Everlasting Happiness

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
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1String Quintet in E major, op. 11/5, G275: Minuet, arr. for orchestra by Woodhouse
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:57
2Symphony no. 8 in F major, op. 93: Allegretto scherzandoLudwig van Beethoven3:46
3Cantata no. 208, “Was mir behagt”, (‘Hunting Cantata’), BWV 208: Sheep May Safely Graze, arr. by Marriner
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:36
4Peer Gynt, incidental music, op. 23: Morning
producer:
Lawrance Collingwood
choir vocals:
Beecham Choral Society
soprano vocals:
Ilse Hollweg (soprano)
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01, in 1957)
chorus master:
Denis Vaughan
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg54:16
5Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7)
piano:
Dame Moura Lympany (British pianist)
recording of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
composer:
Antonín Dvořák (composer) (from 1894-08-07 until 1894-08-27)
part of:
8 Humoresques, B. 187, op. 101
Antonín Dvořák3:06
6String Quartet no. 1 in D major, op. 11: Andante cantabile
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Sir Neville Marriner (conductor)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky6:18
7Canon and Gigue for 3 violins & continuo in D major: Canon in D, arr. for orchestra by Seiffert
orchestra:
Hallé Orchestra
conductor:
Maurice Handford (hornist/conductor)
recording of:
Canon and Gigue in D major: I. Canon (arr. Max Seiffert)
composer:
Johann Pachelbel (composer)
arranger:
Max Seiffert
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
part of:
Canon and Gigue in D major, T. 337 (arr. Max Seiffert)
Johann Sebastian Bach5:29
8Dolly, suite for 2 pianos or orchestra, op. 56: Berceuse
orchestra:
Orchestre national de l'O.R.T.F. (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
recording of:
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (catch-all for arrangements)
Gabriel Fauré3:26
9La Damnation de Faust, légende dramatique for mezzo‐soprano, tenor, baritone, bass, chorus and orchestra, H. 111 (op. 24): Dance
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10 until 1986-11)
conductor:
Sir Neville Marriner (conductor) (from 1986-10 until 1986-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10 until 1986-11)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (from 1986-10 until 1986-11)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:46
10Petite suite (4), for piano, 4 hands (or orchestra), L. 65: En bateau
orchestra:
Orchestre national de l'O.R.T.F. (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Jean Martinon (French conductor and composer)
recording of:
Petite Suite, L. 65, CD 71a: I. En bateau (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
arrangement of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71a (catch-all for arrangements)
Claude Debussy4:10
11Carmen, opera, overtures & intermezzi for orchestra: Act 3, Intermezzo
orchestra:
Orchestre national de l'O.R.T.F. (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:35
12Wand of Youth suite no. 1 for orchestra, op. 1a: SerenadeEdward Elgar2:50
13Sonate a quattro (6) for 2 violins, cello & bass, QR i/1: No 1 in G major
orchestra:
Polish Chamber Orchestra
conductor:
Jerzy Maksymiuk (conductor)
recording of:
String Sonata no. 1 in G major (Sonata a quattro no. 1)
composer:
Gioachino Rossini (composer) (in 1804)
part of:
Sei sonate a quattro (per 2 violini, violoncello, contrabasso)
Gioachino Rossini4:46
14Divertimento no. 17 for 2 horns & strings in D major, K. 334 (K. 320b): MenuettoWolfgang Amadeus Mozart4:30
15Symphony no. 6 in F major (“Pastoral”) op. 68: Andante molto mosso
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:41