Ferry Maat’s Soul Show Classics, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1CD
Nr.TitelKünstlerBewertungLänge
1Good Time Tonight
recording of:
Good Time Tonight
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang44:57
2Do You Love What You Feel
recording engineer und Mix:
Bruce Swedien
assistierende(r) Techniker(in):
John Van Nest
Produzent(in):
Quincy Jones
Interpret(in):
Chaka Khan
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recording of:
Do You Love What You Feel
Texter und Komponist(in):
David Wolinski
Rufus feat. Chaka Khan54:28
3Keep On Taking Me HigherCommodores5:16
4What a Fool Believes
recording engineer:
Jeremy Smith (producer/engineer)
zusätzlich recording engineer:
Lew Hahn
Synthesizer-Programmierung:
Todd Cochran
assistierende(r) Techniker(in):
Michael O’Reilly (engineer) und Stewart Whitemore
Produzent(in):
Arif Mardin
Mix:
Lew Hahn, Arif Mardin und Gene Paul
Bassgitarre [bass]:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
Steve Lukather und David Williams (session guitarist and songwriter)
Hybrid-Piano und Synthesizer:
David Foster (Canadian music producer, arranger and composer)
Schlagzeug:
Jeff Porcaro
Solo-alto saxophone:
David Sanborn
Hintergrundgesang und Sologesang:
Aretha Franklin
zusätzlich Hintergrundgesang:
Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
aufgenommen bei:
Sound Lab Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
additionally edited at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
What a Fool Believes
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Aretha Franklin5:12
5Do It for Love
The Brothers Johnson3:38
6I Got My Mind Made Up
Produzent(in):
Bunny Sigler
recording of:
I Got My Mind Made Up (I Got My Mind Made Up You Can Get It Girl)
Komponist(in):
Raymond Earl (Bassist), Kim Miller und Scotty Miller (US drummer)
publisher:
Henry Suemay Publishing (beendet), Lucky Three Music Publishing (beendet), Music Corporation of America (BMI‐affiliated music publisher of MCA Records, Inc.?) (beendet), BMG Platinum Songs US und Henry Suemay Publishing Inc
Instant Funk45:18
7Just Let Me Wait
Jennifer Holliday4:50
8Kickin Back
L.T.D.6:07
9Is This the Best
L.A. Boppers3:35
10Silver Shadow
Partner-Produzent(in):
Jonathan Lewis (Member of Atlantic Starr)
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
produced for:
Jodaway Music (ASCAP)
recording of:
Silver Shadow
Verfasser(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jodaway Music (ASCAP), Nana’s Song Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Atlantic Starr44:55
11Kidnapped
Con Funk Shun3:10
12Tossin & Turning
Windjammer6:39
13Here We Come
Mantra6:21
14Let No Man Put Asunder
Techniker(in):
John Potoker (producer/engineer aka Tokes) (Aufgabe: mixing)
Produzent(in):
Baker-Harris-Young Productions
remixer:
Shep Pettibone
Interpret(in):
Rochelle Fleming
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 2012)
remixed for:
Mastermix Productions
Remix von:
Let No Man Put Asunder (LP version) von First Choice (in 1983)
recording of:
Let No Man Put Asunder
Verfasser(in):
Bruce Gray (keyboardist / songwriter) und Bruce Hawes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America Ltd.
First Choice7:59
15Dial My Number
Pauli Carmen4:29
2CD
Nr.TitelKünstlerBewertungLänge
1Let Me Talk
Earth, Wind & Fire3:56
2Back to Love
Evelyn “Champagne” King5:08
3Style
Cameo5:11
4Dont You Get So Mad
Jeffrey Osborne3:49
5Ten Percent
Produzent(in):
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
recording of:
Ten Percent
Verfasser(in):
T.G. Conway (Talmadge Conway, Talmadge G. Conway; Producer, arranger and keyboard player from Philadelphia, PA) und Allan Felder
Double Exposure7:05
6If You Feel It
Thelma Houston4:39
7Let Me Set You Free
Four Tops4:18
8Let It Whip
Dazz Band6:08
9Deja Vu
Paulinho da Costa4:31
10Still in Love
recording of:
Still in Love
Verfasser(in):
Kenny Copeland und Michael Nash (producer, songwriter and keyboardist)
publisher:
Seven Knights Music und Sony/ATV Ballad
Rose Royce5:38
11Are You Living
The Gap Band4:22
12Gangsters of the Groove
recording of:
Gangsters of the Groove
Texter und Komponist(in):
Rod Temperton
Heatwave4:01
13Play the Game – So You Think Its Funny
Cool Runners5:38
14Saturday Saturday Night
Zoom5:01
15Weekend
Hintergrundgesang [girl-group background vocals]:
Jai & Roberta (Class Action backing vocalists for "Weekend" - 1983 version) und Christine Wiltshire
Interpret(in):
Christine Wiltshire
cover recording of:
Weekend
Komponist(in):
Leroy Burgess und James Calloway
Class Action8:23

Nennungen