Triple Feature: Blue Öyster Cult / Fire of Unknown Origin / Extraterrestrial Live

~ Release by Blue Öyster Cult (see all versions of this release, 1 available)

Tracklist

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1▼CD: Blue Öyster Cult
#TitleRatingLength
1Transmaniacon MC
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Transmaniacon MC (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Donald Roeser and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.253:21
2I’m on the Lamb but I Ain’t No Sheep
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
I'm on the Lamb but I Ain't No Sheep (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
33:10
3Then Came the Last Days of May
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Then Came the Last Days of May (in 1971-10)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
4.43:31
4Stairway to the Stars
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Stairway to the Stars (in 1971-10)
writer:
Albert Bouchard, Donald Roeser and Richard Meltzer
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.353:43
5Before the Kiss, a Redcap
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Before the Kiss, a Redcap (in 1971-10)
writer:
Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.354:59
6Screams
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass and lead vocals:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Screams (in 1971-10)
lyricist and composer:
Joe Bouchard
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
2.653:10
7She’s as Beautiful as a Foot
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
She's as Beautiful as a Foot (in 1971-10)
writer:
Albert Bouchard, Allen Lanier and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
32:58
8Cities on Flame With Rock and Roll
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Albert Bouchard (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10), Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Cities on Flame With Rock and Roll (in 1971-10)
writer:
Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Blue Öyster Cult Music, Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.94:03
9Workshop of the Telescopes
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Workshop of the Telescopes (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard, Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony Tunes, Inc. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
44:01
10Redeemed
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Redeemed (in 1971-10)
writer:
Albert Bouchard, Harry Farcas, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.53:52
11Donovan’s Monkey (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-09-11)
recording of:
Donovan’s Monkey (on 1969-09-11)
writer:
Albert Bouchard and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
33:50
12What Is Quicksand (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-07-21)
recording of:
What Is Quicksand (on 1969-07-21)
writer:
Allen Lanier and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
23:39
13A Fact About Sneakers (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-09-11)
recording of:
A Fact About Sneakers (on 1969-09-11)
writer:
Albert Bouchard and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
32:51
14Betty Lou’s Got a New Pair of Shoes (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-07-21)
cover recording of:
Betty Lou’s Got a New Pair of Shoes (on 1969-07-21)
lyricist and composer:
Bobby Freeman
publisher:
Benell Music Co., Bobby Freeman Music and Clockus Music
32:33
2▼CD: Fire of Unknown Origin
#TitleRatingLength
1Fire of Unknown Origin
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Fire of Unknown Origin (in 1981)
composer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard, Buck Dharma and Patti Smith
publisher:
Blue Oyster Cult Songs, Inc. (in 1981)
44:12
2Burnin’ for You
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Burnin’ for You (in 1981)
writer:
Donald Roeser and Richard Meltzer
publisher:
B. O’Cult Songs Inc., Sony/ATV Music Publishing, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Blue Oyster Cult Songs, Inc. (in 1981)
4.44:31
3Veteran of the Psychic Wars
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
additional percussion:
Tony Cedrone (in 1981), Bill Civitella (US producer, engineer, drummer, business manager & founder of Kingdom Sound) (in 1981) and Buck Dharma (in 1981)
strings arranger:
Jesse Levy
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Veteran of the Psychic Wars (in 1981)
lyricist:
Michael Moorcock
composer:
Eric Bloom (Blue Öyster Cult) and Michael Moorcock
publisher:
Filmtrax Copyright Holdings Inc, Sony/ATV, Sony/ATV Tunes (SOCAN) and Blue Oyster Cult Songs, Inc. (in 1981)
4.34:50
4Sole Survivor
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
background vocals:
Karla DeVito (in 1981)
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Sole Survivor (in 1981)
writer:
Eric Bloom (Blue Öyster Cult), Elizabeth Myers and John Trivers
publisher:
Blue Oyster Cult Songs, Inc. (in 1981)
44:07
5Heavy Metal: The Black and Silver
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
bass guitar [bass]:
Eric Bloom (Blue Öyster Cult) (in 1981)
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Heavy Metal: The Black and Silver (in 1981)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
publisher:
Blue Oyster Cult Songs, Inc. (in 1981)
3.53:18
6Vengeance (The Pact)
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Vengeance (The Pact) (in 1981)
writer:
Albert Bouchard and Joe Bouchard
publisher:
Blue Oyster Cult Songs, Inc. (in 1981)
4.44:42
7After Dark
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
After Dark (in 1981)
writer:
Eric Bloom (Blue Öyster Cult), Elizabeth Myers and John Trivers
publisher:
Blue Oyster Cult Songs, Inc. (in 1981)
3.654:26
8Joan Crawford
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
bass guitar [bass]:
Donald (Buck Dharma) Roeser (from 1980 until 1981)
effects [sound effects]:
Buck Dharma (from 1980 until 1981)
strings arranger:
Jesse Levy
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (from 1980 until 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Joan Crawford (from 1980 until 1981)
writer:
Albert Bouchard, John Lennert Rigg and David R. Roter
publisher:
Sony/ATV Tunes LLC (ASCAP) and Blue Oyster Cult Songs, Inc. (in 1981)
3.854:55
9Don’t Turn Your Back
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
background vocals:
Sandy Jean (in 1981)
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Don’t Turn Your Back (in 1981)
writer:
Albert Bouchard, Buck Dharma and Allen Lanier
publisher:
Blue Oyster Cult Songs, Inc. (in 1981)
3.354:08
3▼CD: Extraterrestrial Live
#TitleArtistRatingLength
1Dominance and Submission
assistant engineer:
Paul Mandl
engineer and mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
producer:
Γιώργος Γερανιός (Greek photographer, producer, label manager, programmer, keyboardist & songwriter) and Sandy Pearlman
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recorded at:
Majed J. Nesheiwat Convention Center in Poughkeepsie, New York, United States (on 1980-02-11)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Dominance and Submission (on 1980-02-11)
composer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
publisher:
Blue Oyster Cult Songs, Inc. (in 1974)
Blue Öyster Cult45:56
2Cities on Flame
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
producer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Sandy Pearlman
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recorded at:
Tower Theater in Upper Darby Township, Pennsylvania, United States (on 1981-12-31)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Cities on Flame With Rock and Roll (on 1981-12-31)
writer:
Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Blue Öyster Cult Music, Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1973)
Blue Öyster Cult5:20
3Dr. Music
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
recorded at:
Nassau Veterans Memorial Coliseum in Uniondale, New York, United States (on 1981-12-30)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Dr. Music (on 1981-12-30)
writer:
Joe Bouchard, Buck Dharma and Richard Meltzer
Blue Öyster Cult3:40
4The Red and the Black
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
producer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Sandy Pearlman
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recorded at:
Hollywood Sportatorium in Pembroke Pines, Florida, United States (on 1981-10-09)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
The Red and the Black (on 1981-10-09)
lyricist:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
composer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Sony/ATV Music Publishing Ltd., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
Blue Öyster Cult4:38
5Joan Crawford
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
recorded at:
Hollywood Sportatorium in Pembroke Pines, Florida, United States (on 1981-10-09)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Joan Crawford (on 1981-10-09)
writer:
Albert Bouchard, John Lennert Rigg and David R. Roter
publisher:
Sony/ATV Tunes LLC (ASCAP) and Blue Oyster Cult Songs, Inc. (in 1981)
Blue Öyster Cult5:17
6Burnin’ for You
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
recorded at:
Hollywood Sportatorium in Pembroke Pines, Florida, United States (on 1981-10-09)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Burnin’ for You (on 1981-10-09)
writer:
Donald Roeser and Richard Meltzer
publisher:
B. O’Cult Songs Inc., Sony/ATV Music Publishing, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Blue Oyster Cult Songs, Inc. (in 1981)
Blue Öyster Cult4:50
7Roadhouse Blues
assistant engineer:
Paul Mandl
engineer and mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
guest guitar:
Robby Krieger (American guitarist, member of The Doors) (on 1981-12-15)
recorded at:
Reseda Country Club in Reseda, Los Angeles, California, United States (on 1981-12-15)
mixed at:
Kingdom Sound in Syosset, New York, United States
live cover recording of:
Roadhouse Blues (on 1981-12-15)
lyricist:
Jim Morrison (lead vocalist of the Doors)
composer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music, Rondor Music (London) Ltd., Sharandall Music and Wixen Music Publishing, Inc.
Blue Öyster Cult feat. Robby Krieger9:06
8Black Blade
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Dave Hewitt
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
recorded at:
Nassau Veterans Memorial Coliseum in Uniondale, New York, United States (on 1980-10-17)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Black Blade (on 1980-10-17)
lyricist:
Michael Moorcock
writer:
Eric Bloom (Blue Öyster Cult) and John Trivers
publisher:
Action Green Music Ltd., Beautiful Babe Music, EMI Intertrax Music Inc. (BMI-affiliated), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP)
Blue Öyster Cult6:17
9Hot Rails to Hell
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
producer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Sandy Pearlman
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recorded at:
Nassau Veterans Memorial Coliseum in Uniondale, New York, United States (on 1981-12-30)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Hot Rails to Hell (on 1981-12-30)
lyricist and composer:
Joe Bouchard
publisher:
Sony/ATV Music Publishing Ltd., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
Blue Öyster Cult5:03
10Godzilla
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
producer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Sandy Pearlman
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recorded at:
Hollywood Sportatorium in Pembroke Pines, Florida, United States (on 1981-10-09)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Godzilla (on 1981-10-09)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing Group
Blue Öyster Cult7:46
11Veteran of the Psychic Wars
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
recorded at:
Hollywood Sportatorium in Pembroke Pines, Florida, United States (on 1981-10-09)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
Veteran of the Psychic Wars (on 1981-10-09)
lyricist:
Michael Moorcock
composer:
Eric Bloom (Blue Öyster Cult) and Michael Moorcock
publisher:
Filmtrax Copyright Holdings Inc, Sony/ATV, Sony/ATV Tunes (SOCAN) and Blue Oyster Cult Songs, Inc. (in 1981)
Blue Öyster Cult8:11
12E.T.I. (Extra Terrestrial Intelligence)
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
recorded at:
Hollywood Sportatorium in Pembroke Pines, Florida, United States (on 1981-10-09)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
E.T.I. (Extra Terrestrial Intelligence) (on 1981-10-09)
writer:
Donald Roeser and Sandy Pearlman
publisher:
B.O.C. Outside Writers, Blue Oyster Cult Songs, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1976)
Blue Öyster Cult5:20
13(Don’t Fear) The Reaper
assistant engineer:
Paul Mandl
engineer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s) and Rod O’Brien
mixer:
George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
recorded at:
Hollywood Sportatorium in Pembroke Pines, Florida, United States (on 1981-10-09)
mixed at:
Kingdom Sound in Syosset, New York, United States
live recording of:
(Don’t Fear) The Reaper (on 1981-10-09)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult6:43