Erlebniswelt Musik - Von damals bis heute

~ Release by [unknown] (see all versions of this release, 1 available)

Annotation

Technical Details
Product number:
ED 9153-08
ISMN13:
979-0-001-15734-6
ISBN13:
978-3-7957-0637-1
Weight:
1,07 kg
Pages:
255
Format:
21cm x 29.7cm
Binding:
Saddle-wire stitching

Annotation last modified on 2024-02-22 05:37 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Yoruba-Sprechtrommeln
0:44
2Spiel auf drei igbin-Trommeln (Ausschnitt)
1:35
3Lamidi Ayankunle: „Oriki für Shango"
2:22
4EletantenjagdgesangderPygmäenimlturi-Wald
1:21
5Spiel auf der Sansa der Pygmäen im Ituri-Wald (Ausschnitt)
1:35
6Spiel der Pygmäen auf dem Musikbogen (Ausschnitt)
1:25
7Spiel auf der Knochenflöte bei den Yekuana-Indianern in Venezuela
0:47
8Wolkengesang mit Holztrompeten- und Stocks
2:54
9Psalm 23 „Domini est terra et plenitudo" („Dem Herrn gehört die Erde")
1:34
10„Alleluia: Diessanctificatus"(„Alleluja, ein heiligerTag")
vocals:
Choralschola der Capella Antiqua München
conductor:
Konrad Ruhland
1:50
11„Intende qui regis Israel" („O höre, König Israel")
0:45
12ENIGMA (Michael Cretu): „Sadeness"
1:21
13Perotinus:„Videruntomnes"(Ausschnitt),
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
partial recording of:
Viderunt omnes
lyricist:
[traditional] (special purpose artist)
composer:
Pérotin (European composer, fl. c. 1200 CE)
is based on:
Viderunt omnes
2:20
14Fulbertus Episcopus Kartonensis
2:37
15Adam de la Halle: „Kum, kum, Geselle min
recording of:
Kum, kum, Geselle min
composer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
1:54
16Fürst Wizlaw von Rügen:
1:34
17Anonym (14. Jh.): „Salterello",
2:06
18MichaelPraetorius:„Indulcijubilo
3:45
19Guillaume Dufay: Hymnus „Veni creator spiritus"
recording of:
Veni Creator Spiritus
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
2:35
20Giovanni Gabrieli: „Canzona noni toni ä 12"
2:49
21Nikolaus Zangius: „Der Kölner Markt"
3:12
22Giovanni Pierluigi Palestrina: „Kyrie" aus der „Missa Papae Marcelli"
1:37
23Michael Praetorius: „Pavane de Spaigne" aus der Suite „Terpsichore"
1:17
24Michael Praetorius: „Gaillarde" aus der Suite „Terpsichore"
1:55
25Michael Praetorius: „Reprinse"
instruments, orchestra and performer:
Ulsamer Collegium
lute:
Konrad Ragossnig (lutenist)
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Staatliche Hochschule für Musik Würzburg in Würzburg, Bayern (Bavaria), Germany (in 1973)
recording of:
Terpsichore, No. 310: Reprinse secundam inferiorem à 4
composer:
[anonymous] (special purpose artist)
arranger:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
1:38
26Valentin Haußmann: „Catkanei"
lute:
Konrad Ragossnig (lutenist)
orchestra and performer:
Ulsamer Collegium
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Staatliche Hochschule für Musik Würzburg in Würzburg, Bayern (Bavaria), Germany (in 1973)
recording of:
Catkanei
composer:
Valentin Haussmann (composer)
0:50
27Pierre Phalese: „Allemande Bruynsmedelijn & Saltarello"
recording of:
Allemande Bruynsmedelijn & Saltarello
publisher:
Pierre Phalèse (Pierre Phalèse the Elder, Flemish music publisher in the 16th century)
1:56
28„Hallelujah" in einer Fassung, die Jazz- und Popelemente verwendet
5:57
29Händels „Hallelujah" als Live-Mitschnitt aus einem Gospel-Gottesdienst
2:58
30Johann Sebastian Bach: „Matthäuspassion"
1:34
31dto., Nr. 33: Chor „Sind Blitze, sind Donner in Wolken verschwunden"
0:46
32dto., Nr. 46: Evangelist und Petrus „Da hub er an sich zu verfluchen"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
1:56
33dto., Nr. 47: Alt-Arie „Erbarme dich" (Ausschnitt)
2:30
34dto., Nr. 73: Rezitativ (Evangelist) und Chor „Und siehe da, der Vorhang im Tempel zerriss"
0:47
35dto., Nr. 78: Schlusschor „Wir setzen uns mit Tränen nieder"
2:38
36Johann Sebastian Bach: „Die Kunst der Fuge", Schlussfug
1:46
37Johann Sebastian Bach: „Weihnachtsoratorium",
3:13
2▼CD
#TitleRatingLength
1Joseph Haydn: Sinfonie Nr. 101 D-Dur („Die Uhr"), Andante (Anfang)
2:47
2Wolfgang Amadeus Mozart: „Deutscher Tanz" KV 602
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Mozart-Ensemble (recorded for Decca) (in 1965-05)
conductor:
Willi Boskovsky (violinist and conductor) (in 1965-05)
balance engineer:
Gordon Parry (engineer) (in 1965-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1965-05)
recording of:
4 German Dances for Orchestra, K. 602: No. 3 in C major (in 1965-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
4 German Dances for Orchestra, K. 602
1:56
3Franz Schubert: „Die Forelle", Dietrich Fischer-Dieskau (Bariton)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1969-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-03)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (in 1969-03)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
2:02
4Franz Schubert: Klavierquintettop. 114 („Forellenquintett" D 667)
3:58
5Wolfgang Amadeus Mozart: „Don Giovanni" (1. Akt, 1. Szene „Keine Ruh bei Tag und Nacht")
5:37
6Wolfgang Amadeus Mozart: „Cosi fan tutte"
3:27
7WolfgangAmadeus Mozart: „DieZauberflöte"
3:11
8Choral „Uh immerTreu und Redlichkeit"
1:03
9Wolfgang Amadeus Mozart: „DieZauberflöte"
1:05
10Ludwig van Beethoven: „Fidelio" (2. Akt, Introduktion und Arie des Florestan
10:20
11dto. 2. Akt, Szene „Ist alles bereit" und Arie desPizarro„Ersterbe")
4:02
12Wolfgang Amadeus Mozart: Konzert für Klarinette und Orchester A-Dur
1:34
13Robert Schumann: „Romanze" op.28, Nr. 2, Falko Steinbach (Klavier)
3:43
14FredericChopin: Etüde E-Durop.10 Nr. 3, Maurizio Pollini (Klavier)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1972-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1972-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1972-01)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1972-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Études, op. 10
3:44
15Chopin/Ferra(VerlagCasarica):EtüdeE-Durop.10Nr.3ineinerPopfassung
2:15
16Isao Tomita/Modest Mussorgski: „Das große Tor von Kiew"
recording of:
Great Gate of Kiev (Isao Tomita version)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arranger:
冨田勲 (Isao Tomita)
arrangement of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
6:26
17Mussorgski/Lake: „The Great Gates of Kiev"
recording of:
The Great Gates of Kiev (arr. Emerson/Lake)
lyricist:
Greg Lake
composer:
Greg Lake and Mussorgsky (Modest Mussorgsky, composer)
arranger:
Keith Emerson
arrangement of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
5:27
18Edvard Grieg: „Norwegischer Tanz" op. 35 Nr. 2
2:41
19Antonin Dvoräk: „Slawischer Tanz" As-Dur, op. 46 Nr. 3
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1985-08)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1985-08, in 1986)
conductor:
Kurt Masur (conductor) (in 1985-08, in 1986)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1986)
recording of:
Slavonic Dances, op. 46, B. 83: No. 3 in A-flat major (Polka) (in 1985-08)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
4:45
20Felix Mendelssohn Bartholdy:„Hochzeitsmarsch"
4:08
3▼CD
#TitleRatingLength
1Felix MendelssohnBartholdy:„Rüpeltanz"
orchestra:
Budapest Philharmonic Orchestra
conductor:
János Kovács (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
1:52
2Georges Bizet: „Carmen", Lied des Escamillo „Euren Toast kann ich
baritone vocals [Escamillo]:
Robert Lauhöfer (German baritone) (in 1967)
baritone vocals [Morales]:
Bruno Aderhold (German baritone) (in 1967)
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (MDR Leipzig Radio Symphony Orchestra) (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 14 Torerolied: „Euren Toast kann ich wohl erwidern” – „Auf in den Kampf” (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) (in 1967)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
4:54
3Albert Lortzing: „Zar und Zimmermann", Lied des
6:37
4Johannes Brahms: „Ein deutsches Requiem",
5:57
5Hugo Wolf: „Der Feuerreiter", Dietrich Fischer-Dieskau (Bariton),
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 44. Der Feuerreiter "Sehet ihr am Fensterlein" (in 1973-06)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
4:52
6Erik Satie: „Le Bain de mer", aus: „Sports et divertissements"
engineer:
Roger Ducourtieux (engineer)
producer:
Eric Macleod (producer)
piano:
Aldo Ciccolini (pianist) (on 1983-12-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1983-12-01)
recording of:
Sports et divertissements : IX. Le Bain de mer (on 1983-12-01)
composer:
Erik Satie (French composer) (in 1914)
part of:
Sports et divertissements
0:41
7Erik Satie: „Les Quatre-Coins"
0:55
8Change-ringing einer Londoner Kirche (Privataufnahme) Dauer: 0:27
0:31
9Glockengeläut des Wiener Stephansdoms,
0:40
10Giselher Klebe: „Glockentürme" Op. 102 (1990)
9:06
11HelmutLachenmann:„Glockenturm"aus:
2:08
12Olivier Messiaen: „L'Alouette Lulu" aus:
piano:
Anatol Ugorski (pianist)
recording of:
Catalogue d’oiseaux, Book III, I/42: VI. L’Alouette-lulu
composer:
Olivier Messiaen (composer and organist) (from 1956-10 until 1958-09)
publisher:
Éditions Alphonse Leduc (in 1958)
part of:
Catalogue d’oiseaux, I/42
8:01
13Vogelstimmen: Nachtigall, auf:
1:06
14Vogelstimmen: Heidelerche, auf: Begleit-CD
0:58
15Jean-Ferry Rebel: „Rossignols", aus: „Les Elemens",
bassoon:
Hansjürg Lange (in 1980) and Jeremy Ward (UK classical bassoonist) (in 1980)
cello:
Anthony Pleeth (cellist) (in 1980) and Richard Webb (cellist) (in 1980)
double bass:
Peter McCarthy (double bassist) (in 1980)
flute:
Nicholas McGegan (in 1980)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1980)
natural horn:
William Prince (classical hornist) (in 1980) and Roderick Shaw (clarinet, horn, keyboard) (in 1980)
natural trumpet:
Michael Laird (classical trumpeter) (in 1980)
oboe:
Stanley King (Oboist) (in 1980) and Clare Shanks (oboist) (in 1980)
piccolo:
Stephen Preston (flutist) (in 1980)
timpani:
Charles Fulbrook (in 1980)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1980), Colin Kitching (in 1980) and Jan Schlapp (violist Janet Schlapp) (in 1980)
violin [First violins]:
June Baines (classical violinist) (in 1980), Miles Golding (violinist) (in 1980), Christopher Hirons (violinist) (in 1980), John Holloway (violinist/conductor) (in 1980), Monica Huggett (violinist) (in 1980), Catherine Mackintosh (violinist) (in 1980) and Rachael Isserlis (in 1980)
violin [Second violins]:
Stuart Deeks (classical violinist) (in 1980), Michaela Comberti (English violinist) (in 1980), Roderick Skeaping (in 1980), Simon Standage (English violinist and conductor) (in 1980), Kay Usher (in 1980) and Polly Waterfield (in 1980)
orchestra:
Academy of Ancient Music (in 1980)
recording of:
Les Élémens: V. Rossignols (in 1980)
composer:
Jean‐Féry Rebel (or Jean-Ferry Rebel, French Baroque composer and violinist) (in 1737)
part of:
Les Élémens
1:37
16Boris Blacher: Nr. 7 aus: „Ornamente.
1:30
17Wolfgang Amadeus Mozart: Arie des Papageno
producer:
Michael Haas (classical music producer)
baritone vocals [Papageno]:
Michael Kraus (bass-baritone) (from 1990-05 until 1990-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (conductor) (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (audio engineer) (from 1990-05 until 1990-12: baritone vocals)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1990-05 until 1990-12)
edit of:
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) by Michael Kraus (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:32
18Jean Frangaix: „Hommage ä l'ami Papageno"
8:51
19Heinz Holliger: „Schnee" aus dem Zyklus
3:42
20Henry Purcell: „King Arthur", 3. Akt, Nr. 20
2:57
21Claude Debussy: „Des pas sur la neige" aus:
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
4:57