The Heavyweight Champion: The Complete Atlantic Recordings

~ Release by John Coltrane (see all versions of this release, 1 available)

Annotation

Tracks 1-8 Recorded - Atlantic Studios, New York City, January 15th 1959 | Musicians -- John Coltrane (ts), Milt Jackson (vib), Hank Jones (p), Paul Chambers (b), Connie Kay (d)

Tracks 9-11 Recorded - Atlantic Studios, New York City, March 26th 1959 | Musicians -- John Coltrane (ts), Cedar Walton (p), Paul Chambers (b), Lex Humphries (d)

Tracks 1-3 Recorded -- Atlantic Studios, New York City, May 4th 1959 | Musicians -- John Coltrane (ts), Tommy Flanagan (p), Paul Chambers (b), Art Taylor (d)

Tracks 4-9 Recorded -- Atlantic Studios, New York City, May 5th 1959 | Musicians -- John Coltrane (ts), Tommy Flanagan (p), Paul Chambers (b), Art Taylor (d)

Tracks 10-12 Recorded -- Atlantic Studios, New York City, November 24th 1959 | Musicians -- John Coltrane (ts), Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb (d)

Tracks 1-6 Recorded -- Atlantic Studios, New York City, December 2nd 1959 | Musicians -- John Coltrane (ts), Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb (d)

Tracks 7-8 Recorded -- Atlantic Studios, New York City, June 28th 1960 | Musicians -- John Coltrane (ts, ss), Don Cherry (tp), Charlie Haden (b), Ed Blackwell (d)

Tracks 9-11 Recorded -- Atlantic Studios, New York City, July 8th 1960 | Musicians -- John Coltrane (ts, ss), Don Cherry (tp), Perthy Heath (b), Ed Blackwell (d)

Tracks 1-3 Recorded -- Atlantic Studios, New York City, October 21st 1960 | Musicians -- John Coltrane (ts, ss), McCoy Tyner (p), Steve Davis (b), Elvin Jones (d)

Tracks 4-10 Recorded -- Atlantic Studios, New York City, October 24th 1960 | Musicians -- John Coltrane (ts, ss), McCoy Tyner (p), Steve Davis (b), Elvin Jones (d)

Tracks 1-7 Recorded -- Atlantic Studios, New York City, October 24th 1960 | Musicians -- John Coltrane (ts, ss), McCoy Tyner (p), Steve Davis (b), Elvin Jones (d)

Tracks 8-10 Recorded -- Atlantic Studios, New York City, October 26th 1960 | Musicians -- John Coltrane (ts, ss), McCoy Tyner (p), Steve Davis (b), Elvin Jones (d)

Tracks 1-3 Recorded -- Atlantic Studios, New York City, October 26th 1960 | Musicians -- John Coltrane (ts, ss), McCoy Tyner (p), Steve Davis (b), Elvin Jones (d)

Tracks 4-7 Recorded -- A&R Studios, New York City, May 25th 1961 | Musicians -- John Coltrane (ts, ss), McCoy Tyner (p), Steve Davis (b), Elvin Jones (d)

Tracks 1-20 Recorded -- Atlantic Studios, New York City, March 26th 1959 John Coltrane (ts), Cedar Walton (p), Paul Chambers (b), Lex Humphries (d)

Tracks 21-22 Recorded -- Atlantic Studios, New York City, May 5th 1959 John Coltrane (ts), Tommy Flanagan (p), Paul Chambers (b), Art Taylor (d)

Tracks 23-25 Recorded -- Atlantic Studios, New York City, October 24th 1960 John Coltrane (ts, ss), McCoy Tyner (p), Steve Davis (b), Elvin Jones (d)

Annotation last modified on 2005-02-23 14:33 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Stairway to the Stars
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
Stairway to the Stars (on 1959-01-15)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:32
2The Late Late Blues
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
The Late Late Blues (on 1959-01-15)
composer:
Milt Jackson
9:36
3Bags & Trane
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
Bags & Trane (on 1959-01-15)
composer:
Milt Jackson
7:27
4Three Little Words
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
bass and double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
Three Little Words (on 1959-01-15)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
7:31
5The Night We Called It a Day
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
The Night We Called It a Day (on 1959-01-15)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
4:23
6Be-Bop
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
Be-Bop (on 1959-01-15)
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
8:01
7Blues Legacy
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
Blues Legacy (on 1959-01-15)
composer:
Milt Jackson
9:05
8Centerpiece
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
Centerpiece (on 1959-01-15)
lyricist:
Jon Hendricks
composer:
Harry “Sweets” Edison
publisher:
Caphryl Music and Carlin Music Corporation
7:09
9Giant Steps (alternate version)
recording engineer:
Tom Dowd (on 1959-04-01) and Phil Iehle (on 1959-04-01)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-01)
drums (drum set):
Lex Humphries (on 1959-04-01)
piano:
Cedar Walton (on 1959-04-01)
tenor saxophone:
John Coltrane (on 1959-04-01)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-04-01)
recording of:
Giant Steps (on 1959-04-01)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
3:44
10Naima (alternate version)
recording engineer:
Tom Dowd (on 1959-03-26) and Phil Iehle (on 1959-03-26)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Naima (original instrumental version) (on 1959-03-26)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
4:31
11Like Sonny (alternate version)
recording engineer:
Tom Dowd (on 1959-03-26) and Phil Iehle (on 1959-03-26)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
6:03
2▼CD
#TitleRatingLength
1Spiral
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun (on 1959-05-04)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Spiral (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:59
2Countdown
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
32:24
3Countdown (alternate take)
recording engineer:
Tom Dowd (on 1959-05-04)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
4:35
4Syeeda's Song Flute
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
47:04
5Syeeda's Song Flute (alternate take)
recording engineer:
Tom Dowd (on 1959-05-05)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
7:07
6Mr. P.C.
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Mr. P.C. (on 1959-05-05)
composer:
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
47:00
7Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
3.354:46
8Cousin Mary
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:49
9Cousin Mary (alternate take)
recording engineer:
Tom Dowd (on 1959-05-05)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
5:47
10I'll Wait and Pray
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
I’ll Wait and Pray (on 1959-11-24)
writer:
Jerry Valentine (trombone, aka Jerry Valentine) and George Treadwell
3:35
11I'll Wait and Pray (alternate take)
recording engineer:
Tom Dowd (on 1959-11-24)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental recording of:
I’ll Wait and Pray (on 1959-11-24)
writer:
Jerry Valentine (trombone, aka Jerry Valentine) and George Treadwell
3:28
12Little Old Lady
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
Little Old Lady (on 1959-11-24)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
4:24
3▼CD
#TitleRatingLength
1Like Sonny
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Like Sonny (on 1959-12-02)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
5:55
2Harmonique
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Harmonique (on 1959-12-02)
composer:
John Coltrane
4:13
3My Shining Hour
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
instrumental cover recording of:
My Shining Hour (The Sky’s the Limit) (on 1959-12-02)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
4:53
4Naima
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
44:23
5Some Other Blues
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Some Other Blues (on 1959-12-02)
composer:
John Coltrane
5:37
6Fifth House
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Fifth House (on 1959-12-02)
composer:
John Coltrane
publisher:
Jowcol Music
4:42
7Cherryco
producer:
Nesuhi Ertegun
double bass:
Charlie Haden (American jazz bassist) (on 1960-06-28)
drums (drum set):
Ed Blackwell (on 1960-06-28)
tenor saxophone:
John Coltrane (on 1960-06-28)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-06-28)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-06-28)
recording of:
Cherryco (on 1960-06-28)
composer:
Don Cherry (jazz trumpeter)
publisher:
Eternal River Music (publisher for Don Cherry)
6:47
8The Blessing
producer:
Nesuhi Ertegun
double bass:
Charlie Haden (American jazz bassist) (on 1960-06-28)
drums (drum set):
Ed Blackwell (on 1960-06-28)
soprano saxophone:
John Coltrane (on 1960-06-28)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-06-28)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-06-28)
cover recording of:
The Blessing (on 1960-06-28)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
7:54
9Focus on Sanity
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-07-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Focus on Sanity (on 1960-07-08)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
MJQ Music, Inc.
12:14
10The Invisible
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
soprano saxophone and tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-07-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Invisible (on 1960-07-08)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
Carl Fischer Music
4:13
11Bemsha Swing
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-07-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Bemsha Swing (instrumental) (on 1960-07-08)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
5:04
4▼CD
#TitleRatingLength
1Village Blues
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
tenor saxophone:
John Coltrane (on 1960-10-21)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
recording of:
Village Blues (on 1960-10-21)
composer:
John Coltrane
publisher:
Jowcol Music
5:23
2Village Blues (alternate take)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
tenor saxophone:
John Coltrane (on 1960-10-21)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
recording of:
Village Blues (on 1960-10-21)
composer:
John Coltrane
publisher:
Jowcol Music
6:18
3My Favorite Things
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
part of:
New York Post: 100 Greatest Covers (2007) (number: 49)
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3.613:44
4Central Park West
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Central Park West (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
4:15
5Mr. Syms
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Mr. Syms (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
5:23
6[Exotica, untitled original]
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Exotica (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
5:23
7Summertime
recording engineer:
Tom Dowd (on 1960-10-24) and Phil Iehle (on 1960-10-24)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1960-10-24)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
311:34
8Body and Soul
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental cover recording of:
Body and Soul (on 1960-10-24)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:38
9Body and Soul (alternate take)
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental recording of:
Body and Soul (on 1960-10-24)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:00
10Mr. Knight
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Mr. Knight (on 1960-10-24)
composer:
John Coltrane
7:31
5▼CD
#TitleRatingLength
1Blues to Elvin (alternate take)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to Elvin (on 1960-10-24)
composer:
John Coltrane and Elvin Jones (jazz drummer)
11:01
2Blues to Elvin
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to Elvin (on 1960-10-24)
composer:
John Coltrane and Elvin Jones (jazz drummer)
7:54
3Mr. Day
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Mr. Day (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
7:56
4Blues to You (alternate take)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to You (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
5:35
5Blues to You
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to You (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
6:29
6Blues to Bechet
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to Bechet (on 1960-10-24)
composer:
John Coltrane
dedicated to:
Sidney Bechet
publisher:
Jowcol Music
5:46
7Satellite
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass and double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Satellite (on 1960-10-24)
composer:
John Coltrane
5:51
8Ev'ry Time We Say Goodbye
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
soprano saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1960-10-26)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
35:42
926-2
recording engineer:
Tom Dowd (on 1960-10-26)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
soprano saxophone and tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
recording of:
26-2 (on 1960-10-26)
composer:
John Coltrane
publisher:
Jowcol Music
6:13
10But Not for Me
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
But Not for Me (on 1960-10-26)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
9:35
6▼CD
#TitleRatingLength
1Liberia
recording engineer:
Tom Dowd (on 1960-10-26)
producer:
Nesuhi Ertegun
double bass and double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
recording of:
Liberia (original instrumental composition) (on 1960-10-26)
composer:
John Coltrane
publisher:
Jowcol Music
6:51
2The Night Has a Thousand Eyes
recording engineer:
Tom Dowd (on 1960-10-26)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
The Night Has a Thousand Eyes (on 1960-10-26)
lyricist:
Buddy Bernier
composer:
Buddy Bernier and Jerry Brainin
part of:
The Real Book (compilation of jazz standards, volume I)
6:51
3Equinox
recording engineer:
Tom Dowd (on 1960-10-26)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
recording of:
Equinox (original instrumental version) (on 1960-10-26)
composer:
John Coltrane
publisher:
Jowcol Music
8:35
4Ole
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
soprano saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Olé (on 1961-05-25)
composer:
John Coltrane
publisher:
Jowcol Music
is based on:
El vito (traditional Andalusian)
18:16
5Dahomey Dance
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Dahomey Dance (on 1961-05-25)
composer:
John Coltrane
10:52
6Aisha
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Aisha (on 1961-05-25)
composer:
McCoy Tyner (jazz pianist)
57:39
7[To Her Ladyship, original untitled ballad]
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone and soprano saxophone, soprano saxophone and tenor saxophone:
John Coltrane (on 1961-05-25)
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
cover recording of:
To Her Ladyship (on 1961-05-25)
writer:
Billy Frazier (jazz saxophonist)
8:59
7▼CD
#TitleRatingLength
1Giant Steps (take 1) (incomplete)
recording engineer:
Tom Dowd (on 1959-03-26) and Phil Iehle (on 1959-03-26)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Giant Steps (on 1959-03-26)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
4:44
2Giant Steps (take 2) (false start)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Giant Steps (on 1959-03-26)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
0:14
3Giant Steps (take 3) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Giant Steps (on 1959-03-26)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
2:51
4Giant Steps (take 4) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Giant Steps (on 1959-03-26)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
1:20
5Giant Steps (take 5) (alternate)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Giant Steps (on 1959-03-26)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
3:40
6Giant Steps (take 6) (false start)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Giant Steps (on 1959-03-26)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
0:32
7Giant Steps (take 7) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Giant Steps (on 1959-03-26)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
4:13
8Naima (take 1) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Naima (original instrumental version) (on 1959-03-26)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
3:20
9Naima (take 2) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Naima (original instrumental version) (on 1959-03-26)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
3:24
10Naima (take 4) (false start)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Naima (original instrumental version) (on 1959-03-26)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
0:16
11Naima (take 5) (alternate)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Naima (original instrumental version) (on 1959-03-26)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
3:51
12Naima (take 6) (alternate)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Naima (original instrumental version) (on 1959-03-26)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
3:38
13Like Sonny (rehearsal 1) (false start)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
0:09
14Like Sonny (rehearsal 2) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
1:35
15Like Sonny (take 1) (false start)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
0:19
16Like Sonny (take 2) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
3:09
17Like Sonny (take 3) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
1:08
18Like Sonny (take 4) (false start)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
0:08
19Like Sonny (take 5) (alternate)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
8:25
20Like Sonny (take 6) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
partial recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
1:09
21Giant Steps (take 3) (incomplete)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
4:06
22Giant Steps (take 6) (alternate)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
4:55
23Blues to Elvin (take 2) (false start)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
partial recording of:
Blues to Elvin (on 1960-10-24)
composer:
John Coltrane and Elvin Jones (jazz drummer)
0:10
24Blues to Elvin (take 3) (alternate)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to Elvin (on 1960-10-24)
composer:
John Coltrane and Elvin Jones (jazz drummer)
6:02
25Blues to You (take 2) (alternate)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Blues to You (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
5:31

Credits

Release

art direction:Geoff Gans
liner notes:Patrick Milligan
Lewis Porter (pianist, musicologist)
Joel Dorn (in 1995-03)
Ahmet M. Ertegun (US American Songwriter, producer) (in 1995-05)
miscellaneous support:Norma Edwards (task: editorial assistance)
Geoff Gans (task: packaging)
Nancy L. Hopkins (task: editorial assistance)
Patrick Milligan (task: packaging)
Ted Myers (works with Rhino Reocrds) (task: editorial assistance)
Stephen K. Peeples (task: editorial assistance)
Lewis Porter (pianist, musicologist) (task: project assistance)
Brian Schuman (task: packaging)
Darcy Sullivan (task: editorial assistance)
executive producer:Patrick Milligan
producer:Joel Dorn (task: compilation)
Nesuhi Ertegun (task: original recordings)
remastering:Gene Paul
artwork:Coco Shinomiya (task: art coordination)
produced for:The Masked Announcer
Discogs:https://www.discogs.com/release/4131262 [info]
ASIN:US: B0000033K2 [info]
Allmusic:https://www.allmusic.com/album/release/mr0001332155 [info]