Arte del canto 3

~ Release by Ezio Fortunato Pinza (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Il barbiere di Siviglia: “La calunnia”
bass vocals [Basilio]:
Ezio Pinza (operatic bass) (in 1946)
orchestra:
Metropolitan Opera Orchestra (in 1946)
conductor:
Fausto Cleva (conductor) (in 1946)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (in 1946)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioacchino Rossini3:44
2Norma: “Ite sui colle”
bass vocals [Oroveso]:
Ezio Pinza (operatic bass) (in 1946)
orchestra:
Metropolitan Opera Orchestra (in 1946)
conductor:
Fausto Cleva (conductor) (in 1946)
recording of:
Norma: Atto I, scena 1. Coro d'introduzione “Ite sul colle, o Druidi” (Oroveso, coro) (in 1946)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:34
3Norma: “Ah! del Tebro”
bass vocals [Oroveso]:
Ezio Pinza (operatic bass) (on 1929-04-08)
choir vocals:
Metropolitan Opera Chorus (on 1929-04-08)
orchestra:
Metropolitan Opera Orchestra (on 1929-04-08)
conductor:
Giulio Setti (conductor) (on 1929-04-08)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1929-04-08)
recording of:
Norma: Atto II, scena 2. Scena “Ah! del Tebro al giogo indegno” (Oroveso, coro) (on 1929-04-08)
lyricist and librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:05
4La Gioconda: “Bella cose Madonna”
bass vocals:
Ezio Pinza (operatic bass) (in 1947)
orchestra:
Metropolitan Opera Orchestra (in 1947)
conductor:
Fausto Cleva (conductor) (in 1947)
recording of:
La Gioconda: Atto III, scena 1. “Qui chiamata m’avete?…Bella così, madonna” (Laura, Alvise) (in 1947)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli4:23
5La Favorita: “Splendon più belle”
bass vocals:
Ezio Pinza (operatic bass) (on 1930-04-09)
orchestra:
Metropolitan Opera Orchestra (on 1930-04-09)
conductor:
Giulio Setti (conductor) (on 1930-04-09)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1930-04-09)
recording of:
La favorita: Atto IV, Scena 1. “Fratelli! Fratelli andiam” … “Splendon più belli” (Monaci, Suore, Baldassarre) (on 1930-04-09)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La favorita: Atto IV
Gaetano Donizetti3:55
6La Bohème: “Vecchia zimarra”
bass vocals [Schaunard]:
Ezio Pinza (operatic bass) (in 1946)
orchestra:
Metropolitan Opera Orchestra (in 1946)
conductor:
Fausto Cleva (conductor) (in 1946)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (in 1946)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini1:47
7Don Carlos: “Ella giammai” … “dormiro sol”
bass vocals [Filippo]:
Ezio Pinza (operatic bass) (in 1946)
orchestra:
Metropolitan Opera Orchestra (in 1946)
conductor:
Fausto Cleva (conductor) (in 1946)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (in 1946)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi6:40
8Simon Boccanegra: “Il lacerato spirito”
bass vocals [Fiesco]:
Ezio Pinza (operatic bass) (in 1946)
orchestra:
Metropolitan Opera Orchestra (in 1946)
conductor:
Fausto Cleva (conductor) (in 1946)
recording of:
Simon Boccanegra: Prologo. “Il lacerato spirito” (Fiesco) (in 1946)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
Giuseppe Verdi4:09
9Les Vêpres siciliennes: “O tu Palermo”
bass vocals:
Ezio Pinza (operatic bass) (on 1927-02-17)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1927-02-17)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1927-02-17)
recording of:
I vespri siciliani: Atto II, Scena I. “O patria” (Procida) (on 1927-02-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto II
part of:
I vespri siciliani: Atto II
recording of:
I vespri siciliani: Atto II, Scena I. “O tu, Palermo” (Procida) (on 1927-02-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto II
Giuseppe Verdi4:14
10Ernani: “Infelice! E tuo credevi”
bass vocals:
Ezio Pinza (operatic bass) (on 1929-05-07)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1929-05-07)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1929-05-07)
recording of:
Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva) (on 1929-05-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:17
11Il Trovatore: “Di due figli” … “Abbietta zingara”
bass vocals:
Ezio Pinza (operatic bass) (on 1930-04-09)
orchestra:
Metropolitan Opera Orchestra (on 1930-04-09)
conductor:
Giulio Setti (conductor) (on 1930-04-09)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1930-04-09)
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (on 1930-04-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:43
12I Lombardi: “Qual voluttà trascorrere”
bass vocals [Pagano]:
Ezio Pinza (operatic bass) (on 1930-12-31)
soprano vocals [Giselda]:
Elisabeth Rethberg (soprano) (on 1930-12-31)
tenor vocals [Oronte]:
Beniamino Gigli (tenor) (on 1930-12-31)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1930-12-31)
recorded at:
Studio 2 (New York City) in New York, New York, United States (on 1930-12-31)
recording of:
I Lombardi: Atto III. N°14 Finale. Terzetto "Qual voluttà trascorrere" (Oronte, Pagano, Giselda) (on 1930-12-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto III (La conversione)
Giuseppe Verdi4:19
13Attila: “Te sol quest’anima”
bass vocals [Ezio]:
Ezio Pinza (operatic bass) (on 1930-12-31)
soprano vocals [Odabella]:
Elisabeth Rethberg (soprano) (on 1930-12-31)
tenor vocals [Foresto]:
Beniamino Gigli (tenor) (on 1930-12-31)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1930-12-31)
recorded at:
Studio 2 (New York City) in New York, New York, United States (on 1930-12-31)
recording of:
Attila: Atto III. N°13 “Te sol, te sol quest'anima” (Ezio, Foresto, Odabella, coro) (on 1930-12-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi3:10
14Requiem: Tuba mirum
bass vocals:
Ezio Pinza (operatic bass) (in 1939-08)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1939-08)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1939-08)
conductor:
Tullio Serafin (conductor) (in 1939-08)
chorus master:
Giuseppe Conca (chorus master) (in 1939-08)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1939-08)
compilation of:
Messa da Requiem: Mors stupebit by Ezio Pinza (operatic bass), Orchestra del Teatro dell’Opera di Roma, Tullio Serafin (conductor) and Messa da Requiem: Tuba mirum by Giuseppe Conca (chorus master), Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin (conductor)
recording of:
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro) (in 1939-08)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
recording of:
Messa da requiem: IIc. Dies irae: Mors stupebit (basso, coro) (in 1939-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:55
15Requiem: Confutatis maledictis
bass vocals:
Ezio Pinza (operatic bass) (in 1939-08)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1939-08)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1939-08)
conductor:
Tullio Serafin (conductor) (in 1939-08)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1939-08)
recording of:
Messa da requiem: IIi. Dies irae: Confutatis (basso, coro) (in 1939-08)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi4:38
16La forza del destino: “Confessione … non imprecare”
bass vocals [Guardiano]:
Ezio Pinza (operatic bass) (in 1928)
soprano vocals [Leonora]:
Rosa Ponselle (soprano) (in 1928)
tenor vocals [Alvaro]:
Giovanni Martinelli (tenor) (in 1928)
orchestra:
Metropolitan Opera Orchestra (in 1928)
conductor:
Giulio Setti (conductor) (in 1928)
recording of:
La forza del destino: Atto IV, scena 2. “Io muoio! Confessione!” (Leonora, Alvaro, Don Carlo) (in 1928)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
recording of:
La forza del destino: Atto IV, scena 2. “Non imprecare, umiliati a Lui ch'è giusto e santo” (Leonora, Alvaro, Guardiano) (in 1928)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi8:01
17La forza del destino: “Alzatevi”… “La vergine degli angeli”
bass vocals:
Ezio Pinza (operatic bass) (on 1928-01-23)
soprano vocals:
Rosa Ponselle (soprano) (on 1928-01-23)
orchestra:
Metropolitan Opera Orchestra (on 1928-01-23)
conductor:
Giulio Setti (conductor) (on 1928-01-23)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-01-23)
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro) (on 1928-01-23)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi4:25
2▼CD
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1Don Giovanni: “Deh, vieni alla finestra”
bass vocals:
Ezio Pinza (operatic bass) (in 1930)
orchestra:
Metropolitan Opera Orchestra (in 1930)
conductor:
Giulio Setti (conductor) (in 1930)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1930)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:43
2Don Giovanni: “Là ci darem la mano”
bass vocals [Don Giovanni]:
Ezio Pinza (operatic bass) (on 1939-05-08)
soprano vocals [Zerlina]:
Elisabeth Rethberg (soprano) (on 1939-05-08)
orchestra:
Victor Symphony Orchestra (on 1939-05-08)
conductor:
Bruno Reibold (on 1939-05-08)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (on 1939-05-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:15
3Don Giovanni: “Madamina, il catalogo”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-02-21)
orchestra:
Metropolitan Opera Orchestra (on 1946-02-21)
conductor:
Bruno Walter (conductor) (on 1946-02-21)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-02-21)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (on 1946-02-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:08
4Die Entführung aus dem Serail: „O, wie will ich triumphieren”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-04-17)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:06
5Le nozze di Figaro: “Se vuol ballare”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-04-17)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:01
6Le nozze di Figaro: “Aprite un pò quegli occhi”
bass vocals [Figaro]:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Orchestra Of The Metropolitan Opera Association (Metropolitan Opera Orchestra) (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:41
7Die Zauberflöte: „In diesen heil’gen Hallen”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1946-04-17)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (on 1946-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:22
8Die Zauberflöte: “Mentre ti lascio, o figlia”
bass vocals:
Ezio Pinza (operatic bass) (on 1946-04-17)
orchestra:
Metropolitan Opera Orchestra (on 1946-04-17)
conductor:
Bruno Walter (conductor) (on 1946-04-17)
recording of:
Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia" (on 1946-04-17)
lyricist:
Nicola Giuseppe Morbilli
additional composer:
Giovanni Paisiello (composer)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 513) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 513)
Wolfgang Amadeus Mozart7:15
9La Juive: « Si la rigueur »
bass vocals [Brogni]:
Ezio Pinza (operatic bass) (in 1946)
orchestra:
Metropolitan Opera Orchestra (in 1946)
conductor:
Fausto Cleva (conductor) (in 1946)
recording of:
La Juive : Acte I. « Si la rigueur et la vengeance » (in 1946)
composer:
Fromental Halévy (French composer)
part of:
La Juive: Acte I
Jacques Halévy4:04
10La Juive: « Vous qui du Dieu »
bass vocals:
Ezio Pinza (operatic bass) (on 1927-03-22)
orchestra:
Metropolitan Opera Orchestra (on 1927-03-22)
conductor:
Giulio Setti (conductor) (on 1927-03-22)
partial recording of:
La Juive: Acte III (on 1927-03-22)
composer:
Fromental Halévy (French composer)
part of:
La Juive
Jacques Halévy2:54
11Mignon: « De son cœur j’ai calmé » (Berceuse)
bass vocals:
Ezio Pinza (operatic bass) (on 1927-03-29)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1927-03-29)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1927-03-29)
partial recording of:
Mignon : Acte III. Introduction, chœur et berceuse (Chœur, Lothario) (on 1927-03-29)
part of:
Mignon : Acte III. La galerie d'un palais en Italie
Ambroise Thomas3:59
12Mignon: « Légères hirondelles »
bass vocals:
Ezio Pinza (operatic bass) (on 1947-02-07)
mezzo-soprano vocals:
Risë Stevens (Opera director, actress, mezzo-soprano) (on 1947-02-07)
orchestra:
Metropolitan Opera Orchestra (on 1947-02-07)
conductor:
Fausto Cleva (conductor) (on 1947-02-07)
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
Mignon : Acte I. « Libre ! Libre ! Est-ce vrai ? » ... « Légères hirondelles » (Mignon, Lothario) (on 1947-02-07)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Mignon : Acte I. Dans la cour de quelque auberge
Ambroise Thomas3:21
13Le Caïd: « Le Tambour‐major »
bass vocals:
Ezio Pinza (operatic bass) (on 1927-04-14)
orchestra:
Metropolitan Opera Orchestra (on 1927-04-14)
conductor:
Giulio Setti (conductor) (on 1927-04-14)
partial recording of:
Le Caïd (The Qaid) (on 1927-04-14)
premiered in:
Paris, Île-de-France, France (on 1849-01-03)
composer:
Ambroise Thomas (opera composer)
librettist:
Thomas-Marie-François Sauvage
Ambroise Thomas4:30
14Robert le Diable: “Suore che reposate” … “Le rovine sono queste”
bass vocals:
Ezio Pinza (operatic bass) (on 1927-03-22)
orchestra:
Metropolitan Opera Orchestra (on 1927-03-22)
conductor:
Giulio Setti (conductor) (on 1927-03-22)
partial recording of:
Robert le Diable: Acte III (on 1927-03-22)
composer:
Giacomo Meyerbeer (composer)
librettist:
Germain Delavigne and Eugène Scribe
part of:
Robert le Diable
Giacomo Meyerbeer3:45
15Faust: « Le veau d’or »
bass vocals [Méphistophélès]:
Ezio Pinza (operatic bass) (on 1929-04-08)
choir vocals:
Metropolitan Opera Chorus (on 1929-04-08)
orchestra:
Metropolitan Opera Orchestra (on 1929-04-08)
conductor:
Giulio Setti (conductor) (on 1929-04-08)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1929-04-08)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (on 1929-04-08)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod1:48
16Faust: « Seigneur, daignez permettre »
bass vocals [Méphistophélès]:
Ezio Pinza (operatic bass) (on 1940-04-06)
orchestra:
Metropolitan Opera Orchestra (on 1940-04-06)
conductor:
Wilfrid Pelletier (conductor) (on 1940-04-06)
recorded at:
Boston Opera House in Downtown Boston, Boston, Massachusetts, United States (on 1940-04-06)
recording of:
Faust : Acte IV. No. 21 Scène de l’église “Seigneur, daignez permettre…” (Marguerite, Méphistophélès, Chœur) (on 1940-04-06)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod9:47
17Boris Godunow: Der Tod des Boris
bass vocals:
Ezio Pinza (operatic bass) (in 1944-12)
orchestra:
Metropolitan Opera Orchestra (in 1944-12)
conductor:
Emil Cooper (aka Emil Kuper, conductor) (in 1944-12)
recording of:
Boris Godunow: Act IV "Tod des Boris" (in 1944-12)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Борис Годунов: Act IV (1872 version)
Modest Mussorgski7:56

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