The All Time Greatest Duets of the Millennium

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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▼ CD 1
Nr.TitelKünstlerBewertungLänge
1Immortality
recording engineer:
Jeff Balding, Dave Reitzas, Humberto Gatica, David Gleeson und John Merchant
drum machine-Programmierung:
Walter Afanasieff
Programmierung:
Walter Afanasieff und Dan Shea
zusätzliche drum machine-Programmierung:
Dan Shea
zusätzliche Programmierung:
Dan Shea und Stu Brawley
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Mark Hagen, Tyson Leeper, Glen Marchese, Ethan Schofer, Stu Brawley und Greg Thompson (engineer, mixer)
zusätzliche(r) Techniker(in):
Humberto Gatica
Audio-Engineering:
Dan Shea
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer, Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Gitarre [guitars]:
Michael Landau
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Bee Gees
zusätzlich Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets), Lynn Davis (vocalist), Jim Gilstrap und Phillip Ingram (Soul and R&B singer-songwriter and keyboardist)
arranger:
Walter Afanasieff
aufgenommen bei:
Masterphonics in Nashville, Tennessee, Vereinigte Staaten, Middle Ear Studio in Miami Beach, Florida, Vereinigte Staaten, Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Immortality
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion & Bee Gees54:11
2I Want to Spend My Lifetime Loving You
Programmierung:
Jeff Bova
assistierende(r) Techniker(in):
Alex Black (engineer), Marc Lane (production music) und Aya Takemura
Techniker(in):
Steven Rinkoff
Koproduzent(in):
Steven Rinkoff
Produzent(in):
Jim Steinman (in 1998)
Mix:
Frank Filipetti
vocals:
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) und Tina Arena
Interpret(in):
Jeff Bova
arranger:
Jeff Bova und Jim Steinman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
aufgenommen bei:
Bovaland in New York, New York, Vereinigte Staaten, Chung King Studio in New York, New York, Vereinigte Staaten, Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
I Want to Spend My Lifetime Loving You (The Mask of Zorro) (in 1998)
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. und TSP Music, Inc.
Tina Arena & Marc Anthony4:42
3How Come, How Long
Mix:
Jon Gass
Gast vocals:
Stevie Wonder
recording of:
How Come, How Long
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Stevie Wonder
Babyface & Stevie Wonder4:11
4Private Emotions
recording engineer und Mix:
Charles Dye
zusätzlich recording engineer:
Jules Gondar, Craig Lozowick, Nathan Malki und Rik Pekkonen
assistierende(r) Techniker(in):
Craig Lozowick, Nathan Malki, Germán Ortiz und Robert Valdez
Koproduzent(in):
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Produzent(in):
Desmond Child
Bass:
Hugh McDonald (bassist)
Bratsche / Viola:
Denyse Buffum und John Scanlon
Cello:
Larry Corbett und Suzie Katayama
Geige / Violine:
Joel Derouin, Michelle Richard (Violinist) und Eve Sprecher
Gitarre und Mandoline:
Eric Bazilian
membranophone:
Lee Levin
Orgel:
Rob Hyman
Perkussion:
Luis Enrique (Luis Enrique Mejía López, Nicaraguan singer and composer)
Gast vocals:
Meja
Hintergrundgesang:
Gyan (Gyan Evans, Australian musician)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Interpret(in):
Ricky Martin (Puerto Rican singer, actor, author & king of latin pop)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
Private Emotion (von 1998-10 bis 1999-03)
Verfasser(in):
Eric Bazilian und Rob Hyman
publisher:
Dub Notes Music (publisher) (vom 1999 bis heute), Human Boy Music (vom 1999 bis heute) und WB Music Corp. (1929–2019) (vom 1999 bis heute)
Ricky Martin & Meja44:00
5I Wanna Be the Only One
Mix:
Andy Bradfield
Gast vocals:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
publisher:
Benny's Music, BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal & BeBe Winans2.653:36
6Senza una donna
Produzent(in):
Corrado Rustici
arranger:
Corrado Rustici
recording of:
Senza una donna (Spanish version)
übersetzte Version von:
Senza una donna (Without a Woman)
recording of:
Senza una donna (Without a Woman)
Verfasser(in):
Frank Musker und Zucchero
publisher:
Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young3.654:27
7You Are Everything
Produzent(in):
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye43:06
8Lost in Love
cover recording of:
Lost in Love
Texter und Komponist(in):
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Lost in Love
Texter und Komponist(in):
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Florence Warner & Demis Roussos3:21
9Where the Wild Roses Grow
recording engineer:
Tony Cohen und Victor van Vugt
Produzent(in):
Nick Cave & the Bad Seeds, Tony Cohen und Victor van Vugt
Mix:
Gregg Jackman
Akustikgitarre und Gitarre:
Mick Harvey
Bass:
Martyn P. Casey
Bratsche / Viola:
Kerran Coulter
Cello:
Helen Mountfort
Geige / Violine:
Jen Anderson und Sue Simpson
Gitarre:
Blixa Bargeld
Glocken:
Jim Sclavunos
Klavier:
Nick Cave (Australian singer‐songwriter, musician and score composer)
Schlagzeug:
Thomas Wydler
Hintergrundgesang:
Mick Harvey und Conway Savage
Sologesang:
Nick Cave (Australian singer‐songwriter, musician and score composer) und Kylie Minogue
Saiteninstrumente arranger:
Nick Cave (Australian singer‐songwriter, musician and score composer) und Mick Harvey
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1996)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Where the Wild Roses Grow von Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
recording of:
Where the Wild Roses Grow
Texter und Komponist(in):
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mute Song (international)
Nick Cave and the Bad Seeds & Kylie Minogue4.453:54
10If You Go
recording of:
If You Go
Texter und Komponist(in):
Alain Barrière
Übersetzer:
John Colston
übersetzte Version von:
Tu t'en vas
Barry & Eileen4:18
11Boy You Knock Me Out
Interpret(in):
Will Smith (US actor aka The Fresh Prince)
recording of:
Boy You Knock Me Out
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), Alfons Kettner, Nick Nice und Kelly Price
Tatyana Ali & Will Smith4:00
12Tonight I Celebrate My Love
recording engineer:
Alan R. Hirshberg
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
Klavier:
Randy Kerber
Schlagzeug:
Carlos Vega
vocals:
Peabo Bryson und Roberta Flack
arranger:
Michael Masser und Gene Page
Orchestrator(in):
Gene Page
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown Hitsville in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Roberta Flack & Peabo Bryson3.753:30
13In a Lifetime
Produzent(in):
Steve Nye (producer, engineer and pianist)
zusätzlich vocals:
Bono (singer of U2)
Interpret(in):
Bono (singer of U2)
recording of:
In a Lifetime
Texter und Komponist(in):
Ciarán Ó Braonáin und Pól Ó Braonáin
publisher:
Clannad Music Ltd.
Clannad & Bono53:03
14Delicate
Techniker(in):
Craig Porteils (producer, engineer)
Gitarre:
Terence Trent D’Arby (now known as Sananda Maitreya) und Aaron McClain
Keyboard, Perkussion, Schlagzeug und Hintergrundgesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Gast Sologesang:
Des’ree
recording of:
Delicate (Terence Trent D’Arby)
Verfasser(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:17
15Whenever I Call You Friend
Produzent(in):
Bob James (US jazz keyboardist, arranger and producer)
Gast vocals:
Stevie Nicks
vocals:
Kenny Loggins
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI Columbia, EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1978)
produced for:
Tappan Zee Productions
aufgenommen bei:
Sound Mixers in New York, New York, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 83)
recording of:
Whenever I Call You “Friend”
Texter:
Ken Loggins und Melissa Manchester
Komponist(in):
Ken Loggins
publisher:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Milk Money Music (in 1978) und Rumanian Pickleworks Company (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins & Stevie Nicks54:02
16Music of My Heart
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
vocals:
Gloria Estefan
recording of:
Music of My Heart (in 1999)
Texter und Komponist(in):
Diane Warren (US songwriter)
Teil von:
The 72nd Academy Award for Best Original Song (Nummer: 2)
Gloria Estefan & *NSYNC34:30
17Don't Let the Sun Go Down on Me
live recording of:
Don’t Let the Sun Go Down on Me (am 1991-03-23)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Big Pig Music Ltd. (publisher) (in 1991)
George Michael & Elton John5:47
18Easy Lover
Produzent(in):
Phil Collins (of Genesis)
Bass:
Nathan East
Gitarre:
Daryl Stuermer
Keyboard:
Lesette Wilson
Schlagzeug:
Phil Collins (of Genesis)
Sologesang:
Philip Bailey und Phil Collins (of Genesis)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 20), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 49) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 203)
recording of:
Easy Lover
Verfasser(in):
Philip Bailey, Phil Collins (of Genesis) und Nathan East
publisher:
Concord Music GmbH, Concord Sounds, Musik-Edition Discoton, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1984)
Philip Bailey & Phil Collins45:04
▼ CD 2
Nr.TitelKünstlerBewertungLänge
1Emotion
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Synthesizer [synthesizers]:
James Newton Howard (American score composer)
Hintergrundgesang:
Barry Gibb und Robin Gibb
vocals:
Samantha Sang
phonographisches Urheberrecht (℗) von:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) und Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
aufgenommen bei und remixed at:
Criteria Sound in Miami, Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 14)
cover recording of:
Emotion
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia und Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang & Barry Gibb3.53:50
2I Will Always Love You
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton & Vince Gill5:04
3Almost Paradise
recording of:
Almost Paradise
Texter:
Dean Pitchford
Komponist(in):
Eric Carmen
publisher:
Ensign Music Corporation
Mike Reno & Ann Wilson3:17
4Ebony & Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.253:39
5Seperate Lives
Produzent(in):
Arif Mardin
Gitarre:
Daryl Stuermer
Keyboard:
Nick Glennie‐Smith
Schlagzeug:
Phil Collins (of Genesis)
Sologesang:
Phil Collins (of Genesis) und Marilyn Martin
cover recording of:
Separate Lives (White Nights)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2)
recording of:
Separate Lives (White Nights)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2)
Phil Collins & Marilyn Martin3.54:05
6Can't We Try
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Can't We Try
Texter und Komponist(in):
Beverly Chapin-Hill und Dan Hill (Canadian singer/songwriter)
publisher:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. und Scoop Music Ltd.
Dan Hill & Vonda Shepard23:53
7Reunited
Produzent(in):
Freddie Perren
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:42
8A Whole New World (Aladdin's Theme)
Programmierung und Produzent(in):
Walter Afanasieff
Synclavier-Programmierung:
Gary Cirimelli und Ren Klyce
zusätzliche Programmierung:
Dan Shea
Techniker(in):
Dana Jon Chappelle
leitende(r) Produzent(in):
Brenda Dash und Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
Mix:
Bruce Botnick
Editing:
Kathleen Fogarty-Bennett
Bass-Synthesizer, Keyboard und Synclavier [synclavier acoustic guitar]:
Walter Afanasieff
Gitarre:
Michael Landau
Synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle und Peabo Bryson
arranger:
Walter Afanasieff
zusätzlich arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) und Walt Disney Records (Walt Disney Music Company) (in 1992)
recording of:
A Whole New World (Aladdin)
Texter:
Tim Rice
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 65)
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle54:02
9Something's Gotten Hold of My Heart
Produzent(in):
Bob Kraushaar
Interpret(in):
Gene Pitney
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988)
Musikvideos:
Something’s Gotten Hold of My Heart von Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:38
10Je t’aime… moi non plus
Produzent(in):
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) und Serge Gainsbourg (in 1968-11)
Orchester:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
Texter und Komponist(in):
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. und Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:20
11With You I'm Born Again
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Syreeta & Billy Preston3:36
12Wherever Would I Be
recording of:
Wherever Would I Be?
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Dusty Springfield & Daryl Hall3:49
13Save Your Love
recording of:
Save Your Love
Verfasser(in):
John Edward (British musician, writer and record producer) und Sue Edward
publisher:
Hollywood Music (song publisher)
Renée and Renato3:07
14Someone Loves You Honey
Instrumente:
Joe Gibbs & The Professionals
Hintergrundgesang:
June Lodge (Jamaican reggae singer aka "J.C. Lodge")
Interpret(in):
June Lodge (Jamaican reggae singer aka "J.C. Lodge")
recording of:
Someone Loves You Honey (1978 song)
Texter und Komponist(in):
Don DeVaney (songwriter)
June Lodge & Prince Mohammed3:50
15Don't Look Any Further
recording of:
Don’t Look Any Further
Verfasser(in):
Franne Golde, Duane Hitchings und Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers und VMG Worldwide
Siedah Garrett & Dennis Edwards4:03
16Yes, I'm Ready
Interpret(in):
KC (Harry Wayne Casey of the Sunshine Band)
cover recording of:
Yes, I’m Ready
Texter und Komponist(in):
Barbara Mason
publisher:
Embassy Music Corporation und Jamie Music Publishing Co.
Teri DeSario & K.C.3:15
17Too Much, Too Little, Too Late
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis (US pop/soul singer) und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
Verfasser(in):
Nat Kipner (Australian producer, songwriter, label owner & publisher) und John McIntyre Vallins
publisher:
Homewood House Music und MCA Music Ltd.
Johnny Mathis & Deniece Williams42:56
18Sisters Are Doin' It for Themselves
recording engineer:
Shelley Yakes
zusätzlich recording engineer:
Shelly Yakus
assistierende(r) Techniker(in):
Jay Willis
Techniker(in):
Dr. Dave Frazer, Don Smith (producer, engineer and mixer) und Adam Williams
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Don Smith (producer, engineer and mixer) und Dave Stewart (UK guitarist/singer for Eurythmics)
Bass und Bassgitarre:
Nathan East
Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Dave Stewart (UK guitarist/singer for Eurythmics)
Gitarre und Keyboard:
Dave Stewart (UK guitarist/singer for Eurythmics)
Keyboard:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Orgel:
Benmont Tench
Schlagzeug:
Stan Lynch
Chorgesang:
The Charles Williams Singers
Sologesang:
Aretha Franklin und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
vocals:
Aretha Franklin und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) (in 1985), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1985) und BMG Records (UK) Limited (1987-1996) (in 1991)
Remaster:
Sisters Are Doin’ It for Themselves von Eurythmics
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.655:49