Original Album Classics

~ Release by Blue Öyster Cult (see all versions of this release, 1 available)

Tracklist

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1▼CD: Blue Öyster Cult
#TitleRatingLength
1Transmaniacon MC
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Transmaniacon MC (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Donald Roeser and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.253:21
2I’m on the Lamb but I Ain’t No Sheep
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
I'm on the Lamb but I Ain't No Sheep (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
33:10
3Then Came the Last Days of May
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Then Came the Last Days of May (in 1971-10)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
4.43:31
4Stairway to the Stars
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Stairway to the Stars (in 1971-10)
writer:
Albert Bouchard, Donald Roeser and Richard Meltzer
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.353:43
5Before the Kiss, a Redcap
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Before the Kiss, a Redcap (in 1971-10)
writer:
Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.354:59
6Screams
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass and lead vocals:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Screams (in 1971-10)
lyricist and composer:
Joe Bouchard
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
2.653:10
7She’s as Beautiful as a Foot
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
She's as Beautiful as a Foot (in 1971-10)
writer:
Albert Bouchard, Allen Lanier and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
32:58
8Cities on Flame With Rock and Roll
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Albert Bouchard (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10), Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Cities on Flame With Rock and Roll (in 1971-10)
writer:
Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Blue Öyster Cult Music, Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.94:03
9Workshop of the Telescopes
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Workshop of the Telescopes (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard, Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony Tunes, Inc. and Sony/ATV Tunes LLC (ASCAP) (in 1972)
44:01
10Redeemed
engineer:
David Lucas (US producer, composer & engineer) and Billy Robertson
associate producer:
David Lucas (US producer, composer & engineer)
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Redeemed (in 1971-10)
writer:
Albert Bouchard, Harry Farcas, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
3.53:52
11Donovan’s Monkey (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-09-11)
recording of:
Donovan’s Monkey (on 1969-09-11)
writer:
Albert Bouchard and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
33:50
12What Is Quicksand (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-07-21)
recording of:
What Is Quicksand (on 1969-07-21)
writer:
Allen Lanier and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
23:39
13A Fact About Sneakers (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-09-11)
recording of:
A Fact About Sneakers (on 1969-09-11)
writer:
Albert Bouchard and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1972)
32:51
14Betty Lou’s Got a New Pair of Shoes (demo)
producer:
Bob Devere and Jay Lee (producer on Blue Öyster Cult demos)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1969-07-21)
cover recording of:
Betty Lou’s Got a New Pair of Shoes (on 1969-07-21)
lyricist and composer:
Bobby Freeman
publisher:
Benell Music Co., Bobby Freeman Music and Clockus Music
32:33
2▼CD: Tyranny and Mutation
#TitleRatingLength
1The Red & the Black
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
The Red and the Black (in 1972)
lyricist:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
composer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Sony/ATV Music Publishing Ltd., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.94:24
2O.D.’d on Life Itself
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
OD’d on Life Itself (in 1972)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard and Sandy Pearlman
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner/Chappell Music, Inc., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
4.24:48
3Hot Rails to Hell
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
Hot Rails to Hell (in 1972)
lyricist and composer:
Joe Bouchard
publisher:
Sony/ATV Music Publishing Ltd., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
4.355:12
47 Screaming Diz‐Busters
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
7 Screaming Diz-Busters (in 1972)
lyricist and composer:
Albert Bouchard, Joe Bouchard, Buck Dharma and Sandy Pearlman
publisher:
B.O.C. Outside Writers, Sony Tunes, Inc., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.757:01
5Baby Ice Dog
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
Baby Ice Dog (in 1972)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Patti Smith
publisher:
Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
33:28
6Wings Wetted Down
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
Wings Wetted Down (in 1972)
writer:
Albert Bouchard and Joe Bouchard
publisher:
Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
44:12
7Teen Archer
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
Teen Archer (in 1972)
writer:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Richard Meltzer
publisher:
Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
4.53:57
8Mistress of the Salmon Salt (Quicklime Girl)
recording engineer:
Phil Giambalvo (in 1972) and Lou Schlossberg (in 1972)
engineer:
Tim Geelan
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
recorded at:
Columbia Studios in New York, New York, United States (in 1972)
recording of:
Mistress of the Salmon Salt (Quicklime Girl) (in 1972)
writer:
Albert Bouchard and Sandy Pearlman
publisher:
Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.555:09
9Cities on Flame With Rock and Roll (live)
recorded in:
Rochester, New York, United States (in 1972)
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
live recording of:
Cities on Flame With Rock and Roll (in 1972)
writer:
Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Blue Öyster Cult Music, Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.54:44
10Buck’s Boogie (studio version)
recorded in:
New York, United States (in 1972)
producer:
Murray Krugman and Sandy Pearlman
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
recording of:
Buck’s Boogie (in 1972)
lyricist and composer:
Albert Bouchard and Buck Dharma
publisher:
Blue Öyster Cult Music and Sony/ATV Music Publishing LLC (1995–2020)
3.55:22
117 Screaming Diz‐Busters (live)
recorded in:
Seattle, Washington, United States (on 1974-07-05)
producer:
Blue Öyster Cult (US rock band) and George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
live recording of:
7 Screaming Diz-Busters (on 1974-07-05)
lyricist and composer:
Albert Bouchard, Joe Bouchard, Buck Dharma and Sandy Pearlman
publisher:
B.O.C. Outside Writers, Sony Tunes, Inc., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
3.514:01
12O.D.’d on Life Itself (live)
recorded in:
Portland, Oregon, United States (on 1974-07-04)
producer:
Blue Öyster Cult (US rock band) and George Geranios (hard rock songwriter, producer & engineer, mainly 1970s~1980s)
bass guitar:
Joe Bouchard
drums (drum set):
Albert Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Joe Bouchard and Allen Lanier
synthesizer:
Eric Bloom (Blue Öyster Cult)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
live recording of:
OD’d on Life Itself (on 1974-07-04)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard and Sandy Pearlman
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner/Chappell Music, Inc., Blue Oyster Cult Songs, Inc. (in 1973) and Sony/ATV Tunes LLC (ASCAP) (in 1973)
34:53
3▼CD: Secret Treaties
#TitleRatingLength
1Career of Evil
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
recording of:
Career of Evil (in 1974)
composer:
Albert Bouchard, Sandy Pearlman and Patti Smith
publisher:
Sony Tunes, Inc. and Blue Oyster Cult Songs, Inc. (in 1974)
4.54:00
2Subhuman
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
recording of:
Subhuman (in 1974)
composer:
Eric Bloom (Blue Öyster Cult) and Sandy Pearlman
publisher:
Blue Oyster Cult Songs, Inc. (in 1974)
44:39
3Dominance and Submission
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
recording of:
Dominance and Submission (in 1974)
composer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
publisher:
Blue Oyster Cult Songs, Inc. (in 1974)
4.55:23
4ME 262
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (from 1974 until 1980)
recording of:
ME 262 (in 1974)
composer:
Eric Bloom (Blue Öyster Cult), Donald Roeser and Sandy Pearlman
publisher:
B.O.C. Outside Writers, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Blue Oyster Cult Songs, Inc. (in 1974)
4.24:48
5Cagey Cretins
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
recording of:
Cagey Cretins (in 1974)
lyricist:
Richard Meltzer
composer:
Albert Bouchard
publisher:
Blue Oyster Cult Songs, Inc. (in 1974)
43:17
6Harvester of Eyes
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Harvester of Eyes (in 1974)
composer:
Eric Bloom (Blue Öyster Cult) and Donald Roeser
publisher:
B.O.C. Outside Writers, Sony/ATV Music Publishing LLC (1995–2020) and Blue Oyster Cult Songs, Inc. (in 1974)
44:41
7Flaming Telepaths
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Flaming Telepaths (in 1974)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Donald Roeser and Sandy Pearlman
publisher:
B.O.C. Outside Writers, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Blue Oyster Cult Songs, Inc. (in 1974)
3.955:20
8Astronomy
recording engineer:
Lou Schlossberg (in 1974) and Lehman Yates (in 1974)
engineer:
Tim Geelan, Steve Hoffman (mastering engineer), Stephen Marsh and Jerry Smith (CBS Studios)
producer:
Murray Krugman and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Astronomy (in 1974)
writer:
Albert Bouchard, Joe Bouchard and Sandy Pearlman
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes (SOCAN), Warner/Chappell Music, Inc. and Blue Oyster Cult Songs, Inc. (in 1974)
4.556:28
9Boorman the Chauffer
producer:
Murray Krugman and Sandy Pearlman
recording of:
Boorman the Chauffeur (in 1974)
lyricist:
Joe Bouchard
composer:
Joe Bouchard and Murray Krugman
33:13
10Mommy
producer:
Murray Krugman and Sandy Pearlman
mixer:
Thom Cadley (in 2001-02)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States (in 2001-02)
recording of:
Mommy (in 1974)
lyricist:
Richard Meltzer
composer:
Eric Bloom (Blue Öyster Cult)
3.253:32
11Mes Dames Sarat
producer:
Murray Krugman and Sandy Pearlman
mixer:
Thom Cadley (in 2001-02)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States (in 2001-02)
recording of:
Mes Dames Sarat (in 1974)
lyricist and composer:
Allen Lanier
34:06
12Born to Be Wild (studio version)
producer:
Murray Krugman and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1975)
cover recording of:
Born to Be Wild (in 1974)
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2.23:41
13Career of Evil (single version)
producer:
Murray Krugman and Sandy Pearlman
recording of:
Career of Evil (in 1974)
composer:
Albert Bouchard, Sandy Pearlman and Patti Smith
publisher:
Sony Tunes, Inc. and Blue Oyster Cult Songs, Inc. (in 1974)
3.53:00
4▼CD: Agents of Fortune
#TitleRatingLength
1This Ain’t the Summer of Love
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
This Ain’t the Summer of Love (in 1976-03)
writer:
Albert Bouchard, Donald Waller (Music writer, Imperial Dogs frontman) and Murray Krugman
publisher:
Blue Oyster Cult Songs, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Peermusic Ltd. (BMI) (in 1976) and Sony/ATV Tunes LLC (ASCAP) (in 1976)
3.72:21
2True Confessions
recording engineer and mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
True Confessions (from 1975 until 1976)
lyricist and composer:
Allen Lanier
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1976)
2.752:57
3(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.555:08
4E.T.I. (Extra Terrestrial Intelligence)
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
E.T.I. (Extra Terrestrial Intelligence) (in 1976-03)
writer:
Donald Roeser and Sandy Pearlman
publisher:
B.O.C. Outside Writers, Blue Oyster Cult Songs, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1976)
4.353:43
5The Revenge of Vera Gemini
recording engineer and mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
horn:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (from 1975 until 1976) and Randy Brecker (from 1975 until 1976)
vocals:
Patti Smith (from 1975 until 1976)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
The Revenge of Vera Gemini (from 1975 until 1976)
writer:
Albert Bouchard and Patti Smith
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1976)
33:52
6Sinful Love
recording engineer and mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
Sinful Love (from 1975 until 1976)
writer:
Albert Bouchard and Helen Robbins
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1976)
43:29
7Tattoo Vampire
recording engineer and mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
Tattoo Vampire (from 1975 until 1976)
writer:
Albert Bouchard and Helen Robbins
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP) (in 1976)
42:41
8Morning Final
recording engineer and mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
Morning Final (from 1975 until 1976)
lyricist and composer:
Joe Bouchard
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1976)
44:30
9Tenderloin
recording engineer and mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
Tenderloin (from 1975 until 1976)
lyricist and composer:
Allen Lanier
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1976)
3.53:40
10Debbie Denise
recording engineer and mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
Debbie Denise (from 1975 until 1976)
writer:
Albert Bouchard and Patti Smith
publisher:
Sony/ATV Tunes LLC (ASCAP) (in 1976)
2.654:13
11Fire of Unknown Origin (original version)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
Fire of Unknown Origin (from 1975 until 1976)
composer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard, Buck Dharma and Patti Smith
publisher:
Blue Oyster Cult Songs, Inc. (in 1981)
43:30
12Sally (demo)
recorded in:
New York, New York, United States (in 1976-03)
recording of:
Sally (in 1976-03)
composer:
Albert Bouchard
32:40
13(Don’t Fear) The Reaper (demo)
recorded in:
New York, New York, United States (in 1976-03)
producer:
Buck Dharma
demo recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
46:20
14Dance the Night Away (demo)
recorded in:
New York, New York, United States (in 1976-03)
producer:
Allen Lanier
recording of:
Dance the Night Away (demo) (in 1976-03)
composer:
Jim Carroll (author/poet/punk musician) and Allen Lanier
2.52:37
5▼CD: Mirrors
#TitleRatingLength
1Dr. Music
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
harmonica:
Mickey Raphael (in 1979)
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
background vocals:
Ellen Foley (in 1979) and Genya Ravan (pop rock singer Goldie) (in 1979)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Dr. Music (in 1979)
writer:
Joe Bouchard, Buck Dharma and Richard Meltzer
3.13:14
2The Great Sun Jester
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
The Great Sun Jester (in 1979)
lyricist:
Michael Moorcock
writer:
Eric Bloom (Blue Öyster Cult) and John Trivers
34:47
3In Thee
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
strings:
Jai Winding (pianist, composer, vocal) (in 1979)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
In Thee (in 1979)
lyricist and composer:
Allen Lanier
3.23:49
4Mirrors
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
background vocals:
Ellen Foley (in 1979) and Genya Ravan (pop rock singer Goldie) (in 1979)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Mirrors (in 1979)
writer:
Bruce Abbott (songwriter) and Buck Dharma
publisher:
Carlin Music Corporation and Sony/ATV Music Publishing Ltd.
2.63:45
5Moon Crazy
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Moon Crazy (in 1979)
writer:
Joe Bouchard
publisher:
Sony/ATV Music Publishing Ltd.
3.44:03
6The Vigil
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
The Vigil (in 1979)
writer:
Buck Dharma and Sandy Roeser
4.756:26
7I Am the Storm
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
I Am the Storm (in 1979)
writer:
Ronald Binder and Joe Bouchard
43:43
8You’re Not the One (I Was Looking For)
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
You’re Not the One (I Was Looking For) (in 1979)
writer:
Albert Bouchard and Caryn Bouchard
33:15
9Lonely Teardrops
recording engineer:
Gary Ladinsky (engineer) (in 1979)
additional assistant engineer:
Lou Schlossberg and Geoff Sykes
producer:
Tom Werman
mixer:
Gary Ladinsky (engineer)
bass guitar:
Joe Bouchard
guitar:
Eric Bloom (Blue Öyster Cult), Buck Dharma and Allen Lanier
keyboard:
Allen Lanier
percussion and synthesizer:
Albert Bouchard
background vocals:
Wendy Webb (in 1979)
lead vocals:
Eric Bloom (Blue Öyster Cult) and Buck Dharma
vocals:
Albert Bouchard and Joe Bouchard
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Lonely Teardrops (in 1979)
writer:
Allen Lanier
3.43:41