The Sax Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1I Don’t Wanna Lose You
engineer:
Mike Ging and Tommy Vicari
producer:
Roger Davies (producer), Albert Hammond and Graham Lyle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
I Don’t Wanna Lose You
writer:
Albert Hammond and Graham Lyle
Tina Turner2.84:13
2Jealous Guy
producer:
Rhett Davies, Bryan Ferry and Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music4.54:53
3True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
4A Million Love Songs
engineer:
Tim Eames (UK engineer) and Robin Sellars (British recording engineer)
producer:
Billy Griffin and Ian Levine (Hi-NRG music songwriter and producer)
mixer:
Ian Levine (Hi-NRG music songwriter and producer)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
arranger:
Ian Levine (Hi-NRG music songwriter and producer) and Nigel Stock (songwriter, worked with John Davies)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992) and BMG Records (UK) Limited (1987–1996) (from 1995 to present)
recorded at:
Southlands Studios in London (Greater London), England, United Kingdom
music videos:
A Million Love Songs by Take That
recording of:
A Million Love Songs
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Limited (do not use this as a release label!) and Virgin Music (Publishing) Ltd
Take That3:53
5Hands to Heaven
recording of:
Hands to Heaven
writer:
David Glasper (Singer - Performer, author & lyricist) and Marcus Lillington
publisher:
Virgin Music (Publishers) Ltd. (in 1988)
Breathe4:19
6I Wonder Why
producer:
Glen Ballard
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
music videos:
I Wonder Why by Curtis Stigers
recording of:
I Wonder Why
writer:
Glen Ballard and Curtis Stigers
publisher:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony Music Publishing (worldwide except Japan, ended 1995) and Sony Tunes, Inc.
Curtis Stigers4:27
7You’re the Best Thing
drums (drum set) [drums] programming:
Peter Wilson (UK Producer)
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
additional keyboard [keyboards] and bass synthesizer [bass synth]:
Mick Talbot (from 1983-10 until 1984-01)
guitar [guitars] and synthesizer [synths]:
Paul Weller (English singer‐songwriter and musician) (from 1983-10 until 1984-01)
vocals:
Mick Talbot (from 1983-10 until 1984-01) and Paul Weller (English singer‐songwriter and musician) (from 1983-10 until 1984-01)
additionally recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recording of:
You’re the Best Thing (from 1983-10 until 1984-01)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and Universal Music Publishing MGB Australia
The Style Council25:43
8Beautiful Girl
assistant engineer:
Melissa van Twest
engineer:
Niven Garland
producer:
INXS and Mark Opitz
mixer:
Bob Clearmountain
recording of:
Beautiful Girl
lyricist and composer:
Andrew Farriss (in band INXS)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
INXS4.43:27
9Will You?
recording of:
Will You?
lyricist and composer:
Hazel O’Connor
publisher:
Albion Music Ltd.
Hazel O’Connor4:46
10Absolute Beginners
recording of:
Absolute Beginners
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, RZO Music Ltd and Jones Music (publishers associated with David Bowie) (in 1986)
David Bowie5:37
11Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some33:34
12Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
Moog and keyboard:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 26)
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.656:05
13Year of the Cat
Al Stewart6:40
14Lily Was Here
recorded in:
London (Greater London), England, United Kingdom
guest saxophone:
Candy Dulfer
live recording of:
Lily Was Here
composer:
David A. Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. and Eligible Music Ltd.
Dave Stewart feat. Candy Dulfer5:23
15Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:14
16The Saxophone Song
recording of:
The Saxophone Song
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush
publisher:
Castle (publisher), Ed. Itaipu and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush3:52
17Cowboys and Angels
producer:
George Michael
vocals:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1990)
recording of:
Cowboys and Angels
lyricist and composer:
George Michael
George Michael2.657:14
2CD
#TitleArtistRatingLength
1Let’s Stick Together
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
Let’s Stick Together (from 1973 until 1976)
lyricist and composer:
Wilbert Harrison
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
Bryan Ferry3.352:59
2The Heat Is On
recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3:45
3Rip It Up
recording of:
Rip It Up
lyricist and composer:
Edwyn Collins
Orange Juice4.655:20
4The Whole of the Moon
producer:
Mike Scott (The Waterboys)
mixer:
Mick Glossop (producer & engineer)
bass synthesizer and synthesizer:
Karl Wallinger (in 1985-05)
drums (drum set):
Chris Whitten (in 1985-05)
guitar and piano:
Mike Scott (The Waterboys) (in 1985-05)
percussion:
Martin Ditcham (in 1985-05)
saxophone:
Anthony Thistlethwaite (in 1985-05)
trumpet:
Roddy Lorimer (in 1985-05)
background vocals:
Max Edie (in 1985-05) and Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographic copyright (℗) by:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
lyricist and composer:
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:02
5Unchain My Heart
producer:
Charlie Midnight
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
drums (drum set):
David Beal
guitar:
Phil Grande
horn:
Crispin Cioe, Robert Funk, Arno Hecht (American saxophonist) and Hollywood Paul Litteral
keyboard:
Jeff Levine
solo tenor saxophone:
Clarence Clemons
background vocals:
Tawatha Agee, Benny Diggs and Vaneese Thomas
horn arranger:
Uptown Horns (US horn section, formed in 1980)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, Volume I)
Joe Cocker4.35:04
6Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:31
7Rio
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4:44
8Pretty in Pink
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs3:58
9Dancing in the MoonlightThin Lizzy3:24
10Why Did You Do ItStretch3:29
11Who Can It Be Now
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:20
12Rapture
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie3.64:59
13Embarrassment
recording of:
Embarrassment
lyricist:
Lee “Kix” Thompson (Madness)
composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3:10
14Hit Me With Your Rhythm Stick
producer:
Laurie Latham
drums (drum set):
Charley Charles (UK drummer) (in 1978)
electric bass guitar:
Norman Watt-Roy (in 1978)
guitar:
John Turnbull (in 1978)
Hammond organ:
Mick Gallagher (UK hammond organ player) (in 1978)
piano:
Chaz Jankel (English musician and songwriter) (in 1978)
saxophone:
Davey Payne (UK saxophonist) (in 1978)
lead vocals:
Ian Dury (in 1978)
phonographic copyright (℗) by:
Templemill Music Ltd (in 1979)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:43
15Jackie Wilson Said (I’m in Heaven When You Smile)
Dexys Midnight Runners & Kevin Rowland3:04
16Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.053:59
17Mustang Sally
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographic copyright (℗) by:
Geffen Records (in 1991) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:01
18I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown2:45
19How Gee
recording of:
How Gee
lyricist:
Pippo Landro
composer:
Marius Percali
publisher:
Crisler S.r.l.
Black Machine4:29