The All Time Greatest Country Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1How Do I Live
Assistent recording engineer:
Glenn Spinner
recording engineer:
Jeff Balding
Produzent(in):
Tony Brown (US producer, pianist and keyboardist) und Trisha Yearwood
Mix:
Chuck Ainlay
Akustikgitarre:
Larry Byrom
Bassgitarre:
Michael Rhodes
E-Gitarre:
Steve Gibson (US country vocalist and guitarist)
Keyboard:
Steve Nathan und Matt Rollings (American composer, musician and record producer)
Lap-Steel-Gitarre:
Paul Franklin (steel guitarist)
Saiteninstrumente:
Nashville String Machine
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist)
Schlagzeug:
Paul Leim
Hintergrundgesang [harmony vocals]:
Carrie McDowell und Judson Spence
conductor:
Ronn Huff
Saiteninstrumente arranger:
Ronn Huff
phonographisches Urheberrecht (℗) von:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1997)
aufgenommen bei:
Ocean Way Studios in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, Vereinigte Staaten
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
Trisha Yearwood54:00
2Ruby Don’t Take Your Love to Town
cover recording of:
Ruby, Don’t Take Your Love to Town
Texter und Komponist(in):
Mel Tillis
publisher:
Cedarwood Publishing Company, Inc., Universal Cedarwood Publishing und Universal Music Publishing International Ltd.
Kenny Rogers42:58
3Everybody’s Talkin’
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Nilsson2:45
4Behind Closed Doors
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (am 1972-11-12)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Hintergrundgesang:
The Nashville Edition (am 1972-11-12)
Sologesang:
Charlie Rich (US country singer) (am 1972-11-12)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1972-11-12)
recording of:
Behind Closed Doors (am 1972-11-12)
Texter und Komponist(in):
Kenny O’Dell
publisher:
House of Gold Music, Inc.
Charlie Rich52:56
5Angel of the Morning
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Angel of the Morning (am 1980-09-04)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Juice Newton4.354:10
6Lay Lady Lay
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Gitarre und Sologesang:
Bob Dylan (am 1969-02-14)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
recording of:
Lay, Lady, Lay (am 1969-02-14)
Texter und Komponist(in):
Bob Dylan (von 1968 bis 1969)
zusätzlicher Texter:
Bob Dylan (in 1976)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Big Sky Music (publisher for Bob Dylan) (vom 1969 bis heute)
sub-publisher:
Sonora Musikförlags AB
Bob Dylan4.13:17
7I Honestly Love You
Olivia Newton‐John4:05
8Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:44
9He’ll Have to Go
Produzent(in):
Chet Atkins
vocals:
Jim Reeves (US country & pop singer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1959)
recording of:
He’ll Have to Go (am 1959-10-15)
Verfasser(in):
Audrey Allison und Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs und Central Songs, Inc.
Jim Reeves4.352:19
10Blue Bayou
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Mark Howlett
Produzent(in):
Peter Asher
Akustikgitarre:
Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Bassgitarre [bass] und Mandoline:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22)
cowbell, elektronisches Schlagzeug / E-Drums [syn-drums] und Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1977-05-23 bis 1977-07-22)
Hybrid-Piano:
Don Grolnick (von 1977-05-23 bis 1977-07-22)
Marimba:
Steve Forman (US percussionist) (von 1977-05-23 bis 1977-07-22)
Steel-Gitarre:
Dan Dugmore (von 1977-05-23 bis 1977-07-22)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22) und Don Henley (von 1977-05-23 bis 1977-07-22)
Sologesang:
Linda Ronstadt (von 1977-05-23 bis 1977-07-22)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
aufgenommen bei:
Sound Factory, LA (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-05-23 bis 1977-07-22)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 61)
cover recording of:
Blue Bayou (von 1977-05-23 bis 1977-07-22)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Linda Ronstadt4.253:54
11Silver Threads and Golden Needles
vocals:
Loretta Lynn, Dolly Parton und Tammy Wynette
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1993)
cover recording of:
Silver Threads and Golden Needles
Verfasser(in):
Dick Reynolds (country songwriter) und Jack Rhodes
publisher:
Central Songs, Fort Knox Music Co, Fort Knox Music Inc. und Trio Music Co., Inc.
Dolly Parton, Loretta Lynn & Tammy Wynette42:25
12I Will Survive
cover recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Billie Jo Spears3:19
13Bye Bye Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (in 1957)
Bass:
Floyd D. 'Lightnin'' Chance (in 1957)
E-Gitarre:
Chet Atkins (in 1957)
Gitarre:
Don Everly (in 1957), Phil Everly (in 1957) und Hank Garland (in 1957)
Klavier:
Floyd Cramer (in 1957)
Schlagzeug:
Murrey Harman (Session drummer and songwriter) (in 1957)
vocals:
Don Everly (in 1957) und Phil Everly (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 207)
recording of:
Bye Bye Love (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:20
14Cathy’s Clown
cover recording of:
Cathy’s Clown
Texter und Komponist(in):
Don Everly
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Reba McEntire33:03
15Language of Love
recording of:
Language of Love
Texter und Komponist(in):
John D. Loudermilk
John D. Loudermilk1:46
16Honey, I’m Home
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung und Editing:
Olle Romo (Swedish music producer, songwriter, and drummer)
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie und Joe Spivey
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) und Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
Musikvideos:
Honey, I'm Home (Live In Dallas / 1998) von Shania Twain
recording of:
Honey, I’m Home
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
publisher:
Imagem London Ltd.
Shania Twain53:35
17Me and Bobby McGee
recording of:
Me and Bobby McGee
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Keith Prowse Music Publishing Co. Ltd.
Kris Kristofferson4:06
18Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Jean Kaplow
Produzent(in):
Milt Okun
Akustikgitarre [6-string guitar] und Sologesang:
John Denver
Banjo und Pedal-Steel-Gitarre:
Eric Weissberg
Gitarre:
Bill Danoff und Michael Taylor (Guitarist & former member of the John Denver Band)
Klavier:
Frank Owens (American pianist)
Kontrabass:
Dick Kniss
membranophone:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Bill Danoff, Taffy Nivert und Starland Vocal Band
vocals:
John Denver
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 94) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 358)
recording of:
Take Me Home, Country Roads (am 1971-02-04)
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.33:13
19Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Version von:
’k Blijf op je wachten
Lynn Anderson4.152:56
20By the Time I Get to Phoenix
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 450)
cover recording of:
By the Time I Get to Phoenix (am 1967-08-17)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. und Martin Bandier Music
Glen Campbell3.52:40
21Crying
Produzent(in):
Fred Foster (am 1961-06-26)
Gitarre:
Boudleaux Bryant (am 1961-06-26), Harold Bradley (am 1961-06-26) und Scotty Moore (American guitarist and recording engineer) (am 1961-06-26)
Klavier:
Floyd Cramer (am 1961-06-26)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1961-06-26)
Schlagzeug [drums]:
Buddy Harman (Session drummer and songwriter) (am 1961-06-26)
vocals:
Roy Orbison (am 1961-06-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und Monument Record Corp. (not for release label use!) (in 1961)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 69) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 461)
recording of:
Crying (am 1961-06-26)
Texter:
Joe Melson (in 1961) und Roy Orbison (in 1961)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-16)
Teil von:
50/50
Roy Orbison4.652:47
22Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:33
23Always on My Mind
Produzent(in):
Chips Moman
Bass:
Mike Leech (am 1981-10-11)
Gitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (am 1981-10-11), Willie Nelson (am 1981-10-11) und Reggie Young (Guitarist and songwriter) (am 1981-10-11)
Keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (am 1981-10-11) und Bobby Emmons (am 1981-10-11)
Mundharmonika:
Mickey Raphael (am 1981-10-11)
Schlagzeug:
Gene Chrisman (am 1981-10-11)
vocals:
Willie Nelson (am 1981-10-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-10-11)
recording of:
Always on My Mind (am 1981-10-11)
Verfasser(in):
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Willie Nelson4.63:30
2▼CD
Nr.TitelKünstlerBewertungLänge
1Islands in the Stream
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
vocals:
Dolly Parton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Rogers & Dolly Parton44:12
2Jolene
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1972-05-03) und Buck Trent (am 1972-05-03)
Bass:
Bobby Dyson (am 1972-05-03)
E-Gitarre:
Jimmy Colvard (American session guitarist) (am 1972-05-03)
Fiddle:
Johnny Gimble (am 1972-05-03) und Mack Magaha (Bluegrass Fiddler) (am 1972-05-03)
Gitarre:
Dolly Parton (am 1972-05-03)
Gitarre [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (am 1972-05-03)
Klavier:
Hargus "Pig" Robbins (am 1972-05-03)
Schlagzeug:
Kenny Malone (session drummer/percussion) (am 1972-05-03)
Steel-Gitarre:
Stu Basore (am 1972-05-03)
Hintergrundgesang:
Joe Babcock (am 1972-05-03), Dolores Edgin (am 1972-05-03), June Page (am 1972-05-03) und Hurshel Wiginton (am 1972-05-03)
vocals:
Dolly Parton (am 1972-05-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1972-05-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 63) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 217)
recording of:
Jolene (am 1972-05-03)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton4.252:41
3Down to My Last Teardrop
recording of:
Down to My Last Teardrop
Verfasser(in):
Paul Davis (American singer)
Tanya Tucker3:29
4Dance the Night Away
Produzent(in):
Don Cook (US country producer/songwriter) und Raul Malo (The Mavericks lead singer, country music)
phonographisches Urheberrecht (℗) von:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1999)
recording of:
Dance the Night Away
Texter und Komponist(in):
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. und Rumbalo Music
The Mavericks3.44:23
5Let Me Into Your Heart
recording of:
Let Me Into Your Heart
Texter und Komponist(in):
Mary Chapin Carpenter
Mary Chapin Carpenter2:54
6Love Can Build a Bridge
recording of:
Love Can Build a Bridge
Verfasser(in):
John Barlow Jarvis, Naomi Judd und Paul Overstreet (country singer and songwriter)
publisher:
Leosong (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
The Judds3:56
7A Good Year for the Roses
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Elvis Costello
cover recording of:
A Good Year for the Roses
Texter und Komponist(in):
Jerry Chesnut
Elvis Costello & The Attractions4.253:08
8I’m Just a Country Boy
cover recording of:
I’m Just a Country Boy
Verfasser(in):
Marshall Barer und Fred Brooks
Don Williams3:04
9From a Distance
vocals:
Nanci Griffith
recording of:
From a Distance
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Nanci Griffith44:12
10Detroit City
Produzent(in):
Chet Atkins
cover recording of:
Detroit City (am 1963-04-18)
Verfasser(in):
Danny Dill und Mel Tillis
Bobby Bare42:50
11Ode to Billy Joe
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 412)
recording of:
Ode to Billie Joe (in 1967-03)
Texter und Komponist(in):
Bobbie Gentry
publisher:
Larry Shayne Music, Inc. und Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:14
12If I Said You Had a Beautiful Body (Would You Hold It Against Me)
Techniker(in):
Jim Crosby (engineer) (in 1978) und Michael Lloyd (US guitarist/singer producer) (in 1978)
Produzent(in):
Michael Lloyd (US guitarist/singer producer) (in 1978)
Akustikgitarre und Sologesang:
David Bellamy (Bellamy Brothers) (in 1978) und Howard Bellamy (Bellamy Brothers) (in 1978)
Bassgitarre:
Jesse Chambers (in 1978)
E-Gitarre:
Carl Chambers (in 1978)
Keyboard:
Joe LaFrandre (in 1978)
Schlagzeug:
Rodney Price (drummer) (in 1978)
Steel-Gitarre:
Danny Jones (US steel guitarist) (in 1978)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1980)
recording of:
If I Said You Had a Beautiful Body Would You Hold It Against Me (in 1978)
Texter und Komponist(in):
David Bellamy (Bellamy Brothers)
The Bellamy Brothers23:14
13I Will Always Love You
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
cover recording of:
I Will Always Love You
Verfasser(in):
Barry Gibb und Maurice Gibb
publisher:
Gibb Bros. Music und Unichappel Music
recording of:
I Will Always Love You
Verfasser(in):
Barry Gibb und Maurice Gibb
publisher:
Gibb Bros. Music und Unichappel Music
Kenny Rogers3:00
14Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:40
15Kentucky Woman
Techniker(in):
Brooks Arthur und Phil Ramone
Produzent(in):
Jeff Barry und Ellie Greenwich
recording of:
Kentucky Woman (in 1967-09)
geschrieben in:
Paducah, Kentucky, Vereinigte Staaten
Texter:
Neil Diamond
Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Neil Diamond2:26
16King of the Road
recording of:
King of the Road
Texter:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller2:25
17Jackson
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1967-01-11)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Instrumente:
Johnny Cash (country music legend)
vocals:
June Carter Cash (American Country singer and songwriter) und Johnny Cash (country music legend)
Interpret(in):
June Carter Cash (American Country singer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 112)
cover recording of:
Jackson (am 1967-01-11)
Texter und Komponist(in):
Jerry Leiber (in 1963) und Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
live cover recording of:
Jackson
Texter und Komponist(in):
Jerry Leiber (in 1963) und Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
recording of:
Jackson
Texter und Komponist(in):
Jerry Leiber (in 1963) und Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
Johnny Cash & June Carter Cash42:46
18Riders in the Sky
Produzent(in):
Brian Ahern
Banjo [banjo-lute] und Mandocello:
Bob Johnson (American banjo player from Chattanooga, Tennessee) (von 1979-02 bis 1979-04)
E-Bass:
Marshall Grant (von 1979-02 bis 1979-04)
E-Gitarre:
Bob Wootton (von 1979-02 bis 1979-04)
Fiddle:
Ricky Skaggs (von 1979-02 bis 1979-04)
Gitarre:
Johnny Cash (country music legend) (von 1979-02 bis 1979-04), Jack Clement (von 1979-02 bis 1979-04), Jerry Hensley (von 1979-02 bis 1979-04) und Jack Routh (von 1979-02 bis 1979-04)
Hackbrett:
Alisa Jones (US hammered dulcimer player) (von 1979-02 bis 1979-04)
Klavier:
Earl Poole Ball (US country pianist) (von 1979-02 bis 1979-04)
Perkussion:
Mark Morris (drummer & percussionist) (von 1979-02 bis 1979-04)
Schlagzeug:
W.S. Holland (von 1979-02 bis 1979-04)
Trompete:
Jack Hale (trombone) (von 1979-02 bis 1979-04), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
Waldhorn:
Jack Hale (trombone) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
vocals:
The Carter Family (later generations of the family after 1943) (von 1979-02 bis 1979-04), Johnny Cash (country music legend) (von 1979-02 bis 1979-04) und Jan Howard (von 1979-02 bis 1979-04)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (von 1979-02 bis 1979-04)
Texter und Komponist(in):
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (am 1948-06-05)
publisher:
Prophecies Publishing, Revega Music und WB Music Corp. (1929–2019)
Version von:
Spookrijder in de nacht
Johnny Cash4.253:47
19Polk Salad Annie
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1969)
recording of:
Polk Salad Annie
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Blackwood Music Inc.
Tony Joe White3:44
20Achy Breaky Heart
Produzent(in):
Jim Cotton und Joe Scaife
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2011)
Musikvideos:
Achy Breaky Heart von Billy Ray Cyrus
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 464)
cover recording of:
Achy Breaky Heart
Texter und Komponist(in):
Donald L. Tress
Billy Ray Cyrus2.53:25
21The Devil Went Down to Georgia
Assistent recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, Techniker(in) und Mix:
Paul Grupp
Produzent(in):
John Boylan
assistierende(r) Mix:
Dave Rideau (engineer) und Erik Zobler
Bassgitarre:
Charlie Hayward (Member of The Charlie Daniels Band)
Fiddle und Sologesang:
Charlie Daniels
Gitarre und Hintergrundgesang:
Tom Crain
Keyboard [keyboards]:
Joel "Taz" DiGregorio
Schlagzeug:
Fred Edwards (drummer and songwriter) und Jim Marshall (photographer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
aufgenommen bei:
Woodland Studios in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
The Devil Went Down to Georgia von The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
Verfasser(in):
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain und James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) und Hat Band Music (in 1979)
The Charlie Daniels Band4.653:36
22Dueling Banjos
arranger:
Eric Weissberg
recording of:
Dueling Banjos (Deliverance arrangement)
Komponist(in):
Arthur Smith (“Guitar Boogie” Smith US country artist)
arranger:
Steve Mandell (US bluegrass guitarist "Duelling Banjos") und Eric Weissberg
vorher zugeschrieben zu:
Eric Weissberg
Arrangement von:
Feuding Banjos
Eric Weissberg & Steve Mandell3.83:16

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