Alexander Kipnis sings Lieder

~ Release by Alexander Kipnis (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Mörike-Lieder: Um Mitternacht "Gelassen stieg die Nacht"
recorded in:
London (Greater London), England, United Kingdom
piano:
Coenraad Van Bos (on 1933-05-11)
bass vocals:
Alexander Kipnis (operatic bass) (on 1933-05-11)
recording of:
Mörike-Lieder: No. 19. Um Mitternacht "Gelassen stieg die Nacht ans Land"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf4:18
2Goethe-Lieder: Grenzen der Menschheit "Wenn der uralte heilige Vater"
recorded in:
London (Greater London), England, United Kingdom
piano:
Coenraad Van Bos (on 1933-05-11)
bass vocals:
Alexander Kipnis (operatic bass) (on 1933-05-11)
recording of:
Goethe-Lieder: Nr. 51. Grenzen der Menschheit "Wenn der uralte heilige Vater"
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf6:31
3Michelangelo-Lieder: I. Wohl denk ich oft
recorded in:
London (Greater London), England, United Kingdom
piano:
Coenraad Van Bos (on 1933-05-11)
bass vocals:
Alexander Kipnis (operatic bass) (on 1933-05-11)
recording of:
Gedichte von Michelangelo, No. 1: Wohl denk' ich oft an mein vergangnes Leben
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
translator:
Walter Heinrich Robert-Tornow
Hugo Wolf2:15
4Michelangelo-Lieder: II. Alles endet, was entstehet
recorded in:
London (Greater London), England, United Kingdom
piano:
Coenraad Van Bos (on 1933-05-11)
bass vocals:
Alexander Kipnis (operatic bass) (on 1933-05-11)
recording of:
Gedichte von Michelangelo, No. 2: Alles endet, was entstehet (on 1933-05-11)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
translator:
Walter Heinrich Robert-Tornow
Hugo Wolf4:43
5Michelangelo-Lieder: III. Fühlt meine Seele
recorded in:
London (Greater London), England, United Kingdom
piano:
Coenraad Van Bos (on 1933-05-11)
bass vocals:
Alexander Kipnis (operatic bass) (on 1933-05-11)
recording of:
Gedichte von Michelangelo, No. 3: Fühlt meine Seele das ersehnte Licht
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
translator:
Walter Heinrich Robert-Tornow
Hugo Wolf4:29
6Italienisches Liederbuch: Nun laß uns Frieden schließen
recorded in:
London (Greater London), England, United Kingdom
piano:
Ernst Victor Wolf (on 1934-05-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-05-23)
recording of:
Italienisches Liederbuch: No. 8. Nun laß uns Frieden schließen (for male voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:14
7Italienisches Liederbuch: Wir haben beide lange Zeit geschwiegen
recorded in:
London (Greater London), England, United Kingdom
piano:
Ernst Victor Wolf (on 1934-05-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-05-23)
recording of:
Italienisches Liederbuch: No. 19. Wir haben beide lange Zeit geschwiegen (for female voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:12
8Italienisches Liederbuch: Geselle, woll'n wir uns in Kutten hüllen
recorded in:
London (Greater London), England, United Kingdom
piano:
Ernst Victor Wolf (on 1934-05-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-05-23)
recording of:
Italienisches Liederbuch: No. 14. Geselle, woll'n wir uns in Kutten hüllen (for male voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:27
9Italienisches Liederbuch: Heb' auf dein blondes Haupt
recorded in:
London (Greater London), England, United Kingdom
piano:
Ernst Victor Wolf (on 1934-05-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-05-23)
recording of:
Italienisches Liederbuch: No. 18. Heb auf dein blondes Haupt (for male voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:14
10Italienisches Liederbuch: Wie viele Zeit verlor ich
recorded in:
London (Greater London), England, United Kingdom
piano:
Ernst Victor Wolf (on 1934-05-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-05-23)
recording of:
Italienisches Liederbuch: No. 37. Wie viele Zeit verlor ich, dich zu lieben! (for male voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:06
11Italienisches Liederbuch: Was für ein Lied soll dir gesungen werden?
recorded in:
London (Greater London), England, United Kingdom
piano:
Ernst Victor Wolf (on 1934-05-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-05-23)
recording of:
Italienisches Liederbuch: No. 23. Was für ein Lied soll dir gesungen werden (for male voice)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf1:54
12Alte Weisen: Wie glänzt der helle Mond
recorded in:
London (Greater London), England, United Kingdom
piano:
Ernst Victor Wolf (on 1934-05-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-05-23)
recording of:
Sechs alte Weisen: Wie glänzt der helle Mond
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Gottfried Keller (Swiss writer, † 1890)
part of:
Sechs alte Weisen
Hugo Wolf3:25
13Italienisches Liederbuch: Sterb' ich, so hüllt in Blumen meine Glieder
recorded in:
Berlin, Germany (on 1934-11-01)
piano:
Coenraad Van Bos (on 1934-11-01)
bass vocals:
Alexander Kipnis (operatic bass) (on 1934-11-01)
recording of:
Italienisches Liederbuch: No. 33. Sterb' ich, so hüllt in Blumen meine Glieder (for male voice)
lyricist:
Paul Johann Ludwig von Heyse (German writer)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Italienisches Liederbuch
Hugo Wolf4:04
14Eichendorff-Lieder: Der Musikant "Wandern lieb ich"
recorded in:
London (Greater London), England, United Kingdom (on 1935-06-07)
piano:
Gerald Moore (pianist) (on 1935-06-07)
bass vocals:
Alexander Kipnis (operatic bass) (on 1935-06-07)
recording of:
Eichendorff-Lieder: Nr. 2. Der Musikant "Wandern lieb' ich für mein Leben"
lyricist:
Joseph von Eichendorff
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Eichendorff-Lieder
Hugo Wolf1:39
15Eichendorff-Lieder: Der Soldat I "Ist auch schmuck nicht mein Rösslein"
recorded in:
London (Greater London), England, United Kingdom (on 1935-06-07)
piano:
Gerald Moore (pianist) (on 1935-06-07)
bass vocals:
Alexander Kipnis (operatic bass) (on 1935-06-07)
recording of:
Eichendorff-Lieder: Nr. 5. Der Soldat I "Ist auch schmuck nicht mein Rößlein"
lyricist:
Joseph von Eichendorff
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Eichendorff-Lieder
Hugo Wolf1:10
16Eichendorff-Lieder: Der Schreckenberger "Aufs Wohlsein meiner Dame"
recorded in:
London (Greater London), England, United Kingdom (on 1935-06-07)
piano:
Gerald Moore (pianist) (on 1935-06-07)
bass vocals:
Alexander Kipnis (operatic bass) (on 1935-06-07)
recording of:
Eichendorff-Lieder: Nr. 9. Der Schreckenberger "Aufs Wohlsein meiner Dame"
lyricist:
Joseph von Eichendorff
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Eichendorff-Lieder
Hugo Wolf1:41
17Goethe-Lieder: Cophtisches Lied I "Laßet Gelehrte sich zanken und streiten"
recorded in:
London (Greater London), England, United Kingdom (on 1935-06-07)
piano:
Gerald Moore (pianist) (on 1935-06-07)
bass vocals:
Alexander Kipnis (operatic bass) (on 1935-06-07)
recording of:
Goethe-Lieder: Nr. 14. Cophtisches Lied I "Lasset Gelehrte sich zanken und streiten"
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf3:50
18Sapphische Ode "Rosen brach ich Nachts mir am dunklen Hage", op. 94 no. 4
recorded in:
New York, New York, United States (on 1929-02-14)
piano:
Arthur Bergh (musician) (on 1929-02-14)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-02-14)
recording of:
5 Lieder, op. 94: Nr. 4. Sapphische Ode
lyricist:
Hans Schmidt (Baltic-German composer and poet)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 94
Johannes Brahms2:45
19Auf dem Kirchhofe "Der Tag ging regenschwer", op. 105 no. 4
recorded in:
New York, New York, United States (on 1929-02-14)
piano:
Arthur Bergh (musician) (on 1929-02-14)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-02-14)
recording of:
5 Lieder, op. 105: Nr. 4. Auf dem Kirchhofe
lyricist:
Detlev von Liliencron
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 105
Johannes Brahms2:53
20Immer leiser wird mein Schlummer, op. 105 no.2
recorded in:
New York, New York, United States (on 1929-02-14)
piano:
Arthur Bergh (musician) (on 1929-02-14)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-02-14)
recording of:
5 Lieder, op. 105: Nr. 2. Immer leiser wird mein Schlummer
lyricist:
Hermann von Lingg
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 105
Johannes Brahms3:45
21Feldeinsamkeit "Ich ruhe still im hohen grünen Gras", op. 86 no. 2
recorded in:
New York, New York, United States (on 1929-02-14)
piano:
Arthur Bergh (musician) (on 1929-02-14)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-02-14)
recording of:
6 Lieder, op. 86: Nr. 2. Feldeinsamkeit
lyricist:
Hermann Allmers
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 86
Johannes Brahms3:49
22Liederkreis, op. 39, no. 5: Mondnacht "Es war als hätt der Himmel"
recorded in:
New York, New York, United States (on 1929-10-24)
piano:
Arthur Bergh (musician) (on 1929-10-24)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-10-24)
recording of:
Liederkreis, op. 39: Nr. 5. Mondnacht
lyricist:
Joseph von Eichendorff
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Liederkreis, op. 39
Robert Schumann3:08
23Wanderlied "Wohlauf! noch getrunken den funkelnden Wein!", op. 35 no. 3
recorded in:
New York, New York, United States (on 1929-10-24)
piano:
Arthur Bergh (musician) (on 1929-10-24)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-10-24)
recording of:
Zwölf Gedichte, op. 35: III. Wanderlied
lyricist:
Justinus Kerner
composer:
Robert Schumann (German classical composer)
part of:
Zwölf Gedichte, op. 35
Robert Schumann3:29
24Traum durch die Dämmerung "Weite Wiesen im Dämmergrau" op. 29 no. 1
recorded in:
New York, New York, United States (on 1929-10-23)
piano:
Arthur Bergh (musician) (on 1929-10-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-10-23)
recording of:
Traum durch die Dämmerung, op. 29 no. 1
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer)
part of:
3 Lieder for voice and piano (op. 29; TrV 172)
Richard Strauss3:00
25Zueignung "Ja, du weißt es, teure Seele", op. 10 no. 1
recorded in:
New York, New York, United States (on 1929-10-23)
piano:
Arthur Bergh (musician) (on 1929-10-23)
bass vocals:
Alexander Kipnis (operatic bass) (on 1929-10-23)
recording of:
Zueignung, op. 10 no. 1 (for voice and piano)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss2:06
2▼CD
#TitleArtistRatingLength
1Vier ernste Gesänge, op. 121: I. Denn es gehet dem Menschen
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-15)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-15)
recording of:
4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh (on 1936-06-15)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:49
2Vier ernste Gesänge, op. 121: II. Ich wandte mich und sahe
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-15)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-15)
recording of:
4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle (on 1936-06-15)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:37
3Vier ernste Gesänge, op. 121: III. O Tod, wie bitter bist du
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-15)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-15)
recording of:
4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du (on 1936-06-15)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:24
4Vier ernste Gesänge, op. 121: IV. Wenn ich mit Menschen- und mit Engelszungen
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-15)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-15)
recording of:
4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete (on 1936-06-15)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:45
5Verrat "Ich stand in einer lauen Nacht", op. 105 no. 5
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-26)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-26)
recording of:
5 Lieder, op. 105: Nr. 5. Verrat (on 1936-06-26)
lyricist:
Carl von Lemcke
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 105
Johannes Brahms4:11
6Erinnerung "Ihr wunderschönen Augenblicke", op. 63 no. 2
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-15)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-15)
recording of:
9 Lieder und Gesänge, op. 63: Nr. 2. Erinnerung
lyricist:
Max von Schenkendorf
composer:
Johannes Brahms (German composer)
part of:
9 Lieder und Gesänge, op. 63
Johannes Brahms3:49
7An die Nachtigall "Geuß nicht so laut", op. 46 no. 4
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-07-02)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-07-02)
recording of:
4 Lieder, op. 46: Nr. 4. An die Nachtigall (on 1936-07-02)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Johannes Brahms (German composer)
part of:
4 Lieder, op. 46
Johannes Brahms4:07
8Ein Sonett "Auch könnt ich, könnte vergessen sie", op. 14 no. 4
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-26)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-26)
recording of:
8 Lieder und Romanzen, op. 14: Nr. 4. Ein Sonett (on 1936-06-26)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer) (in 1858)
part of:
8 Lieder und Romanzen, op. 14
Johannes Brahms2:37
9Sonntag "So hab ich doch die ganze Woche", op. 47 no. 3
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-26)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-26)
recording of:
5 Lieder, op. 47: Nr. 3. Sonntag (on 1936-06-26)
lyricist:
Ludwig Uhland (German poet)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 47
Johannes Brahms1:28
10Von ewiger Liebe "Dunkel, wie dunkel in Wald und in Feld!", op. 43 no. 1
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-07-02)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-07-02)
recording of:
4 Gesänge, op. 43: Nr. 1. Von ewiger Liebe (on 1936-07-02)
lyricist:
Josef Wenzig
composer:
Johannes Brahms (German composer)
part of:
4 Gesänge, op. 43
Johannes Brahms4:44
11Heimweh II "O wüßt ich doch den Weg zurück", op. 63 no. 8
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-06-15)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-06-15)
recording of:
9 Lieder und Gesänge, op. 63: Nr. 8. Heimweh II (on 1936-06-15)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
9 Lieder und Gesänge, op. 63
Johannes Brahms3:59
12Ständchen "Der Mond steht über dem Berge", op. 106 no. 1
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-07-02)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-07-02)
recording of:
5 Lieder, op. 106: Nr. 1. Ständchen
lyricist:
Franz Theodor Kugler
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 106
Johannes Brahms1:47
13Vergebliches Ständchen "Guten Abend, mein Schatz", op. 84 no. 4
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-07-02)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-07-02)
recording of:
5 Romanzen und Lieder, op. 84: Nr. 4. Vergebliches Ständchen (on 1936-07-02)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
5 Romanzen und Lieder, op. 84
Johannes Brahms1:33
14Die Mainacht "Wann der silberne Mond", op. 43 no. 2
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-07-02)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-07-02)
recording of:
4 Gesänge, op. 43: Nr. 2. Die Mainacht (on 1936-07-02)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Johannes Brahms (German composer)
part of:
4 Gesänge, op. 43
Johannes Brahms3:33
15Die Winterreise, D. 911, no. 20: Der Wegweiser "Was vermeid' ich denn die Wege"
recorded in:
New York, New York, United States
piano:
Frank Bibb (pianist) (on 1927-10-31)
bass vocals:
Alexander Kipnis (operatic bass) (on 1927-10-31)
recording of:
Winterreise, op. 89, D. 911: XX. Der Wegweiser
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:01
16Schwanengesang, D. 957 no. 13: Der Doppelgänger "Still ist die Nacht"
recorded in:
New York, New York, United States
piano:
Frank Bibb (pianist) (on 1927-10-31)
bass vocals:
Alexander Kipnis (operatic bass) (on 1927-10-31)
recording of:
Schwanengesang, D. 957: XIII. Der Doppelgänger
lyricist:
Heinrich Heine (German poet)
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert4:13
17Schwanengesang, D. 957 no. 5: Aufenthalt "Rauschender Strom"
recorded in:
New York, New York, United States
piano:
Frank Bibb (pianist) (on 1927-01-28)
bass vocals:
Alexander Kipnis (operatic bass) (on 1927-01-28)
recording of:
Schwanengesang, D. 957: V. Aufenthalt
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert3:38
18Schwanengesang, D. 957 no. 12: Am Meer "Das Meer erglänzte"
recorded in:
New York, New York, United States
piano:
Frank Bibb (pianist) (on 1927-01-28)
bass vocals:
Alexander Kipnis (operatic bass) (on 1927-01-28)
recording of:
Schwanengesang, D. 957: XII. Am Meer
lyricist:
Heinrich Heine (German poet)
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert4:46
19Die Winterreise, D. 911 no. 5: Der Lindenbaum "Am Brunnen vor dem Tore"
recorded in:
New York, New York, United States
piano:
Frank Bibb (pianist) (on 1927-01-28)
bass vocals:
Alexander Kipnis (operatic bass) (on 1927-01-28)
recording of:
Winterreise, op. 89, D. 911: V. Der Lindenbaum
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827-02)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:34
20Die schöne Müllerin, D. 795 no. 7: Ungeduld "Ich schnitt' es gern"
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-10-20)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-10-20)
recording of:
Die schöne Müllerin, D. 795: Nr. 7. Ungeduld (on 1936-10-20)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert2:14
21Erlkönig "Wer reitet so spät", D. 328, op. 1
recorded in:
London (Greater London), England, United Kingdom
piano:
Gerald Moore (pianist) (on 1936-10-20)
bass vocals:
Alexander Kipnis (operatic bass) (on 1936-10-20)
recording of:
Erlkönig, D. 328 (on 1936-10-20)
lyricist:
Johann Wolfgang von Goethe (in 1782)
composer:
Franz Schubert (composer) (in 1815)
publisher:
Cappi & Diabelli (in 1821)
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1821-03-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328)
is based on:
Erlkönig (Goethe’s poem)
Franz Schubert3:54