My Last Days On Earth

~ Release by Bill Monroe (see all versions of this release, 1 available)

Annotation

Packaging: 4 CDs in individual jewel cases in LP-sized box with booklet.

Annotation last modified on 2018-07-03 00:20 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
1Old Ebenezer Scrooge
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-03)
double bass:
Mark Hembree (on 1981-02-03)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1981-02-03)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-03)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-03)
recording of:
Old Ebenezer Scrooge (on 1981-02-03)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:03
2Come Hither to Go Yonder
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-03)
double bass:
Mark Hembree (on 1981-02-03)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-03)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1981-02-03)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-03)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-03)
recording of:
Come Hither to Go Yonder (on 1981-02-03)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:54
3Right, Right On
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-03)
double bass:
Mark Hembree (on 1981-02-03)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-03)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1981-02-03)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-03)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-03)
recording of:
Right, Right On (on 1981-02-03)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:20
4Lochwood
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-04)
double bass:
Mark Hembree (on 1981-02-04)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-04)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1981-02-04)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-04)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-04)
recording of:
Lochwood (on 1981-02-04)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:55
5Old Danger Field
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-04)
double bass:
Mark Hembree (on 1981-02-04)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-04)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1981-02-04)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-04)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-04)
recording of:
Old Dangerfield (on 1981-02-04)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:05
6Fair Play
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-04)
double bass:
Mark Hembree (on 1981-02-04)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-04)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1981-02-04)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-04)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-04)
recording of:
Fair Play (on 1981-02-04)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:30
7Melissa’s Waltz for J.B.
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-19)
double bass:
Mark Hembree (on 1981-02-19)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-19)
guitar:
Norman Blake (bluegrass guitarist) (on 1981-02-19) and Wayne Lewis (bluegrass guitarist) (on 1981-02-19)
mandolin:
Jesse McReynolds (on 1981-02-19), Bill Monroe (“The Father of Bluegrass”) (on 1981-02-19) and Larry Sledge (US bluegrass mandolinist) (on 1981-02-19)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-19)
recording of:
Melissa’s Waltz for J.B. (on 1981-02-19)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:50
8Lady of the Blue Ridge
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-19)
double bass:
Mark Hembree (on 1981-02-19)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-19)
guitar:
Norman Blake (bluegrass guitarist) (on 1981-02-19) and Wayne Lewis (bluegrass guitarist) (on 1981-02-19)
mandolin:
Jesse McReynolds (on 1981-02-19), Bill Monroe (“The Father of Bluegrass”) (on 1981-02-19) and Larry Sledge (US bluegrass mandolinist) (on 1981-02-19)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-19)
recording of:
Lady of the Blue Ridge (on 1981-02-19)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:44
9My Last Days on Earth
producer:
Walter Haynes (steel guitarist, producer and songwriter)
double bass:
Mark Hembree (on 1981-02-19, on 1981-04-07)
guitar:
Norman Blake (bluegrass guitarist) (on 1981-02-19, on 1981-04-07)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-19)
strings:
Sheldon Kurland Strings (on 1981-04-28)
background vocals:
Arlene Harden (on 1981-04-07), Cindy Nelson (Nashville studio vocalist circa 1981) (on 1981-04-07) and Curtis Young (country singer) (on 1981-04-07)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (from 1981-02-19 until 1981-04-28)
recording of:
My Last Days on Earth (from 1981-02-19 until 1981-04-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
4:37
10Evening Prayer Blues
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Butch Robins (on 1981-02-19)
double bass:
Mark Hembree (on 1981-02-19)
fiddle:
Kenny Baker (US fiddler) (on 1981-02-19)
guitar:
Norman Blake (bluegrass guitarist) (on 1981-02-19) and Wayne Lewis (bluegrass guitarist) (on 1981-02-19)
instruments:
Larry Sledge (US bluegrass mandolinist) (on 1981-02-19)
mandolin:
Jesse McReynolds (on 1981-02-19) and Bill Monroe (“The Father of Bluegrass”) (on 1981-02-19)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (on 1981-02-19)
recording of:
Evening Prayer Blues (on 1981-02-19)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
is based on:
Evening Prayer Blues (harmonica solo)
3:23
11Precious Memories
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
baritone vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1982-07-04)
bass vocals:
Jon Mohr (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
Precious Memories (on 1982-07-04)
writer:
J.B.F. Wright (Hymn songwriter)
5:02
12Little Shepherd
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
recording of:
Call of the Shepherd (on 1982-07-04)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:12
13The Old Crossroads
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
baritone vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1982-07-04)
bass vocals:
Jon Mohr (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
The Old Crossroad (on 1982-07-04)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
4:24
14Wayfaring Stranger
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
Wayfaring Stranger (on 1982-07-04)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Roud Folk Song Index (number: 3339)
5:38
15In the Gloryland Way
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
baritone vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1982-07-04)
bass vocals:
Jon Mohr (on 1982-07-04)
lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04) and Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
The Glory Land Way (on 1982-07-04)
lyricist and composer:
J.S. Torbett (gospel songwriter)
2:17
16What a Friend We Have in Jesus
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
baritone vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1982-07-04)
bass vocals:
Jon Mohr (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
What a Friend We Have in Jesus (on 1982-07-04)
lyricist:
Joseph Medlicott Scriven (in 1855)
composer:
Charles Crozat Converse (in 1868)
4:15
17Shouting on the Hills of Glory
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
baritone vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1982-07-04)
bass vocals:
Jon Mohr (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
recording of:
Shouting on the Hills of Glory (on 1982-07-04)
lyricist and composer:
Carter Stanley
2:48
18Baptize Me in the Cumberland River
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
Baptize Me in the Cumberland River (on 1982-07-04)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:26
19Wicked Path of Sin
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
baritone vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1982-07-04)
bass vocals:
Jon Mohr (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
Wicked Path of Sin (on 1982-07-04)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
3:35
20I’ll Fly Away
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-07-04)
double bass:
Mark Hembree (on 1982-07-04)
fiddle:
Kenny Baker (US fiddler) (on 1982-07-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-07-04)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1982-07-04)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-07-04)
baritone vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1982-07-04)
bass vocals:
Jon Mohr (on 1982-07-04)
recorded at:
Cathedral Caverns in Woodville, Alabama, United States (on 1982-07-04)
live recording of:
I’ll Fly Away (on 1982-07-04)
lyricist and composer:
Albert E. Brumley (in 1929)
writer:
Albert E. Brumley and Matthew D. Washington
publisher:
Skyhill Music
2:23
2▼CD
#TitleArtistRatingLength
1My Louisiana Love
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-12-16)
fiddle:
Kenny Baker (US fiddler) (on 1982-12-16)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1982-12-16)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-12-16)
lead vocals:
Mel Tillis (on 1982-12-16)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1982-12-16)
recording of:
My Louisiana Love (on 1982-12-16)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Mel Tillis2:38
2Is the Blue Moon Still Shining?
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-12-22)
fiddle:
Kenny Baker (US fiddler) (on 1982-12-22) and Hoot Hester (on 1982-12-22)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1982-12-22) and Dale Sellers (Nashville session guitarist) (on 1982-12-22)
mandolin, lead vocals and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-12-22)
vocals:
Larry Gatlin (on 1982-12-22), Rudy Gatlin (on 1982-12-22) and Steve Gatlin (on 1982-12-22)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1982-12-22)
recording of:
Is the Blue Moon Still Shining? (on 1982-12-22)
lyricist and composer:
Melissa Monroe (Singer, daughter of Bill Monroe)
Bill Monroe & The Gatlin Brothers4:38
3My Sweet Blue-Eyed Darlin’
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1982-12-23)
fiddle:
Kenny Baker (US fiddler) (on 1982-12-23) and Buddy Spicher (American country and bluegrass fiddle player) (on 1982-12-23)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1982-12-23), Dale Sellers (Nashville session guitarist) (on 1982-12-23) and Ricky Skaggs (on 1982-12-23)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1982-12-23)
lead vocals:
Ricky Skaggs (on 1982-12-23)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1982-12-23)
recording of:
My Sweet Blue Eyed Darlin' (on 1982-12-23)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Ricky Skaggs2:53
4Old Riverman
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
John Hartford (on 1983-01-06) and Blake Williams (banjo player) (on 1983-01-06)
fiddle:
Kenny Baker (US fiddler) (on 1983-01-06) and Buddy Spicher (American country and bluegrass fiddle player) (on 1983-01-06)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1983-01-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1983-01-06)
lead vocals:
John Hartford (on 1983-01-06)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1983-01-06)
recording of:
Old Riverman (on 1983-01-06)
writer:
John Hartford and Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
Bill Monroe & John Hartford4:05
5With Body and Soul
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1983-01-26)
fiddle:
Kenny Baker (US fiddler) (on 1983-01-26) and Buddy Spicher (American country and bluegrass fiddle player) (on 1983-01-26)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1983-01-26) and Gary Scruggs (on 1983-01-26)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1983-01-26)
lead vocals:
Waylon Jennings (US country musician) (on 1983-01-26)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1983-01-26)
cover recording of:
With Body and Soul (on 1983-01-26)
lyricist and composer:
Virginia Stauffer
Bill Monroe & Waylon Jennings3:43
6I Still Miss Someone
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1983-01-27)
fiddle:
Kenny Baker (US fiddler) (on 1983-01-27) and Buddy Spicher (American country and bluegrass fiddle player) (on 1983-01-27)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1983-01-27)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1983-01-27)
lead vocals:
Johnny Cash (country music legend) (on 1983-01-27)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1983-01-27)
recording of:
I Still Miss Someone (on 1983-01-27)
lyricist:
Roy Cash Jr.
composer:
Johnny Cash (country music legend) and Roy Cash Jr.
publisher:
Aberbach (London) (publisher), House of Cash Southwind Music and Unichappell Music, Inc.
Bill Monroe & Johnny Cash2:56
7Blue Moon of Kentucky
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1983-02-01)
fiddle:
Kenny Baker (US fiddler) (on 1983-02-01) and Buddy Spicher (American country and bluegrass fiddle player) (on 1983-02-01)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1983-02-01) and Joe Stuart (US bluegrass musician) (on 1983-02-01)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1983-02-01)
vocals:
The Oak Ridge Boys (on 1983-02-01)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1983-02-01)
recording of:
Blue Moon of Kentucky (on 1983-02-01)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bill Monroe & The Oak Ridge Boys3:46
8The Sunset Trail
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1983-02-22)
fiddle:
Kenny Baker (US fiddler) (on 1983-02-22) and Buddy Spicher (American country and bluegrass fiddle player) (on 1983-02-22)
guitar:
Charlie Collins (country guitar player) (on 1983-02-22), Wayne Lewis (bluegrass guitarist) (on 1983-02-22) and Willie Nelson (on 1983-02-22)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1983-02-22)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1983-02-22) and Willie Nelson (on 1983-02-22)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1983-02-22)
recording of:
The Sunset Trail (on 1983-02-22)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Willie Nelson3:44
9Kentucky Waltz
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (from 1983-04-20 until 1986-04-20)
fiddle:
Kenny Baker (US fiddler) (from 1983-04-20 until 1986-04-20) and Buddy Spicher (American country and bluegrass fiddle player) (from 1983-04-20 until 1986-04-20)
guitar:
Wayne Lewis (bluegrass guitarist) (from 1983-04-20 until 1986-04-20) and Joe Stuart (US bluegrass musician) (from 1983-04-20 until 1986-04-20)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (from 1983-04-20 until 1986-04-20)
lead vocals and tenor vocals:
Emmylou Harris (from 1983-04-20 until 1986-04-20)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (from 1983-04-20 until 1986-04-20)
recording of:
Kentucky Waltz (from 1983-04-20 until 1986-04-20)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1945)
Bill Monroe & Emmylou Harris3:07
10My Rose of Old Kentucky
producer:
Walter Haynes (steel guitarist, producer and songwriter)
banjo:
Blake Williams (banjo player) (on 1983-05-04)
fiddle:
Kenny Baker (US fiddler) (on 1983-05-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1983-05-04)
guitar:
Ken Lewis (session drummer in Nashville, TN) (on 1983-05-04) and Wayne Lewis (bluegrass guitarist) (on 1983-05-04)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1983-05-04)
resonator guitar [dobro] and tenor vocals:
Barbara Mandrell (on 1983-05-04)
recorded at:
Burns Station Sound in Burns, Tennessee, United States (on 1983-05-04)
recording of:
My Rose of Old Kentucky (on 1983-05-04)
writer:
Joe Ahr (“The Father of Bluegrass”)
Bill Monroe & Barbara Mandrell3:19
11I Hear a Sweet Voice Calling
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Sonny Osborne (on 1985-05-02) and Blake Williams (banjo player) (on 1985-05-02)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-02)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-02)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-02)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-02) and Bobby Osborne (on 1985-05-02)
baritone vocals:
Sonny Osborne (on 1985-05-02)
lead vocals:
Bobby Osborne (on 1985-05-02)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-02)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-02)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
I Hear a Sweet Voice Calling (on 1985-05-02)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & The Osborne Brothers4:29
12True Life Blues
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Carl Story (Bluegrass artist)
banjo:
Blake Williams (banjo player) (on 1985-05-02)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-02)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-02)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-02) and Carl Story (Bluegrass artist) (on 1985-05-02)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-02)
lead vocals:
Carl Story (Bluegrass artist) (on 1985-05-02)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-02)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
True Life Blues (on 1985-05-02)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Carl Story2:18
13Lord, Protect My Soul
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Charlie Waller (American bluegrass musician)
banjo:
Blake Williams (banjo player) (on 1985-05-06)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-06)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-06)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-06) and Charlie Waller (American bluegrass musician) (on 1985-05-06)
mandolin:
Jimmy Gaudreau (on 1985-05-06) and Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06)
baritone vocals:
Jimmy Gaudreau (on 1985-05-06)
bass vocals:
Bill Yates (US bluegrass bassist) (on 1985-05-06)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06) and Charlie Waller (American bluegrass musician) (on 1985-05-06)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-06)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Lord Protect My Soul (on 1985-05-06)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe & The Country Gentlemen3:04
14Travelin’ This Lonesome Road
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Mac Wiseman
banjo:
Blake Williams (banjo player) (on 1985-05-06)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-05-06)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-06)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-06) and Mac Wiseman (on 1985-05-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-05-06)
lead vocals:
Mac Wiseman (on 1985-05-06)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-06)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Travelin' This Lonesome Road (on 1985-05-06)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Mac Wiseman3:32
15I’m on My Way Back to the Old Home
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Jim McReynolds
banjo:
Blake Williams (banjo player) (on 1985-06-17)
bass:
Clarence "Tater" Tate
double bass:
Clarence "Tater" Tate (on 1985-06-17)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17) and Jim McReynolds (on 1985-06-17)
mandolin:
Jesse McReynolds (on 1985-06-17) and Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
baritone vocals:
Jesse McReynolds (on 1985-06-17)
lead vocals:
Jim McReynolds (on 1985-06-17)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17) and Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
I'm on My Way Back to the Old Home (on 1985-06-17)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Jim and Jesse2:48
16It’s Mighty Dark to Travel
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1985-06-17)
double bass:
Clarence "Tater" Tate (on 1985-06-17)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17) and Jim McReynolds (on 1985-06-17)
mandolin:
Jesse McReynolds (on 1985-06-17) and Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
baritone vocals:
Jesse McReynolds (on 1985-06-17)
lead vocals:
Jim McReynolds (on 1985-06-17)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17) and Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-06-17)
recording of:
It's Mighty Dark to Travel (on 1985-06-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe & Jim and Jesse2:50
17Remember the Cross
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Blake Williams (banjo player) (on 1985-05-07)
bass:
Emory Gordy, Jr.
double bass:
Emory Gordy, Jr. (on 1985-05-07)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-05-07)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-05-07)
mandolin, lead vocals and tenor vocals:
John Duffey (on 1985-05-07) and Bill Monroe (“The Father of Bluegrass”) (on 1985-05-07)
resonator guitar [dobro] and baritone vocals:
Mike Auldridge (on 1985-05-07)
bass vocals:
Clarence "Tater" Tate (on 1985-05-07)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-05-07)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Remember the Cross (on 1985-05-07)
writer:
Bill Monroe (“The Father of Bluegrass”) and Howard Watts (bluegrass bassist, aka Cedric Rainwater)
Bill Monroe & The Seldom Scene3:06
18Let the Gates Swing Wide
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Blake Williams (banjo player) (on 1985-06-10)
bass:
Emory Gordy, Jr.
double bass:
Emory Gordy, Jr. (on 1985-06-10)
fiddle and baritone vocals:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-10)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1985-06-10)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-10)
bass vocals:
Clarence "Tater" Tate (on 1985-06-10)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-06-10)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
Let the Gates Swing Wide (on 1985-06-10)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Tater Tate2:53
19Can’t You Hear Me Callin’
producer:
Emory Gordy, Jr.
banjo:
Ralph Stanley (US bluegrass singer and banjo player) (on 1985-06-10) and Blake Williams (banjo player) (on 1985-06-10)
double bass:
Clarence "Tater" Tate (on 1985-06-10)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-10)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-10)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-10)
lead vocals:
Ralph Stanley (US bluegrass singer and banjo player) (on 1985-06-10)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1985-06-10)
recording of:
Can't You Hear Me Callin' (on 1985-06-10)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Ralph Stanley2:56
20The Golden West
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist)
banjo:
Blake Williams (banjo player) (on 1985-06-17)
bass:
Clarence "Tater" Tate
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
recorded at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States and Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
The Golden West (on 1985-06-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Bobby Hicks3:15
21The Old Brown Country Barn
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1985-06-17)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17)
recording of:
The Old Brown Country Barn (on 1985-06-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Bobby Hicks2:30
22I’m Going Back to Old Kentucky
engineer:
Vic Gabany (recording engineer and producer) (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (Recording & mixing engineer) (task: second engineer) and Steve Tillisch (Sound engineer) (task: first engineer)
producer:
Emory Gordy, Jr.
acoustic guitar:
Wayne Lewis (bluegrass guitarist) and Del McCoury
banjo:
Blake Williams (banjo player) (on 1985-06-17)
bass:
Clarence "Tater" Tate
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17) and Del McCoury (on 1985-06-17)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
lead vocals:
Del McCoury (on 1985-06-17)
recorded at:
Sound Emporium in Nashville, Tennessee, United States (on 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, United States
recording of:
I'm Going Back to Old Kentucky (on 1985-06-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe & Del McCoury3:12
23Bluest Man in Town
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1985-06-17)
fiddle:
Glen Duncan (bluegrass multi-instrument musician) (on 1985-06-17) and Bobby Hicks (American bluegrass fiddler) (on 1985-06-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1985-06-17) and Del McCoury (on 1985-06-17)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1985-06-17)
lead vocals:
Del McCoury (on 1985-06-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17)
recording of:
Bluest Man in Town (on 1985-06-17)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Del McCoury4:05
3▼CD
#TitleRatingLength
1Dancin’ in Brancin’
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1986-03-17)
double bass:
Clarence "Tater" Tate (on 1986-03-17)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1986-03-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1986-03-17)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1986-03-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1986-03-17)
recording of:
Dancin’ in Brancin’ (on 1986-03-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:33
2Jekyll Island
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1986-03-17)
double bass:
Clarence "Tater" Tate (on 1986-03-17)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1986-03-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1986-03-17)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1986-03-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1986-03-17)
recording of:
Jekyll Island (on 1986-03-17)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:34
3Stay Away From Me
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1986-03-17)
double bass:
Clarence "Tater" Tate (on 1986-03-17)
fiddle:
Bobby Hicks (American bluegrass fiddler) (on 1986-03-17) and Buddy Spicher (American country and bluegrass fiddle player) (on 1986-03-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1986-03-17)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1986-03-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1986-03-17)
recording of:
Stay Away From Me (on 1986-03-17)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:17
4Music Valley Waltz
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1986-03-17)
double bass:
Clarence "Tater" Tate (on 1986-03-17)
fiddle:
Bobby Hicks (American bluegrass fiddler) (on 1986-03-17) and Buddy Spicher (American country and bluegrass fiddle player) (on 1986-03-17)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1986-03-17)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1986-03-17)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1986-03-17)
recording of:
Music Valley Waltz (on 1986-03-17)
writer:
John Hartford and Bill Monroe (“The Father of Bluegrass”)
2:58
5Angels Rock Me to Sleep
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1986-03-18)
double bass:
Emory Gordy, Jr. (on 1986-03-18)
fiddle:
Bobby Hicks (American bluegrass fiddler) (on 1986-03-18) and Buddy Spicher (American country and bluegrass fiddle player) (on 1986-03-18)
guitar and lead vocals:
Wayne Lewis (bluegrass guitarist) (on 1986-03-18)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1986-03-18)
bass vocals:
Clarence "Tater" Tate (on 1986-03-18)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1986-03-18)
recording of:
Angels Rock Me to Sleep (on 1986-03-18)
writer:
Marion Easterling and Thomas Ramsey
3:01
6The Long Bow
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1986-03-18)
double bass:
Clarence "Tater" Tate (on 1986-03-18)
fiddle:
Bobby Hicks (American bluegrass fiddler) (on 1986-03-18) and Buddy Spicher (American country and bluegrass fiddle player) (on 1986-03-18)
guitar:
Wayne Lewis (bluegrass guitarist) (on 1986-03-18)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1986-03-18)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1986-03-18)
recording of:
The Long Bow (on 1986-03-18)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:47
7God Holds the Future in His Hands
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1986-08-19)
double bass:
Johnny Montgomery (US bluegrass bassist) (on 1986-08-19)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1986-08-19) and Clarence "Tater" Tate (on 1986-08-19)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1986-08-19)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1986-08-19)
bass vocals:
Clarence "Tater" Tate (on 1986-08-19)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1986-08-19)
recording of:
God Holds the Future in His Hands (on 1986-08-19)
writer:
[traditional] (special purpose artist)
3:40
8The Old Cross Roads
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1986-08-19)
double bass:
Johnny Montgomery (US bluegrass bassist) (on 1986-08-19)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1986-08-19) and Clarence "Tater" Tate (on 1986-08-19)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1986-08-19)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1986-08-19)
bass vocals:
Clarence "Tater" Tate (on 1986-08-19)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1986-08-19)
recording of:
The Old Crossroad (on 1986-08-19)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
4:07
9Southern Flavor
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1988-01-04)
double bass:
Clarence "Tater" Tate (on 1988-01-04)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-04), Bobby Hicks (American bluegrass fiddler) (on 1988-01-04) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-04)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-04)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-04)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-04)
recording of:
Southern Flavor (on 1988-01-04)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:16
10Stone Coal
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1988-01-05)
double bass:
Clarence "Tater" Tate (on 1988-01-05)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-05), Bobby Hicks (American bluegrass fiddler) (on 1988-01-05) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-05)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-05)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-05)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-05)
recording of:
Stone Coal (on 1988-01-05)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:57
11Texas Lone Star
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1988-01-05)
double bass:
Clarence "Tater" Tate (on 1988-01-05)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-05), Bobby Hicks (American bluegrass fiddler) (on 1988-01-05) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-05)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-05)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-05)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-05)
recording of:
Texas Lone Star (on 1988-01-05)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:35
12Sugar Loaf Mountain
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1988-01-08)
double bass:
Clarence "Tater" Tate (on 1988-01-08)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-08), Bobby Hicks (American bluegrass fiddler) (on 1988-01-08) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-08)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-08)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-08)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-08)
recording of:
Sugar Loaf Mountain (on 1988-01-08)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:56
13The Days Gone By
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1988-01-12)
double bass:
Clarence "Tater" Tate (on 1988-01-12)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-12), Bobby Hicks (American bluegrass fiddler) (on 1988-01-12) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-12)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-12)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-12)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-12)
recording of:
The Days Gone By (on 1988-01-12)
writer:
Tom Ewing (US bluegrass guitarist and singer) and Bill Monroe (“The Father of Bluegrass”)
3:30
14White Rose
producer:
Emory Gordy, Jr.
banjo:
Blake Williams (banjo player) (on 1988-01-12)
double bass:
Clarence "Tater" Tate (on 1988-01-12)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-12), Bobby Hicks (American bluegrass fiddler) (on 1988-01-12) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-12)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-12)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-12)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-12)
recording of:
White Rose (on 1988-01-12)
lyricist and composer:
Carl Butler
3:18
15Life’s Highway
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1988-01-13)
double bass:
Clarence "Tater" Tate (on 1988-01-13)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-13), Bobby Hicks (American bluegrass fiddler) (on 1988-01-13) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-13)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-13)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-13)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-13)
recording of:
Life’s Highway (on 1988-01-13)
lyricist and composer:
Bobby Smith (US bluegrass musician)
2:57
16Give Me Wings
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1988-01-14)
double bass:
Emory Gordy, Jr. (on 1988-01-14)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-14), Bobby Hicks (American bluegrass fiddler) (on 1988-01-14) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-14)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-14)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-14)
bass vocals:
Clarence "Tater" Tate (on 1988-01-14)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-14)
recording of:
Lord Give Me Wings (on 1988-01-14)
lyricist and composer:
Gerald Evans (US bluegrass musician and songwriter)
3:45
17What a Wonderful Life
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1988-01-14)
double bass:
Emory Gordy, Jr. (on 1988-01-14)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-14), Bobby Hicks (American bluegrass fiddler) (on 1988-01-14) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-14)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-14)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-14)
bass vocals:
Clarence "Tater" Tate (on 1988-01-14)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-14)
recording of:
What a Wonderful Life (on 1988-01-14)
lyricist and composer:
Raymond Huffmaster (US bluegrass musician)
4:20
18Take Courage Un’ Tomorrow
producer:
Emory Gordy, Jr.
banjo and baritone vocals:
Blake Williams (banjo player) (on 1988-01-14)
double bass:
Emory Gordy, Jr. (on 1988-01-14)
fiddle:
Michael Feagan (US bluegrass fiddler) (on 1988-01-14), Bobby Hicks (American bluegrass fiddler) (on 1988-01-14) and Buddy Spicher (American country and bluegrass fiddle player) (on 1988-01-14)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1988-01-14)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1988-01-14)
bass vocals:
Clarence "Tater" Tate (on 1988-01-14)
recorded at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, United States (on 1988-01-14)
recording of:
Take Courage Un’ Tomorrow (on 1988-01-14)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:27
4▼CD
#TitleRatingLength
1Molly and Tenbrooks
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Molly and Tenbrooks (from 1989-05 until 1989-06)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
is based on:
Molly and Tenbrooks
2:59
2Footprints in the Snow
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Footprints in the Snow (from 1989-05 until 1989-06)
composer:
Rupert Jones (“The Father of Bluegrass”)
is based on:
I Traced Her Little Footmarks in the Snow
2:57
3Sittin’ Alone in the Moolight
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Sitting Alone in the Moonlight (from 1989-05 until 1989-06)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
3:04
4Precious Memories
banjo and baritone vocals:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle and bass vocals:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Precious Memories (from 1989-05 until 1989-06)
writer:
J.B.F. Wright (Hymn songwriter)
5:00
5Rawhide
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Rawhide (mandolin instrumental) (from 1989-05 until 1989-06)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:54
6My Sweet Darlin’
banjo and baritone vocals:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
My Sweet Blue Eyed Darlin' (from 1989-05 until 1989-06)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:23
7In the Pines
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06) and Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
In the Pines (Black Girl) (from 1989-05 until 1989-06)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3421)
3:43
8Love, Please Come Home
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Love, Please Come Home (from 1989-05 until 1989-06)
lyricist and composer:
Leon Jackson (bluegrass artist)
2:21
9Pike County Breakdown
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Pike County Breakdown (from 1989-05 until 1989-06)
composer:
Rupert Jones (“The Father of Bluegrass”)
2:43
10I’m Working on a Building
banjo and baritone vocals:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle and bass vocals:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06) and Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
I’m Working on the Building (Carter version, verses begin "If I was...") (from 1989-05 until 1989-06)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
version of:
Working on the Building
2:54
11Watermelon Hanging on the Vine
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live instrumental recording of:
Watermelon on the Vine (from 1989-05 until 1989-06)
writer:
[traditional] (special purpose artist)
0:40
12Just a Little Talk With Jesus
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-05-15)
double bass:
Billy Rose (US bluegrass musician) (on 1990-05-15)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-05-15)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-05-15)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-05-15)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-05-15)
recording of:
Just a Little Talk With Jesus (on 1990-05-15)
lyricist and composer:
Cleavant Derricks (pastor, choir director, and songwriter)
publisher:
Songs of Universal, Inc. (BMI) and Stamps-Baxter Music and Printing Co. (on 1937-01-01)
2:28
13Harbor of Love
producer:
Steve Buchanan (Nashville producer)
banjo:
Blake Williams (banjo player) (on 1990-05-21)
double bass:
Billy Rose (US bluegrass musician) (on 1990-05-21)
fiddle:
Jimmy Campbell (US bluegrass fiddler) (on 1990-05-21) and Clarence "Tater" Tate (on 1990-05-21)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-05-21) and Ricky Skaggs (on 1990-05-21)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-05-21)
baritone vocals:
Ricky Skaggs (on 1990-05-21)
bass vocals:
Clarence "Tater" Tate (on 1990-05-21)
lead vocals:
Ralph Stanley (US bluegrass singer and banjo player) (on 1990-05-21)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-05-21)
recording of:
Harbor of Love (on 1990-05-21)
lyricist and composer:
Carter Stanley
3:30
14Are You Lost in Sin?
producer:
Steve Buchanan (Nashville producer)
banjo:
Blake Williams (banjo player) (on 1990-06-12)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-12)
fiddle:
Jimmy Campbell (US bluegrass fiddler) (on 1990-06-12) and Clarence "Tater" Tate (on 1990-06-12)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-12)
mandolin:
Jesse McReynolds (on 1990-06-12) and Bill Monroe (“The Father of Bluegrass”) (on 1990-06-12)
baritone vocals:
Jesse McReynolds (on 1990-06-12)
bass vocals:
Clarence "Tater" Tate (on 1990-06-12)
lead vocals:
Jim McReynolds (on 1990-06-12)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-12)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-06-12)
recording of:
Are You Lost in Sin? (on 1990-06-12)
writer:
Jesse McReynolds and Jim McReynolds
publisher:
Central Songs
3:08
15He’ll Take You In
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-06-12)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-12)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-06-12)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-12)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-12)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-06-12)
recording of:
He’ll Take You In (on 1990-06-12)
writer:
Billy Smith (US bluegrass guitarist and songwriter)
publisher:
Bats and Crows
3:03
16Just Over in the Glory Land
producer:
Steve Buchanan (Nashville producer) (on 1990-06-27)
banjo:
Sonny Osborne (on 1990-06-27) and Blake Williams (banjo player) (on 1990-06-27)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-27)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-06-27)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-27)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-27) and Bobby Osborne (on 1990-06-27)
baritone vocals:
Sonny Osborne (on 1990-06-27)
lead vocals:
Bobby Osborne (on 1990-06-27)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-27)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1990-06-27)
recording of:
Over in the Gloryland (on 1990-06-27)
lyricist and composer:
Ralph Stanley (US bluegrass singer and banjo player)
3:01
17Baptize Me in the Cumberland River
producer:
Steve Buchanan (Nashville producer) (on 1990-06-27)
banjo:
Blake Williams (banjo player) (on 1990-06-27)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-27)
fiddle:
Clarence "Tater" Tate (on 1990-06-27)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-27)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-27)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1990-06-27)
recording of:
Baptize Me in the Cumberland River (on 1990-06-27)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:37
18You’re Drifting Away
producer:
Steve Buchanan (Nashville producer)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-17)
guitar and lead vocals:
Ricky Skaggs (on 1990-07-17)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-17)
baritone vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-17)
bass vocals:
Clarence "Tater" Tate (on 1990-07-17)
recorded at:
Digital Recorders in Nashville, Tennessee, United States (on 1990-07-17)
recording of:
You're Drifting Away (on 1990-07-17)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:39
19This World Is Not My Home
producer:
Steve Buchanan (Nashville producer)
banjo:
Blake Williams (banjo player) (on 1990-07-24)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-24)
fiddle and baritone vocals:
Clarence "Tater" Tate (on 1990-07-24)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-24)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-24)
lead vocals:
Mac Wiseman (on 1990-07-24)
recorded at:
Reflections (on 1990-07-24)
recording of:
This World Is Not My Home (on 1990-07-24)
lyricist and composer:
J.R. Baxter
writer:
[traditional] (special purpose artist)
2:37
20Cryin’ Holy Unto the Lord
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-07-24)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-24)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-07-24)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-24)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-24)
recorded at:
Reflections (on 1990-07-24)
recording of:
On the Rock Where Moses Stood (on 1990-07-24)
writer:
The Carter Family (the original Carter Family, 1927–1943)
2:57
21Shine Hallelujah Shine
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-07-24)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-24)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-07-24)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-24)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-24)
recorded at:
Reflections (on 1990-07-24)
recording of:
Shine Hallelujah Shine (on 1990-07-24)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:32
22Boston Boy
producer:
Vic Gabany (recording engineer and producer)
banjo:
Dana Cupp (US bluegrass musician) (on 1994-01-09)
double bass:
Clarence "Tater" Tate (on 1994-01-09)
fiddle:
Robert Bowlin (guitar / mandolin) (on 1994-01-09)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1994-01-09)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1994-01-09)
recording of:
Boston Boy (on 1994-01-09)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:35
23Southern Flavor
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Southern Flavor (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
1:30
24Never Leave the A String
producer:
Tim Riley (Producer, promoter, and label executive)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Never Leave the A String (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
0:43
25Tennessee Blues
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Tennessee Blues (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:13
26I’d Love to Be Over Yonder
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
I’d Love to Be Over Yonder (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
0:41
27Rawhide
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Rawhide (mandolin instrumental) (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
0:49
28Sally Goodin
producer:
Tim Riley (Producer, promoter, and label executive)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Sally Goodin’ (in 1994)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 739)
0:25

Credits

Release

ASIN:US: B000L43NB8 [info]