Pet Sounds (50th Anniversary Deluxe Edition)

~ Release by The Beach Boys (see all versions of this release, 55 available)

Annotation

Data taken from back cover of book.
Blu-ray notes: Tracklist taken from DVD Audio Extractor rip. Tracks listed in order of appearance in the rip. The end of each track overlaps into the beginning of the next track on the rip, so track lengths may look odd when compared to other releases of the same material.

Annotation last modified on 2017-06-30 21:03 UTC.

Tracklist

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1▼CD: Pet Sounds (Mono) / Pet Sounds (Stereo) / Additional Material
#TitleRatingLength
1Wouldn't It Be Nice (Mono)
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.42:26
2You Still Believe in Me (Mono)
engineer:
Chuck Britz (on 1965-10-14)
producer:
Brian Wilson (Beach Boys co‐founder)
bass clarinet:
Jay Migliori (on 1965-10-14)
bicycle bell and timpani:
Julius Wechter (on 1965-10-14)
clarinet:
Bill Green (woodwind) (on 1965-10-14), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-10-14) and Plas Johnson (on 1965-10-14)
double bass:
Lyle Ritz (on 1965-10-14)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-10-14)
electric bass guitar:
Carol Kaye (on 1965-10-14)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1965-10-14) and Barney Kessel (on 1965-10-14)
harpsichord:
Al De Lory (from 1965-10-14 until 1966-01-24)
piano:
Steve Douglas (American saxophonist, flautist and clarinetist) (from 1965-10-14 until 1966-01-24)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-01 until 1966-02)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-10-14, on 1966-01-24, from 1966-01 until 1966-02)
recording of:
You Still Believe in Me (from 1965-10-14 until 1966-02)
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
2.752:35
3That's Not Me (Mono)
engineer:
Chuck Britz (on 1966-02-15)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar [12-string Electric Guitar]:
Carl Wilson (Beach Boys)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1966-02-15)
electric bass guitar:
Brian Wilson (Beach Boys co‐founder)
guitar:
Carl Wilson (Beach Boys) (on 1966-02-15)
organ:
Brian Wilson (Beach Boys co‐founder) (on 1966-02-15)
percussion:
Hal Blaine (U.S. studio drummer and percussionist)
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-03) and Brian Wilson (Beach Boys co‐founder) (from 1966-02 until 1966-03)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-02-15, from 1966-02 until 1966-03)
recording of:
That’s Not Me (from 1966-02-15 until 1966-03)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3.652:30
4Don't Talk (Put Your Head on My Shoulder) (Mono)
engineer:
Chuck Britz (on 1966-02-11) and H. Bowen David (on 1966-04-03)
producer:
Brian Wilson (Beach Boys co‐founder)
cello:
Joseph Saxon (on 1966-04-03)
double bass:
Lyle Ritz (on 1966-02-11)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-02-11)
electric bass guitar:
Carol Kaye (on 1966-02-11)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-11) and Billy Strange (on 1966-02-11)
organ:
Al De Lory (on 1966-02-11)
piano:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-11)
timpani and vibraphone:
Frank Capp (on 1966-02-11)
viola:
Norman Botnick (on 1966-04-03)
violin:
Arnold Belnick (on 1966-04-03), Ralph Schaeffer (on 1966-04-03), Sid Sharp (on 1966-04-03) and Tibor Zelig (on 1966-04-03)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1966-02-11)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-02-11, on 1966-04-03)
recording of:
Don’t Talk (Put Your Head on My Shoulder) (from 1966-02-11 until 1966-04-03)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
2.652:54
5I'm Waiting for the Day (Mono)
engineer:
Ralph Valentin (in 1966-03) and H. Bowen David (on 1966-03-06)
producer:
Brian Wilson (Beach Boys co‐founder)
bongos and timpani:
Gary Coleman (US percussionist) (on 1966-03-06)
cello:
Justin Ditullio (on 1966-03-06)
cor anglais [english horn]:
Leonard Hartman (on 1966-03-06)
double bass:
Lyle Ritz (on 1966-03-06)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-06)
electric bass guitar:
Ray Pohlman (on 1966-03-06)
flute:
Bill Green (woodwind) (on 1966-03-06), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-06) and Jay Migliori (on 1966-03-06)
guitar:
Carol Kaye (on 1966-03-06)
organ:
Larry Knechtel (on 1966-03-06)
tack piano:
Al De Lory (on 1966-03-06)
viola:
Harry Hyams (on 1966-03-06)
violin:
William Kurasch (on 1966-03-06), Leonard Malarsky (on 1966-03-06), Ralph Schaeffer (on 1966-03-06) and Sid Sharp (on 1966-03-06)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (in 1966-03)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (in 1966-03) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-06)
recording of:
I’m Waiting for the Day (in 1966-03)
lyricist:
Mike Love (Beach Boys)
composer:
Brian Wilson (Beach Boys co‐founder)
3.653:07
6Let's Go Away for Awhile (Mono)
engineer:
Chuck Britz (on 1966-01-18)
producer:
Brian Wilson (Beach Boys co‐founder)
alto saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-01-18)
baritone saxophone:
Jay Migliori (on 1966-01-18)
cello:
Justin Ditullio (on 1966-01-19) and Joseph Saxon (on 1966-01-19)
double bass:
Lyle Ritz (on 1966-01-18)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-18)
electric bass guitar:
Carol Kaye (on 1966-01-18)
flute:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-19) and Jules Jacob (US jazz woodwind player) (on 1966-01-19)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-01-18) and Barney Kessel (on 1966-01-18)
piano:
Al De Lory (on 1966-01-18)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-18) and Plas Johnson (on 1966-01-18)
timpani and vibraphone:
Julius Wechter (on 1966-01-18)
trumpet:
Roy Caton (trumpet player) (on 1966-01-18)
viola:
Joseph DiFiore (on 1966-01-19) and Harry Hyams (on 1966-01-19)
violin:
Arnold Belnick (on 1966-01-19), James Getzoff (American concertmaster and violinist) (on 1966-01-19), William Kurasch (on 1966-01-19), Leonard Malarsky (on 1966-01-19), Jerome Reisler (on 1966-01-19), Ralph Schaeffer (on 1966-01-19), Sid Sharp (on 1966-01-19) and Tibor Zelig (on 1966-01-19)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-01-18, on 1966-01-19)
recording of:
Let’s Go Away for Awhile (from 1966-01-18 until 1966-01-19)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
32:21
7Sloop John B (Mono)
engineer:
Chuck Britz (on 1965-07-12)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-07-12)
lead vocals:
Mike Love (Beach Boys) (from 1965-12-22 until 1965-12-29) and Brian Wilson (Beach Boys co‐founder) (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
42:59
8God Only Knows (Mono)
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 130)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
4.152:54
9I Know There's an Answer (Mono)
engineer:
Chuck Britz (on 1966-02-09)
producer:
Brian Wilson (Beach Boys co‐founder)
banjo:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-09)
bass clarinet:
Jay Migliori (on 1966-02-09)
bass harmonica:
Tommy Morgan (Harmonica player) (on 1966-02-09)
clarinet:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-09) and Bobby Klein (on 1966-02-09)
double bass:
Lyle Ritz (on 1966-02-09)
electric bass guitar:
Ray Pohlman (on 1966-02-09)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-02-09) and Paul Horn (on 1966-02-09)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-09) and Barney Kessel (on 1966-02-09)
organ:
Larry Knechtel (on 1966-02-09)
tack piano:
Al De Lory (on 1966-02-09)
tambourine:
Julius Wechter (on 1966-02-09)
timpani:
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-02-09)
lead vocals:
Al Jardine (from 1966-02 until 1966-04) and Mike Love (Beach Boys) (from 1966-02 until 1966-04)
vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-02 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-02-09, from 1966-02 until 1966-04)
recording of:
I Know There’s an Answer (from 1966-02 until 1966-04)
lyricist:
Mike Love (Beach Boys) and Terry Sachen
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI) and Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
3.53:12
10Here Today (Mono)
engineer:
Ralph Valentin (in 1966-03) and Bruce Botnick (on 1966-03-11)
producer:
Brian Wilson (Beach Boys co‐founder)
baritone saxophone:
Jay Migliori (on 1966-03-11) and Jack Nimitz (American saxophonist and clarinet player) (on 1966-03-11)
bass trombone:
Gail Martin (on 1966-03-11) and Ernie Tack (on 1966-03-11)
double bass:
Lyle Ritz (on 1966-03-11)
drums (drum set):
Nick Martinis (on 1966-03-11)
electric bass guitar:
Ray Pohlman (on 1966-03-11)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-03-11) and Mike Deasy (on 1966-03-11)
organ:
Larry Knechtel (on 1966-03-11)
tack piano:
Don Randi (on 1966-03-11)
tambourine:
Frank Capp (on 1966-03-11)
lead vocals:
Mike Love (Beach Boys) (in 1966-03)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (in 1966-03) and Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-03-11)
recording of:
Here Today (in 1966-03)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3.152:56
11I Just Wasn't Made for These Times (Mono)
engineer:
Larry Levine (on 1966-02-14) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
bass clarinet:
Jay Migliori (on 1966-02-14)
bass harmonica:
Tommy Morgan (Harmonica player) (on 1966-02-14)
clarinet:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-14) and Bobby Klein (on 1966-02-14)
double bass:
Chuck Berghofer (Jazz bassist) (on 1966-02-14)
drums (drum set) and timpani:
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-02-14)
electric bass guitar:
Ray Pohlman (on 1966-02-14)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-14) and Barney Kessel (on 1966-02-14)
harpsichord:
Mike Melvoin (on 1966-02-14)
percussion [cups] and temple blocks:
Frank Capp (on 1966-02-14)
piccolo:
Plas Johnson (on 1966-02-14)
tack piano:
Don Randi (on 1966-02-14)
theremin [electro-theremin]:
Paul Tanner (on 1966-02-14)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-02-14) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
recording of:
I Just Wasn’t Made for These Times (from 1966-02-14 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
3.653:15
12Pet Sounds (Mono)
engineer:
Chuck Britz (on 1965-11-17)
producer:
Brian Wilson (Beach Boys co‐founder)
acoustic guitar:
Tommy Tedesco (guitar) (on 1965-11-17)
alto saxophone:
Bill Green (woodwind) (on 1965-11-17)
baritone saxophone:
Jay Migliori (on 1965-11-17)
double bass:
Lyle Ritz (on 1965-11-17)
electric bass guitar:
Carol Kaye (on 1965-11-17)
electric guitar:
Jerry Cole (on 1965-11-17) and Billy Strange (on 1965-11-17)
percussion:
Bill Green (woodwind) (on 1965-11-17), Plas Johnson (on 1965-11-17) and Ritchie Frost (on 1965-11-17)
piano:
Brian Wilson (Beach Boys co‐founder) (on 1965-11-17)
tenor saxophone:
Plas Johnson (on 1965-11-17)
trumpet:
Roy Caton (trumpet player) (on 1965-11-17)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-11-17)
recording of:
Pet Sounds (on 1965-11-17)
composer:
Brian Wilson (Beach Boys co‐founder)
2.652:24
13Caroline No (Mono)
engineer:
Chuck Britz (on 1966-01-31)
producer:
Brian Wilson (Beach Boys co‐founder)
alto saxophone and tambourine:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-31)
double bass:
Lyle Ritz (on 1966-01-31)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-31)
electric bass guitar [Dano bass]:
Carol Kaye (on 1966-01-31)
flute:
Bill Green (woodwind) (on 1966-01-31), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-01-31), Plas Johnson (on 1966-01-31) and Jay Migliori (on 1966-01-31)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-01-31), Carol Kaye (on 1966-01-31) and Barney Kessel (on 1966-01-31)
harpsichord:
Al De Lory (on 1966-01-31)
vibraphone:
Frank Capp (on 1966-01-31)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1966-01-31)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-01-31)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 211)
recording of:
Caroline, No (on 1966-01-31)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
32:56
14Wouldn't It Be Nice (Stereo)
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett (in 1996)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bell, percussion and timpani:
Frank Capp (on 1966-01-22)
double bass:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22)
electric bass guitar [Dano Bass]:
Ray Pohlman (on 1966-01-22)
guitar:
Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
tack piano:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
Wouldn’t It Be Nice (mono) by The Beach Boys (American rock band)
recording of:
Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.62:34
15You Still Believe in Me (Stereo)
engineer:
Chuck Britz (on 1965-10-14)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
bass clarinet:
Jay Migliori (on 1965-10-14)
bicycle bell and timpani:
Julius Wechter (on 1965-10-14)
clarinet:
Bill Green (woodwind) (on 1965-10-14), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-10-14) and Plas Johnson (on 1965-10-14)
contrabass clarinet [contra-clarinet]:
Bill Green (woodwind)
double bass:
Lyle Ritz (on 1965-10-14)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-10-14)
electric bass guitar:
Carol Kaye (on 1965-10-14)
electric guitar [12-string electric lead guitars]:
Glen Campbell (US country singer, guitarist & actor)
finger cymbals and horn [bicycle horn]:
Hal Blaine (U.S. studio drummer and percussionist)
grand piano [acoustic grand piano]:
Steve Douglas (American saxophonist, flautist and clarinetist)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1965-10-14) and Barney Kessel (on 1965-10-14)
harpsichord:
Al De Lory (from 1965-10-14 until 1966-01-24)
mandoguitar [12-string electric mando-guitars]:
Barney Kessel
piano:
Steve Douglas (American saxophonist, flautist and clarinetist) (from 1965-10-14 until 1966-01-24)
piano [plucked piano strings]:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
additional vocals:
Marilyn Wilson
background vocals:
Al Jardine, Bruce Johnston (US singer‐songwriter, member of The Beach Boys), Mike Love (Beach Boys), Carl Wilson (Beach Boys) and Dennis Wilson (Beach Boys)
bass vocals:
Mike Love (Beach Boys)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-01 until 1966-02)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-10-14, on 1966-01-24, from 1966-01 until 1966-02), Columbia Studio A (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (in 1966-01) and Western Recorders, Studio 3 in Hollywood, Los Angeles, California, United States (on 1966-01-24)
remix of:
You Still Believe in Me (mono) by The Beach Boys (American rock band)
recording of:
You Still Believe in Me (from 1965-10-14 until 1966-02)
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
3.352:36
16That's Not Me (Stereo)
engineer:
Chuck Britz (on 1966-02-15)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
12 string guitar [12-string Electric Guitar]:
Carl Wilson (Beach Boys)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1966-02-15)
electric bass guitar:
Brian Wilson (Beach Boys co‐founder)
guitar:
Carl Wilson (Beach Boys) (on 1966-02-15)
organ:
Brian Wilson (Beach Boys co‐founder) (on 1966-02-15)
percussion:
Hal Blaine (U.S. studio drummer and percussionist)
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-03) and Brian Wilson (Beach Boys co‐founder) (from 1966-02 until 1966-03)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-02-15, from 1966-02 until 1966-03)
remix of:
That’s Not Me (mono) by The Beach Boys (American rock band)
recording of:
That’s Not Me (from 1966-02-15 until 1966-03)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
32:31
17Don't Talk (Put Your Head on My Shoulder) (Stereo)
engineer:
Chuck Britz (on 1966-02-11) and H. Bowen David (on 1966-04-03)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett (in 1996)
cello:
Joseph Saxon (on 1966-04-03)
double bass:
Lyle Ritz (on 1966-02-11)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-02-11)
electric bass guitar:
Carol Kaye (on 1966-02-11)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-11) and Billy Strange (on 1966-02-11)
organ:
Al De Lory (on 1966-02-11)
piano:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-11)
timpani and vibraphone:
Frank Capp (on 1966-02-11)
viola:
Norman Botnick (on 1966-04-03)
violin:
Arnold Belnick (on 1966-04-03), Ralph Schaeffer (on 1966-04-03), Sid Sharp (on 1966-04-03) and Tibor Zelig (on 1966-04-03)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1966-02-11)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-02-11, on 1966-04-03)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
Don’t Talk (Put Your Head on My Shoulder) (mono) by The Beach Boys (American rock band)
recording of:
Don’t Talk (Put Your Head on My Shoulder) (from 1966-02-11 until 1966-04-03)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
32:59
18I'm Waiting for the Day (Stereo)
engineer:
Ralph Valentin (in 1966-03) and H. Bowen David (on 1966-03-06)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
bongos and timpani:
Gary Coleman (US percussionist) (on 1966-03-06)
cello:
Justin Ditullio (on 1966-03-06)
cor anglais [english horn]:
Leonard Hartman (on 1966-03-06)
double bass:
Lyle Ritz (on 1966-03-06)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-06)
electric bass guitar:
Ray Pohlman (on 1966-03-06)
flute:
Bill Green (woodwind) (on 1966-03-06), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-06) and Jay Migliori (on 1966-03-06)
guitar:
Carol Kaye (on 1966-03-06)
organ:
Larry Knechtel (on 1966-03-06)
tack piano:
Al De Lory (on 1966-03-06)
viola:
Harry Hyams (on 1966-03-06)
violin:
William Kurasch (on 1966-03-06), Leonard Malarsky (on 1966-03-06), Ralph Schaeffer (on 1966-03-06) and Sid Sharp (on 1966-03-06)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (in 1966-03)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (in 1966-03) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-06)
remix of:
I’m Waiting for the Day (mono) by The Beach Boys (American rock band)
recording of:
I’m Waiting for the Day (in 1966-03)
lyricist:
Mike Love (Beach Boys)
composer:
Brian Wilson (Beach Boys co‐founder)
33:07
19Let's Go Away for Awhile (Stereo)
engineer:
Chuck Britz (on 1966-01-18)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
alto saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-01-18)
baritone saxophone:
Jay Migliori (on 1966-01-18)
cello:
Justin Ditullio (on 1966-01-19) and Joseph Saxon (on 1966-01-19)
double bass:
Lyle Ritz (on 1966-01-18)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-18)
electric bass guitar:
Carol Kaye (on 1966-01-18)
flute:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-19) and Jules Jacob (US jazz woodwind player) (on 1966-01-19)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-01-18) and Barney Kessel (on 1966-01-18)
piano:
Al De Lory (on 1966-01-18)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-18) and Plas Johnson (on 1966-01-18)
timpani and vibraphone:
Julius Wechter (on 1966-01-18)
trumpet:
Roy Caton (trumpet player) (on 1966-01-18)
viola:
Joseph DiFiore (on 1966-01-19) and Harry Hyams (on 1966-01-19)
violin:
Arnold Belnick (on 1966-01-19), James Getzoff (American concertmaster and violinist) (on 1966-01-19), William Kurasch (on 1966-01-19), Leonard Malarsky (on 1966-01-19), Jerome Reisler (on 1966-01-19), Ralph Schaeffer (on 1966-01-19), Sid Sharp (on 1966-01-19) and Tibor Zelig (on 1966-01-19)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-01-18, on 1966-01-19)
remix of:
Let’s Go Away for Awhile (mono) by The Beach Boys (American rock band)
recording of:
Let’s Go Away for Awhile (from 1966-01-18 until 1966-01-19)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
32:26
20Sloop John B (Stereo)
engineer:
Chuck Britz (on 1965-07-12)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-07-12)
lead vocals:
Mike Love (Beach Boys) (from 1965-12-22 until 1965-12-29) and Brian Wilson (Beach Boys co‐founder) (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
remix of:
Sloop John B (mono) by The Beach Boys (American rock band)
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
4.353:01
21God Only Knows (Stereo)
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett (in 1996)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
God Only Knows (mono) by The Beach Boys (American rock band)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
42:56
22I Know There's an Answer (Stereo)
engineer:
Chuck Britz (on 1966-02-09)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
banjo:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-09)
bass clarinet:
Jay Migliori (on 1966-02-09)
bass harmonica:
Tommy Morgan (Harmonica player) (on 1966-02-09)
clarinet:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-09) and Bobby Klein (on 1966-02-09)
double bass:
Lyle Ritz (on 1966-02-09)
electric bass guitar:
Ray Pohlman (on 1966-02-09)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-02-09) and Paul Horn (on 1966-02-09)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-09) and Barney Kessel (on 1966-02-09)
organ:
Larry Knechtel (on 1966-02-09)
tack piano:
Al De Lory (on 1966-02-09)
tambourine:
Julius Wechter (on 1966-02-09)
timpani:
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-02-09)
lead vocals:
Al Jardine (from 1966-02 until 1966-04) and Mike Love (Beach Boys) (from 1966-02 until 1966-04)
vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-02 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-02-09, from 1966-02 until 1966-04)
remix of:
I Know There’s an Answer (mono) by The Beach Boys (American rock band)
recording of:
I Know There’s an Answer (from 1966-02 until 1966-04)
lyricist:
Mike Love (Beach Boys) and Terry Sachen
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI) and Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
33:19
23Here Today (Stereo)
engineer:
Ralph Valentin (in 1966-03) and Bruce Botnick (on 1966-03-11)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
baritone saxophone:
Jay Migliori (on 1966-03-11) and Jack Nimitz (American saxophonist and clarinet player) (on 1966-03-11)
bass trombone:
Gail Martin (on 1966-03-11) and Ernie Tack (on 1966-03-11)
double bass:
Lyle Ritz (on 1966-03-11)
drums (drum set):
Nick Martinis (on 1966-03-11)
electric bass guitar:
Ray Pohlman (on 1966-03-11)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-03-11) and Mike Deasy (on 1966-03-11)
organ:
Larry Knechtel (on 1966-03-11)
tack piano:
Don Randi (on 1966-03-11)
tambourine:
Frank Capp (on 1966-03-11)
lead vocals:
Mike Love (Beach Boys) (in 1966-03)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (in 1966-03) and Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-03-11)
remix of:
Here Today (mono) by The Beach Boys (American rock band)
recording of:
Here Today (in 1966-03)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3.353:09
24I Just Wasn't Made for These Times (Stereo)
engineer:
Larry Levine (on 1966-02-14) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
bass clarinet:
Jay Migliori (on 1966-02-14)
bass harmonica:
Tommy Morgan (Harmonica player) (on 1966-02-14)
clarinet:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-14) and Bobby Klein (on 1966-02-14)
double bass:
Chuck Berghofer (Jazz bassist) (on 1966-02-14)
drums (drum set) and timpani:
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-02-14)
electric bass guitar:
Ray Pohlman (on 1966-02-14)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-14) and Barney Kessel (on 1966-02-14)
harpsichord:
Mike Melvoin (on 1966-02-14)
percussion [cups] and temple blocks:
Frank Capp (on 1966-02-14)
piccolo:
Plas Johnson (on 1966-02-14)
tack piano:
Don Randi (on 1966-02-14)
theremin [electro-theremin]:
Paul Tanner (on 1966-02-14)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-02-14) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
remix of:
I Just Wasn’t Made for These Times (mono) by The Beach Boys (American rock band)
recording of:
I Just Wasn’t Made for These Times (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
33:22
25Pet Sounds (Stereo)
engineer:
Chuck Britz (on 1965-11-17)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
acoustic guitar:
Tommy Tedesco (guitar) (on 1965-11-17)
alto saxophone:
Bill Green (woodwind) (on 1965-11-17)
baritone saxophone:
Jay Migliori (on 1965-11-17)
double bass:
Lyle Ritz (on 1965-11-17)
electric bass guitar:
Carol Kaye (on 1965-11-17)
electric guitar:
Jerry Cole (on 1965-11-17) and Billy Strange (on 1965-11-17)
percussion:
Bill Green (woodwind) (on 1965-11-17), Plas Johnson (on 1965-11-17) and Ritchie Frost (on 1965-11-17)
piano:
Brian Wilson (Beach Boys co‐founder) (on 1965-11-17)
tenor saxophone:
Plas Johnson (on 1965-11-17)
trumpet:
Roy Caton (trumpet player) (on 1965-11-17)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-11-17)
remix of:
Pet Sounds (mono) by The Beach Boys (American rock band)
recording of:
Pet Sounds (on 1965-11-17)
composer:
Brian Wilson (Beach Boys co‐founder)
3.352:37
26Caroline No (Stereo)
engineer:
Chuck Britz (on 1966-01-31)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
alto saxophone and tambourine:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-31)
double bass:
Lyle Ritz (on 1966-01-31)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-31)
electric bass guitar [Dano bass]:
Carol Kaye (on 1966-01-31)
flute:
Bill Green (woodwind) (on 1966-01-31), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-01-31), Plas Johnson (on 1966-01-31) and Jay Migliori (on 1966-01-31)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-01-31), Carol Kaye (on 1966-01-31) and Barney Kessel (on 1966-01-31)
harpsichord:
Al De Lory (on 1966-01-31)
vibraphone:
Frank Capp (on 1966-01-31)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1966-01-31)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-01-31)
remix of:
Caroline, No (mono) by The Beach Boys (American rock band)
recording of:
Caroline, No (on 1966-01-31)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
3.252:55
27Caroline No (Promotional Spot #2)
recording of:
Caroline, No
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
0:28
28Don't Talk... (Unused Background Vocals)
recording of:
Don’t Talk (Put Your Head on My Shoulder)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
0:56
29Hang on to Your Ego
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett (in 1987-12) and Larry Walsh (in 1987-12)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1966-02-09)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-02-09)
mixed at:
Capitol Mastering in Hollywood, Los Angeles, California, United States (in 1987-12)
recording of:
Hang On to Your Ego (on 1966-02-09)
composer:
Mike Love (Beach Boys), Terry Sachen and Brian Wilson (Beach Boys co‐founder)
43:14
30Caroline No (Promotional Spot #1)
recording of:
Caroline, No
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
0:33
2▼CD: The Pet Sounds Sessions
#TitleRatingLength
1Sloop John B (Highlights From Tracking Date)
recording of:
Sloop John B
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
1:05
2Sloop John B (Stereo Backing Track)
recording of:
Sloop John B
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
instrumental recording of:
Sloop John B
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
3:18
3Trombone Dixie (Highlights From Tracking Date)
recording of:
Trombone Dixie
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Beach Bum Music
1:26
4Trombone Dixie (Stereo Backing Track)
engineer:
Chuck Britz (on 1965-11-01)
alto saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-11-01)
bass saxophone:
Jay Migliori (on 1965-11-01)
bass trombone:
Lew McCreary (on 1965-11-01)
double bass:
Lyle Ritz (on 1965-11-01)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric bass guitar:
Carol Kaye (on 1965-11-01)
guitar:
Jerry Cole (on 1965-11-01), Barney Kessel (on 1965-11-01) and Billy Strange (on 1965-11-01)
percussion [Latin Percussion] and vibraphone:
Julius Wechter (on 1965-11-01)
tack piano:
Don Randi (on 1965-11-01)
tambourine:
Ron Swallow (on 1965-11-01)
timpani:
Jerry Williams (US percussionist) (on 1965-11-01)
trombone:
James Henderson (on 1965-11-01)
trumpet:
Roy Caton (trumpet player) (on 1965-11-01)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-11-01)
recording of:
Trombone Dixie (on 1965-11-01)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Beach Bum Music
2:51
5Pet Sounds (Highlights From Tracking Date)
recording of:
Pet Sounds
composer:
Brian Wilson (Beach Boys co‐founder)
0:57
6Pet Sounds (Stereo Track without Guitar Overdub)
recording of:
Pet Sounds
composer:
Brian Wilson (Beach Boys co‐founder)
2:49
7Let’s Go Away for Awhile (Highlights From Tracking Date)
recording of:
Let’s Go Away for Awhile
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
2:20
8Let’s Go Away for Awhile (Stereo Track without String Overdub)
recording of:
Let’s Go Away for Awhile
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
2:52
9Wouldn’t It Be Nice (Highlights From Tracking Date)
recording of:
Wouldn’t It Be Nice
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
7:20
10Wouldn’t It Be Nice (Stereo Backing Track)
recording of:
Wouldn’t It Be Nice
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
instrumental recording of:
Wouldn’t It Be Nice
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:35
11Wouldn’t It Be Nice (Stereo Track with Background Vocals)
recording of:
Wouldn’t It Be Nice
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:34
12You Still Believe in Me (intro - session)
recording of:
You Still Believe in Me
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
1:40
13You Still Believe in Me (intro - Master take)
recording of:
You Still Believe in Me
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
0:20
14You Still Believe in Me (Highlights From Tracking Date)
recording of:
You Still Believe in Me
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
1:06
15You Still Believe in Me (Stereo Backing Track)
engineer:
Chuck Britz (on 1965-10-14)
bass clarinet:
Jay Migliori (on 1965-10-14)
bicycle bell and timpani:
Julius Wechter (on 1965-10-14)
clarinet:
Bill Green (woodwind) (on 1965-10-14), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-10-14) and Plas Johnson (on 1965-10-14)
double bass:
Lyle Ritz (on 1965-10-14)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-10-14)
electric bass guitar:
Carol Kaye (on 1965-10-14)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1965-10-14) and Barney Kessel (on 1965-10-14)
harpsichord:
Al De Lory (from 1965-10-14 until 1966-01-24)
piano:
Steve Douglas (American saxophonist, flautist and clarinetist) (from 1965-10-14 until 1966-01-24)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-10-14, on 1966-01-24)
instrumental recording of:
You Still Believe in Me (from 1965-10-14 until 1966-01-24)
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
2:37
16Caroline No (Highlights From Tracking Date)
recording of:
Caroline, No
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
4:16
17Caroline No (Stereo Backing Track)
recording of:
Caroline, No
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
instrumental recording of:
Caroline, No
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
2:53
18Hang on to Your Ego (Highlights From Tracking Date)
recording of:
Hang On to Your Ego
composer:
Mike Love (Beach Boys), Terry Sachen and Brian Wilson (Beach Boys co‐founder)
4:47
19Hang on to Your Ego (Stereo Backing Track)
recording of:
Hang On to Your Ego
composer:
Mike Love (Beach Boys), Terry Sachen and Brian Wilson (Beach Boys co‐founder)
instrumental recording of:
Hang On to Your Ego
composer:
Mike Love (Beach Boys), Terry Sachen and Brian Wilson (Beach Boys co‐founder)
3:24
20I Know There's an Answer (vocal session)
recording of:
I Know There’s an Answer
lyricist:
Mike Love (Beach Boys) and Terry Sachen
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI) and Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
9:47
21Don’t Talk (Put Your Head on My Shoulder) (Brian’s instrumental demo)
recording of:
Don’t Talk (Put Your Head on My Shoulder)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
instrumental recording of:
Don’t Talk (Put Your Head on My Shoulder)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
2:21
22Don’t Talk (Put Your Head on My Shoulder) (Stereo Backing Track)
recording of:
Don’t Talk (Put Your Head on My Shoulder)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
instrumental recording of:
Don’t Talk (Put Your Head on My Shoulder)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3:11
23Don’t Talk (Put Your Head on My Shoulder) (String Overdub)
recording of:
Don’t Talk (Put Your Head on My Shoulder)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
1:47
24I Just Wasn’t Made for These Times (Highlights From Tracking Date)
recording of:
I Just Wasn’t Made for These Times
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
3:01
25I Just Wasn’t Made for These Times (Stereo Backing Track)
instrumental recording of:
I Just Wasn’t Made for These Times
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
recording of:
I Just Wasn’t Made for These Times
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
3:47
26That’s Not Me (Highlights From Tracking Date)
recording of:
That’s Not Me
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
1:52
27That’s Not Me (Stereo Backing Track)
recording of:
That’s Not Me
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
instrumental recording of:
That’s Not Me
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
2:46
3▼CD: The Pet Sounds Sessions (Continued) / Alternate Versions
#TitleRatingLength
1Good Vibrations (Highlights From Tracking Date)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
2:42
2Good Vibrations (Stereo Backing Track)
instrumental recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
3:15
3I’m Waiting for the Day (Highlights From Tracking Date)
recording of:
I’m Waiting for the Day
lyricist:
Mike Love (Beach Boys)
composer:
Brian Wilson (Beach Boys co‐founder)
5:25
4I’m Waiting for the Day (Stereo Backing Track)
engineer:
H. Bowen David (on 1966-03-06)
bongos and timpani:
Gary Coleman (US percussionist) (on 1966-03-06)
cello:
Justin Ditullio (on 1966-03-06)
cor anglais [english horn]:
Leonard Hartman (on 1966-03-06)
double bass:
Lyle Ritz (on 1966-03-06)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-06)
electric bass guitar:
Ray Pohlman (on 1966-03-06)
flute:
Bill Green (woodwind) (on 1966-03-06), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-06) and Jay Migliori (on 1966-03-06)
guitar:
Carol Kaye (on 1966-03-06)
organ:
Larry Knechtel (on 1966-03-06)
tack piano:
Al De Lory (on 1966-03-06)
viola:
Harry Hyams (on 1966-03-06)
violin:
William Kurasch (on 1966-03-06), Leonard Malarsky (on 1966-03-06), Ralph Schaeffer (on 1966-03-06) and Sid Sharp (on 1966-03-06)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-06)
instrumental recording of:
I’m Waiting for the Day (on 1966-03-06)
lyricist:
Mike Love (Beach Boys)
composer:
Brian Wilson (Beach Boys co‐founder)
recording of:
I’m Waiting for the Day
lyricist:
Mike Love (Beach Boys)
composer:
Brian Wilson (Beach Boys co‐founder)
3:14
5God Only Knows (Highlights From Tracking Date)
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
9:26
6God Only Knows (Stereo Backing Track)
instrumental recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
3:07
7Here Today (Highlights From Tracking Date)
recording of:
Here Today
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
6:36
8Here Today (Stereo Backing Track)
recording of:
Here Today
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3:33
9Wouldn’t It Be Nice (Mono alternate mix 1)
recording of:
Wouldn’t It Be Nice
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:29
10You Still Believe in Me (Mono alternate mix)
recording of:
You Still Believe in Me
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
2:23
11I’m Waiting for the Day (Mono alternate mix, Mike Sings Lead)
recording of:
I’m Waiting for the Day
lyricist:
Mike Love (Beach Boys)
composer:
Brian Wilson (Beach Boys co‐founder)
3:02
12Sloop John B (Mono alternate mix, Carl Sings First Verse)
recording of:
Sloop John B
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
3:05
13God Only Knows (Mono alternate mix with Sax Solo)
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:50
14I Know There's an Answer (alternate mix)
recording of:
I Know There’s an Answer
lyricist:
Mike Love (Beach Boys) and Terry Sachen
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI) and Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
3:17
15Here Today (Mono alternate mix, Brian Sings Lead)
recording of:
Here Today
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3:08
16I Just Wasn’t Made for These Times (Mono alternate mix)
recording of:
I Just Wasn’t Made for These Times
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
3:13
17Banana & Louie
0:04
18Caroline No (original Speed, Stereo mix)
recording of:
Caroline, No
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
2:25
19Dog Barking Session
0:35
20God Only Knows (with a cappella Tag)
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:56
21Wouldn’t It Be Nice (Mono alternate mix 2)
recording of:
Wouldn’t It Be Nice
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:29
22Sloop John B (Mono alternate mix, Brian Sings Lead Throughout)
recording of:
Sloop John B
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
3:05
23God Only Knows (Mono alternate mix, Brian Sings Lead)
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:43
24Caroline No (original Speed, Mono mix)
recording of:
Caroline, No
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
3:06
4▶CD: Live Recordings / Stack-O-Vocals / Bonus Track
5▶Blu-ray: 5.1 Surround Sound, Mono, Stereo & Stereo Instrumental / Additional Material in 5.1 Surround and Stereo

Credits

Release

art direction:Susan Lavoie
liner notes:David Fricke
Mark Linett
mixer, producer and mastering:Mark Linett
engineer:Chuck Britz
Stephen W. Desper
Mark Linett
executive producer:Matt D'Amico
design:Jen Montgomery
distributed by:Universal Music Distribution (major-label distribution subsidiary of UMG Commercial Services, Inc.)
copyrighted (©) by and phonographic copyright (℗) by:Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2016)
licensed to:Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
mixed at, mastered at and engineered at:Your Place or Mine Recording in Glendale, California, United States
Discogs:https://www.discogs.com/release/8738209 [info]
ASIN:US: B01DB0EB7S [info]
Allmusic:https://www.allmusic.com/album/release/mr0004536879 [info]

Release group

performed at:Pet Sounds 50th Anniversary World Tour: Ra`ananna (2016-06-08)
covers:A Tribute to the Beach Boys' Pet Sounds by YYY
The String Quartet Tribute to The Beach Boys’ Pet Sounds by Vitamin String Quartet
part of:Music Genre Tree (Canonical album list from musicgenretree.org – one representative release per genre.)
Pitchfork: The 200 Best Albums of the 1960s (number: 2) (order: 2)
Rolling Stone: 500 Greatest Albums of All Time: 2003 edition (number: 2) (order: 2)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (number: 2) (order: 2)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (number: 2) (order: 2)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (number: 2) (order: 2)
Absolute Radio’s The 100 Collection (number: 3) (order: 3)
The Guardian 100 Best Albums Ever (number: 6) (order: 6)
Dave Marsh: Top 40 Albums of 1966 (number: 12) (order: 12)
33⅓ (number: 19) (order: 19)
Apple Music: 100 Best Albums (number: 20) (order: 20)
Discothèque Idéale Qobuz / Qobuz Ideal Discography (order: 42)
1001 Albums You Must Hear Before You Die (2005 edition) (number: 61) (order: 61)
Joe Harrington: Top 100 Albums of All Time (number: 84) (order: 84)
Discogs:https://www.discogs.com/master/17217 [info]
lyrics page:https://genius.com/albums/The-beach-boys/Pet-sounds [info]
reviews:https://www.bbc.co.uk/music/reviews/5h3n [info]
other databases:https://rateyourmusic.com/release/album/the_beach_boys/pet_sounds/ [info]
https://www.musik-sammler.de/album/27555/ [info]
Allmusic:https://www.allmusic.com/album/mw0000398074 [info]
standalone website:http://www.thebeachboys.com/#?music=692 [info]
Wikidata:Q212863 [info]