Heroes: The Anthems

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Title on the spine is only "Heroes". Subtitle "The Anthems" is listed along with several of the artists appearing on the release.

Tracklisting transposes "Roadrunner" as an artist and "The Modern Lovers" as a title.

Annotation last modified on 2016-06-22 20:28 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Heroes
mastering:
Dr. Toby Mountain (American musician and mastering engineer)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
David Bowie (English singer‐songwriter), David Richards (Swiss-based producer and engineer) and Tony Visconti
bass:
George Murray (American bass guitarist)
guitar:
Carlos Alomar and Robert Fripp
guitar, keyboard and saxophone and lead vocals:
David Bowie (English singer‐songwriter)
keyboard and synthesizer:
Brian Eno
percussion:
Dennis Davis (drummer)
recorded at:
Hansa by the Wall in Berlin, Germany (from 1977-07-23 until 1977-08-08)
recording of:
“Heroes” (from 1977-07-23 until 1977-08-08)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
publisher:
BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers and Universal Music Publishing International MGB Ltd.
David Bowie3.73:37
2Cigarettes & Alcohol
engineer:
Mark Coyle, Anjali Dutt, Dave Scott (UK sound mixer & engineer) and Roy Spong
additional producer:
Owen Morris
producer:
Mark Coyle and Oasis (Noel & Liam Gallagher)
mixer:
Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set):
Tony McCarroll
electric guitar and background vocals:
Noel Gallagher
guitar:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
music videos:
Cigarettes & Alcohol by Oasis (Noel & Liam Gallagher)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 31)
recording of:
Cigarettes & Alcohol
lyricist and composer:
Noel Gallagher
Oasis3.64:50
3Rocks
additional engineer:
David Bianco (American engineer and record producer) and Jeffrey Reed
engineer:
David Bianco (American engineer and record producer) and Jeff Powell (engineer)
additional producer:
George Drakoulias
co-producer:
David Bianco (American engineer and record producer)
producer:
Tom Dowd
remixer:
George Drakoulias
phonographic copyright (℗) by:
Creation Records Ltd. (in 1994) and Sire Records Company (not for release label use!) (in 1994)
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Rocks
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:35
4Going Underground
recording of:
Going Underground
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam2:54
5Teenage Kicks
engineer:
Roger Bechirian
producer:
Roger Bechirian and The Undertones (Northern Irish punk rock band)
recorded at:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, United Kingdom
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 59)
recording of:
Teenage Kicks
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:25
6Gangsters
producer:
The Specials AKA (ska band)
recording of:
Gangsters
writer:
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter and Neville Staple
arranger:
Jerry Dammers
version of:
Al Capone
The Specials4.252:47
7You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (English pop singer) (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
guitar:
Harry Fryer (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.252:13
8Ever Fallen in Love (with Someone You Shouldn't've)
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
The Buzzcocks4.42:41
9Roadrunner
The Modern Lovers4:04
10The Bartender and the Thief
recording of:
The Bartender and the Thief
lyricist:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
composer:
Stuart Cable, Kelly Jones (Welsh guitarist vocalist for the Stereophonics) and Richard Jones (Welsh bassist for Stereophonics)
publisher:
PolyGram Island Music
Stereophonics43:07
11Another Girl Another Planet
The Only Ones3:00
12Real Wild Child (Wild One)
Iggy Pop3:32
13All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
cover recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:31
14E = Mc2
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
E=mc²
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite34:27
15The King of Rock 'n' Roll
recording of:
The King of Rock ’n’ Roll
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout3:50
16Pump It UpElvis Costello3:14
17Maggie May
producer:
Rod Stewart
recording of:
Maggie May
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4:57
18Pretty in Pink (From the original Motion Picture Soundtrack)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
Psychedelic Furs3:53
19She Sells Sanctuary
recording engineer:
"Syco" Steve Williams (UK recording engineer, aka Syco)
engineer:
Steve Brown (engineer/music producer) and Mark Stent (producer, engineer)
producer:
Steve Brown (engineer/music producer)
bass guitar, keyboard and strings:
Jamie Stewart (bassist with The Cult) (from 1985-07 until 1985-08)
guest drums (drum set):
Nigel Preston (British drummer) (from 1985-07 until 1985-08)
guitar:
William H Duffy (from 1985-07 until 1985-08)
vocals:
Ian Astbury (vocalist for The Cult) (from 1985-07 until 1985-08)
phonographic copyright (℗) by:
Beggars Banquet Ltd. (publisher, copyright company) (in 1985)
recorded at:
Jacobs Studios in Farnham, Surrey, England, United Kingdom (from 1985-07 until 1985-08) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1985-07 until 1985-08)
mixed at:
Dean Street Studios in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
She Sells Sanctuary by The Cult (British rock band)
part of:
TV Cream: Real 100 Best Singles Ever (number: 25)
recording of:
She Sells Sanctuary (from 1985-07 until 1985-08)
writer:
Ian Astbury (vocalist for The Cult) and Billy Duffy
publisher:
Chappell Music Ltd.
The Cult4.154:21
2CD
#TitleArtistRatingLength
1No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:28
2Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:08
3Don't Look Back in Anger
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set) and percussion:
Alan White (Oasis drummer)
electric guitar [lead guitar] and lead vocals:
Noel Gallagher
electric guitar [rhythm guitar] and Hammond organ:
Paul Arthurs ("Bonehead", Oasis)
piano:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
tambourine:
Liam Gallagher (English musician, lead singer of Oasis)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Don’t Look Back in Anger by Oasis (Noel & Liam Gallagher)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 45)
recording of:
Don’t Look Back in Anger
lyricist and composer:
Noel Gallagher
Oasis4.34:48
4Like a Rolling Stone
recording of:
Like a Rolling Stone
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Dylan6:07
5Lazy Sunday
producer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
phonographic copyright (℗) by:
Sanctuary Copyrights Ltd. (in 1968)
recording of:
Lazy Sunday
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Partnership Music Ltd. (ended) and EMI United Partnership Ltd.
Small Faces3.353:07
6Cum on Feel the Noize
producer:
Bryan “Chas” Chandler
part of:
Q50 – December 2005 (number: 34)
recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4.154:30
7Sex & Drugs & Rock 'n' Roll
drums (drum set):
Charley Charles (UK drummer) (in 1976)
electric bass guitar:
Norman Watt-Roy (in 1976)
electric guitar:
Chaz Jankel (English musician and songwriter) (in 1976)
lead vocals:
Ian Dury (in 1976)
phonographic copyright (℗) by:
Stiff Records (in 1977) and Templemill Music Ltd (in 1977)
recorded at:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, United Kingdom (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury & the Blockheads3.83:12
8A Design for Life
engineer and mixer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 30) and 168 Songs of Hatred and Failure (playlist) (number: 41)
recording of:
A Design for Life
lyricist:
Nicky Wire
composer:
James Dean Bradfield and Sean Moore (Manic Street Preachers)
publisher:
Sony/ATV Music Publishing LLC (1995–2020)
Manic Street Preachers3.74:17
9Buck Rogers
programming:
John Dunne and Mark Phythian
additional engineer:
Matt Sime
engineer:
Adrian Bushby, Matt Sime and Danton Supple
producer:
Gil Norton (British record producer)
mixer:
Jack Joseph Puig
bass guitar:
Taka Hirose
drums (drum set) and percussion:
Jon Henry Lee (Former drummer with Feeder)
guitar and keyboard:
Grant Nicholas
vocals:
Grant Nicholas
phonographic copyright (℗) by:
The Echo Label Limited (in 2001)
mixed at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
music videos:
Buck Rogers by Feeder
recording of:
Buck Rogers
lyricist and composer:
Grant Nicholas
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Feeder3.753:12
10Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
composer:
Graeme Douglas and Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods4:03
11True Faith
producer:
Stephen Hague and New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
writer:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
American Psycho
New Order3.755:53
12The Only One I Know
producer:
Chris Nagle
music videos:
The Only One I Know by The Charlatans (English indie rock band)
recording of:
The Only One I Know
writer:
John Baker (guitarist for The Charlatans), Martin Blunt, Jon Brookes, Tim Burgess (UK vocalist, The Charlatans) and Rob Collins
The Charlatans4.453:58
13Step On
assistant recording engineer:
Dave Burnham (UK recording engineer)
recording engineer:
Ray Blair
producer and mixer:
Paul Oakenfold and Steve Osborne (producer)
bass guitar:
Paul Ryder
drums (drum set):
Gary Whelan
guitar:
Mark Day (from Happy Mondays)
keyboard:
Paul Davis (UK keyboardist for Happy Mondays)
lead vocals:
Shaun Ryder
performer:
Bez (UK percussionist Black Grape/Happy Mondays)
arranger:
Paul Oakenfold and Steve Osborne (producer)
cover recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
Happy Mondays3.655:17
14Connected
assistant engineer:
Neil Douglas and Elliot Singerman
engineer:
Al Stone (UK engineer)
producer:
Stereo MC’s
additional keyboard:
James Hallawell
brass:
Kick Horns
additional vocals:
Cath Coffey, Verona Davis, Andrea Groves and Jennifer Ismail
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1992)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom
samples:
Let Me Let Me Be Your Lover by Jimmy “Bo” Horne
recording of:
Connected
writer:
Rob Birch (Stereo MCs), Harry Wayne Casey, Richard Finch, Nick Hallam and Jimmy “Bo” Horne
publisher:
EMI Virgin Songs, Inc., Harrick Music, Longitude Music Co. and Virgin Music Ltd.
Stereo MCs3.95:11
15I Am the Resurrection
engineer:
Paul Schroeder (UK rock/pop producer, engineer & remixer)
producer:
John Leckie
bass guitar:
Gary Mounfield
drums (drum set) and background vocals:
Reni
guitar:
John Squire
vocals:
Ian Brown (UK singer, member of Stone Roses)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1988-08 until 1989-01)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 8)
recording of:
I Am the Resurrection
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
The Stone Roses4.58:13
16Brimful of Asha
additional producer:
Norman Cook
producer:
Tjinder Singh
additional remixer:
Norman Cook
remixer:
Norman Cook
remix of:
Brimful of Asha (LP / original version) by Cornershop and Brimful of Asha (short version) by Cornershop
recording of:
Brimful of Asha
lyricist and composer:
Tjinder Singh
dedicated to:
Asha Bhosle
Cornershop3.84:01
17Born Slippy
producer and mixer:
Underworld (UK electronic music group)
phonographic copyright (℗) by:
Junior Boy’s Own (in 1996) and Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
lyricist:
Karl Hyde
writer:
Darren Emerson, Karl Hyde and Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. and Underworld (legal entity for the band)
Underworld3.94:22