The Complete Recordings on Deutsche Grammophon 1

~ Release by Martha Argerich (see all versions of this release, 4 available)

Tracklist

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1▼CD: Chopin: Scherzo no. 3 / Barcarolle, op. 60 / Brahms: Two Rhapsodies, op. 79 / Prokofiev: Toccata, op. 11 / Ravel: Jeu d'eaux / Liszt: Hungarian Rhapsody no. 6
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1Scherzo no. 3 in C-sharp minor, op. 39
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Scherzo no. 3 in C‐sharp minor, op. 39 (in 1960-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39)
Frédéric Chopin6:34
2Two Rhapsodies, op. 79: No. 1 in B minor: Agitato
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Zwei Rhapsodien, op. 79: Nr. 1 h-moll: Agitato (2 Rhapsodies, op. 79: No. 1 in B minor. Agitato) (in 1960-07)
composer:
Johannes Brahms (German composer) (in 1879)
part of:
Zwei Rhapsodien, op. 79
Johannes Brahms8:31
3Two Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Zwei Rhapsodien, op. 79: Nr. 2 g-moll: Molto passionato, ma non troppo allegro (2 Rhapsodies, op. 79: No. 2 in G minor. Molto passionato, ma non troppo allegro) (in 1960-07)
composer:
Johannes Brahms (German composer) (in 1879)
part of:
Zwei Rhapsodien, op. 79
Johannes Brahms6:34
4Toccata in D minor, op. 11
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Toccata in D minor, op. 11 (in 1960-07)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1912)
part of:
Works of Sergei Prokofiev by opus number (number: op. 11)
Serge Prokofiev4:11
5Jeux d'eau - Très doux
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Jeux d’eau (in 1960-07)
composer:
Maurice Ravel (French composer) (in 1901)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (on 1902-04-05)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 30)
Maurice Ravel5:29
6Barcarolle in F-sharp major, op. 60: Allegretto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961) and Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Barcarolle in F‐sharp major, op. 60 (in 1960-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1845 until 1846)
dedicated to:
Madame la Baronne de Stockhausen
publisher:
Brandus & Cie. (Paris) (in 1846), Breitkopf & Härtel (in 1846) and Wessel & Co (London) (in 1846)
part of:
Works of Fryderyk Chopin by opus number (number: op. 60)
Frédéric Chopin8:10
7Hungarian Rhapsody no. 6 in D-flat major, S. 244/6: Tempo giusto - Presto - Andante - Allegro - Presto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto – Presto – Andante – Allegro – Presto (in 1960-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:21
2▼CD: Chopin: Piano Sonata no. 3 / Polonaise-Fantaisie, op. 61 / Polonaise no. 6 / Three Mazurkas, op. 68
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1Piano Sonata no. 3 in B minor, op. 58: 1. Allegro maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: I. Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin10:55
2Piano Sonata no. 3 in B minor, op. 58: 2. Scherzo. Molto vivace
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutsche Grammophon and Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace (on 1967-03-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin2:17
3Piano Sonata no. 3 in B minor, op. 58: 3. Largo
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: III. Largo (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin8:45
4Piano Sonata no. 3 in B minor, op. 58: 4. Presto, ma non tanto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: IV. Finale. Presto non tanto (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin4:27
5Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Polonaise‐fantaisie in A‐flat major, op. 61: Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 7) and Works of Fryderyk Chopin by opus number (number: op. 61)
Frédéric Chopin11:34
6Polonaise no. 6 in A-flat major, op. 53: Maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique” (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16) and Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin6:21
7Three Mazurkas, op. 59: No. 1 in A minor: Moderato
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 1 in A minor. Moderato (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin3:18
8Three Mazurkas, op. 59: No. 2 in A-flat major: Allegretto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 2 in A‐flat major. Allegretto (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:18
9Three Mazurkas, op. 59: No. 3 in F-sharp minor: Vivace
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 3 in F‐sharp minor. Vivace (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:47
3▼CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
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1Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Serge Prokofiev9:01
2Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino / Var I. L'istesso tempo / Var. II. Allegro / Var. III. Allegro moderato / Var. IV. Andantino meditativo / Var. V. Allegro giusto / Tema. L'istesso tempo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Serge Prokofiev9:03
3Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Serge Prokofiev9:07
4Piano Concerto in G major: 1. Allegramente
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: I. Allegramente (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:09
5Piano Concerto in G major: 2. Adagio assai
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: II. Adagio assai (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:03
6Piano Concerto in G major: 3. Presto
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: III. Presto (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel3:55
4▼CD: Chopin: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1 / Ravel: Piano Concerto in G major
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1Piano Concerto no. 1 in E minor, op. 11: 1. Allegro maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (on 1968-02-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin18:57
2Piano Concerto no. 1 in E minor, op. 11: 2. Romance. Larghetto
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (on 1968-02-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:58
3Piano Concerto no. 1 in E minor, op. 11: 3. Rondo. Vivace
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (on 1968-02-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:08
4Piano Concerto no. 1 in E-flat major, S. 124: 1. Allegro maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt5:09
5Piano Concerto no. 1 in E-flat major, S. 124: 2. Quasi adagio / 3. Allegretto vivace - Allegro animato
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt8:26
6Piano Concerto no. 1 in E-flat major, S. 124: 4. Allegro marziale animato
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt4:06
7Concerto for Piano and Orchestra in G major: 1. Allegramente
recording engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hanno Rinke
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1984-02)
orchestra:
London Symphony Orchestra (in 1984-02)
conductor:
Claudio Abbado (conductor) (in 1984-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-02)
live recording of:
Piano Concerto in G major: I. Allegramente (in 1984-02)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:43
8Concerto for Piano and Orchestra in G major: 2. Adagio assai
recording engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hanno Rinke
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1984-02)
orchestra:
London Symphony Orchestra (in 1984-02)
conductor:
Claudio Abbado (conductor) (in 1984-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-02)
live recording of:
Piano Concerto in G major: II. Adagio assai (in 1984-02)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:33
9Concerto for Piano and Orchestra in G major: 3. Presto
recording engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hanno Rinke
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1984-02)
orchestra:
London Symphony Orchestra (in 1984-02)
conductor:
Claudio Abbado (conductor) (in 1984-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-02)
live recording of:
Piano Concerto in G major: III. Presto (in 1984-02)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel3:57
5▼CD: Tchaikovsky: Piano Concerto no. 1 / Mendelssohn: Concerto for Violin, Piano and String Orchestra
#TitleArtistRatingLength
1Piano Concerto no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky21:16
2Piano Concerto no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky7:31
3Piano Concerto no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky6:57
4Concerto for Violin, Piano and String Orchestra in D minor: 1. Allegro
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Hanno Rinke
producer:
Wolf Erichson (engineer/producer)
piano:
Martha Argerich (Argentine pianist) (in 1988-05)
violin:
Gidon Kremer (violinist) (in 1988-05)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-05)
balance engineer:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
Schweizer Radio DRS2, Studio 1 in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1988-05)
recording of:
Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro (in 1988-05)
composer:
Felix Mendelssohn (composer) (in 1823)
part of:
Concerto for Violin, Piano and String Orchestra in D minor
Felix Mendelssohn18:27
5Concerto for Violin, Piano and String Orchestra in D minor: 2. Adagio
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Hanno Rinke
producer:
Wolf Erichson (engineer/producer)
piano:
Martha Argerich (Argentine pianist) (in 1988-05)
violin:
Gidon Kremer (violinist) (in 1988-05)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-05)
balance engineer:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
Schweizer Radio DRS2, Studio 1 in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1988-05)
recording of:
Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio (in 1988-05)
composer:
Felix Mendelssohn (composer) (in 1823)
part of:
Concerto for Violin, Piano and String Orchestra in D minor
Felix Mendelssohn9:12
6Concerto for Violin, Piano and String Orchestra in D minor: 3. Allegro molto
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Hanno Rinke
producer:
Wolf Erichson (engineer/producer)
piano:
Martha Argerich (Argentine pianist) (in 1988-05)
violin:
Gidon Kremer (violinist) (in 1988-05)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-05)
balance engineer:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
Schweizer Radio DRS2, Studio 1 in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1988-05)
recording of:
Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto (in 1988-05)
composer:
Felix Mendelssohn (composer) (in 1823)
part of:
Concerto for Violin, Piano and String Orchestra in D minor
Felix Mendelssohn9:00
6▼CD: Liszt: Piano Sonata in B minor / Schumann: Piano Sonata no. 2
#TitleArtistRatingLength
1Piano Sonata in B minor: Lento assai - Allegro energico -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:03
2Piano Sonata in B minor: Grandioso -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:59
3Piano Sonata in B minor: Cantando espressivo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:40
4Piano Sonata in B minor: Pesante - Recitativo -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:05
5Piano Sonata in B minor: Andante sostenuto
executive producer:
Günther Breest (producer for classical music)
producer:
Günther Breest (producer for classical music) and Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt0:47
6Piano Sonata in B minor: Quasi Adagio -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
engineered at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt4:49
7Piano Sonata in B minor: Allegro energico
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:13
8Piano Sonata in B minor: Più mosso
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:52
9Piano Sonata in B minor: Cantando espressivo senza slentare -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:14
10Piano Sonata in B minor: Stretta quasi Presto - Presto - Prestissimo -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
solo instruments:
Martha Argerich (Argentine pianist) (from 1974-07-08 until 1974-07-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1974-07-08 until 1974-07-11)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:13
11Piano Sonata in B minor: Andante sostenuto - Allegro moderato - Lento assai
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:59
12Piano Sonata no. 2 in G minor, op. 22: 1. So rasch wie möglich
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich - Schneller - Noch schneller (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann5:34
13Piano Sonata no. 2 in G minor, op. 22: 2. Andantino. Getragen
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:58
14Piano Sonata no. 2 in G minor, op. 22: 3. Scherzo. Sehr rasch und markiert -
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: III. Scherzo. Sehr rasch und markiert (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann1:31
15Piano Sonata no. 2 in G minor, op. 22: 4. Rondo. Presto - Prestissimo. Quasi Cadenza
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: IV. Rondo. Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:44
7▼CD: Chopin: Piano Sonata no. 3 / Andante spianato et Grande Polonaise brillante / Scherzo no. 2
#TitleArtistRatingLength
1Piano Sonata no. 2 in B-flat minor, op. 35: 1. Grave - Doppio movimento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: I. Grave – Doppio movimento (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin6:42
2Piano Sonata no. 2 in B-flat minor, op. 35: 2. Scherzo
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: II. Scherzo (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin6:04
3Piano Sonata no. 2 in B-flat minor, op. 35: 3. Marche funèbre. Lento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin8:34
4Piano Sonata no. 2 in B-flat minor, op. 35: 4. Finale. Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: IV. Finale. Presto (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin1:32
5Andante spianato et Grande Polonaise brillante, op. 22: Andante spianato. Tranquillo - Polonaise. Allegro molto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22 (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 22) and Classic 100: Piano (2025) (number: 76)
Frédéric Chopin13:29
6Scherzo no. 2 in B-flat minor, op. 31: Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Scherzo no. 2 in B‐flat minor, op. 31 (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1837)
dedicated to:
Adele Fürstensein
part of:
Works of Fryderyk Chopin by opus number (number: op. 31)
Frédéric Chopin8:55
8▼CD: Ravel: Gaspard de la nuit / Sonatine / Valses nobles et sentimentales
#TitleArtistRatingLength
1Gaspard de la nuit, Trois Poèmes pour piano d'après Aloysius Bertrand: 1. Ondine
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:21
2Gaspard de la nuit, Trois Poèmes pour piano d'après Aloysius Bertrand: 2. Le Gibet
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Le Gibet
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:42
3Gaspard de la nuit, Trois Poèmes pour piano d'après Aloysius Bertrand: 3. Scarbo
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Scarbo
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel9:23
4Sonatine: 1. Modéré
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: I. Modéré (in 1974-11)
composer:
Maurice Ravel (French composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel4:00
5Sonatine: 2. Mouvement de Menuet
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: II. Mouvement de menuet (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel3:00
6Sonatine: 3. Animé
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: III. Animé (in 1974-11)
composer:
Maurice Ravel (French composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel3:38
7Valses nobles et sentimentales: 1. Modéré - très franc
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: I. Modéré - Très franc (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:20
8Valses nobles et sentimentales: 2. Assez lent - avec une expression intense
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: II. Assez lent (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:21
9Valses nobles et sentimentales: 3. Modéré
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: III. Modéré (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:23
10Valses nobles et sentimentales: 4. Assez animé
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: IV. Assez animé (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:05
11Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: V. Presque lent (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:34
12Valses nobles et sentimentales: 6. Vif
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: VI. Vif (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel0:41
13Valses nobles et sentimentales: 7. Moins vif
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: VII. Moins vif (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:40
14Valses nobles et sentimentales: 8. Épilogue. Lent
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel4:30
9▼CD: Chopin: 24 Préludes, op. 28 / Prélude in C-sharp minor, op. 45 / Prélude in A-flat major, op. posth.
#TitleArtistRatingLength
124 Préludes, op. 28: No. 1 in C major. Agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
224 Préludes, op. 28: No. 2 in A minor. Lento
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
quotes music from:
Dies Irae (plainchant)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:10
324 Préludes, op. 28: No. 3 in G major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:51
424 Préludes, op. 28: No. 4 in E minor. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:51
524 Préludes, op. 28: No. 5 in D major. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:30
624 Préludes, op. 28: No. 6 in B minor. Lento assai
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:46
724 Préludes, op. 28: No. 7 in A major. Andantino
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:44
824 Préludes, op. 28: No. 8 in F-sharp minor. Molto agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 8 in F‐sharp minor, op. 28: Molto agitato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:29
924 Préludes, op. 28: No. 9 in E major. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 9 in E major, op. 28: Largo (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:30
1024 Préludes, op. 28: No. 10 in C-sharp minor. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 10 in C‐sharp minor, op. 28: Molto allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:25
1124 Préludes, op. 28: No. 11 in B major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:33
1224 Préludes, op. 28: No. 12 in G-sharp minor. Presto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 12 in G‐sharp minor, op. 28: Presto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1324 Préludes, op. 28: No. 13 in F-sharp major. Lento
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 13 in F‐sharp major, op. 28: Lento (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:44
1424 Préludes, op. 28: No. 14 in E-flat minor. Allegro
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 14 in E‐flat minor, op. 28: Allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:29
1524 Préludes, op. 28: No. 15 in D-flat major. Sostenuto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:51
1624 Préludes, op. 28: No. 16 in B-flat minor. Presto con fuoco
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1724 Préludes, op. 28: No. 17 in A-flat major. Allegretto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:50
1824 Préludes, op. 28: No. 18 in F minor. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:47
1924 Préludes, op. 28: No. 19 in E-flat major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 19 in E‐flat major, op. 28: Vivace (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:04
2024 Préludes, op. 28: No. 20 in C minor. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:32
2124 Préludes, op. 28: No. 21 in B-flat major. Cantabile
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 21 in B‐flat major, op. 28: Cantabile (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:34
2224 Préludes, op. 28: No. 22 in G minor. Molto agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:34
2324 Préludes, op. 28: No. 23 in F major. Moderato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:43
2424 Préludes, op. 28: No. 24 in D minor. Allegro appassionato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
25Prélude in C-sharp minor, op. 45: Sostenuto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in C‐sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
Frédéric Chopin4:07
26Prélude in A-flat major, op. posth.: Presto con leggierezza
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in A‐flat major, op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
Frédéric Chopin0:40
10▶CD: Stravinsky: Les Noces / Bartók: Concerto for Two Pianos, Percussion and Orchestra
11▶CD: Bartók: Sonata for Two Pianos and Percussion / Sonatina / Out of Doors / Mozart: Andante and Five Variations / Debussy: En blanc et noir
12▶CD: Schumann: Piano Concerto / Chopin: Piano Concerto no. 2
13▶CD: J. S. Bach: Toccato in C minor / Partita no. 2 / English Suite no. 2
14▶CD: Chopin: Cello Sonata, op. 65 / Introduction et Polonaise brillante / Schumann: Adagio und Allegro
15▶CD: Rachmaninov: Suite no. 2 for Two Pianos / Ravel: La Valse / Lutosławski: Variations on a Theme of Paganini
16▶CD: Rachmaninov: Piano Concerto no. 3 / Tchaikovsky: Piano Concerto no. 1
17▶CD: Rachmaninov: Symphonic Dances / Tchaikovsky: The Nutcracker (Suite)
18▶CD: Schumann: Kinderszenen / Kreisleriana
19▶CD: Schubert: Arpeggione Sonata / Schumann: Drei Fantasiestücke, op. 73 / Fünf Stücke im Volkston
20▶CD: Beethoven: Sonatas for Piano and Violin nos. 1-3
21▶CD: J. S. Bach: Three Sonatas for Cello and Piano

Credits

Release group

includes:Argerich Plays Chopin by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Chopin: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1 by Chopin (Frédéric Chopin, composer), Liszt (Hungarian composer, pianist and conductor); London Symphony Orchestra, Claudio Abbado (conductor), Martha Argerich (Argentine pianist)
Frédéric Chopin · Martha Argerich by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Klavierkonzert Nr. 1 b-moll op. 23 by Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Royal Philharmonic Orchestra, Charles Dutoit (conductor), Martha Argerich (Argentine pianist)
Liszt: Sonate h-Moll / Schumann: Sonate g-Moll by Liszt (Hungarian composer, pianist and conductor), Schumann (Robert Schumann, German classical composer); Martha Argerich (Argentine pianist)
Martha Argerich: Début Recital by Chopin (Frédéric Chopin, composer), Brahms (Johannes Brahms, German composer), Liszt (Hungarian composer, pianist and conductor), Maurice Ravel (French composer), Prokofiev (Sergei Prokofiev, Russian composer); Martha Argerich (Argentine pianist)
Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur by Prokofiev (Sergei Prokofiev, Russian composer), Ravel (Maurice Ravel, French composer); Martha Argerich (Argentine pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)