Adventures in Early Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

label: Deutsche Harmonia Mundi(68859)

Annotation last modified on 2006-11-12 10:37 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Symphonia armonie celestium revelationem: O vis aeternitatis (Sequentia)
recording engineer:
Martin Andrae (from 1993-06-16 until 1993-06-21)
producer:
Klaus L. Neumann
editor:
Barbara Göbel
fiddle:
Elizabeth Gaver (from 1993-06-16 until 1993-06-21) and Elisabetta de Mircovich (from 1993-06-16 until 1993-06-21)
hurdy gurdy [organistrum]:
Benjamin Bagby (from 1993-06-16 until 1993-06-21)
instruments:
Sequentia (early music ensemble)
choir vocals:
Sequentia (early music ensemble)
vocals:
Laurie Monahan (classical mezzo-soprano vocalist) (from 1993-06-16 until 1993-06-21)
performer:
Sequentia (early music ensemble) (from 1993-06-16 until 1993-06-21)
phonographic copyright (℗) by:
BMG Entertainment (in 1994)
recorded at:
St. Pantaleon (Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1993-06-16 until 1993-06-21)
recording of:
Symphonia armonie celestium revelationem: O vis eternitatis (from 1993-06-16 until 1993-06-21)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:00
2Luz y norte musical: Gallardas (The Harp Consort feat. conductor: Andrew Lawrence-King)
instruments:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
recording of:
Gallardas
composer:
Lucas Ruiz de Ribayaz
Lucas Ruiz de Ribayaz1:25
3Mass in B minor, BWV 232: II. Gloria in excelsis Deo (Freiburgerbarockorchester feat. conductor: Thomas Hngelbrock)
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:41
4Essercizii Musici: Trio No. 3 for violin, oboe & continuo in G minor, TWV 42:g5: II. Allegro (Camerata Köln)
orchestra:
Camerata Köln (Cologne Camerata)
recording of:
Essercizii Musici: Trio No. 3 for violin, oboe & continuo in G minor, TWV 42:g5: II. Allegro
composer:
Georg Philipp Telemann (composer)
part of:
Essercizii Musici: Trio No. 3 for violin, oboe & continuo in G minor, TWV 42:g5
Georg Philipp Telemann3:12
5Adagio for Strings, Op. 11 (The Smithsonian Chamber Players)
instruments and orchestra:
Smithsonian Chamber Players
conductor:
Kenneth Slowik (cellist)
recording of:
Adagio for Strings (catch‐all for arrangements)
composer:
Samuel Barber (American composer) (in 1936)
arrangement of:
Adagio for Strings
Samuel Barber7:39
6Italian Concerto in F major, BWV 971: III. Presto (harpsichord: Andreas Staier)
engineer:
Stephan Schmidt (classical producer and editor)
producer:
Klaus L. Neumann
editor:
Götz Bürki (engineer) and Ruth Witt
harpsichord:
Andreas Staier (from 1993-04-14 until 1993-04-29)
balance engineer:
Christian Meurer
recorded at:
Kammermusiksaal Beethoven-Haus in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1993-04-14 until 1993-04-29)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (from 1993-04-14 until 1993-04-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:38
7Stabat mater: Stabat mater (Koor en Barokorkest van de Nederlandse Bachvereniging & Netherlands Bach Society feat. conductor: Gustav Leonhardt)
choir vocals:
Koor van de Nederlandse Bachvereniging
orchestra:
Barokorkest van de Nederlandse Bachvereniging (The Netherlands Bach Society)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Stabat Mater: I. "Stabat Mater dolorosa"
composer:
Agostino Steffani
part of:
Stabat Mater
Agostino Steffani2:19
8Schwanengesang, D. 957 No. 10: Das Fischermädchen (tenor: Christoph Prégardien, piano: Andreas Staier)
piano:
Andreas Staier
tenor vocals:
Christoph Prégardien (tenor)
recording of:
Schwanengesang, D. 957: X. Das Fischermädchen
lyricist:
Heinrich Heine (German poet)
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert1:46
9Mrs. Fetherston "Carolan's Devotion" (The Harp Consort feat. conductor: Andrew Lawrence-King)
recorded in:
Valkkoog, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-05-20 until 1996-05-26)
engineer and producer:
John Hadden
instruments and performer:
The Harp Consort (Guernsey-based international early music ensemble) (from 1996-05-20 until 1996-05-26)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor) (from 1996-05-20 until 1996-05-26)
Toirdhealbhach Ó Cearbhalláin2:32
10The Musical Offering, BWV 1079: Canon a 2, per Motum contrarium (Kuijken Ensemble)
harpsichord:
Robert Kohnen (Belgian organist & harpsichordist)
transverse flute:
Barthold Kuijken (Belgian flautist and recorder player)
violin:
Sigiswald Kuijken
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:07
11Canción a dos tiples (Al Ayre Español)
performer:
Al Ayre Español
[anonymous]2:53
12Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (The Smithsonian Chamber Players)
orchestra:
Smithsonian Chamber Players
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
arrangement of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Gustav Mahler7:26
13Symphony No. 101 in D major "Clock", Hob I:101: III. Menuetto e Trio: Allegretto (La Petite Bande feat. conductors: Sigiswald Kuijken & Ryo Terakado)
orchestra:
La Petite Bande (Belgian chamber orchestra)
conductor:
Sigiswald Kuijken and 寺神戸亮 (Ryo Terakado, violinist)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet. Allegretto - Trio - Menuet
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn7:02
14Madrigali a uno, due e tre soprani: T'amo mia vita (Consort of Musicke feat. conductor: Paolo Dery)
orchestra:
The Consort of Musicke (British early-music group)
conductor:
Paolo Dery
Luzzasco Luzzaschi2:50
15Planxty Connor (The Harp Consort feat. conductor: Andrew Lawrence-King)
recorded in:
Valkkoog, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-05-20 until 1996-05-26)
engineer and producer:
John Hadden
instruments and performer:
The Harp Consort (Guernsey-based international early music ensemble) (from 1996-05-20 until 1996-05-26)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor) (from 1996-05-20 until 1996-05-26)
Toirdhealbhach Ó Cearbhalláin2:29
16Vespro della beata vergine, SV 206: Intonatio: Deus in adjutorium meum intende / Domine ad adjuvandum me festina (Cantus Cölln feat. conductor: Konrad Junghänel)
choir vocals:
Cantus Cölln (German vocal music ensemble)
vocals and performer:
Cantus Cölln (German vocal music ensemble)
orchestra:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Konrad Junghänel (lutenist and conductor) and Konrad Junghänel (lutenist and conductor) (lute)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:12
17Ora pro nobis beate Nicolae (Sequentia)
[anonymous]2:16
18Sonata for cello & continuo No. 7 in A minor, RV 44: II. Allegro poco (cello: Anner Bylsma, harpsichord: Jacques Ogg, violin: Hidemi Suzuki)
producer:
C. Jared Sacks (classical producer/engineer)
cello:
Anner Bylsma (cellist) (in 1990) and Hideimi Suzuki (Hidemi Suzuki, cellist) (in 1990)
harpsichord:
Jacques Ogg (in 1990)
recorded at:
Channel Classics Studio in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
recording of:
Cello Sonata in A minor, RV 44: II. Allegro poco (in 1990)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cello Sonata in A minor, RV 44
Antonio Vivaldi2:54
19Double Concerto in F major, Wq. 46: III. Allegro assai (Collegium Aureum feat. conductor: Franz Josef Maier)
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor) (from 1982-06-21 until 1982-06-24) and Gustav Leonhardt (conductor, harpsichordist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
conductor:
Franz Josef Maier (German violinist and conductor) (from 1982-06-21 until 1982-06-24)
phonographic copyright (℗) by:
BMG Music (in 1995)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1982-06-21 until 1982-06-24)
recording of:
Concerto in F major, Wq 46, H 408: III. Allegro assai (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach5:23

Credits

Release

ASIN:US: B000001TVY [info]