Poet of Rock 'n' Roll

~ Release by Chuck Berry (see all versions of this release, 2 available)

Tracklist

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1▼CD: Rockin' Rollin' Blues Man
#TitleRatingLength
1Johnny B Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
4.22:41
2Maybellene
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
3.852:22
3Roll Over Beethoven
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 1956)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
4.152:25
4Rock and Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
4.352:33
5School Day
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15) and Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
lead vocals:
Chuck Berry (on 1956-12-15)
vocals:
Chuck Berry
phonographic copyright (℗) by:
N2K and Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Nightlight Music Pty Ltd.
4.252:43
6Sweet Little Sixteen
double bass:
Willie Dixon (in 1957-12)
drums (drum set):
Jasper Thomas (in 1957-12)
guitar and lead vocals:
Chuck Berry (in 1957-12)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (in 1957-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2.53:17
7Carol
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 10)
recording of:
Carol (on 1958-06-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.352:50
8Almost Grown
producer:
Leonard & Phil Chess (legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.52:23
9Back in the USA
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Fred Below (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Etta James (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Back in the U.S.A. (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:29
10Nadine
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar and lead vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
Nadine (Is It You?) (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
recording of:
Nadine
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
42:37
11Too Much Monkey Business
recorded in:
Chicago, Illinois, United States (in 1956-02)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1956-02)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Fred Below (in 1956-02) and Melvin Billups (on 1956-04-19)
guitar:
Chuck Berry (in 1956-02, on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1956-02, on 1956-04-19)
tenor saxophone:
Leroy C. Davis (in 1956-02, on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
lead vocals:
Chuck Berry (on 1956-04-19)
vocals:
Chuck Berry (in 1956-02)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
recording of:
Too Much Monkey Business (in 1956-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
recording of:
Too Much Monkey Business (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.352:57
12Brown Eyed Handsome Man
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 375)
recording of:
Brown Eyed Handsome Man (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
32:19
13Oh Baby Doll
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-05)
bass and double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar, guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
recording of:
Oh Baby Doll (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
42:39
14Promised Land
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1964-02-20)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-02-20)
guitar and lead vocals:
Chuck Berry (on 1964-02-20)
piano:
Lafayette Leake (on 1964-02-20)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-02-20)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 342)
recording of:
Promised Land (on 1964-02-20)
lyricist:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
is based on:
Wabash Cannonball
recording of:
The Promised Land
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:26
15Things I Used to Do
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
cover recording of:
The Things That I Used to Do (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Eddie Jones (US blues guitarist, aka Guitar Slim)
publisher:
Sony/ATV Songs LLC and Venice Music
42:44
16Worried Life Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Worried Life Blues (on 1960-03-29)
writer:
Sleepy John Estes and Maceo Merriweather
publisher:
Duchess Music Corporation (BMI-affiliated), Universal Duchess Music Corp. and Universal/MCA Music Ltd. (not for release label use!)
version of:
Someday Baby Blues
2:11
17Run Around
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
steel guitar and lead vocals:
Chuck Berry (on 1960-03-29)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Run Around (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
42:35
18Childhood Sweetheart
bass:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Childhood Sweetheart (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
3:16
19In-Go
producer:
Leonard & Phil Chess (legendary US production duo) (on 1958-02-28)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
electric guitar:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
Ingo (on 1958-02-28)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:27
20Drifting Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-12)
guitar:
Chuck Berry (on 1960-02-12) and Matt Murphy (US blues guitarist) (on 1960-02-12)
tenor saxophone:
Leroy C. Davis (on 1960-02-12)
lead vocals:
Chuck Berry (on 1960-02-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-12)
cover recording of:
Drifting Blues (on 1960-02-12)
writer:
Charles Brown (blues musician), Johnny Moore (US blues guitarist, Three Blazers) and Eddie Williams (blues musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists
2:22
21Confessin' the Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
cover recording of:
Confessin’ the Blues (on 1960-04-12)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:10
22Sweet Sixteen
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
recording of:
Sweet Sixteen (on 1960-04-12)
lyricist and composer:
A. Nugetre (US American Songwriter, producer)
publisher:
Progressive Music (publisher)
42:46
23Deep Feelin'
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
steel guitar:
Chuck Berry (on 1956-12-15)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Deep Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
4.52:19
24Bio
producer:
Esmond Edwards
bass:
Gary Van Scyoc (US rock and roll bassist) (from 1973-05-30 until 1973-05-31)
drums (drum set):
Rick Frank (US drummer, fl. 1970's) (from 1973-05-30 until 1973-05-31)
guitar:
Chuck Berry (from 1973-05-30 until 1973-05-31) and Wayne Gabriel (from 1973-05-30 until 1973-05-31)
piano:
Adam Ippolito (from 1973-05-30 until 1973-05-31)
lead vocals:
Chuck Berry (from 1973-05-30 until 1973-05-31)
recorded at:
Sound Exchange Studio in New York, New York, United States (from 1973-05-30 until 1973-05-31)
recording of:
Bio (from 1973-05-30 until 1973-05-31)
lyricist and composer:
Chuck Berry
54:26
25Lucky So and So
cover recording of:
I’m Just a Lucky So and So
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:54
26Wee Wee Hours
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
drums (drum set):
Ebby Hardy (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
recording of:
Wee Wee Hours (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
33:06
27After It's Over
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
After It's Over (on 1965-01-09)
composer:
Chuck Berry
42:20
2▼CD: Still Rockin'
#TitleRatingLength
1No Particular Place to Go
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-03-26)
electric bass guitar:
Louis Satterfield (on 1964-03-26)
guitar:
Chuck Berry (on 1964-03-26)
piano:
Paul Williams (US blues/jazz saxophonist) (on 1964-03-26)
vocals:
Chuck Berry (on 1964-03-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-03-26)
recording of:
No Particular Place to Go (on 1964-03-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
52:45
2Reelin' and Rockin'
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Reelin’ and Rockin’ (from 1957-12-29 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.53:19
3You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
4.152:43
4Thirty Days
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1955-09)
drums (drum set):
Ebby Hardy (in 1955-09)
guitar and lead vocals:
Chuck Berry (in 1955-09)
maracas:
Jerome Green (in 1955-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1955-09)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (in 1955-09)
recording of:
Thirty Days (in 1955-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.52:25
5No Money Down
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
vocals:
Chuck Berry (in 1955-12)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
No Money Down (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:59
6Little Queenie
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar and lead vocals:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Little Queenie (on 1958-11-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:42
7Memphis Tennessee
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Fred Below (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-09-26)
live recording of:
Memphis, Tennessee (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
32:13
8Sweet Little Rock and Roller
recorded in:
Chicago, Illinois, United States (on 1958-09-26)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Fred Below (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-09-26)
recording of:
Sweet Little Rock and Roller (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:23
9Let It Rock
recorded in:
Chicago, Illinois, United States (in 1959-07)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1959-07)
drums (drum set):
Fred Below (in 1959-07, from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (in 1959-07, from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1959-07, from 1959-07-27 until 1959-07-29)
lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (in 1959-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Let It Rock (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
recording of:
Let It Rock (in 1959-07)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
3.651:46
10Come On
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Ebby Hardy (on 1961-08-03) and Phil Thomas (US blues drummer) (on 1961-08-03)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1961-08-03)
guitar and lead vocals:
Chuck Berry (on 1961-08-03)
instruments:
Matt Murphy (US blues guitarist) (on 1961-08-03)
piano:
Lafayette Leake (on 1961-08-03)
tenor saxophone:
John Jackson (American jazz saxophonist) (on 1961-08-03) and Abb Locke (on 1961-08-03)
background vocals and other vocals:
Martha Berry (on 1961-08-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1961-08-03)
recording of:
Come On (on 1961-08-03)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
41:50
11Go Bobby Soxer
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-08-16)
guitar and lead vocals:
Chuck Berry (on 1964-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-08-16)
recording of:
Go, Bobby Soxer (on 1964-08-16)
lyricist and composer:
Chuck Berry
3:00
12Go Go Go
live recording of:
Go Go Go
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:50
13Beautiful Delilah
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Beautiful Delilah (on 1958-06-12)
lyricist and composer:
Chuck Berry Music Inc.
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:30
14Hello Little Girl Goodbye
producer:
Esmond Edwards
bass:
Gary Van Scyoc (US rock and roll bassist) (from 1973-05-30 until 1973-05-31)
drums (drum set):
Rick Frank (US drummer, fl. 1970's) (from 1973-05-30 until 1973-05-31)
guitar:
Chuck Berry (from 1973-05-30 until 1973-05-31) and Wayne Gabriel (from 1973-05-30 until 1973-05-31)
piano:
Adam Ippolito (from 1973-05-30 until 1973-05-31)
tenor saxophone:
Stan Bronstein (from 1973-05-30 until 1973-05-31)
lead vocals:
Chuck Berry (from 1973-05-30 until 1973-05-31)
recorded at:
Sound Exchange Studio in New York, New York, United States (from 1973-05-30 until 1973-05-31)
recording of:
Hello Little Girl, Goodbye (from 1973-05-30 until 1973-05-31)
lyricist and composer:
Chuck Berry
43:57
15Blue Feeling
producer:
Leonard & Phil Chess (legendary US production duo) (on 1956-12-15)
double bass:
Willie Dixon (on 1956-12-15)
drums (drum set):
Fred Below (on 1956-12-15)
electric guitar:
Chuck Berry (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
recording of:
Blue Feeling (on 1956-12-15)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
43:04
16Why Should We End This Way?
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
Why Should We End This Way (on 1965-01-09)
lyricist and composer:
Chuck Berry
42:57
17Welcome Back Pretty Baby
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
Welcome Back Pretty Baby (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:37
18I've Changed
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
I’ve Changed (on 1955-12-20)
lyricist and composer:
Chuck Berry
3:08
19Blue on Blue
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Blue on Blue (on 1959-02-17)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:59
20She Once Was Mine
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (from 1965-01-09 until 1965-01-31)
recording of:
She Once Was Mine (from 1965-01-09 until 1965-01-31)
lyricist and composer:
Chuck Berry
42:29
21Right Off Rampart Street
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
Right Off Rampart Street (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:24
22Mean Old World
producer:
Esmond Edwards
bass:
Ric Grech (on 1972-02-05)
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who) (on 1972-02-05)
guitar:
Chuck Berry (on 1972-02-05) and Derek Griffiths (guitar, vocals) (on 1972-02-05)
piano:
Ian McLagan (on 1972-02-05)
lead vocals:
Chuck Berry (on 1972-02-05)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1972-02-05)
recording of:
Mean Old World (on 1972-02-05)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
5:50
23Instrumental
engineer:
Malcolm Chisholm
guitar:
Chuck Berry (on 1970-04-27)
harmonica and piano:
Bob Baldori (on 1970-04-27)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1970-04-27)
recording of:
Instrumental (on 1970-04-27)
composer:
Chuck Berry
publisher:
Isalee Music
42:49
24I Got a Booking
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-31)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-31)
guitar:
Chuck Berry (on 1965-01-31) and Jeff Krivet (on 1965-01-31)
harmonica:
Peter John Hogman (on 1965-01-31)
piano:
Bob Scrivens (on 1965-01-31)
lead vocals:
Chuck Berry (on 1965-01-31)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-31)
recording of:
I Got a Booking (on 1965-01-31)
lyricist and composer:
Chuck Berry
42:58
25San Francisco Dues
engineer:
Dean Bredwell
producer:
Chuck Berry
bass:
Jack Groendal (from 1971-01-08 until 1971-01-12)
drums (drum set):
Bill Metros (from 1971-01-08 until 1971-01-12)
guitar:
Jeff Baldori (from 1971-01-08 until 1971-01-12) and Chuck Berry (from 1971-01-08 until 1971-01-12)
piano:
Bob Baldori (from 1971-01-08 until 1971-01-12)
lead vocals:
Chuck Berry (from 1971-01-08 until 1971-01-12)
recorded at:
Lansing Sound Company in Lansing, Michigan, United States (from 1971-01-08 until 1971-01-12)
recording of:
San Francisco Dues (from 1971-01-08 until 1971-01-12)
writer:
Chuck Berry
publisher:
Isalee Music Publishing Company
43:25
26I Want to Be Your Driver
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
I Want to Be Your Driver (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:17
27Merry Christmas Baby
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
vocals:
Chuck Berry (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Merry Christmas Baby (on 1958-11-19)
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music, Inc.
43:13
3▼CD: Still Rollin'
#TitleRatingLength
1You Can't Catch Me
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
You Can’t Catch Me (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Snapper Music
32:47
2I Got to Find My Baby
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-02-12)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1960-02-12)
guitar:
Chuck Berry (on 1960-02-12) and Matt Murphy (US blues guitarist) (on 1960-02-12)
piano:
Lafayette Leake (on 1960-02-12)
tenor saxophone:
Leroy C. Davis (on 1960-02-12)
lead vocals:
Chuck Berry (on 1960-02-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-02-12)
recording of:
I Got to Find My Baby (on 1960-02-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Isalee Music Publishing Company and Tristan Music Ltd.
2:17
3Jo Jo Gunne
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-09-26)
recording of:
Jo Jo Gun (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:48
4Betty Jean
bass:
Willie Dixon (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Betty Jean (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:31
5Butterscotch
recorded at:
Chess Studios in Chicago, Illinois, United States (on 1964-12-15)
recording of:
Butterscotch (on 1964-12-15)
composer:
Chuck Berry
42:45
6Rip It Up
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recording of:
Rip It Up
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
42:00
7Bye Bye Johnny
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Bye Bye Johnny (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
42:07
8Don't You Lie to Me
recording of:
Don’t You Lie to Me (Chuck Berry’s version) (on 1960-02-12)
additional lyricist and additional composer:
Chuck Berry
lyricist and composer:
Hudson Whittaker (in 1940)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
version of:
Don’t You Lie to Me
42:01
9Roly Poly
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-12-20)
recording of:
Roly Poly (on 1955-12-20)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:53
10Jaguar and the Thunderbird
recording of:
Jaguar and Thunderbird
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Inc.
1:53
11Down the Road Apiece
cover recording of:
Down the Road Apiece
lyricist and composer:
Don Raye
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal Music Corp. (USA, affiliated with ASCAP)
2:28
12Ain't That Just Like a Woman
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
cover recording of:
Ain’t That Just Like a Woman (on 1965-09-03)
writer:
Claude Demetrius and Fleecie Moore
publisher:
Cherio Music
32:14
13Around and Around
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
guitar and lead vocals:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-28)
recording of:
Around and Around (on 1958-02-28)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Good-Tunes-Music AG, Isalee Music Publishing Company and Rock ’n’ Roll Music
32:41
14It Wasn't Me
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
additional guitar:
Mike Bloomfield (on 1965-09-03)
additional harmonica:
Paul Butterfield (on 1965-09-03)
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
It Wasn't Me (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:37
15Ramona Say Yes
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Louis Satterfield (on 1966-04-13)
drums (drum set):
Maurice White (Earth, Wind & Fire) (on 1966-04-13)
guitar:
Chuck Berry (on 1966-04-13), Pete Cosey (on 1966-04-13) and Bryce Roberson (on 1966-04-13)
keyboard and organ:
Sonny Thompson (US R&B bandleader and pianist) (on 1966-04-13)
lead vocals:
Chuck Berry (on 1966-04-13)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1966-04-13)
recording of:
Ramona Say Yes (on 1966-04-13)
lyricist and composer:
Chuck Berry
2:45
16My Mustang Ford
recording of:
My Mustang Ford
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:53
17Orangutang
recording of:
O Rangutang
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:20
18Sue Answer
producer:
Esmond Edwards
bass:
David Torretta (engineer) (on 1973-03-01)
drums (drum set):
Rick Carrell (on 1973-03-01)
guitar:
Billy Peek (on 1973-03-01)
piano and lead vocals:
Chuck Berry (on 1973-03-01)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Sue Answer (on 1973-03-01)
lyricist and composer:
Chuck Berry
publisher:
Carlin Music Corporation
2:34
19Tulane
engineer:
Malcolm Chisholm
bass:
Phil Upchurch (on 1969-11-21)
guitar and lead vocals:
Chuck Berry (on 1969-11-21)
harmonica:
Bob Baldori (on 1969-11-21)
piano:
Lafayette Leake (on 1969-11-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1969-11-21)
recording of:
Tulane (on 1969-11-21)
composer:
Chuck Berry
publisher:
Carlin Music Corp., Esalle Music Publ. and Isalee Music
32:38
20Have Mercy Judge
engineer:
Malcolm Chisholm
bass:
Phil Upchurch (on 1969-11-21)
guitar and lead vocals:
Chuck Berry (on 1969-11-21)
harmonica:
Bob Baldori (on 1969-11-21)
piano:
Lafayette Leake (on 1969-11-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1969-11-21)
recording of:
Have Mercy Judge (on 1969-11-21)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:41
21Gun
engineer:
Malcolm Chisholm
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1970-02)
recording of:
Gun (in 1970-02)
composer:
Chuck Berry
publisher:
Isalee Music
42:48
22I Love You
producer:
Esmond Edwards
bass:
Ric Grech (on 1972-02-05)
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who) (on 1972-02-05)
guitar:
Chuck Berry (on 1972-02-05) and Derek Griffiths (guitar, vocals) (on 1972-02-05)
piano:
Ian McLagan (on 1972-02-05)
lead vocals:
Chuck Berry (on 1972-02-05)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1972-02-05)
recording of:
I Love You (on 1972-02-05)
lyricist and composer:
Chuck Berry
3:24
23I'm Talking About You
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Phil Thomas (US blues drummer) (on 1961-01-19)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1961-01-19)
guitar and lead vocals:
Chuck Berry (on 1961-01-19)
piano:
Lafayette Leake (on 1961-01-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1961-01-19)
recording of:
I’m Talking About You (on 1961-01-19)
lyricist, writer and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
1:52
24Oh Yeah
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-06-12)
recording of:
Oh Yeah (on 1958-06-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:30
25Liverpool Drive
recorded in:
Chicago, Illinois, United States (on 1964-03-26)
recording of:
Liverpool Drive (on 1964-03-26)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:57
26Little Marie
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-08-16)
guitar and lead vocals:
Chuck Berry (on 1964-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-08-16)
recording of:
Little Marie (on 1964-08-16)
lyricist and composer:
Chuck Berry
2:35
4▶CD: All American Boy