Psalms 42, 95 & 115

~ Release by Felix Mendelssohn; Orquestra Gulbenkian, Coro Gulbenkian, Michel Corboz (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Psalm 42, op. 42 “Wie der Hirsch schreit”: Coro “Wie der Hirsch schreit”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: I. Chorus, "Wie der Hirsch schreit" (in 1977-02)
composer:
Felix Mendelssohn (composer)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn6:53
2Psalm 42, op. 42 “Wie der Hirsch schreit”: Aria (Soprano) “Meine Seele dürstet nach Gott”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
soprano vocals [soprano I]:
Christiane Baumann (soprano) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: II. Aria, "Meine Seele dürstet nach Gott" (in 1977-02)
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn2:44
3Psalm 42, op. 42 “Wie der Hirsch schreit”: Recitativo “Meine Traenen sind meine Speise”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
soprano vocals [soprano I]:
Christiane Baumann (soprano) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: III. Recitative and aria, "Meine Tränen sind meine Speise", "Denn ich wollte gern hingehen" (in 1977-02)
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn0:35
4Psalm 42, op. 42 “Wie der Hirsch schreit”: Aria (Soprano) con Choral “Denn ich wollte gern hingehen”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
soprano vocals [soprano I]:
Christiane Baumann (soprano) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: IV. Chorus, "Was betrübst du dich, meine Seele" (in 1977-02)
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
recording of:
Psalm 42, op. 42, MWV A 15: III. Recitative and aria, "Meine Tränen sind meine Speise", "Denn ich wollte gern hingehen"
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn2:32
5Psalm 42, op. 42 “Wie der Hirsch schreit”: Coro “Was betrübst du dich, meine Seele”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: V. Recitative, "Mein Gott, betrübt ist meine Seele" (in 1977-02)
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
recording of:
Psalm 42, op. 42, MWV A 15: IV. Chorus, "Was betrübst du dich, meine Seele"
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn1:59
6Psalm 42, op. 42 “Wie der Hirsch schreit”: Recitativo “Mein Gott, betrübt ist meine Seele”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
soprano vocals [soprano I]:
Christiane Baumann (soprano) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: VI. Quintet, "Der Herr hat des Tages verheißen" (in 1977-02)
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
recording of:
Psalm 42, op. 42, MWV A 15: V. Recitative, "Mein Gott, betrübt ist meine Seele"
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn1:45
7Psalm 42, op. 42 “Wie der Hirsch schreit”: Choral “Der Herr hat des Tages verheissen seine Güte”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
soprano vocals [soprano I]:
Christiane Baumann (soprano) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: VII. Final chorus, "Was betrübst du dich, meine Seele" (in 1977-02)
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
recording of:
Psalm 42, op. 42, MWV A 15: VI. Quintet, "Der Herr hat des Tages verheißen"
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn4:30
8Psalm 42, op. 42 “Wie der Hirsch schreit”: Coro “Was betrübst du dich, meine Seele”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Psalm 42, op. 42, MWV A 15: VII. Final chorus, "Was betrübst du dich, meine Seele" (in 1977-02)
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn4:37
9Psalm 95, op. 46 “Kommt, lasst uns anbeten”: Choral “Kommt, lasst uns anbeten”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
tenor vocals:
Pierre-André Blaser (Tenor) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Der 95. Psalm ''Kommt, lasst uns anbeten'', op. 46: 1. Coro (in 1977-02)
composer:
Felix Mendelssohn (composer)
part of:
Kommt, laßt uns anbeten, Psalm 95, Op. 46
Felix Mendelssohn6:35
10Psalm 95, op. 46 “Kommt, lasst uns anbeten”: Choral “Kommt herzu, lasst uns dem Herrn frohlocken”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
soprano vocals [soprano I]:
Christiane Baumann (soprano) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Der 95. Psalm ''Kommt, lasst uns anbeten'', op. 46: 2. Coro (in 1977-02)
composer:
Felix Mendelssohn (composer)
part of:
Kommt, laßt uns anbeten, Psalm 95, Op. 46
Felix Mendelssohn5:29
11Psalm 95, op. 46 “Kommt, lasst uns anbeten”: Duetto “Denn in seiner Hand”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
soprano vocals [soprano I]:
Christiane Baumann (soprano) (in 1977-02)
soprano vocals [soprano II]:
Joana Silva (soprano) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Der 95. Psalm ''Kommt, lasst uns anbeten'', op. 46: 3. Duetto (in 1977-02)
composer:
Felix Mendelssohn (composer)
part of:
Kommt, laßt uns anbeten, Psalm 95, Op. 46
Felix Mendelssohn3:40
12Psalm 95, op. 46 “Kommt, lasst uns anbeten”: Choral “Denn sein ist das Meer”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
tenor vocals:
Pierre-André Blaser (Tenor) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Der 95. Psalm ''Kommt, lasst uns anbeten'', op. 46: 4. Coro (in 1977-02)
composer:
Felix Mendelssohn (composer)
part of:
Kommt, laßt uns anbeten, Psalm 95, Op. 46
Felix Mendelssohn3:48
13Psalm 95, op. 46 “Kommt, lasst uns anbeten”: Choral “Heute, so ihr seine Stimme höret”
sound engineer and balance engineer:
Pierre Lavoix (engineer)
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
oboe:
Andrew Swinnerton (oboist) (in 1977-02)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1977-02)
tenor vocals:
Pierre-André Blaser (Tenor) (in 1977-02)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1977-02)
conductor:
Michel Corboz (conductor and composer) (in 1977-02)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1977-02)
recording of:
Der 95. Psalm ''Kommt, lasst uns anbeten'', op. 46: 5. Coro (in 1977-02)
composer:
Felix Mendelssohn (composer)
part of:
Kommt, laßt uns anbeten, Psalm 95, Op. 46
Felix Mendelssohn6:11
14Psalm 115, op. 31 “Nicht unserm Namen, Herr”: Coro “Nicht unserm Namen, Herr”
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1978-07)
conductor:
Michel Corboz (conductor and composer) (in 1978-07)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1978-07)
recording of:
Nicht unserm Namen, Herr: Allegro con fuoco. Chor. Nicht unserm Namen, Herr (in 1978-07)
composer:
Felix Mendelssohn (composer)
part of:
Nicht unserm Namen, Herr
Felix Mendelssohn6:28
15Psalm 115, op. 31 “Nicht unserm Namen, Herr”: Duetto con Choral “Israel hofft auf dich”
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1978-07)
soprano vocals:
Evelyn Brunner (soprano) (in 1978-07)
tenor vocals:
Alejandro Ramirez (tenor) (in 1978-07)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1978-07)
conductor:
Michel Corboz (conductor and composer) (in 1978-07)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1978-07)
recording of:
Nicht unserm Namen, Herr: Con Moto. Duett Mit Chor. "Israel Hofft Auf Dich" (in 1978-07)
composer:
Felix Mendelssohn (composer)
part of:
Nicht unserm Namen, Herr
Felix Mendelssohn4:56
16Psalm 115, op. 31 “Nicht unserm Namen, Herr”: Aria (Bariton) “Er segne euch”
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
baritone vocals:
Philippe Huttenlocher (baritone) (in 1978-07)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1978-07)
conductor:
Michel Corboz (conductor and composer) (in 1978-07)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1978-07)
recording of:
Nicht unserm Namen, Herr: Adagio Non Lento. Arioso. "Er Segne Euch Je Mehr Und Mehr " (in 1978-07)
composer:
Felix Mendelssohn (composer)
part of:
Nicht unserm Namen, Herr
Felix Mendelssohn4:20
17Psalm 115, op. 31 “Nicht unserm Namen, Herr”: Coro “Die Toten werden dich nicht loben”
producer:
Michel Garcin (French producer) and Yolanta Skura
editor:
Françoise Garcin (editor)
vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (in 1978-07)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1978-07)
conductor:
Michel Corboz (conductor and composer) (in 1978-07)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Jésus-Mercès in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1978-07)
recording of:
Nicht unserm Namen, Herr: Grave – Con Moto. Chor. "Die Todten Werden Dich Nicht Loben, o Herr" (in 1978-07)
composer:
Felix Mendelssohn (composer)
part of:
Nicht unserm Namen, Herr
Felix Mendelssohn3:36

Credits

Release

ASIN:UK: B00V8V448E [info]