
Ralph Vaughan Williams (English composer)
lyricist:
Robert Louis Stevenson (Scottish writer)
orchestration of:
Songs of Travel: VIII. Bright is the ring of words
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams1:55
24Song of Travel: No. 9. I Have Trod the Upward and Downward Slope
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: IX. "I have trod the upward and the downward slope" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: IX. I have trod the upward and the downward slope
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:06
6▼CD
#TitleArtistRatingLength
1Symphonic Dances, op. 45: I. Non allegro
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-10-23)
conductor:
Simon Rattle (conductor) (on 1982-10-23)
balance engineer:
Mark Vigars (engineer) (on 1982-10-23)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (on 1982-10-23)
recording of:
Symphonic Dances, op. 45: I. Non allegro - Lento - Tempo I (on 1982-10-23)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1940)
part of:
Symphonic Dances, op. 45
Sergei Rachmaninov12:09
2Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse)
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-10-23)
conductor:
Simon Rattle (conductor) (on 1982-10-23)
balance engineer:
Mark Vigars (engineer) (on 1982-10-23)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (on 1982-10-23)
recording of:
Symphonic Dances, op. 45: II. Andante con moto. Tempo di valse (on 1982-10-23)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1940)
part of:
Symphonic Dances, op. 45
Sergei Rachmaninov10:04
3Symphonic Dances, op. 45: III. Lento assai - Allegro vivace
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (on 1982-10-23)
conductor:
Simon Rattle (conductor) (on 1982-10-23)
balance engineer:
Mark Vigars (engineer) (on 1982-10-23)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (on 1982-10-23)
recording of:
Symphonic Dances, op. 45: III. Lento assai — Allegro vivace (on 1982-10-23)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1940)
quotes music from:
Dies Irae (plainchant)
quotes music from:
Всенощное бдение, op. 37: 9. Благословен еси Господи (All-Night Vigil, op. 37: IX. Blessed Art Thou, O Lord)
part of:
Symphonic Dances, op. 45
Sergei Rachmaninov14:38
4Vocalise, op. 34 no. 14
producer:
John Willan (producer)
violin:
Felix Kok (South African-British violinist) (on 1983-02-28)
orchestra:
City of Birmingham Symphony Orchestra (on 1983-02-28)
conductor:
Simon Rattle (conductor) (on 1983-02-28)
balance engineer:
Mark Vigars (engineer) (on 1983-02-28)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (on 1983-02-28)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (on 1983-02-28)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninov7:00
5Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-04-27 until 1986-06-01)
conductor:
Simon Rattle (conductor) (from 1986-04-27 until 1986-06-01)
balance engineer:
Michael Sheady (engineer) (from 1986-04-27 until 1986-06-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1986-04-27 until 1986-06-01)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (from 1986-04-27 until 1986-06-01)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler23:54
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD
19▶CD
20▶CD
21▶CD
22▶CD
23▶CD
24▶CD
25▶CD
26▶CD
27▶CD
28▶CD
29▶CD
30▶CD
31▶CD
32▶CD
33▶CD
34▶CD
35▶CD
36▶CD
37▶CD
38▶CD
39▶CD
40▶CD
41▶CD
42▶CD
43▶CD
44▶CD
45▶CD
46▶CD
47▶CD
48▶CD
49▶CD
50▶CD
51▶CD
52▶CD