NOW That’s What I Call 80s Dance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Ride on Time
Produzent(in):
Groove Groove Melody
Mix:
Daniele Davoli, Mirko Limoni und Valerio Semplici (Black Box)
Bassgitarre:
Raimondo Violi
Gitarre [rhythm guitar]:
Sauro Malavasi
conductor:
Daniele Davoli, Mirko Limoni und Valerio Semplici (Black Box)
arranger:
Daniele Davoli, Mirko Limoni und Valerio Semplici (Black Box)
phonographisches Urheberrecht (℗) von:
ZYX Music (in 1989)
Samples:
Love Sensation (LP version) von Loleatta Holloway
recording of:
Ride on Time
Verfasser(in):
Daniele Davoli, Dan Hartman, Mirko Limoni und Valerio Semplici (Black Box)
publisher:
Discomagic Records und Lombardoni Edizioni Musicali
quotes lyrics from:
Love Sensation
Black Box3.254:29
2Theme From S’Express
recording of:
Theme From S’Express
Texter und Komponist(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Mark Moore (DJ, producer, member of S’Express)
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory und Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) und Rhythm King Music (Publishing arm of Rhythm King Records)
basiert auf:
Is It Love You’re After
S’Express3:51
3The Only Way Is Up
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population3:52
4Pump Up the Volume
recording of:
Pump Up the Volume
Komponist(in):
Martyn Young und Steven Young (UK musician, member of Colourbox & MARRS)
Teil von:
American Psycho
MARRS4:58
5Pump Up the Jam
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic5:15
6People Hold On
Produzent(in):
Coldcut (Matt Black & Jonathan More)
Mix:
Mark Saunders (UK record producer)
Klavier:
Ian Devaney
Gast Sologesang und Gast vocals:
Lisa Stansfield
Hintergrundgesang:
Cleveland Watkiss
vocals:
Lisa Stansfield
Interpret(in):
Coldcut (Matt Black & Jonathan More) und Lisa Stansfield
recording of:
People Hold On
Verfasser(in):
Matthew Cohn (British DJ and one half of Coldcut), Jonathan More (of Coldcut) und Lisa Stansfield
publisher:
Big Life Music Ltd und BMG Publishing Ltd
Coldcut feat. Lisa Stansfield3.753:50
7Jack Your Body
Steve “Silk” Hurley3:12
8Dr. Beat
recording of:
Dr. Beat
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. und Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine4:14
9Hey DJ / I Can’t Dance (to That Music You’re Playing)
Produzent(in) und Mix:
The Beatmasters (British producer trio)
Gast sonstiger Gesang:
Betty Boo (British dance music singer-songwriter)
Hintergrundgesang [b.vox]:
Claudia Fontaine (vocals, background vocals)
Interpret(in):
Betty Boo (British dance music singer-songwriter)
mixed at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
produced at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
recording of:
Hey DJ / I Can’t Dance (to That Music You’re Playing)
Verfasser(in):
Alison Clarkson (British dance music singer-songwriter), Paul Carter (The Beatmasters), Debbie Dean, Amanda Glanfield, Deke Richards (American songwriter and record producer) und Richard Walmsley
basiert auf:
I Can’t Dance to That Music You’re Playing
The Beatmasters feat. Betty Boo3:12
10Love Can’t Turn Around
Farley "Jackmaster" Funk & Jesse Saunders feat. Darryl Pandy3:38
11Beat Dis
Produzent(in):
Bomb the Bass
phonographisches Urheberrecht (℗) von:
Rhythm King (in 1987)
recording of:
Beat Dis
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Tim Simenon
publisher:
Angel and Maverick LLP, Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships) und Rhythm King Music (Publishing arm of Rhythm King Records)
Bomb the Bass23:19
12Doctorin’ the House
vocals:
Yazz (UK pop singer Yasmin Marie Evans)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 73)
recording of:
Doctorin’ the House
Verfasser(in):
Matt Black (British DJ and one half of Coldcut), Jonathan More (of Coldcut), Winston Riley und Yazz (UK pop singer Yasmin Marie Evans)
Coldcut feat. Yazz & The Plastic Population53:44
13Got to Have Your Love
recording of:
Got to Have Your Love
Texter:
Bryce "Luvah" Wilson
Komponist(in):
Kirk Khaleel und Johnny D Rodriguez
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mantronix3:52
14Don’t Stop… Planet Rock
Afrika Bambaataa & Soulsonic Force5:18
15Double Dutch
recording of:
Double Dutch
Komponist(in):
Trevor Horn und Malcolm McLaren
Malcolm McLaren3:50
16(Hey You) The Rock Steady Crew
recording of:
(Hey You) The Rock Steady Crew
Verfasser(in):
Stephen Hague und Soldier B
Rock Steady Crew3.53:40
17Push It
recording of:
Push It
Verfasser(in):
Hurby Azor und Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. und Turn Out Brothers Publishing
Salt‐N‐Pepa4:15
18Buffalo Stance
recording of:
Buffalo Stance
Verfasser(in):
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) und Phil Ramacon (soul/R&B/reggae songwriter)
basiert auf:
Looking Good Diving With The Wild Bunch
Neneh Cherry3:56
19Stakker Humanoid
Humanoid3:35
20We Call It Acieed
recording of:
We Call It Acieed
Texter und Komponist(in):
Danny Poku (British DJ, producer, remixer and A&R)
D Mob feat. Gary Haisman3:14
2▼CD
Nr.TitelKünstlerBewertungLänge
1Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:36
3Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.54:37
4Chant No 1 (I Don’t Need This Pressure On)
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:02
5Love Action (I Believe in Love)
recording of:
Love Action (I Believe in Love)
Texter und Komponist(in):
Ian Burden und Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) und Virgin Music (Publishers) Ltd. (in 1981)
The Human League4:36
6You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:13
7A Little Respect
Techniker(in):
Bob Kraushaar
Produzent(in):
Stephen Hague
recording of:
A Little Respect
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony/ATV Music Publishing
Erasure43:29
8Don’t Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Communards with Sarah Jane Morris3.44:20
9Wake Me Up Before You Go Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:50
10Never Gonna Give You Up
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1986-10)
assistierende(r) Techniker(in):
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (am 1987-01-01)
Gitarre [guitars]:
Matt Aitken (in 1986-10)
Keyboard [keyboards]:
Matt Aitken (in 1986-10) und Mike Stock (of Stock Aitken Waterman) (in 1986-10)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1986-10)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) und Suzanne Rhatigan (in 1986-10)
Sologesang:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) und PWL (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
mixed at:
PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
Musikvideos:
Never Gonna Give You Up von Rick Astley (English singer, songwriter and radio personality)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Terrace Music (in 1987)
Rick Astley4.43:31
11Rapture
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Rapture (in 1980)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
Blondie3.64:56
12Pull Up to the Bumper
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3:37
13Annie, I’m Not Your Daddy
recording of:
Annie, I’m Not Your Daddy
Texter und Komponist(in):
August Darnell (singer, songwriter)
Kid Creole and the Coconuts6:12
14It’s Raining Men
Mix:
Randy Tominaga
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 36)
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:31
15Walk the Dinosaur
recording of:
Walk the Dinosaur
Verfasser(in):
Randy Jacobs (guitarist and songwriter), David Was und Don Was
publisher:
MCA Gilbey, MCA Music Ltd., MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi und Universal Music Corp. (USA, affiliated with ASCAP)
Was (Not Was)3:33
16The Loco
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute), PWL International Ltd. (in 1988) und KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Kylie Minogue3.53:12
17Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) und Mark McGuire (UK producer/engineer)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:20
18Feels Like I’m in Love
recording of:
Feels Like I’m in Love
Texter und Komponist(in):
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) und Satellite Music Ltd.
Kelly Marie3:19
19So Macho
recording of:
So Macho
Texter und Komponist(in):
James George Hargreaves
Sinitta3:23
20Tell It to My Heart
Produzent(in):
Ric Wake
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3.753:36
3▼CD
Nr.TitelKünstlerBewertungLänge
1Back to Life (However Do You Want Me)
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler3:45
2Good Life
recording of:
Good Life
Verfasser(in):
Paris Grey, Roy Holmon, Jackson, Ann Saunderson und Kevin Saunderson
publisher:
Drive On Music und Virgin Songs
Inner City3:55
3Teardrops
Womack & Womack3:48
4I Feel for You
cover recording of:
I Feel for You
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan34:11
5My Prerogative
Bobby Brown4:31
6Word Up!
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:19
7I.O.U.
recorded in:
New York, New York, Vereinigte Staaten (in 1983)
Produzent(in):
Arthur Baker (American record producer and DJ)
Interpret(in):
Freeez (1980s English electronic music group) (in 1983)
aufgenommen bei:
Unique Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1983)
recording of:
I.O.U.
Verfasser(in):
Arthur Baker (American record producer and DJ) und John Robie
publisher:
Shakin’ Baker Music
Freeez4.653:48
8Trapped
recording of:
Trapped
Verfasser(in):
Don Abrams und Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams4:03
9Ain’t Nothin’ Goin’ on but the Rent
recording of:
Ain’t Nothin’ Goin’ On but the Rent
Texter und Komponist(in):
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:25
10Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:49
11Criticize
recording of:
Criticize
Verfasser(in):
Jellybean Johnson und Alexander O’Neal
Alexander O’Neal4:03
12Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2)
Deniece Williams3.64:19
13Let’s Get Serious
Produzent(in):
Stevie Wonder
arranger:
Stevie Wonder
recording of:
Let’s Get Serious
Verfasser(in):
Lee Garrett und Stevie Wonder
Jermaine Jackson3:33
14Let’s Groove
recording of:
Let’s Groove
Verfasser(in):
Wayne Vaughn und Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Earth, Wind & Fire54:01
15Use It Up and Wear It Out
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
Bearbeitung von:
Use It Up and Wear It Out von Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
recording of:
Use It Up and Wear It Out
Verfasser(in):
Lawrence Russell Brown (lyricist) und Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.54:56
16Tribute (Right On)
recording of:
Tribute (Right On)
Verfasser(in):
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan und Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) und Island Music Ltd. (in 1988)
The Pasadenas4:22
17Dance Little Sister
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Bass:
Cass Lewis
Clavinet, Perkussion und Klavier und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Gitarre:
Pete Glenister, Christian Marsac und Blast Murray
Hammond-Orgel:
Nick Plytas
Keyboard:
Andy Whitmore
Saxophon:
Mel Collins
Schlagzeug:
Clive Mngaza
zusätzlich Hintergrundgesang:
Phil Legg, Misty Oldland und Martyn Ware
Interpret(in):
The Bojangles (Terence Trent D'Arby's backing band)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
Dance Little Sister
Texter und Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby23:54
18Straight Up
Koproduzent(in):
Keith Cohen
Produzent(in):
Elliot Wolff
arranger:
Elliot Wolff
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 11), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 64), The Downloader’s Music Source Book (Nummer: 90) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 361)
recording of:
Straight Up
Texter und Komponist(in):
Elliot Wolff
publisher:
Elliot Wolff Music und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul3.554:09
19Last Night a DJ Saved My Life
recording of:
Last Night a D.J. Saved My Life
Texter und Komponist(in):
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep54:31

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 31)
Wikidata:Q17016265 [Info]