The Warner Recordings

~ Release by Pierre‐Laurent Aimard (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Images, 1re série: I. Reflets dans l'eau
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
performer:
Pierre‐Laurent Aimard (pianist)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy4:49
2Images, 1re série: II. Hommage à Rameau
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
performer:
Pierre‐Laurent Aimard (pianist)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 2. Hommage à Rameau (Images, Book I: 2. Hommage à Rameau) (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy6:14
3Images, 1re série: III. Mouvement
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
performer:
Pierre‐Laurent Aimard (pianist)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 3. Mouvement (Images, Book I: 3. Mouvement) (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy3:23
4Images, 2e série: I. Cloches à travers les feuilles
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 1. Cloches à travers les feuilles (Images, Book II: 1. Cloches à travers les feuilles) (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Alexandre Charpentier
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy4:26
5Images, 2e série: II. Et la lune descend sur le temple qui fut
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 2. Et la lune descend sur le temple qui fut (Images, Book II: 2. Et la lune descend sur le temple qui fut) (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Louis Laloy
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy5:04
6Images, 2e série: III. Poissons d'or
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 3. Poissons d’or (Images, Book II: 3. Poissons d’or) (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Ricardo Viñes
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy4:12
7Études, livre I: I. Pour les « cinq doigts » d'après monsieur Czerny
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: I. Pour les « cinq doigts » d'après monsieur Czerny (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 1)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy3:11
8Études, livre I: II. Pour les tierces
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: II. Pour les tierces (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 2)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:32
9Études, livre I: III. Pour les quartes
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: III. Pour les quartes (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 3)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy5:13
10Études, livre I: IV. Pour les sixtes
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: IV. Pour les sixtes (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 4)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:38
11Études, livre I: V. Pour les octaves
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: V. Pour les octaves (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 5)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:25
12Études, livre I: VI. Pour les huits doigts
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: VI. Pour les huits doigts (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 6)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy1:33
13Études, livre II: VII. Pour les degrés chromatiques
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: VII. Pour les degrés chromatiques (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 7)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:12
14Études, livre II: VIII. Pour les agréments
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: VIII. Pour les agréments (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 8)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:43
15Études, livre II: IX. Pour les notes répétées
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: IX. Pour les notes répétées (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 9)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy3:17
16Études, livre II: X. Pour les sonorités opposées
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: X. Pour les sonorités opposées (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
premiered at:
[concert] (1916-11-21)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 10)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy5:37
17Études, livre II: XI. Pour les arpèges composés
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: XI. Pour les arpèges composés (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
premiered at:
[concert] (1916-11-21)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 11)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:43
18Études, livre II: XII. Pour les accords
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-07 until 2002-07-14)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-07 until 2002-07-14)
recording of:
Études, L. 136: XII. Pour les accords (from 2002-07-07 until 2002-07-14)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 12)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:51
2▼CD
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1Piano Sonata no. 2 “Concord, Mass., 1840-60”: I. “Emerson”
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2004-01-07 until 2004-01-10)
viola:
Tabea Zimmermann (viola player) (from 2004-01-07 until 2004-01-10)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2004-01-07 until 2004-01-10)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: I. Emerson. Slowly (from 2004-01-07 until 2004-01-10)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives17:09
2Piano Sonata no. 2 “Concord, Mass., 1840-60”: II. “Hawthorne”
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2004-01-07 until 2004-01-10)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2004-01-07 until 2004-01-10)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: II. Hawthorne. Very fast (from 2004-01-07 until 2004-01-10)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives12:29
3Piano Sonata no. 2 “Concord, Mass., 1840-60”: III. “The Alcotts”
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2004-01-07 until 2004-01-10)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2004-01-07 until 2004-01-10)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: III. The Alcotts. Moderately (from 2004-01-07 until 2004-01-10)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives6:22
4Piano Sonata no. 2 “Concord, Mass., 1840-60”: IV. “Thoreau”
recording engineer:
Tobias Lehmann
producer:
Christoph Claßen (producer/engineer)
flute:
Emmanuel Pahud (flutist) (from 2004-01-07 until 2004-01-10)
piano:
Pierre‐Laurent Aimard (pianist) (from 2004-01-07 until 2004-01-10)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2004-01-07 until 2004-01-10)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: IV. Thoreau. Starting slowly and quietly (from 2004-01-07 until 2004-01-10)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives12:05
5Three Quarter-tone Pieces for Two Pianos: I. Largo
recording engineer:
Jacques Doll
producer:
Martine Guers
piano:
Pierre‐Laurent Aimard (pianist) (from 1995-10-18 until 1995-10-20) and Alexei Lubimov (Russian pianist, fortepianist and harpsichordist) (from 1995-10-18 until 1995-10-20)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1995-10-18 until 1995-10-20)
recording of:
Three Quarter-Tone Pieces, S. 128: I. Largo (from 1995-10-18 until 1995-10-20)
composer:
Charles Ives (American composer) (from 1923 until 1924)
part of:
Three Quarter-Tone Pieces, S. 128
Charles Ives3:54
6Three Quarter-tone Pieces for Two Pianos: II. Allegro
recording engineer:
Jacques Doll
producer:
Martine Guers
piano:
Pierre‐Laurent Aimard (pianist) (from 1995-10-18 until 1995-10-20) and Alexei Lubimov (Russian pianist, fortepianist and harpsichordist) (from 1995-10-18 until 1995-10-20)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1995-10-18 until 1995-10-20)
recording of:
Three Quarter-Tone Pieces, S. 128: II. Allegro (from 1995-10-18 until 1995-10-20)
composer:
Charles Ives (American composer) (from 1923 until 1924)
part of:
Three Quarter-Tone Pieces, S. 128
Charles Ives3:28
7Three Quarter-tone Pieces for Two Pianos: III. Choral
recording engineer:
Jacques Doll
producer:
Martine Guers
piano:
Pierre‐Laurent Aimard (pianist) (from 1995-10-18 until 1995-10-20) and Alexei Lubimov (Russian pianist, fortepianist and harpsichordist) (from 1995-10-18 until 1995-10-20)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1995-10-18 until 1995-10-20)
recording of:
Three Quarter-Tone Pieces, S. 128: III. Chorale. Adagio, very slowly (from 1995-10-18 until 1995-10-20)
composer:
Charles Ives (American composer) (from 1923 until 1924)
part of:
Three Quarter-Tone Pieces, S. 128
Charles Ives4:34
8Études pour piano: IV. Fanfares
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-11 until 2002-07-13)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-11 until 2002-07-13)
recording of:
Études, Book I: No. 4. Fanfares (from 2002-07-11 until 2002-07-13)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti3:31
9Études pour piano: VIII. Fém
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-11 until 2002-07-13)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-11 until 2002-07-13)
recording of:
Études, Book II: No. 8. Fém (from 2002-07-11 until 2002-07-13)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti3:07
10Études pour piano: XII. Entrelacs
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-11 until 2002-07-13)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-11 until 2002-07-13)
recording of:
Études, Book II: No. 12. Entrelacs (from 2002-07-11 until 2002-07-13)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti3:05
11Études pour piano: XVI. Pour Irina
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-11 until 2002-07-13)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-11 until 2002-07-13)
recording of:
Études, Book III: No. 16. Pour Irina (from 2002-07-11 until 2002-07-13)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti4:04
12Études pour piano: XVII. À bout de souffle
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-11 until 2002-07-13)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-11 until 2002-07-13)
recording of:
Études, Book III: No. 17. À bout de souffle (from 2002-07-11 until 2002-07-13)
composer:
György Ligeti (Austrian-Hungarian composer) (in 1997)
part of:
Études
György Ligeti2:25
13Études pour piano: XVIII. Canon
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2002-07-11 until 2002-07-13)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 2002-07-11 until 2002-07-13)
recording of:
Études, Book III: No. 18. Canon (from 2002-07-11 until 2002-07-13)
composer:
György Ligeti (Austrian-Hungarian composer) (in 2001)
part of:
Études
György Ligeti1:32
3▼CD
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1Vingt regards sur l’enfant Jésus: I. Regard du Père. Extrêment lent. Mystérieux, avec amour
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: I. Regard du Père (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen6:10
2Vingt regards sur l’enfant Jésus: II. Regard de l’étoile. Modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: II. Regard de l’étoile (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen3:15
3Vingt regards sur l’enfant Jésus: III. L’échange. Bien modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: III. L’échange (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen2:58
4Vingt regards sur l’enfant Jésus: IV. Regard de la Vierge. Bien modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: IV. Regard de la Vierge (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen5:16
5Vingt regards sur l’enfant Jésus: V. Regard du Fils sur le Fils. Très lent
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: V. Regard du Fils sur le Fils (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen5:24
6Vingt regards sur l’enfant Jésus: VI. Par Lui tout a été fait. Modéré, presque vif
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: VI. Par lui tout a été fait (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen10:57
7Vingt regards sur l’enfant Jésus: VII. Regard de la Croix. Bien modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: VII. Regard de la Croix (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen3:34
8Vingt regards sur l’enfant Jésus: VIII. Regard des hauteurs. Vif
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: VIII. Regard des hauteurs (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen2:17
9Vingt regards sur l’enfant Jésus: IX. Regard du temps. Modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: IX. Regard du temps (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen3:12
10Vingt regards sur l’enfant Jésus: X. Regard de l’Esprit de joie. Presque vif
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: X. Regard de l’Esprit de joie (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen8:11
4▼CD
#TitleArtistRatingLength
1Vingt regards sur l’enfant Jésus: XI. Première communion de la Vierge. Très lent
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XI. Première communion de la Vierge (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen6:23
2Vingt regards sur l’enfant Jésus: XII. La parole toute-puissante. Un peu vif
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XII. La parole toute-puissante (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen2:23
3Vingt regards sur l’enfant Jésus: XIII. Noël. Très vif, joyeux
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XIII. Noël (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen4:01
4Vingt regards sur l’enfant Jésus: XIV. Regard des Anges. Très vif
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XIV. Regard des Anges (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen4:55
5Vingt regards sur l’enfant Jésus: XV. Le baiser de l’Enfant-Jésus. Très lent, calme
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XV. Le baiser de l’enfant Jésus (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen10:04
6Vingt regards sur l’enfant Jésus: XVI. Regard des prophètes, des bergers et des Mages. Modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XVI. Regard des prophètes, des bergers et des mages (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen3:10
7Vingt regards sur l’enfant Jésus: XVII. Regard du silence. Très modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XVII. Regard du silence (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen5:12
8Vingt regards sur l’enfant Jésus: XVIII. Regard de l’Onction terrible. Modéré
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XVIII. Regard de l’onction terrible (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen6:26
9Vingt regards sur l’enfant Jésus: XIX. Je dors, mais mon cœur veille. Lent
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XIX. Je dors, mais mon cœur veille (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen10:08
10Vingt regards sur l’enfant Jésus: XX. Regard de l’Église d’amour. Presque vif
recording engineer:
Tobias Lehmann
assistant engineer:
Philipp Knop and René Möller
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (in 1999-07)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1999-07)
recording of:
Vingt regards sur l’enfant Jésus: XX. Regard de l’Église d’amour (in 1999-07)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen11:59
5▼CD
#TitleArtistRatingLength
1Gaspard de la Nuit: I. Ondine
recording engineer:
Tobias Lehmann
assistant engineer:
Claudia Fink
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2005-02-07 until 2005-02-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2005-02-07 until 2005-02-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (from 2005-02-07 until 2005-02-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:48
2Gaspard de la Nuit: II. Le Gibet
recording engineer:
Tobias Lehmann
assistant engineer:
Claudia Fink
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2005-02-07 until 2005-02-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2005-02-07 until 2005-02-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet (from 2005-02-07 until 2005-02-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Le Gibet
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel7:10
3Gaspard de la Nuit: III. Scarbo
recording engineer:
Tobias Lehmann
assistant engineer:
Claudia Fink
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2005-02-07 until 2005-02-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2005-02-07 until 2005-02-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo (from 2005-02-07 until 2005-02-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Scarbo
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel9:22
4Night Fantasies
recording engineer:
Tobias Lehmann
assistant engineer:
Claudia Fink
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2005-02-07 until 2005-02-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2005-02-07 until 2005-02-11)
recording of:
Night Fantasies (from 2005-02-07 until 2005-02-11)
composer:
Elliott Carter (American composer) (in 1980)
dedicated to and was commissioned by:
Paul Jacobs (American pianist), Gilbert Kalish (pianist), Ursula Oppens (pianist) and Charles Rosen (pianist)
Elliott Carter22:23
5Two Diversions: I
recording engineer:
Tobias Lehmann
assistant engineer:
Claudia Fink
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2005-02-07 until 2005-02-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2005-02-07 until 2005-02-11)
recording of:
Two Diversions: 1 (from 2005-02-07 until 2005-02-11)
composer:
Elliott Carter (American composer) (in 1999)
part of:
Two Diversions
Elliott Carter4:19
6Two Diversions: II
recording engineer:
Tobias Lehmann
assistant engineer:
Claudia Fink
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2005-02-07 until 2005-02-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2005-02-07 until 2005-02-11)
recording of:
Two Diversions: 2 (from 2005-02-07 until 2005-02-11)
composer:
Elliott Carter (American composer) (in 1999)
part of:
Two Diversions
Elliott Carter3:26
790+
recording engineer:
Tobias Lehmann
assistant engineer:
Claudia Fink
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2005-02-07 until 2005-02-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 2005-02-07 until 2005-02-11)
recording of:
90+ (from 2005-02-07 until 2005-02-11)
composer:
Elliott Carter (American composer) (in 1994)
Elliott Carter5:33
8Sonatine for Flute and Piano
producer:
Pierre Boulez (composer and conductor)
flute:
Sophie Cherrier (French flutist) (from 1990-03 until 1990-09)
piano:
Pierre‐Laurent Aimard (pianist) (from 1990-03 until 1990-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (from 1990-03 until 1990-09)
recording of:
Sonatine (from 1990-03 until 1990-09)
premiered in:
Brussels (Brussels-Capital Region), Belgium (in 1947)
composer:
Pierre Boulez (composer and conductor) (in 1946)
Pierre Boulez11:37
9Piano Sonata no. 1: I. Lent
producer:
Michel Garcin (French producer)
piano:
Pierre‐Laurent Aimard (pianist) (from 1990-03 until 1990-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (from 1990-03 until 1990-09)
recording of:
Première sonate pour piano: I. Lent - Beaucoup plus allant (from 1990-03 until 1990-09)
composer:
Pierre Boulez (composer and conductor) (in 1946)
part of:
Première sonate pour piano
Pierre Boulez4:15
10Piano Sonata no. 1: II. Assez large - Rapide
producer:
Michel Garcin (French producer)
piano:
Pierre‐Laurent Aimard (pianist) (from 1990-03 until 1990-09)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (from 1990-03 until 1990-09)
recording of:
Première sonate pour piano: II. Assez large - Rapide (from 1990-03 until 1990-09)
composer:
Pierre Boulez (composer and conductor) (in 1946)
part of:
Première sonate pour piano
Pierre Boulez4:37
6▼CD
#TitleArtistRatingLength
1Piano Sonata
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Piano Sonata, op. 1 (on 2001-12-03)
composer:
Alban Berg (Austrian composer)
Alban Berg11:36
2Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai (on 2001-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven10:24
3Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (on 2001-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven6:20
4Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo (on 2001-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven8:35
5Légendes, no. 2 “St Francis de Paule marchant sur les flots”
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Deux légendes, S. 175: St. François de Paule: marchant sur les flots (for piano) (on 2001-12-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Deux légendes, S. 175 (for piano)
Franz Liszt9:43
6Images pour piano, 1re série: I. Reflets dans l’eau
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (on 2001-12-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy5:05
7Images pour piano, 2e série: III. Poissons d’or
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 3. Poissons d’or (Images, Book II: 3. Poissons d’or) (on 2001-12-03)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Ricardo Viñes
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Ludwig van Beethoven4:25
8Études pour piano: II. Cordes à vide
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Études, Book I: No. 2. Cordes vides (on 2001-12-03)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti3:00
9Études pour piano: VI. Automne à Varsovie
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Études, Book I: No. 6. Automne à Varsovie (on 2001-12-03)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti4:44
10Études pour piano: X. Der Zauberlehrling
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Études, Book II: No. 10. Der Zauberlehrling (on 2001-12-03)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti2:27
11Première Communion de la Vierge
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Vingt regards sur l’enfant Jésus: XI. Première communion de la Vierge (on 2001-12-03)
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen7:15
12Pour les huit doigts
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Études, L. 136: VI. Pour les huits doigts (on 2001-12-03)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 6)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:12

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ASIN:UK: B007KKKGQG [info]