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~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Rock ’n’ Roll
#TitleArtistRatingLength
1Rock and Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:34
2Tutti Frutti
recording of:
Tutti Frutti
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
Little Richard2:25
3Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (southern gospel group) (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.552:28
4Wild Thing
recording of:
Wild Thing
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs2:30
5Sixteen Tons
acoustic guitar:
Bobby Gibbons (on 1955-09-20)
bass clarinet:
Darol Rice (on 1955-09-20)
clarinet:
Red Mandel (on 1955-09-20)
double bass [bass]:
Rolly Bundock (on 1955-09-20)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-09-20)
finger snaps and lead vocals:
Tennessee Ernie Ford (on 1955-09-20)
trombone:
George Bruns (on 1955-09-20)
trumpet:
Charlie Parlato (on 1955-09-20)
conductor:
Jack Fascinato (on 1955-09-20)
arranger:
Jack Fascinato
phonographic copyright (℗) by:
Bacci Bros Records (in 2010) and Lucky Vintage (in 2014)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-09-20)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 12)
cover recording of:
Sixteen Tons (on 1955-09-20)
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
adaptations:
16 Tons
Tennessee Ernie Ford4.652:37
6Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley4.452:01
7Do You Love Me
producer:
Berry Gordy Jr.
guitar:
Huey Davis (guitarist) (on 1962-06-03)
instruments:
The Funk Brothers (on 1962-06-03)
additional lead vocals:
Billy Hoggs (on 1962-06-03)
background vocals:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (on 1962-06-03), Hubert Johnson (singer) (on 1962-06-03) and Sylvester Potts (on 1962-06-03)
lead vocals:
Billy Gordon (The Contours) (on 1962-06-03)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1962-06-03)
music videos:
Do You Love Me (music video) by The Contours (60s soul)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 9)
recording of:
Do You Love Me (on 1962-06-03)
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Brian Poole4.353:00
8Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:11
9Stay
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams1:49
10C’mon Everybody
drums (drum set):
Earl Palmer (on 1958-10-10)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-10-10)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (on 1958-10-10)
tambourine:
Jerry Capehart (on 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-10-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 403)
recording of:
C’mon Everybody (on 1958-10-09)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:56
11Hit the Road Jack
recording of:
Hit the Road Jack
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles1:57
12Oh Marie Line
vocals:
Danyel Gérard (French pop singer) (in 1961)
orchestra:
Les Dangers (in 1961)
recording of:
Oh Marie Line (in 1961)
lyricist:
Ralph Bernet
composer:
Danyel Gérard (French pop singer)
Danyel Gérard2:41
13Bye Bye Love
recording of:
Bye Bye Love
writer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:20
14At the Hop
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors2:32
15Swanee River Hop
producer:
Dave Bartholomew
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
Swanee River Hop (in 1953-02)
composer:
[traditional] (special purpose artist)
arranger:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino52:47
16I’ve Got a Woman
recording of:
I Got a Woman
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:54
17Be Bop a Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
18Shake Rattle and Roll
Big Joe Turner3:01
19Such a Night
recorded in:
New York, New York, United States (on 1953-11-12)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1953-11-12)
guitar:
Mickey Baker (on 1953-11-12) and Jimmy Oliver (guitar, Drifters) (on 1953-11-12)
piano:
Harry Van Walls (R&B pianist) (on 1953-11-12)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-11-12)
baritone vocals:
Andrew Thrasher (on 1953-11-12)
bass vocals:
Bill Pinkney (on 1953-11-12)
lead vocals:
Clyde McPhatter (on 1953-11-12)
tenor vocals:
Clyde McPhatter (on 1953-11-12) and Gerhart Thrasher (on 1953-11-12)
recording of:
Such a Night (on 1953-11-12)
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation and Raleigh Music, Inc.
The Drifters42:30
20No Milk Today
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
lyricist and composer:
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hournew Music Ltd.
Herman’s Hermits4.652:47
2▼CD: Yéyés
#TitleArtistRatingLength
1Twist à Saint‐Tropez
vocals:
Dick Rivers (in 1961)
orchestra:
Les Chats Sauvages (in 1961)
recording of:
Twist à Saint-Tropez (in 1961)
lyricist:
Lucien Morisse (Lyricist and radio producer) and André Salvet
composer:
Guy Lafitte (French jazz saxophonist) and Martial Solal
Les Chats Sauvages1:47
2Souvenirs, souvenirs
vocals:
Johnny Hallyday (in 1960)
recording of:
Souvenirs, souvenirs (french lyrics) (in 1960)
composer:
Cy Coben (songwriter)
translator:
Fernand Bonifay
translated version of:
Souvenirs (German lyrics)
Johnny Hallyday2:12
3Vous permettez, monsieur
vocals:
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez, monsieur ? (in 1964)
lyricist and composer:
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez Monsieur (italian lyrics)
lyricist and composer:
Adamo (Belgian singer Salvatore Adamo)
translator:
Nisa (Italian lyricist Nicola Salerno)
translated version of:
Vous permettez, monsieur ?
Salvatore Adamo3:03
4Sunny
vocals:
Richard Anthony (French‐Egyptian pop singer)
Richard Anthony2:58
5Scopitone
vocals:
Dani (French actress and singer)
conductor:
Jean-Pierre Sabar
recording of:
Scopitone (in 1967-02)
lyricist and composer:
Frédéric Botton
Dani2:46
6Mais quand le matin
recording of:
Mais quand le matin (in 2003)
lyricist:
Claude François (in 1967) and Gilles Thibaut (in 1967)
composer:
Éric Charden (in 1967)
Éric Charden2:49
7N’avoue jamais
recording of:
N'avoue jamais
lyricist:
Françoise Dorin
composer:
Guy Mardel
publisher:
Tutti Intersong Éditions musicales and Warner Chappell Music France (in 1965)
Guy Mardel2:53
8Itsi bitsi petit bikini
vocals:
Dalida (Egyptian-Italian singer and actress) (, in 1960)
orchestra:
Raymond Lefèvre et son orchestre (Raymond Lefevre and His Orchestra, smaller formation than the "grand orchestre")
recording of:
Itsy bitsy, petit bikini (in 1960)
writer:
Karl-Lennart, Paul J. Vance (US songwriter and producer) and Lee Pockriss
translator:
Lucien Morisse (Lyricist and radio producer) and André Salvet
translated version of:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
Dalida2:18
9Ce n’est pas vrai
recording of:
Ce n'est pas vrai
lyricist:
Monty (real name: Jacques Bulostin)
composer:
Ernie Maresca and Louis Zerato
Monty3:04
10Lady Lay
recording of:
Lady Lay
lyricist:
Michel Jourdan
composer:
Pierre Groscolas
Pierre Groscolas3:08
11Cigarettes, whiskey et petites pépées
recording of:
Cigarettes, whisky et p’tites pépées
lyricist and composer:
Tim Spencer (Songwriter Vernon Harold Timothy Spencer)
translator:
François Llenas (lyricist) and Jacques Soumet
translated version of:
Cigarettes, Whuskey and Wild, Wild Women
Annie Cordy3:20
12Adieu jolie Candy
recording of:
Adieu jolie Candy
lyricist:
F. Herval
composer:
Raymond Jeannot
arranger:
M. Hursel
Jean-François Michael3:22
13Arrête, arrête (Demain tu te maries)
recording of:
Demain tu te maries (arrête, arrête, ne me touche pas)
writer:
Patricia Carli
composer:
Léo Missir (Leon MISSIR)
Patricia Carli3:20
14C’est tout comme
Danny Boy2:36
15Avec le temps
François Deguelt5:17
16Tous se passe dans les yeux
recording of:
Tout se passe dans les yeux
lyricist:
Mya Simille (Micheline Helyett)
composer:
Roy Head and Gene Kurtz
version of:
Treat Her Right
Dick Rivers2:30
17If I Had a Hammer
recording of:
If I Had a Hammer
writer:
Lee Hays (in 1949) and Pete Seeger (in 1949)
publisher:
M.P.A. (M.P.A.)
Trini Lopez2:58
18Bim bam bam
Alice Dona2:06
19Biche, ma biche
recording of:
Ma biche
composer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
translator:
Vline Buggy
translated version of:
Sweets for My Sweet
Frank Alamo2:48
20Scoubidou
recording of:
Scoubidou (pommes et poires) (Apples, Peaches and Cherries)
lyricist:
Maurice Tézé (lyricist)
composer:
Lewis Allan
version of:
Apples, Peaches and Cherries
Sacha Distel3:01
3▼CD: Soirée Salso – Tango
#TitleArtistRatingLength
1El cañonero
Benny Moré3:23
2La bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Ritchie Valens4.752:08
3Ritmo en el corazón
Ray Barretto4:43
4Oye lo que tiene salsa
Tito Puente3:15
5Reina rumba
Celia Cruz2:56
6El negro bembón
recording of:
El negro bembón (in 1958)
writer:
Bobby Capó (Puerto Rican singer and songwriter)
Ismael Rivera3:01
7Castígala
Los Nemus4:36
8La noche
Joe Arroyo y La Verdad4:26
9Por eso yo canto salsa
Fania All-Stars8:19
10El mambo es moi
Kiko Rodríguez4:22
11La comay
Sonora Carruseles4:39
12Manteca
recording of:
Manteca
composer:
Walter “Gil” Fuller (jazz composer & arranger), Dizzy Gillespie and Chano Pozo
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Twenty-Eighth Street Music
Chano Pozo & Dizzy Gillespie3:21
13Te amo tanto
Wiso Pagán y su Orquesta4:35
14Rebellion
Joe Arroyo4:48
15Caminito
Carlos3:18
16Tatihou
Acard, Cavano, Lehasif, Garcia & Del Prado2:45
17La última copa
Orquesta Hector Grané3:02
18Si soy así
Orchestre Argentin Bachicha2:43
19A media luz
Tani Scala2:50
20Libertango
Ástor Piazzolla2:44
4▼CD: Slows – Valses
#TitleArtistRatingLength
1Are You Lonesome Tonight
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 9)
cover recording of:
Are You Lonesome Tonight? (on 1960-04-03)
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Elvis Presley3.153:08
2When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:56
3Only You
recording of:
Only You
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:37
4Tell It Like This
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 381)
recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville3:04
5L’Hymne à l’amour
choir vocals:
Les Chœurs René Saint-Paul (on 1950-05-02)
vocals:
Édith Piaf (on 1950-05-02)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1950-05-02)
recording of:
Hymne à l’amour (on 1950-05-02)
lyricist:
Édith Piaf
composer:
Marguerite Monnot
publisher:
Éditions Raoul Breton
Édith Piaf3:28
6Quand on n’a que l’amour
vocals:
Jacques Brel (on 1956-09-18)
conductor:
André Popp (on 1956-09-18)
recording of:
Quand on n’a que l’amour (on 1956-09-18)
lyricist and composer:
Jacques Brel
Jacques Brel52:26
7Come prima
vocals:
Dalida (Egyptian-Italian singer and actress) (in 1958)
orchestra:
Raymond Lefèvre et son grand orchestre (in 1958)
recording of:
Come prima (Tu me donnes) (in 1958)
lyricist:
Mario Panzeri (Italian lyricist and composer)
composer:
Agostino Di Paola and Alessandro Taccani (composer)
translator:
Jacques Larue (French lyricist)
translated version of:
Come prima
Dalida2:41
8Des roses rouges pour un ange blond
Lucky Blondo2:31
9Tendre Cathy
recording of:
Tendre Cathy
lyricist:
Patricia Carli
Christian Delagrange3:06
10L’Été indien
Toto Cutugno4:52
11La Plage aux romantiques
recording of:
La Plage aux romantiques
lyricist:
Jean Albertini (french singer, lyricist & producer)
composer:
Pascal Danel
Pascal Danel3:31
12Unforgettable
producer:
Lee Gillette
piano:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole3.853:28
13My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3.853:38
14I’ve Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra43:42
15I Want to Know What Love Is
cover recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Gloria Gaynor3:07
16Take My Breath Away
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (ended), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1986 winner)
Berlin4:35
17House of the Rising Sun
Eric Burdon & the Animals4:41
18Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
19Le Beau Danube bleu
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II3:32
20Une nuit à Venise
Johann Strauss II1:29
5▼CD: Bal musette
#TitleArtistRatingLength
1À Joinville‐le‐Pont
vocals:
Bourvil (French actor, humorist & singer) (on 1952-02-22)
orchestra:
Étienne Lorin et son ensemble (on 1952-02-22)
recording of:
À Joinville-le-Pont (on 1952-02-22)
lyricist:
Roger Pierre (French actor)
composer:
Étienne Lorin (French musician)
Bourvil2:43
2La Java bleue
vocals:
Fréhel (on 1939-01-02)
orchestra:
Orchestre Pierrot
recording of:
La Java bleue (on 1939-01-02)
lyricist:
Géo Koger (composer, author) (in 1938) and Noël Renard (in 1938)
composer:
Vincent Scotto (in 1938)
Fréhel2:46
3Mon amant de Saint Jean
accordion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1942-07-07)
vocals:
Lucienne Delyle (on 1942-07-07)
orchestra:
Orchestre Jacques Météhen (on 1942-07-07)
recording of:
Mon amant de Saint‐Jean (on 1942-07-07)
lyricist:
Léon Agel
composer:
Émile Carrara
Lucienne Delyle2:49
4L’Accordéoniste
recorded in:
Paris, Île-de-France, France (on 1940-05-27)
accordion:
Gus Viseur (Belgian/French 1930s-70s accordionist) (on 1940-05-27)
vocals:
Édith Piaf (on 1940-05-27)
orchestra:
Guy Luypaert and His Orchestra and Orchestre Wal-Berg (on 1940-05-27)
conductor:
Guy Luypaerts
phonographic copyright (℗) by:
[no label] (Special purpose label – white labels, self-published releases and other “no label” releases) (in 1941)
recording of:
L’Accordéoniste (on 1940-05-27)
lyricist and composer:
Michel Emer
Édith Piaf43:09
5Quand on se promène au bord de l’eau
recorded in:
Paris, Île-de-France, France (on 1936-09-15)
accordion:
Adolphe Deprince (Belgo-French accordeonnist) (on 1936-09-15)
vocals:
Jean Gabin (French 1930-70s actor & singer) (on 1936-09-15)
orchestra:
Orchestre Musette Pierrot (on 1936-09-15)
recording of:
Quand on s’promène au bord de l’eau (du film "La Belle Équipe") (on 1936-09-15)
lyricist:
Julien Duvivier and Louis Poterat
composer:
Jean Sautreuil and Maurice Yvain
Jean Gabin3:17
6La Java des as
André Verchuren1:54
7La Romance de Paris
recording engineer:
Eugène Ravenet (engineer)
vocals:
Charles Trenet (on 1941-07-16)
conductor:
Jacques Météhen (a.k.a. "Jack" Metehen, John Ellsworth) (on 1941-07-16)
recorded at:
Studio Albert in Paris, Île-de-France, France (on 1941-07-16)
recording of:
La Romance de Paris (on 1941-07-16)
lyricist:
Charles Trenet (in 1941)
composer:
Léo Chauliac (in 1941) and Charles Trenet (in 1941)
Charles Trenet2:50
8Paris sera toujours Paris
vocals:
Maurice Chevalier (in 1939)
orchestra:
L'Orchestre Marcel Cariven (in 1939)
conductor:
Marcel Cariven (in 1939)
recording of:
Paris sera toujours Paris (in 1939)
lyricist:
Albert Willemetz
composer:
Casimir Oberfeld
Maurice Chevalier3:15
9Le Petit Vin blanc
Aimable Donfut2:32
10Javanons
vocals:
Fernandel (French actor and singer)
recording of:
Javanons
Fernandel2:47
11Bois de Boulogne
Marcel Azzola2:29
12Dédé de Montmartre
Émile Prud’homme3:01
13Cœur de Parisienne
vocals:
Arletty (in 1931)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1931)
recording of:
Cœur de Parisienne (in 1931)
lyricist:
Jean Choux and Charles Seider
composer:
André Sablon
Arletty2:39
14La Java du crochet
vocals:
Marie Dubas (on 1932-04-02)
conductor:
Ralph Carcel (on 1932-04-02)
recording of:
La Java du crochet (on 1932-04-02)
lyricist:
Charles-Louis Pothier and Albert Willemetz
composer:
Raoul Moretti (French composer, musician and lyricist)
recording of:
La Java du crochet (on 1932-04-07)
lyricist:
Charles-Louis Pothier and Albert Willemetz
composer:
Raoul Moretti (French composer, musician and lyricist)
Marie Dubas3:31
15Rue de Lappe
vocals:
Mouloudji
recording of:
Rue de Lappe
lyricist:
Francis Lemarque
composer:
Rudi Revil (aka "Cadix")
Mouloudji2:47
16Sous les ponts de Paris
Jo Leprince2:20
17On n’a pas tous les jours vingt ans
vocals:
Berthe Sylva (in 1934)
conductor:
Albert Valsien (French conductor, composer & arranger) (in 1934)
recording of:
On n’a pas tous les jours 20 ans (in 1934)
lyricist:
Fernand Pothier
composer:
Léon Raiter
Berthe Sylva3:02
18Le Retour des hirondelles
Jo L'Auvergnat2:11
19Passion
Tony Murena & son ensemble2:30
20Ménilmontant
accordion and harmonica:
Hubert Giraud (in 1942-10)
bass:
Louis Vola (in 1942-10)
clarinet and saxophone:
Marcel Baudran (in 1942-10), Amédée Charles (in 1942-10), Alex Gaïa (in 1942-10) and Gustave Moulin (in 1942-10)
drums (drum set):
Max Mirlirot (in 1942-10)
guitar:
Hubert Giraud (in 1942-10) and Henri Salvador (in 1942-10)
piano:
Alain Romans (in 1942-10)
trombone:
Guibaud (in 1942-10), Eugène d’Hellemmes (in 1942-10) and Jean Mellet (in 1942-10)
trumpet:
Pierre Allier (trumpeter / composer) (in 1942-10), Jean d'Arco (in 1942-10) and Adrien Terme (in 1942-10)
violin:
Jacques Boullut (in 1942-10), René Santerini (in 1942-10) and Jean Verrière (in 1942-10)
vocals:
Grégoire "Coco" Aslan (in 1942-10)
conductor:
Ray Ventura (in 1942-10)
arranger:
Paul Misraki
recorded at:
Studio Odéon Disco Nacional in Buenos Aires, Argentina (in 1942-10)
recording of:
Ménilmontant (in 1942-10)
lyricist and composer:
Charles Trenet (in 1938)
Ray Ventura3:10