Collaboration

~ Release by George Benson & Earl Klugh (see all versions of this release, 13 available)

Tracklist

1SHM-CD
#TitleRatingLength
1Mt. Airy Road
keyboard programming:
Rhett Lawrence
synthesizer programming:
Jason Miles (jazz producer/keyboardist)
additional engineer:
Carl Beatty (engineer), Eric Calvi, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
bass guitar:
Marcus Miller (jazz musician)
classical guitar:
Earl Klugh
drums (drum set):
Harvey Mason (jazz drummer)
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
strings arranger:
Marty Paich
synthesizer arranger:
Marcus Miller (jazz musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Mt. Airy Road
composer:
Marcus Miller (jazz musician)
publisher:
Sunset Burgundy, Inc., Thriller Miller Music, WB Music Corp. (1929–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
7:51
2Mimosa
keyboard programming:
Rhett Lawrence
synthesizer programming:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
additional engineer:
Carl Beatty (engineer), Eric Calvi, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
bass guitar:
Marcus Miller (jazz musician)
classical guitar:
Earl Klugh
drums (drum set):
Harvey Mason (jazz drummer)
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
brass [horns] arranger:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
synthesizer arranger:
Greg Phillinganes
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Mimosa
composer:
George Benson (jazz guitarist/singer)
publisher:
Kobalt Music Publishing Ltd. (UK), Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Triangle Music Company (BMI) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
6:50
3Brazilian Stomp
keyboard programming:
Rhett Lawrence
synthesizer programming:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
additional engineer:
Carl Beatty (engineer), Eric Calvi, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
bass guitar:
Marcus Miller (jazz musician)
classical guitar:
Earl Klugh
drums (drum set):
Harvey Mason (jazz drummer)
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer arranger:
Greg Phillinganes
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Brazilian Stomp
composer:
Earl Klugh
publisher:
Soda Fountain Music, Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
5:33
4Dreamin’
keyboard programming:
Rhett Lawrence
synthesizer programming:
Jason Miles (jazz producer/keyboardist)
additional engineer:
Carl Beatty (engineer), Eric Calvi, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
bass guitar:
Marcus Miller (jazz musician)
classical guitar:
Earl Klugh
drums (drum set):
Harvey Mason (jazz drummer)
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Dreamin’
composer:
Marcus Miller (jazz musician)
publisher:
Sunset Burgundy, Inc., Thriller Miller Music, WB Music Corp. (1929–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:40
5Since You’re Gone
keyboard programming:
Rhett Lawrence
synthesizer programming:
James Newton Howard (American score composer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
additional engineer:
Carl Beatty (engineer), Eric Calvi, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
bass guitar:
Marcus Miller (jazz musician)
classical guitar:
Earl Klugh
drums (drum set):
Harvey Mason (jazz drummer)
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer [synthesizer strings] arranger:
James Newton Howard (American score composer)
synthesizer arranger:
Greg Phillinganes
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Since You’re Gone
composer:
Earl Klugh
publisher:
Soda Fountain Music, Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
5:46
6Collaboration
keyboard programming:
Rhett Lawrence
synthesizer programming:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
additional engineer:
Carl Beatty (engineer), Eric Calvi, Randy Goodrum, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
bass guitar:
Marcus Miller (jazz musician)
classical guitar:
Earl Klugh
drums (drum set):
Harvey Mason (jazz drummer)
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer arranger:
Greg Phillinganes
arranger:
Marcus Miller (jazz musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, California Phase Music in Studio City, Los Angeles, California, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Collaboration
composer:
Randy Goodrum and Harvey Mason (jazz drummer)
publisher:
California Phase Music, Masong Music, Randy Goodrum Inc. and フジパシフィックミュージック (Fujipacific Music, Inc.)
6:16
7Jamaica
drum machine [Linn drum] programming:
Jimmy Bralower
keyboard programming:
Rhett Lawrence
synthesizer programming:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
additional engineer:
Carl Beatty (engineer), Eric Calvi, Randy Goodrum, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
bass guitar:
Marcus Miller (jazz musician)
classical guitar:
Earl Klugh
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
additional synthesizer arranger:
Greg Phillinganes
synthesizer [synthesizer strings] arranger:
James Newton Howard (American score composer)
synthesizer arranger:
Randy Goodrum
arranger:
Randy Goodrum
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, California Phase Music in Studio City, Los Angeles, California, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Jamaica (A Little Island of Calm)
composer:
Randy Goodrum
publisher:
Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
5:40
8Love Theme From “Romeo & Juliet”
keyboard programming:
Rhett Lawrence
additional engineer:
Carl Beatty (engineer), Eric Calvi, Ross Pallone, Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes), Al Schmitt and Steven Strassman
assistant engineer:
Mark Cretella, “Iron” Mike Crowiak, Peter Doell, Dan Garcia (engineer/producer), Mike Iacopelli (engineer), Michael Mason (producer), Dave O’Donnell, Ray Pyle, Joe Schiff, Stephen Shelton (Engineer, late '80s) and Bart Stevens
engineer and mixer:
Bill Schnee
producer:
Tommy LiPuma
assistant mixer:
Dan Garcia (engineer/producer) and Bart Stevens
classical guitar:
Earl Klugh
double bass:
Charles Domanico (American bassist)
drums (drum set):
Vinnie Colaiuta (drummer)
electric guitar:
George Benson (jazz guitarist/singer)
electric guitar [rhythm guitar]:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer [synthesizer strings] arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
additionally recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Broadway Productions in Englewood, New Jersey, United States, Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Circle Seven Recording in Pacific Palisades, Los Angeles, California, United States, Lion Share Recording Studios in Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and United Sound Systems in Detroit, Michigan, United States
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
instrumental cover recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
lyricist:
Eugene Walter
composer:
Nino Rota (Italian composer)
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
5:47

Credits

Release

art direction and design:Laura LiPuma (Graphic design)
photography:Stuart Watson (photographer)
mastering:Doug Sax
rights society:JASRAC (Japan rights society; do not use this as a label or work publisher!)
manufactured by:Warner Music Japan Inc. (holding company - file no releases here!)
copyrighted (©) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
mastered at:The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California, United States
part of:Light Mellow 2012 (order: 36)
Discogs:https://www.discogs.com/release/3668259 [info]
ASIN:JP: B007PJ8RY0 [info]

Release group

live performances:Collaboration Live 1988
Discogs:https://www.discogs.com/master/52555 [info]
Wikidata:Q5145794 [info]