Favourite Collection

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

Aantekening het laatst bewerkt op 2023-10-22 12:26 UTC.

Nummerlijst

cd 1
#TitelArtiestWaarderingDuur
1Die Walküre: Akt III. The Ride of the Valkyries
orkest:
London Philharmonic Orchestra (LPO)
was dirigent:
Sir Adrian Boult (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
componist:
Richard Wagner (composer) (van 1854 tot 1856)
uitgever:
Schott Music International (publisher; do not use as label)
deel van:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner?:??
2The Marriage of Figaro: Act I. “Non più andrai”
baritonvocalen:
Claudio Desderi (baritone)
orkest:
London Philharmonic Orchestra (LPO)
was dirigent:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
3Cantata no. 147: “Jesu, Joy of Man’s Desiring”
orkest:
Academy of St Martin in the Fields
was dirigent:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1723-07-02)
tekstschrijver:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
deel van:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach?:??
4Champagne–Polka, op. 211
orkest:
Wiener Johann Strauss Orchester
was dirigent:
Willi Boskovsky (violinist and conductor)
recording of:
Champagner Polka, op. 211
componist:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
deel van:
Works of Johann Strauss Jr. by opus number (nummer: op. 211)
Johann Strauss?:??
5Lakmé: Act I. Flower DuetLéo Delibes?:??
6Canon in D major (Arr. Seiffert)
orkest:
Hallé Orchestra
was dirigent:
Maurice Handford (hornist/conductor)
recording of:
Canon and Gigue in D major: I. Canon (arr. Max Seiffert)
componist:
Johann Pachelbel (composer)
verzorgde het arrangement:
Max Seiffert
arrangement van:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
deel van:
Canon and Gigue in D major, T. 337 (arr. Max Seiffert)
Johann Pachelbel?:??
7Romeo and Juliet: Act I. Montagues and Capulets
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
was dirigent:
Efrem Kurtz (conductor)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets
componist:
Сергей Сергеевич Прокофьев (Sergej Prokofjev, Russian composer)
deel van:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev?:??
8Piano Concerto no. 1 in B‐flat minor op. 23: First Movement (opening)
piano:
Philip Fowke (pianist)
orkest:
London Philharmonic Orchestra (LPO)
was dirigent:
Wilfried Böttcher (conductor)
gedeeltelijk recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
componist:
Пётр Ильич Чайковский (Pjotr Iljitsj Tsjaikovski, Russian romantic composer) (van 1874-11 tot 1875-02)
deel van:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revisie van:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revisie van:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky?:??
9Boléro (Arr. Branca)
orkest:
Franck Pourcel et son orchestre
was dirigent:
Franck Pourcel
recording of:
Boléro (catch-all for arrangements)
componist:
Maurice Ravel (classical composer)
arrangement van:
Boléro
Maurice Ravel?:??
10The Mikado: Act I. “A Wand’ring Minstrel I”
tenorvocalen:
Richard Lewis (Welsh tenor)
vocalen:
Glyndebourne Festival Chorus
orkest:
Pro Arte Orchestra (UK orchestra 1955-1970: do not use for anonymous budget compilations)
was dirigent:
Sir Malcolm Sargent (conductor)
recording of:
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
componist:
Arthur Sullivan (Sir Arthur Sullivan, composer)
librettist:
William Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator)
deel van:
The Mikado: Act I
Arthur Sullivan?:??
11Gymnopédie no. 1
piano:
Angela Brownridge (pianist)
recording of:
Première Gymnopédie: Lent et douloureux (Gymnopédie no. 1)
componist:
Erik Satie (French composer) (van 1888-02 tot 1888-04)
deel van:
Gymnopédies
Erik Satie?:??
12The Magic Flute: Act II. “Papagena! Papageno!”
baritonvocalen:
Wolfgang Brendel (baritone)
sopraanvocalen:
Brigitte Lindner (soprano)
orkest:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
was dirigent:
Bernard Haitink (conductor)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
deel van:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart?:??
13Shepherd’s Hey
orkest:
Light Music Society Orchestra
was dirigent:
Sir Vivian Dunn
recording of:
Shepherd’s Hey (Morris dance tune)
componist:
Percy Grainger (Australian composer 1882–1961)
Percy Grainger?:??
14Suo Gan (Arr. Weldon)
orkest:
Hallé Orchestra
was dirigent:
Maurice Handford (hornist/conductor)
recording of:
Suo Gân (arr. Weldon)
tekstschrijver en componist:
[traditional] ([traditioneel], special purpose artist)
verzorgde het arrangement:
George Weldon (conductor)
arrangement van:
Suo Gân
[traditional]?:??
15Turandot: Act III. “Nessun dorma”
tenorvocalen:
Nicolai Gedda (tenor)
orkest:
Orchestra of the Royal Opera House, Covent Garden
was dirigent:
Giuseppe Patanè (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
componist:
Giacomo Puccini (Italian composer) (van 1921-03 tot 1924-03)
librettist:
Giuseppe Adami en Renato Simoni
uitgever:
Casa Ricordi BMG S.p.A. en Ed. G. Ricordi & Cia. SpA
deel van:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini?:??