20th Century Disco

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1I Will Survive
phonographisches Urheberrecht (℗) von:
OVC Ltd. und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.254:53
2Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:58
3That's the Way I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:07
4Boogie Wonderland
Produzent(in):
Al McKay und Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
Texter:
Allee Willis
Komponist(in):
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) und Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:52
5Dance Dance Dance (Yowsah Yowsah Yowsah)
Bearbeitung von:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) von Chic (US disco group)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 20)
recording of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (in 1977)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
Chic3.53:44
6You Make Me Feel (Mighty Real)
recording of:
You Make Me Feel (Mighty Real)
Verfasser(in):
Sylvester (US disco and soul singer-songwriter) und James Wirrick
Sylvester3:43
7Haven't Stopped Dancing Yet
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
I Haven’t Stopped Dancing Yet
Komponist(in):
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Buckwheat Music, Old Eye Music und Wizard (Bahamas) Ltd.
Gonzalez44:13
8Blame It on the Boogie
Techniker(in):
Don Murray (producer / engineer)
leitende(r) Produzent(in):
Mike Atkinson und Bobby Colomby
Mix:
John Luongo
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) und Nathan Watts (in 1978)
Conga:
Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
flute, Saxophon und Trompete:
Seawind Horns
Gitarre:
Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
Keyboard:
Greg Phillinganes (in 1978)
Perkussion und Schlagzeug:
Rick Morotta (US drummer/percussionist) (in 1978)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson und Randy Jackson (brother of Michael and Janet)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978)
Horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dawnbreakers Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Total Experience Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Blame It on the Boogie (in 1978)
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
recording of:
Blame It on the Boogie
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
The Jacksons4.153:35
9Disco Inferno
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 54)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps4.353:17
10Instant Replay
recording of:
Instant Replay
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman4.53:29
11Stomp
recording of:
Stomp!
Verfasser(in):
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson und Rod Temperton
The Brothers Johnson4:07
12Shake Your Groovy Thing
recording of:
Shake Your Groove Thing
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb3:57
13Boogie Nights
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records (in 1976) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
Bearbeitung von:
Boogie Nights von Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:37
14Can You Feel the Force
recording of:
Can You Feel the Force
Verfasser(in):
Chris Amoo und Eddie Amoo
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing4:09
15Use It Up and Wear It Out
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
Bearbeitung von:
Use It Up and Wear It Out von Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
recording of:
Use It Up and Wear It Out
Verfasser(in):
Lawrence Russell Brown (lyricist) und Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.55:00
16Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:42
17Feels Like I'm in Love
recording of:
Feels Like I’m in Love
Texter und Komponist(in):
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) und Satellite Music Ltd.
Kelly Marie3:19
2▼CD
Nr.TitelKünstlerBewertungLänge
1Ladies Night
Produzent(in):
Eumir Deodato und Kool & the Gang
recording of:
Ladies’ Night
Verfasser(in):
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens und Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.253:22
2Let's All Chant
Techniker(in):
Rick Rowe
leitende(r) Produzent(in):
Jerry Love
Produzent(in):
Michael Zager
Solo-Klarinette:
George Marge
Solo-Trompete:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields und Dolette McDonald
phonographisches Urheberrecht (℗) von:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977)
recording of:
Let’s All Chant
Verfasser(in):
Alvin Fields und Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:02
3Hot Stuff
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:49
4I'm Every Woman
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:09
5I'm Coming Out
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1980)
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross43:56
6Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:13
7The Hustle
recording of:
The Hustle
Texter und Komponist(in):
Van McCoy
publisher:
Van McCoy Music, Warner Bros. Music Co. Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy & The Soul City Symphony4:07
8You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:05
9More Than a Woman
Produzent(in):
Freddie Perren
Gitarre:
Bob Bowles
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
James Gadson (American drummer)
phonographisches Urheberrecht (℗) von:
POLYGRAM International Music (not for release label use!) (in 1977)
cover recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Tavares4.53:17
10Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:36
11I Love to Love (But My Baby Loves to dance)
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) und Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
Texter:
Philo Jack Robinson (disco songwriter, producer, composer)
Komponist(in):
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) und Rolf Baierle Music
Tina Charles4.653:04
12Lost in Music
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recording of:
Lost in Music
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4.53:24
13It's a Disco Night (Rock Don't Stop)
Bearbeitung von:
It’s a Disco Night (Rock Don’t Stop), Parts 1 & 2 von The Isley Brothers
recording of:
It’s a Disco Night (Rock Don’t Stop)
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
The Isley Brothers44:16
14Disco Stomp
recording of:
Disco Stomp
Texter und Komponist(in):
Hamilton Bohannon
Hamilton Bohannon45:12
15Don't Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:38
16Never Can Say Goodbye
arranger:
City Life (arranger for Gloria Gaynor) und Harold Wheeler
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
Gloria Gaynor3:01
3▼CD
Nr.TitelKünstlerBewertungLänge
1Let the Music Play
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page und Barry White
Bearbeitung von:
Let the Music Play (LP version) von Barry White
recording of:
Let the Music Play
Texter und Komponist(in):
Barry White
Barry White43:31
2Love's Theme
Techniker(in):
Paul Elmore (engineer) und Frank Kegmer (engineer)
Produzent(in):
Barry White
Orchester:
Love Unlimited Orchestra
conductor:
Barry White
arranger:
Gene Page und Barry White
phonographisches Urheberrecht (℗) von:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1973)
recording of:
Love’s Theme (instrumental version) (in 1973)
Komponist(in):
Barry White
publisher:
January Music Corp. und Sa‐Vette Music Inc.
Love Unlimited Orchestra4.654:08
3Hang on in There Baby
recording of:
Hang on in There Baby
Texter und Komponist(in):
Johnny W. Bristol
publisher:
Bushka Music (publishing) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:23
4Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:18
5Can't Give You Anything but My Love
recording of:
I Can’t Give You Anything (But My Love)
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Abilene Music Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics3:13
6You to Me Are Everything
Produzent(in):
Ken Gold
phonographisches Urheberrecht (℗) von:
Pye Records (in 1976) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing3.653:32
7Flashback
recording of:
Flashback
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley, Errol Kennedy und Tony Swain (songwriter, producer)
publisher:
Sony/ATV Tunes LLC (ASCAP) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Imagination3:46
8Sunshine Day
recording of:
Sunshine Day
Verfasser(in):
Sol Amarfio, Teddy Osei und Mac Tontoh
publisher:
Sparta Florida Music Group Ltd.
Osibisa5:01
9Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
Texter und Komponist(in):
David Parton
publisher:
Mr. & Mrs. Music
Sweet Sensation3:26
10Solid
recorded in:
U.S.A.
Produzent(in):
Nickolas Ashford und Valerie Simpson
phonographisches Urheberrecht (℗) von:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
Bearbeitung von:
Solid von Ashford & Simpson
recording of:
Solid
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:22
11Native New Yorker
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977)
recording of:
Native New Yorker
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey5:36
12I Can't Stand the Rain
cover recording of:
I Can’t Stand the Rain
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Eruption43:06
13Don't Stop the Music
recording of:
Don’t Stop the Music
Verfasser(in):
Jonah Ellis, Alisa Peoples und Lonnie Simmons (producer, songwriter)
publisher:
BMG Platinum Songs US und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples4:08
14Disco Lady
recording of:
Disco Lady
Verfasser(in):
Don Davis (American record producer), Harvey Scales und Albert Vance
Johnnie Taylor54:28
15Summer of '42
cover recording of:
The Summer Knows (Summer of ’42; instrumental version)
Komponist(in):
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC und Warner/Chappell North America
The Biddu Orchestra3:46
16Love to Love You Baby
Produzent(in):
Pete Bellotte (English lyricist and producer)
recording of:
Love to Love You Baby (in 1975)
Verfasser(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell und WB Music Corp. (1929–2019)
Donna Summer43:21
17Theme From Shaft
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:36
4▼CD
Nr.TitelKünstlerBewertungLänge
1Get Up (I Feel Like Being a) Sex Machine
recording of:
Get Up (I Feel Like Being Like a) Sex Machine
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown3:22
2ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.12:59
3Hold Back the Night
recording of:
Hold Back the Night
Verfasser(in):
Ron Baker (record producer, bassist, arranger and songwriter), Allan Felder und Norman Harris (American Philly Soul guitarist, producer, and songwriter)
publisher:
Carlin Music Corporation, Golden Fleece Music, Mured Music Co. und Reservoir 416
Version von:
Scrub Board
The Trammps3:33
4I Get the Sweetest Feeling
phonographisches Urheberrecht (℗) von:
Brunswick Recordings (in 1968)
recording of:
I Get the Sweetest Feeling (in 1968)
Verfasser(in):
Alicia Evelyn (songwriter and performer) und Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) und Van McCoy Music
Jackie Wilson4.52:56
5More Then a Number in My Little Red Book
recording of:
You’re More Than a Number in My Little Red Book
Komponist(in):
Roger Greenaway und Tony Macaulay
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing Ltd.
The Drifters3:16
6Ms Grace
recording of:
Ms. Grace
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Tymes43:27
7Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:57
8Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:25
9Take Me Home
recording of:
Take Me Home
Verfasser(in):
Michelle Aller und Bob Esty (disco songwriter - producer from Massachusetts)
publisher:
Rick S. Music (publishing company associated with Casablanca)
Cher3:12
10Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:12
11Never Knew Love Like This Before
Produzent(in):
Reggie Lucas und James Mtume (jazz/funk musician)
recording of:
Never Knew Love Like This Before
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills3:27
12Shame
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 64)
recording of:
Shame
Verfasser(in):
Reuben Cross und John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. und Mills & Mills Music
Evelyn “Champagne” King43:19
13Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.43:14
14If I Can't Have You
Produzent(in):
Freddie Perren
Bass:
Scott Edwards (bassist)
Gitarre:
Bob Bowles
Keyboard und Synthesizer:
Freddie Perren
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) und Freddie Perren
Schlagzeug:
James Gadson (American drummer)
Hintergrundgesang [additional background vocals] und Sologesang:
Yvonne Elliman
Hintergrundgesang [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters und Maxine Waters
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 343)
recording of:
If I Can’t Have You
geschrieben in:
Frankreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:58
15Knock on Wood
cover recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptation of:
Potkraj na les
Amii Stewart3:57
16You're the One That I Want (Martian remix)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2003)
Remix von:
You’re the One That I Want von John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist)
recording of:
You’re the One That I Want (Grease, 1978 film)
Texter und Komponist(in):
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
Teil von:
Grease (1978 film)
John Travolta & Olivia Newton‐John3:27
17Rasputin
Produzent(in):
Frank Farian
recording of:
Rasputin
Texter und Komponist(in):
Frank Farian, Fred Jay und George Reyam
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.4.54:44
5▼CD
Nr.TitelKünstlerBewertungLänge
1Oops Upside Your Head
Produzent(in):
Lonnie Simmons (producer, songwriter)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
The Gap Band3:30
2Le Freak
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:35
3Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:00
4He's the Greatest Dancer
recording of:
He’s the Greatest Dancer
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:36
5September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:36
6Car Wash
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce4.63:20
7Behind the Groove
recording of:
Behind the Groove
Verfasser(in):
Richard James Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Teena Marie Brockhert
Teena Marie34:01
8Southern Freeez
recording of:
Southern Freeez
Verfasser(in):
Peter Maas, John Rocca und Andy Stennett
Freeez3.55:41
9Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:13
10Fire
recording of:
Fire
Texter, Verfasser(in) und Komponist(in):
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph "Pee Wee" Middlebrooks, Marvin “Merv” Pierce, Clarence Satchell und James "Diamond" Williams (US drummer for Ohio Players)
publisher:
Charlotte Phillips Publishing (BMI), Rick’s Music, Inc. (publishing company associated with Casablanca) und Segundo Sueños LLC
Ohio Players43:17
11Funkin' for Jamaica
recording of:
Funkin’ for Jamaica (N.Y.)
Texter:
Toni Smith
Komponist(in):
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne3:23
12Get Down
recording of:
Get Down
Verfasser(in):
James Allen Thompson, Jr. (songwriter)
Gene Chandler3:39
13Brick House
Produzent(in):
James Anthony Carmichael
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 296)
recording of:
Brick House (original version)
Texter:
William King (member of Commodores), Walter Orange und Lionel Richie
Komponist(in):
Ronald LaPread, Thomas McClary, Lionel Richie und Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Commodores3.73:32
14War
Interpret(in):
Edwin Starr
cover recording of:
War (am 1970-05-15)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
recording of:
War
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Edwin Starr4.253:21
15Get Down on It
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1981)
recording of:
Get Down on It
Verfasser(in):
Ronald Bell, Kool & the Gang und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Kool & the Gang4.654:47
16Queen of Clubs
Produzent(in):
Harry Wayne Casey und Richard Finch
recording of:
Queen of Clubs
Verfasser(in):
Harry Wayne Casey und Richard Finch
KC and the Sunshine Band53:20
17Do the Funky Chicken
recording of:
Do the Funky Chicken
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Rufus Thomas3:17
6▼CD
Nr.TitelKünstlerBewertungLänge
1Now Is the Time
Jimmy James & the Vagabonds3:38
2Rock the Boat
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1973)
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:23
3Can't Get Enough of Your Love Babe
phonographisches Urheberrecht (℗) von:
PolyGram Records (in 1974)
recording of:
Can’t Get Enough of Your Love Babe
Texter und Komponist(in):
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:05
4When Will I See You Again
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) und Fayette Pinkney (in 1973)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
recording of:
When Will I See You Again (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:58
5Baby Don't Change Your Mind
Gladys Knight3:15
6Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton3:52
7Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward3:57
8Ain't Gonna Bump No More (With No Big Fat Woman)
Produzent(in):
Buddy Killen
phonographisches Urheberrecht (℗) von:
Dial (60s/70s Nashville) (in 1977)
recording of:
Ain’t Gonna Bump No More (With No Big Fat Woman)
Verfasser(in):
Buddy Killen und Bennie Lee McGinty
Joe Tex3:28
9Feel So Real
recording of:
Feel So Real
Verfasser(in):
India Arrington und Steve Arrington
Steve Arrington4:11
10Teardrops
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:51
11More More More
Produzent(in):
Gregg Diamond
Mix:
Tom Moulton
arranger:
Gregg Diamond
phonographisches Urheberrecht (℗) von:
Buddah Records, Inc. (in 1976)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
More, More, More
Texter und Komponist(in):
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) und Gee Diamond Music (in 1976)
Andrea True Connection4.753:01
12Gonna Get Along Without You Now
recording of:
Gonna Get Along (Without Ya Now)
Texter und Komponist(in):
Milton Kellem
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Viola Wills3:43
13Love the Nightlife (Disco 'Round)
recording of:
I Love the Nightlife
Verfasser(in):
Alicia Bridges und Susan Hutcheson
publisher:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Alicia Bridges3:28
14Thought It Was You
recording of:
I Thought It Was You
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter), Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Melvin Ragin
publisher:
Hancock Music Co., Notting Hill Music (UK) Ltd., Sony/ATV Music Publishing Ltd. und Wah Watson Music
Herbie Hancock3:41
15Night Birds
recording of:
Night Birds
Verfasser(in):
Roger Odell und Bill Sharpe
Shakatak4:27
16The Chase
recording of:
Chase (from Midnight Express)
Komponist(in):
Giorgio Moroder
publisher:
EMI Gold Horizon Music Corp., Giorgio Moroder Publishing Co. und USI A Music Publishing
Giorgio Moroder3:39